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Color name
CMYK 82 / 27 / 0 / 20

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 82 / 27 / 0 / 20 it is the complementary color CMYK 0 / 51 / 77 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 82 / 27 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 79 / 25 / 0 / 22, CMYK 73 / 23 / 0 / 15, CMYK 68 / 22 / 0 / 7, CMYK 64 / 20 / 0 / 0 and CMYK 57 / 13 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 82 / 27 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 27 / 0 / 20, CMYK 89 / 29 / 0 / 27, CMYK 98 / 32 / 0 / 35, CMYK 100 / 35 / 0 / 42 and CMYK 100 / 40 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 27 / 0 / 21, CMYK 82 / 49 / 0 / 21, CMYK 82 / 71 / 0 / 21, CMYK 70 / 82 / 0 / 21 and CMYK 49 / 82 / 0 / 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 27 / 0 / 21, CMYK 82 / 49 / 0 / 21, CMYK 82 / 71 / 0 / 21 and CMYK 82 / 82 / 0 / 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 82 / 27 / 0 / 20 shade matches the following richer shades: CMYK 82 / 27 / 0 / 21 and CMYK 92 / 30 / 0 / 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 27 / 0 / 21, CMYK 69 / 23 / 0 / 28, CMYK 54 / 18 / 0 / 36, CMYK 34 / 11 / 0 / 44 and CMYK 8 / 2 / 0 / 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 0 / 18 / 21, CMYK 82 / 4 / 0 / 21, CMYK 82 / 26 / 0 / 21, CMYK 82 / 48 / 0 / 21 and CMYK 82 / 70 / 0 / 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 27 / 0 / 48, CMYK 82 / 27 / 0 / 35, CMYK 82 / 27 / 0 / 21, CMYK 72 / 24 / 0 / 14 and CMYK 57 / 19 / 0 / 12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 27 / 0 / 20, CMYK 40 / 82 / 0 / 21 and CMYK 0 / 7 / 82 / 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 27 / 0 / 20, CMYK 0 / 82 / 26 / 21 and CMYK 26 / 0 / 82 / 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 27 / 0 / 20, CMYK 40 / 82 / 0 / 21, CMYK 0 / 56 / 82 / 21 and CMYK 42 / 0 / 82 / 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 82 / 27 / 0 / 20 shade: CMYK 82 / 27 / 0 / 20, CMYK 15 / 82 / 0 / 21, CMYK 0 / 56 / 82 / 21 and CMYK 67 / 0 / 82 / 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 27 / 0 / 20

HEX #2595CC

RGB 37 149 204

HSL 199.76, 0.69%, 0.47%

LAB 58.27, -11.25, -36.83

 

Complementary color

CMYK 0 / 51 / 77 / 15

HEX #DA6A33

RGB 218 106 51

HSL 19.76, 0.69%, 0.53%

LAB 57.51, 40.37, 49.73

 

CMYK 79 / 25 / 0 / 22

HEX #2A95C7

RGB 42 149 199

HSL 199.11, 0.65%, 0.47%

LAB 58.14, -12.53, -34.21

 

CMYK 73 / 23 / 0 / 15

HEX #3BA7DA

RGB 59 167 218

HSL 199.25, 0.68%, 0.54%

LAB 64.67, -13.92, -34.62

 

CMYK 68 / 22 / 0 / 7

HEX #4CB9ED

RGB 76 185 237

HSL 199.38, 0.82%, 0.61%

LAB 71.11, -15.01, -34.98

 

CMYK 64 / 20 / 0 / 0

HEX #5DCBFF

RGB 93 203 255

HSL 199.26, 1%, 0.68%

LAB 77.44, -16.18, -34.84

 

CMYK 57 / 13 / 0 / 0

HEX #6EDDFF

RGB 110 221 255

HSL 194.07, 1%, 0.72%

LAB 83.05, -22.39, -26.18

 

CMYK 82 / 27 / 0 / 20

HEX #2595CC

RGB 37 149 204

HSL 199.76, 0.69%, 0.47%

LAB 58.27, -11.25, -36.83

 

CMYK 89 / 29 / 0 / 27

HEX #1483B9

RGB 20 131 185

HSL 199.64, 0.8%, 0.4%

LAB 51.71, -9.23, -36.36

 

