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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 76 / 0 / 36 / 1 it is the complementary color CMYK 0 / 98 / 52 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 76 / 0 / 36 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 74 / 0 / 38 / 1, CMYK 67 / 0 / 31 / 0, CMYK 61 / 0 / 24 / 0, CMYK 54 / 0 / 16 / 0 and CMYK 47 / 0 / 9 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 76 / 0 / 36 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 76 / 0 / 36 / 1, CMYK 81 / 0 / 39 / 8, CMYK 88 / 0 / 43 / 15, CMYK 95 / 0 / 47 / 22 and CMYK 100 / 0 / 52 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 77 / 0 / 36 / 1, CMYK 77 / 0 / 57 / 1, CMYK 76 / 0 / 77 / 1, CMYK 55 / 0 / 77 / 1 and CMYK 35 / 0 / 77 / 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 77 / 0 / 36 / 1, CMYK 77 / 0 / 15 / 1, CMYK 77 / 6 / 0 / 1, CMYK 77 / 26 / 0 / 1 and CMYK 77 / 47 / 0 / 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 76 / 0 / 36 / 1 shade matches the following richer shades: CMYK 77 / 0 / 36 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 77 / 0 / 36 / 1, CMYK 68 / 0 / 32 / 8, CMYK 58 / 0 / 27 / 14, CMYK 47 / 0 / 22 / 20 and CMYK 34 / 0 / 16 / 27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 75 / 0 / 77 / 1, CMYK 77 / 0 / 58 / 1, CMYK 77 / 0 / 37 / 1, CMYK 77 / 0 / 17 / 1 and CMYK 77 / 4 / 0 / 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 99 / 0 / 47 / 12, CMYK 93 / 0 / 44 / 2, CMYK 77 / 0 / 36 / 1, CMYK 61 / 0 / 29 / 1 and CMYK 45 / 0 / 21 / 1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 76 / 0 / 36 / 1, CMYK 77 / 55 / 0 / 1 and CMYK 0 / 68 / 77 / 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 76 / 0 / 36 / 1, CMYK 37 / 77 / 0 / 1 and CMYK 0 / 37 / 77 / 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 76 / 0 / 36 / 1, CMYK 77 / 55 / 0 / 1, CMYK 0 / 77 / 40 / 1 and CMYK 0 / 22 / 77 / 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 76 / 0 / 36 / 1 shade: CMYK 76 / 0 / 36 / 1, CMYK 75 / 77 / 0 / 1, CMYK 0 / 77 / 40 / 1 and CMYK 2 / 0 / 77 / 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 36 / 1

HEX #3DFCA2

RGB 61 252 162

HSL 151.73, 0.97%, 0.61%

LAB 88.55, -66.06, 30.15

 

Complementary color

CMYK 0 / 98 / 52 / 24

HEX #C2035D

RGB 194 3 93

HSL 331.73, 0.97%, 0.39%

LAB 41.73, 68.32, 5.11

 

CMYK 74 / 0 / 38 / 1

HEX #42FC9D

RGB 66 252 157

HSL 149.35, 0.97%, 0.62%

LAB 88.55, -66.38, 32.67

 

CMYK 67 / 0 / 31 / 0

HEX #53FFB0

RGB 83 255 176

HSL 152.44, 1%, 0.66%

LAB 90.09, -61.43, 25.24

 

CMYK 61 / 0 / 24 / 0

HEX #64FFC3

RGB 100 255 195

HSL 156.77, 1%, 0.7%

LAB 90.86, -54.65, 16.67

 

CMYK 54 / 0 / 16 / 0

HEX #75FFD6

RGB 117 255 214

HSL 162.17, 1%, 0.73%

LAB 91.76, -47.22, 8.23

 

CMYK 47 / 0 / 9 / 0

HEX #86FFE9

RGB 134 255 233

HSL 169.09, 1%, 0.76%

LAB 92.78, -39.26, -0.02

 

CMYK 76 / 0 / 36 / 1

HEX #3DFCA2

RGB 61 252 162

HSL 151.73, 0.97%, 0.61%

LAB 88.55, -66.06, 30.15

 

CMYK 81 / 0 / 39 / 8

HEX #2CEA8F

RGB 44 234 143

HSL 151.26, 0.82%, 0.55%

LAB 82.57, -65.08, 31.7

 

