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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 84 / 0 / 9 / 18 it is the complementary color CMYK 0 / 79 / 71 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 84 / 0 / 9 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 82 / 0 / 11 / 18, CMYK 76 / 0 / 10 / 11, CMYK 71 / 0 / 9 / 4, CMYK 65 / 0 / 5 / 0 and CMYK 58 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 84 / 0 / 9 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 84 / 0 / 9 / 18, CMYK 92 / 0 / 10 / 25, CMYK 100 / 0 / 12 / 32, CMYK 100 / 0 / 14 / 39 and CMYK 100 / 0 / 17 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 85 / 0 / 9 / 19, CMYK 85 / 0 / 32 / 19, CMYK 85 / 0 / 55 / 19, CMYK 85 / 0 / 78 / 19 and CMYK 69 / 0 / 85 / 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 85 / 0 / 9 / 19, CMYK 85 / 14 / 0 / 19, CMYK 85 / 37 / 0 / 19, CMYK 85 / 59 / 0 / 19 and CMYK 85 / 82 / 0 / 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 84 / 0 / 9 / 18 shade matches the following richer shades: CMYK 85 / 0 / 9 / 19 and CMYK 95 / 0 / 10 / 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 85 / 0 / 9 / 19, CMYK 73 / 0 / 7 / 27, CMYK 58 / 0 / 6 / 34, CMYK 40 / 0 / 5 / 42 and CMYK 16 / 0 / 2 / 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 85 / 0 / 55 / 19, CMYK 85 / 0 / 32 / 19, CMYK 85 / 0 / 10 / 19, CMYK 85 / 13 / 0 / 19 and CMYK 85 / 35 / 0 / 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 84 / 0 / 9 / 47, CMYK 85 / 0 / 9 / 33, CMYK 85 / 0 / 9 / 19, CMYK 75 / 0 / 8 / 12 and CMYK 60 / 0 / 7 / 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 84 / 0 / 9 / 18, CMYK 78 / 85 / 0 / 19 and CMYK 0 / 44 / 85 / 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 84 / 0 / 9 / 18, CMYK 10 / 85 / 0 / 19 and CMYK 0 / 10 / 85 / 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 84 / 0 / 9 / 18, CMYK 78 / 85 / 0 / 19, CMYK 0 / 85 / 75 / 19 and CMYK 7 / 0 / 85 / 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 84 / 0 / 9 / 18 shade: CMYK 84 / 0 / 9 / 18, CMYK 52 / 85 / 0 / 19, CMYK 0 / 85 / 75 / 19 and CMYK 32 / 0 / 85 / 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 9 / 18

HEX #21D1BE

RGB 33 209 190

HSL 173.52, 0.73%, 0.47%

LAB 75.85, -45.47, -2.42

 

Complementary color

CMYK 0 / 79 / 71 / 13

HEX #DE2E41

RGB 222 46 65

HSL 353.52, 0.73%, 0.53%

LAB 49.33, 66.43, 33.45

 

CMYK 82 / 0 / 11 / 18

HEX #26D1B9

RGB 38 209 185

HSL 171.58, 0.69%, 0.48%

LAB 75.77, -46.44, 0.16

 

CMYK 76 / 0 / 10 / 11

HEX #37E3CC

RGB 55 227 204

HSL 171.98, 0.75%, 0.55%

LAB 81.9, -47.46, -1

 

CMYK 71 / 0 / 9 / 4

HEX #48F5DF

RGB 72 245 223

HSL 172.37, 0.9%, 0.62%

LAB 87.97, -48.22, -2.06

 

CMYK 65 / 0 / 5 / 0

HEX #59FFF2

RGB 89 255 242

HSL 175.3, 1%, 0.67%

LAB 91.71, -45.33, -6.41

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 84 / 0 / 9 / 18

HEX #21D1BE

RGB 33 209 190

HSL 173.52, 0.73%, 0.47%

LAB 75.85, -45.47, -2.42

 

CMYK 92 / 0 / 10 / 25

HEX #10BFAB

RGB 16 191 171

HSL 173.14, 0.85%, 0.41%

LAB 69.69, -43.97, -1.15

 

CMYK 100 / 0 / 12 / 32

HEX #00AD98

RGB 0 173 152

HSL 172.72, 1%, 0.34%

LAB 63.47, -42.15, 0.24

 