CMYK 98 / 32 / 0 / 35

HEX #0371A6

RGB 3 113 166

HSL 199.51, 0.96%, 0.33%

LAB 45.06, -6.72, -35.81

 

CMYK 100 / 35 / 0 / 42

HEX #005F93

RGB 0 95 147

HSL 201.22, 1%, 0.29%

LAB 38.36, -3.42, -35.1

 

CMYK 100 / 40 / 0 / 50

HEX #004D80

RGB 0 77 128

HSL 203.91, 1%, 0.25%

LAB 31.5, 0.25, -34.39

 

CMYK 82 / 27 / 0 / 21

HEX #2594CA

RGB 37 148 202

HSL 199.64, 0.69%, 0.47%

LAB 57.88, -11.4, -36.31

 

CMYK 82 / 49 / 0 / 21

HEX #2567CA

RGB 37 103 202

HSL 216, 0.69%, 0.47%

LAB 44.74, 15.82, -57.2

 

CMYK 82 / 71 / 0 / 21

HEX #253ACA

RGB 37 58 202

HSL 232.36, 0.69%, 0.47%

LAB 33.32, 44.63, -75.86

 

CMYK 70 / 82 / 0 / 21

HEX #3C25CA

RGB 60 37 202

HSL 248.36, 0.69%, 0.47%

LAB 30.76, 57.31, -80.05

 

CMYK 49 / 82 / 0 / 21

HEX #6825CA

RGB 104 37 202

HSL 264.36, 0.69%, 0.47%

LAB 35.06, 61.78, -72.79

 

CMYK 82 / 27 / 0 / 21

HEX #2594CA

RGB 37 148 202

HSL 199.64, 0.69%, 0.47%

LAB 57.88, -11.4, -36.31

 

CMYK 82 / 49 / 0 / 21

HEX #2567CA

RGB 37 103 202

HSL 216, 0.69%, 0.47%

LAB 44.74, 15.82, -57.2

 

CMYK 82 / 71 / 0 / 21

HEX #253ACA

RGB 37 58 202

HSL 232.36, 0.69%, 0.47%

LAB 33.32, 44.63, -75.86

 

CMYK 82 / 82 / 0 / 21

HEX #2525CA

RGB 37 37 202

HSL 240, 0.69%, 0.47%

LAB 29.36, 55.89, -82.4

 

CMYK 82 / 27 / 0 / 21

HEX #2594CA

RGB 37 148 202

HSL 199.64, 0.69%, 0.47%

LAB 57.88, -11.4, -36.31

 

CMYK 92 / 30 / 0 / 13

HEX #119ADD

RGB 17 154 221

HSL 199.71, 0.86%, 0.47%

LAB 60.29, -9.19, -43.18

 

CMYK 82 / 27 / 0 / 21

HEX #2594CA

RGB 37 148 202

HSL 199.64, 0.69%, 0.47%

LAB 57.88, -11.4, -36.31

 

CMYK 69 / 23 / 0 / 28

HEX #388DB7

RGB 56 141 183

HSL 199.84, 0.53%, 0.47%

LAB 55.39, -11.8, -29.4

 

CMYK 54 / 18 / 0 / 36

HEX #4B86A3

RGB 75 134 163

HSL 199.77, 0.37%, 0.47%

LAB 53.16, -10.76, -21.31

 

CMYK 34 / 11 / 0 / 44

HEX #5F8090

RGB 95 128 144

HSL 199.59, 0.21%, 0.47%

LAB 51.71, -7.54, -12.39

 

CMYK 8 / 2 / 0 / 51

HEX #72797C

RGB 114 121 124

HSL 198, 0.04%, 0.47%

LAB 50.34, -1.98, -2.55

 

CMYK 82 / 0 / 18 / 21

HEX #25CAA6

RGB 37 202 166

HSL 166.91, 0.69%, 0.47%

LAB 73.15, -48.55, 6.6

 

CMYK 82 / 4 / 0 / 21

HEX #25C2CA

RGB 37 194 202

HSL 182.91, 0.69%, 0.47%

LAB 71.72, -34.98, -15.07

 

CMYK 82 / 26 / 0 / 21

HEX #2596CA

RGB 37 150 202

HSL 198.91, 0.69%, 0.47%

LAB 58.48, -12.52, -35.38

 

