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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 78 / 74 / 0 / 24 it is the complementary color CMYK 0 / 3 / 71 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 78 / 74 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 75 / 74 / 0 / 26, CMYK 69 / 67 / 0 / 18, CMYK 64 / 62 / 0 / 11, CMYK 60 / 58 / 0 / 4 and CMYK 55 / 52 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 78 / 74 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 74 / 0 / 24, CMYK 85 / 82 / 0 / 31, CMYK 94 / 91 / 0 / 39, CMYK 100 / 100 / 0 / 46 and CMYK 100 / 100 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 74 / 0 / 25, CMYK 61 / 78 / 0 / 25, CMYK 40 / 78 / 0 / 25, CMYK 19 / 78 / 0 / 25 and CMYK 0 / 78 / 3 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 74 / 0 / 25 and CMYK 78 / 78 / 0 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 78 / 74 / 0 / 24 shade matches the following richer shades: CMYK 78 / 74 / 0 / 25, CMYK 89 / 85 / 0 / 17 and CMYK 98 / 94 / 0 / 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 74 / 0 / 25, CMYK 65 / 62 / 0 / 32, CMYK 48 / 46 / 0 / 40, CMYK 27 / 26 / 0 / 47 and CMYK 0 / 0 / 2 / 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 33 / 0 / 25, CMYK 78 / 54 / 0 / 25, CMYK 78 / 74 / 0 / 25, CMYK 61 / 78 / 0 / 25 and CMYK 41 / 78 / 0 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 75 / 0 / 51, CMYK 78 / 75 / 0 / 38, CMYK 78 / 74 / 0 / 25, CMYK 70 / 67 / 0 / 17 and CMYK 56 / 54 / 0 / 14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 74 / 0 / 24, CMYK 0 / 78 / 12 / 25 and CMYK 43 / 0 / 78 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 74 / 0 / 24, CMYK 0 / 78 / 74 / 25 and CMYK 74 / 0 / 78 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 74 / 0 / 24, CMYK 0 / 78 / 12 / 25, CMYK 0 / 4 / 78 / 25 and CMYK 78 / 0 / 67 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 78 / 74 / 0 / 24 shade: CMYK 78 / 74 / 0 / 24, CMYK 0 / 78 / 35 / 25, CMYK 0 / 4 / 78 / 25 and CMYK 78 / 0 / 43 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 74 / 0 / 24

HEX #2B32C2

RGB 43 50 194

HSL 237.22, 0.64%, 0.46%

LAB 31.09, 46.98, -74.84

 

Complementary color

CMYK 0 / 3 / 71 / 17

HEX #D4CD3D

RGB 212 205 61

HSL 57.22, 0.64%, 0.54%

LAB 80.74, -13.81, 68.35

 

CMYK 75 / 74 / 0 / 26

HEX #3032BD

RGB 48 50 189

HSL 239.15, 0.59%, 0.46%

LAB 30.84, 45.72, -72.3

 

CMYK 69 / 67 / 0 / 18

HEX #4144D0

RGB 65 68 208

HSL 238.74, 0.6%, 0.54%

LAB 37.5, 43.33, -72.4

 

CMYK 64 / 62 / 0 / 11

HEX #5256E3

RGB 82 86 227

HSL 238.34, 0.72%, 0.61%

LAB 44.23, 41.1, -72.23

 

CMYK 60 / 58 / 0 / 4

HEX #6368F6

RGB 99 104 246

HSL 237.96, 0.89%, 0.68%

LAB 50.93, 39.1, -71.95

 

CMYK 55 / 52 / 0 / 0

HEX #747AFF

RGB 116 122 255

HSL 237.41, 1%, 0.73%

LAB 56.93, 34.24, -67.17

 

CMYK 78 / 74 / 0 / 24

HEX #2B32C2

RGB 43 50 194

HSL 237.22, 0.64%, 0.46%

LAB 31.09, 46.98, -74.84

 

CMYK 85 / 82 / 0 / 31

HEX #1A20AF

RGB 26 32 175

HSL 237.58, 0.74%, 0.39%

LAB 24.79, 49.35, -74.03

 