CMYK 100 / 0 / 14 / 39

HEX #009B85

RGB 0 155 133

HSL 171.48, 1%, 0.3%

LAB 57.21, -39.73, 1.82

 

CMYK 100 / 0 / 17 / 46

HEX #008972

RGB 0 137 114

HSL 169.93, 1%, 0.27%

LAB 50.81, -37.27, 3.48

 

CMYK 85 / 0 / 9 / 19

HEX #20CFBC

RGB 32 207 188

HSL 173.49, 0.73%, 0.47%

LAB 75.18, -45.23, -2.33

 

CMYK 85 / 0 / 32 / 19

HEX #20CF8D

RGB 32 207 141

HSL 157.37, 0.73%, 0.47%

LAB 74.1, -56.79, 21.29

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5E

RGB 32 207 94

HSL 141.26, 0.73%, 0.47%

LAB 73.38, -65.19, 44.12

 

CMYK 85 / 0 / 78 / 19

HEX #20CF2E

RGB 32 207 46

HSL 124.8, 0.73%, 0.47%

LAB 72.98, -70.14, 62.99

 

CMYK 69 / 0 / 85 / 19

HEX #41CF20

RGB 65 207 32

HSL 108.69, 0.73%, 0.47%

LAB 73.45, -66.26, 67.39

 

CMYK 85 / 0 / 9 / 19

HEX #20CFBC

RGB 32 207 188

HSL 173.49, 0.73%, 0.47%

LAB 75.18, -45.23, -2.33

 

CMYK 85 / 14 / 0 / 19

HEX #20B3CF

RGB 32 179 207

HSL 189.6, 0.73%, 0.47%

LAB 67.32, -26.52, -24.5

 

CMYK 85 / 37 / 0 / 19

HEX #2083CF

RGB 32 131 207

HSL 206.06, 0.73%, 0.47%

LAB 53, -0.14, -46.84

 

CMYK 85 / 59 / 0 / 19

HEX #2054CF

RGB 32 84 207

HSL 222.17, 0.73%, 0.47%

LAB 39.84, 29.7, -68.06

 

CMYK 85 / 82 / 0 / 19

HEX #2025CF

RGB 32 37 207

HSL 238.29, 0.73%, 0.47%

LAB 29.75, 57.2, -84.68

 

CMYK 85 / 0 / 9 / 19

HEX #20CFBC

RGB 32 207 188

HSL 173.49, 0.73%, 0.47%

LAB 75.18, -45.23, -2.33

 

CMYK 95 / 0 / 10 / 11

HEX #0CE2CB

RGB 12 226 203

HSL 173.55, 0.9%, 0.47%

LAB 81.17, -50.09, -1.58

 

CMYK 85 / 0 / 9 / 19

HEX #20CFBC

RGB 32 207 188

HSL 173.49, 0.73%, 0.47%

LAB 75.18, -45.23, -2.33

 

CMYK 73 / 0 / 7 / 27

HEX #33BBAD

RGB 51 187 173

HSL 173.82, 0.57%, 0.47%

LAB 68.94, -38.75, -3.3

 

CMYK 58 / 0 / 6 / 34

HEX #47A89E

RGB 71 168 158

HSL 173.81, 0.41%, 0.47%

LAB 63.19, -30.78, -3.39

 

CMYK 40 / 0 / 5 / 42

HEX #5A958E

RGB 90 149 142

HSL 172.88, 0.25%, 0.47%

LAB 57.68, -20.94, -2.37

 

CMYK 16 / 0 / 2 / 49

HEX #6D817F

RGB 109 129 127

HSL 174, 0.08%, 0.47%

LAB 52.38, -7.68, -1.36

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5D

RGB 32 207 93

HSL 140.91, 0.73%, 0.47%

LAB 73.37, -65.33, 44.58

 

CMYK 85 / 0 / 32 / 19

HEX #20CF8C

RGB 32 207 140

HSL 157.03, 0.73%, 0.47%

LAB 74.08, -57, 21.79

 

CMYK 85 / 0 / 10 / 19

HEX #20CFBA

RGB 32 207 186

HSL 172.8, 0.73%, 0.47%

LAB 75.13, -45.78, -1.33

 