CMYK 88 / 0 / 43 / 15

HEX #1BD87C

RGB 27 216 124

HSL 150.79, 0.78%, 0.48%

LAB 76.56, -63.72, 33.37

 

CMYK 95 / 0 / 47 / 22

HEX #0AC669

RGB 10 198 105

HSL 150.32, 0.9%, 0.41%

LAB 70.51, -61.88, 35.15

 

CMYK 100 / 0 / 52 / 29

HEX #00B456

RGB 0 180 86

HSL 148.67, 1%, 0.35%

LAB 64.41, -59.48, 37.02

 

CMYK 77 / 0 / 36 / 1

HEX #3BFCA1

RGB 59 252 161

HSL 151.71, 0.97%, 0.61%

LAB 88.51, -66.48, 30.59

 

CMYK 77 / 0 / 57 / 1

HEX #3BFC6D

RGB 59 252 109

HSL 135.54, 0.97%, 0.61%

LAB 87.8, -74.69, 54.53

 

CMYK 76 / 0 / 77 / 1

HEX #3DFC3B

RGB 61 252 59

HSL 119.38, 0.97%, 0.61%

LAB 87.45, -79.11, 73.15

 

CMYK 55 / 0 / 77 / 1

HEX #71FC3B

RGB 113 252 59

HSL 103.21, 0.97%, 0.61%

LAB 88.66, -69.05, 74.74

 

CMYK 35 / 0 / 77 / 1

HEX #A5FC3B

RGB 165 252 59

HSL 87.05, 0.97%, 0.61%

LAB 90.75, -53.52, 77.45

 

CMYK 77 / 0 / 36 / 1

HEX #3BFCA1

RGB 59 252 161

HSL 151.71, 0.97%, 0.61%

LAB 88.51, -66.48, 30.59

 

CMYK 77 / 0 / 15 / 1

HEX #3BFCD5

RGB 59 252 213

HSL 167.88, 0.97%, 0.61%

LAB 89.56, -55.1, 5.42

 

CMYK 77 / 6 / 0 / 1

HEX #3BEEFC

RGB 59 238 252

HSL 184.35, 0.97%, 0.61%

LAB 86.56, -38.57, -19.38

 

CMYK 77 / 26 / 0 / 1

HEX #3BBAFC

RGB 59 186 252

HSL 200.52, 0.97%, 0.61%

LAB 71.61, -12.75, -42.36

 

CMYK 77 / 47 / 0 / 1

HEX #3B86FC

RGB 59 134 252

HSL 216.68, 0.97%, 0.61%

LAB 57.08, 17.28, -65.41

 

CMYK 77 / 0 / 36 / 1

HEX #3BFCA1

RGB 59 252 161

HSL 151.71, 0.97%, 0.61%

LAB 88.51, -66.48, 30.59

 

CMYK 77 / 0 / 36 / 1

HEX #3BFCA1

RGB 59 252 161

HSL 151.71, 0.97%, 0.61%

LAB 88.51, -66.48, 30.59

 

CMYK 68 / 0 / 32 / 8

HEX #4BEBA0

RGB 75 235 160

HSL 151.88, 0.8%, 0.61%

LAB 83.68, -58.25, 24.61

 

CMYK 58 / 0 / 27 / 14

HEX #5BDB9F

RGB 91 219 159

HSL 151.88, 0.64%, 0.61%

LAB 79.27, -49.19, 19.13

 

CMYK 47 / 0 / 22 / 20

HEX #6BCB9E

RGB 107 203 158

HSL 151.88, 0.48%, 0.61%

LAB 75.02, -38.81, 13.81

 

CMYK 34 / 0 / 16 / 27

HEX #7BBB9D

RGB 123 187 157

HSL 151.88, 0.32%, 0.61%

LAB 71, -27.07, 8.75

 

CMYK 75 / 0 / 77 / 1

HEX #3EFC3B

RGB 62 252 59

HSL 119.07, 0.97%, 0.61%

LAB 87.47, -78.97, 73.17

 

CMYK 77 / 0 / 58 / 1

HEX #3BFC6B

RGB 59 252 107

HSL 134.92, 0.97%, 0.61%

LAB 87.78, -74.94, 55.39

 

CMYK 77 / 0 / 37 / 1

HEX #3BFC9E

RGB 59 252 158

HSL 150.78, 0.97%, 0.61%

LAB 88.46, -67.05, 32.03

 