CMYK 94 / 91 / 0 / 39

HEX #090E9C

RGB 9 14 156

HSL 237.96, 0.89%, 0.32%

LAB 19.11, 50.7, -71.96

 

CMYK 100 / 100 / 0 / 46

HEX #000089

RGB 0 0 137

HSL 240, 1%, 0.27%

LAB 14.44, 49.9, -67.96

 

CMYK 100 / 100 / 0 / 54

HEX #000076

RGB 0 0 118

HSL 240, 1%, 0.23%

LAB 11.33, 44.81, -61.03

 

CMYK 78 / 74 / 0 / 25

HEX #2A31C0

RGB 42 49 192

HSL 237.2, 0.64%, 0.46%

LAB 30.63, 46.8, -74.43

 

CMYK 61 / 78 / 0 / 25

HEX #4B2AC0

RGB 75 42 192

HSL 253.2, 0.64%, 0.46%

LAB 31.71, 53.57, -72.57

 

CMYK 40 / 78 / 0 / 25

HEX #742AC0

RGB 116 42 192

HSL 269.6, 0.64%, 0.46%

LAB 36.32, 59.18, -64.83

 

CMYK 19 / 78 / 0 / 25

HEX #9C2AC0

RGB 156 42 192

HSL 285.6, 0.64%, 0.46%

LAB 42.05, 66.06, -55.26

 

CMYK 0 / 78 / 3 / 25

HEX #C02ABB

RGB 192 42 187

HSL 302, 0.64%, 0.46%

LAB 47.56, 72.18, -43.18

 

CMYK 78 / 74 / 0 / 25

HEX #2A31C0

RGB 42 49 192

HSL 237.2, 0.64%, 0.46%

LAB 30.63, 46.8, -74.43

 

CMYK 78 / 78 / 0 / 25

HEX #2A2AC0

RGB 42 42 192

HSL 240, 0.64%, 0.46%

LAB 29.3, 50.6, -76.64

 

CMYK 78 / 74 / 0 / 25

HEX #2A31C0

RGB 42 49 192

HSL 237.2, 0.64%, 0.46%

LAB 30.63, 46.8, -74.43

 

CMYK 89 / 85 / 0 / 17

HEX #171FD3

RGB 23 31 211

HSL 237.45, 0.8%, 0.46%

LAB 29.07, 60.69, -88.15

 

CMYK 98 / 94 / 0 / 10

HEX #040EE6

RGB 4 14 230

HSL 237.35, 0.97%, 0.46%

LAB 29.55, 70.79, -98.31

 

CMYK 78 / 74 / 0 / 25

HEX #2A31C0

RGB 42 49 192

HSL 237.2, 0.64%, 0.46%

LAB 30.63, 46.8, -74.43

 

CMYK 65 / 62 / 0 / 32

HEX #3D42AD

RGB 61 66 173

HSL 237.32, 0.48%, 0.46%

LAB 33.79, 32.1, -57.95

 

CMYK 48 / 46 / 0 / 40

HEX #50539A

RGB 80 83 154

HSL 237.57, 0.32%, 0.46%

LAB 38.24, 18.65, -39.31

 

CMYK 27 / 26 / 0 / 47

HEX #636487

RGB 99 100 135

HSL 238.33, 0.15%, 0.46%

LAB 43.53, 7.94, -19.48

 

CMYK 0 / 0 / 2 / 54

HEX #767674

RGB 118 118 116

HSL 60, 0.01%, 0.46%

LAB 49.58, -0.4, 1.09

 

CMYK 78 / 33 / 0 / 25

HEX #2A81C0

RGB 42 129 192

HSL 205.2, 0.64%, 0.46%

LAB 51.84, -3.57, -40.13

 

CMYK 78 / 54 / 0 / 25

HEX #2A59C0

RGB 42 89 192

HSL 221.2, 0.64%, 0.46%

LAB 40.32, 21.58, -58.57

 

CMYK 78 / 74 / 0 / 25

HEX #2A31C0

RGB 42 49 192

HSL 237.2, 0.64%, 0.46%

LAB 30.63, 46.8, -74.43

 

CMYK 61 / 78 / 0 / 25

HEX #4A2AC0

RGB 74 42 192

HSL 252.8, 0.64%, 0.46%

LAB 31.62, 53.46, -72.72

 