CMYK 85 / 13 / 0 / 19

HEX #20B5CF

RGB 32 181 207

HSL 188.91, 0.73%, 0.47%

LAB 67.92, -27.51, -23.58

 

CMYK 85 / 35 / 0 / 19

HEX #2086CF

RGB 32 134 207

HSL 205.03, 0.73%, 0.47%

LAB 53.88, -1.93, -45.44

 

CMYK 84 / 0 / 9 / 47

HEX #15877B

RGB 21 135 123

HSL 173.68, 0.73%, 0.31%

LAB 50.59, -32.43, -2.06

 

CMYK 85 / 0 / 9 / 33

HEX #1AAB9C

RGB 26 171 156

HSL 173.79, 0.74%, 0.39%

LAB 63.13, -38.87, -2.47

 

CMYK 85 / 0 / 9 / 19

HEX #20CFBC

RGB 32 207 188

HSL 173.49, 0.73%, 0.47%

LAB 75.18, -45.23, -2.33

 

CMYK 75 / 0 / 8 / 12

HEX #38E0CE

RGB 56 224 206

HSL 173.57, 0.73%, 0.55%

LAB 81.08, -45.53, -3.27

 

CMYK 60 / 0 / 7 / 10

HEX #5CE5D6

RGB 92 229 214

HSL 173.43, 0.72%, 0.63%

LAB 83.53, -40.56, -3.81

 

CMYK 84 / 0 / 9 / 18

HEX #21D1BE

RGB 33 209 190

HSL 173.52, 0.73%, 0.47%

LAB 75.85, -45.47, -2.42

 

CMYK 78 / 85 / 0 / 19

HEX #2E20CF

RGB 46 32 207

HSL 244.8, 0.73%, 0.47%

LAB 29.71, 59.96, -84.73

 

CMYK 0 / 44 / 85 / 19

HEX #CF7420

RGB 207 116 32

HSL 28.8, 0.73%, 0.47%

LAB 57.9, 30.14, 57.47

 

CMYK 84 / 0 / 9 / 18

HEX #21D1BE

RGB 33 209 190

HSL 173.52, 0.73%, 0.47%

LAB 75.85, -45.47, -2.42

 

CMYK 10 / 85 / 0 / 19

HEX #BA20CF

RGB 186 32 207

HSL 292.8, 0.73%, 0.47%

LAB 46.94, 76.63, -55.83

 

CMYK 0 / 10 / 85 / 19

HEX #CFBA20

RGB 207 186 32

HSL 52.8, 0.73%, 0.47%

LAB 75.13, -7.34, 71.88

 

CMYK 84 / 0 / 9 / 18

HEX #21D1BE

RGB 33 209 190

HSL 173.52, 0.73%, 0.47%

LAB 75.85, -45.47, -2.42

 

CMYK 78 / 85 / 0 / 19

HEX #2E20CF

RGB 46 32 207

HSL 244.8, 0.73%, 0.47%

LAB 29.71, 59.96, -84.73

 

CMYK 0 / 85 / 75 / 19

HEX #CF2034

RGB 207 32 52

HSL 353.14, 0.73%, 0.47%

LAB 45.01, 65.19, 35.32

 

CMYK 7 / 0 / 85 / 19

HEX #C0CF20

RGB 192 207 32

HSL 65.14, 0.73%, 0.47%

LAB 79.58, -24.27, 75.07

 

CMYK 84 / 0 / 9 / 18

HEX #21D1BE

RGB 33 209 190

HSL 173.52, 0.73%, 0.47%

LAB 75.85, -45.47, -2.42

 

CMYK 52 / 85 / 0 / 19

HEX #6320CF

RGB 99 32 207

HSL 262.97, 0.73%, 0.47%

LAB 34.38, 64.15, -76.86

 

CMYK 0 / 85 / 75 / 19

HEX #CF2034

RGB 207 32 52

HSL 353.14, 0.73%, 0.47%

LAB 45.01, 65.19, 35.32

 

CMYK 32 / 0 / 85 / 19

HEX #8CCF20

RGB 140 207 32

HSL 82.97, 0.73%, 0.47%

LAB 76.26, -44.86, 70.93

 

Description

Color code: CMYK 84 / 0 / 9 / 18 | qconv.com Color code: CMYK 84 / 0 / 9 / 18 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 209 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 209 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 9 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 9% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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