CMYK 77 / 0 / 17 / 1

HEX #3BFCD2

RGB 59 252 210

HSL 166.94, 0.97%, 0.61%

LAB 89.49, -55.84, 6.87

 

CMYK 77 / 4 / 0 / 1

HEX #3BF2FC

RGB 59 242 252

HSL 183.11, 0.97%, 0.61%

LAB 87.71, -40.39, -17.65

 

CMYK 99 / 0 / 47 / 12

HEX #03E178

RGB 3 225 120

HSL 151.62, 0.97%, 0.45%

LAB 79.17, -68.46, 38.7

 

CMYK 93 / 0 / 44 / 2

HEX #12FB8D

RGB 18 251 141

HSL 151.67, 0.97%, 0.53%

LAB 87.51, -72.85, 39.11

 

CMYK 77 / 0 / 36 / 1

HEX #3BFCA1

RGB 59 252 161

HSL 151.71, 0.97%, 0.61%

LAB 88.51, -66.48, 30.59

 

CMYK 61 / 0 / 29 / 1

HEX #63FCB4

RGB 99 252 180

HSL 151.76, 0.96%, 0.69%

LAB 89.66, -56.72, 22.67

 

CMYK 45 / 0 / 21 / 1

HEX #8CFDC8

RGB 140 253 200

HSL 151.86, 0.97%, 0.77%

LAB 91.68, -44.07, 15.45

 

CMYK 76 / 0 / 36 / 1

HEX #3DFCA2

RGB 61 252 162

HSL 151.73, 0.97%, 0.61%

LAB 88.55, -66.06, 30.15

 

CMYK 77 / 55 / 0 / 1

HEX #3B71FC

RGB 59 113 252

HSL 223.21, 0.97%, 0.61%

LAB 51.57, 30.28, -74.32

 

CMYK 0 / 68 / 77 / 1

HEX #FC513B

RGB 252 81 59

HSL 6.84, 0.97%, 0.61%

LAB 58.88, 63.68, 48.92

 

CMYK 76 / 0 / 36 / 1

HEX #3DFCA2

RGB 61 252 162

HSL 151.73, 0.97%, 0.61%

LAB 88.55, -66.06, 30.15

 

CMYK 37 / 77 / 0 / 1

HEX #9E3BFC

RGB 158 59 252

HSL 270.78, 0.97%, 0.61%

LAB 48.79, 72.98, -78.53

 

CMYK 0 / 37 / 77 / 1

HEX #FC9E3B

RGB 252 158 59

HSL 30.78, 0.97%, 0.61%

LAB 73.2, 27.49, 63.22

 

CMYK 76 / 0 / 36 / 1

HEX #3DFCA2

RGB 61 252 162

HSL 151.73, 0.97%, 0.61%

LAB 88.55, -66.06, 30.15

 

CMYK 77 / 55 / 0 / 1

HEX #3B71FC

RGB 59 113 252

HSL 223.21, 0.97%, 0.61%

LAB 51.57, 30.28, -74.32

 

CMYK 0 / 77 / 40 / 1

HEX #FC3B98

RGB 252 59 152

HSL 331.09, 0.97%, 0.61%

LAB 58.12, 76.95, -5.51

 

CMYK 0 / 22 / 77 / 1

HEX #FCC53B

RGB 252 197 59

HSL 42.9, 0.97%, 0.61%

LAB 82.35, 7.14, 71.87

 

CMYK 76 / 0 / 36 / 1

HEX #3DFCA2

RGB 61 252 162

HSL 151.73, 0.97%, 0.61%

LAB 88.55, -66.06, 30.15

 

CMYK 75 / 77 / 0 / 1

HEX #3E3BFC

RGB 62 59 252

HSL 240.93, 0.97%, 0.61%

LAB 39.88, 61.98, -93.51

 

CMYK 0 / 77 / 40 / 1

HEX #FC3B98

RGB 252 59 152

HSL 331.09, 0.97%, 0.61%

LAB 58.12, 76.95, -5.51

 

CMYK 2 / 0 / 77 / 1

HEX #F8FC3B

RGB 248 252 59

HSL 61.24, 0.97%, 0.61%

LAB 95.95, -21.93, 84.13

 

Description

Color code: CMYK 76 / 0 / 36 / 1 | qconv.com Color code: CMYK 76 / 0 / 36 / 1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 252 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 252 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 36 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 36% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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