CMYK 41 / 78 / 0 / 25

HEX #722AC0

RGB 114 42 192

HSL 268.8, 0.64%, 0.46%

LAB 36.06, 58.87, -65.26

 

CMYK 78 / 75 / 0 / 51

HEX #1B1F7C

RGB 27 31 124

HSL 237.53, 0.64%, 0.3%

LAB 18.66, 32.54, -52.67

 

CMYK 78 / 75 / 0 / 38

HEX #22289E

RGB 34 40 158

HSL 237.1, 0.65%, 0.38%

LAB 24.72, 39.79, -63.84

 

CMYK 78 / 74 / 0 / 25

HEX #2A31C0

RGB 42 49 192

HSL 237.2, 0.64%, 0.46%

LAB 30.63, 46.8, -74.43

 

CMYK 70 / 67 / 0 / 17

HEX #3F45D4

RGB 63 69 212

HSL 237.58, 0.63%, 0.54%

LAB 37.96, 43.84, -73.96

 

CMYK 56 / 54 / 0 / 14

HEX #6066DC

RGB 96 102 220

HSL 237.1, 0.64%, 0.62%

LAB 48.46, 31.44, -61.35

 

CMYK 78 / 74 / 0 / 24

HEX #2B32C2

RGB 43 50 194

HSL 237.22, 0.64%, 0.46%

LAB 31.09, 46.98, -74.84

 

CMYK 0 / 78 / 12 / 25

HEX #C02AA9

RGB 192 42 169

HSL 309.2, 0.64%, 0.46%

LAB 46.61, 69.51, -34.09

 

CMYK 43 / 0 / 78 / 25

HEX #6DC02A

RGB 109 192 42

HSL 93.2, 0.64%, 0.46%

LAB 70.26, -49.01, 62.32

 

CMYK 78 / 74 / 0 / 24

HEX #2B32C2

RGB 43 50 194

HSL 237.22, 0.64%, 0.46%

LAB 31.09, 46.98, -74.84

 

CMYK 0 / 78 / 74 / 25

HEX #C02A31

RGB 192 42 49

HSL 357.2, 0.64%, 0.46%

LAB 42.89, 58.29, 33.89

 

CMYK 74 / 0 / 78 / 25

HEX #31C02A

RGB 49 192 42

HSL 117.2, 0.64%, 0.46%

LAB 68.4, -63.78, 59.9

 

CMYK 78 / 74 / 0 / 24

HEX #2B32C2

RGB 43 50 194

HSL 237.22, 0.64%, 0.46%

LAB 31.09, 46.98, -74.84

 

CMYK 0 / 78 / 12 / 25

HEX #C02AA9

RGB 192 42 169

HSL 309.2, 0.64%, 0.46%

LAB 46.61, 69.51, -34.09

 

CMYK 0 / 4 / 78 / 25

HEX #C0B82A

RGB 192 184 42

HSL 56.8, 0.64%, 0.46%

LAB 73.32, -12.52, 67.1

 

CMYK 78 / 0 / 67 / 25

HEX #2AC040

RGB 42 192 64

HSL 128.8, 0.64%, 0.46%

LAB 68.43, -62.96, 51.86

 

CMYK 78 / 74 / 0 / 24

HEX #2B32C2

RGB 43 50 194

HSL 237.22, 0.64%, 0.46%

LAB 31.09, 46.98, -74.84

 

CMYK 0 / 78 / 35 / 25

HEX #C02A7C

RGB 192 42 124

HSL 327.2, 0.64%, 0.46%

LAB 44.69, 63.85, -9.91

 

CMYK 0 / 4 / 78 / 25

HEX #C0B82A

RGB 192 184 42

HSL 56.8, 0.64%, 0.46%

LAB 73.32, -12.52, 67.1

 

CMYK 78 / 0 / 43 / 25

HEX #2AC06D

RGB 42 192 109

HSL 146.8, 0.64%, 0.46%

LAB 68.96, -56.63, 31.19

 

Description

Color code: CMYK 78 / 74 / 0 / 24 | qconv.com Color code: CMYK 78 / 74 / 0 / 24 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 50 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 50 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 74 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 74% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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