CMYK 82 / 48 / 0 / 21

HEX #256ACA

RGB 37 106 202

HSL 214.91, 0.69%, 0.47%

LAB 45.59, 13.9, -55.84

 

CMYK 82 / 70 / 0 / 21

HEX #253DCA

RGB 37 61 202

HSL 231.27, 0.69%, 0.47%

LAB 33.97, 42.82, -74.77

 

CMYK 82 / 27 / 0 / 48

HEX #186184

RGB 24 97 132

HSL 199.44, 0.69%, 0.31%

LAB 38.57, -8.87, -25.67

 

CMYK 82 / 27 / 0 / 35

HEX #1E7AA7

RGB 30 122 167

HSL 199.71, 0.7%, 0.39%

LAB 48.24, -9.92, -31.37

 

CMYK 82 / 27 / 0 / 21

HEX #2594CA

RGB 37 148 202

HSL 199.64, 0.69%, 0.47%

LAB 57.88, -11.4, -36.31

 

CMYK 72 / 24 / 0 / 14

HEX #3DA7DB

RGB 61 167 219

HSL 199.75, 0.69%, 0.55%

LAB 64.76, -13.32, -35.03

 

CMYK 57 / 19 / 0 / 12

HEX #60B7E1

RGB 96 183 225

HSL 199.53, 0.68%, 0.63%

LAB 70.73, -14.25, -29

 

CMYK 82 / 27 / 0 / 20

HEX #2595CC

RGB 37 149 204

HSL 199.76, 0.69%, 0.47%

LAB 58.27, -11.25, -36.83

 

CMYK 40 / 82 / 0 / 21

HEX #7A25CA

RGB 122 37 202

HSL 270.91, 0.69%, 0.47%

LAB 37.34, 64.2, -68.97

 

CMYK 0 / 7 / 82 / 21

HEX #CABC25

RGB 202 188 37

HSL 54.91, 0.69%, 0.47%

LAB 75.24, -10.4, 70.53

 

CMYK 82 / 27 / 0 / 20

HEX #2595CC

RGB 37 149 204

HSL 199.76, 0.69%, 0.47%

LAB 58.27, -11.25, -36.83

 

CMYK 0 / 82 / 26 / 21

HEX #CA2596

RGB 202 37 150

HSL 318.91, 0.69%, 0.47%

LAB 47.08, 70.5, -21.88

 

CMYK 26 / 0 / 82 / 21

HEX #96CA25

RGB 150 202 37

HSL 78.91, 0.69%, 0.47%

LAB 75.36, -38.76, 69.17

 

CMYK 82 / 27 / 0 / 20

HEX #2595CC

RGB 37 149 204

HSL 199.76, 0.69%, 0.47%

LAB 58.27, -11.25, -36.83

 

CMYK 40 / 82 / 0 / 21

HEX #7A25CA

RGB 122 37 202

HSL 270.91, 0.69%, 0.47%

LAB 37.34, 64.2, -68.97

 

CMYK 0 / 56 / 82 / 21

HEX #CA5925

RGB 202 89 37

HSL 18.91, 0.69%, 0.47%

LAB 51.65, 42.14, 49.66

 

CMYK 42 / 0 / 82 / 21

HEX #75CA25

RGB 117 202 37

HSL 90.91, 0.69%, 0.47%

LAB 73.65, -50.61, 66.99

 

CMYK 82 / 27 / 0 / 20

HEX #2595CC

RGB 37 149 204

HSL 199.76, 0.69%, 0.47%

LAB 58.27, -11.25, -36.83

 

CMYK 15 / 82 / 0 / 21

HEX #AC25CA

RGB 172 37 202

HSL 289.09, 0.69%, 0.47%

LAB 44.74, 72.2, -56.61

 

CMYK 0 / 56 / 82 / 21

HEX #CA5925

RGB 202 89 37

HSL 18.91, 0.69%, 0.47%

LAB 51.65, 42.14, 49.66

 

CMYK 67 / 0 / 82 / 21

HEX #43CA25

RGB 67 202 37

HSL 109.09, 0.69%, 0.47%

LAB 71.94, -64.03, 64.8

 

Description

Color code: CMYK 82 / 27 / 0 / 20 | qconv.com Color code: CMYK 82 / 27 / 0 / 20 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 149 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 149 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 27 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 27% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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