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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 74 / 4 / 0 / 21 it is the complementary color CMYK 0 / 69 / 73 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 74 / 4 / 0 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 71 / 2 / 0 / 23, CMYK 66 / 2 / 0 / 16, CMYK 61 / 2 / 0 / 8, CMYK 57 / 2 / 0 / 1 and CMYK 51 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 74 / 4 / 0 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 4 / 0 / 21, CMYK 81 / 4 / 0 / 29, CMYK 89 / 4 / 0 / 36, CMYK 99 / 3 / 0 / 44 and CMYK 100 / 3 / 0 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 4 / 0 / 21, CMYK 74 / 24 / 0 / 21, CMYK 74 / 44 / 0 / 21, CMYK 74 / 64 / 0 / 21 and CMYK 64 / 74 / 0 / 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 4 / 0 / 21, CMYK 74 / 24 / 0 / 21, CMYK 74 / 44 / 0 / 21, CMYK 74 / 64 / 0 / 21 and CMYK 74 / 74 / 0 / 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 74 / 4 / 0 / 21 shade matches the following richer shades: CMYK 74 / 4 / 0 / 21, CMYK 86 / 4 / 0 / 13 and CMYK 95 / 5 / 0 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 4 / 0 / 21, CMYK 60 / 3 / 0 / 29, CMYK 42 / 2 / 0 / 37, CMYK 19 / 1 / 0 / 45 and CMYK 0 / 10 / 10 / 47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 0 / 36 / 21, CMYK 74 / 0 / 16 / 21, CMYK 74 / 3 / 0 / 21, CMYK 74 / 23 / 0 / 21 and CMYK 74 / 44 / 0 / 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 4 / 0 / 46, CMYK 75 / 4 / 0 / 34, CMYK 74 / 4 / 0 / 21, CMYK 60 / 3 / 0 / 17 and CMYK 47 / 2 / 0 / 14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 4 / 0 / 21, CMYK 56 / 74 / 0 / 21 and CMYK 0 / 26 / 74 / 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 4 / 0 / 21, CMYK 0 / 74 / 3 / 21 and CMYK 3 / 0 / 74 / 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 4 / 0 / 21, CMYK 56 / 74 / 0 / 21, CMYK 0 / 71 / 74 / 21 and CMYK 18 / 0 / 74 / 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 74 / 4 / 0 / 21 shade: CMYK 74 / 4 / 0 / 21, CMYK 33 / 74 / 0 / 21, CMYK 0 / 71 / 74 / 21 and CMYK 41 / 0 / 74 / 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 4 / 0 / 21

HEX #34C1C9

RGB 52 193 201

HSL 183.22, 0.59%, 0.5%

LAB 71.61, -33.37, -14.66

 

Complementary color

CMYK 0 / 69 / 73 / 20

HEX #CB3E36

RGB 203 62 54

HSL 3.22, 0.59%, 0.5%

LAB 47.51, 55.02, 36.78

 

CMYK 71 / 2 / 0 / 23

HEX #39C1C4

RGB 57 193 196

HSL 181.29, 0.55%, 0.5%

LAB 71.55, -34.24, -12.01

 

CMYK 66 / 2 / 0 / 16

HEX #4AD3D7

RGB 74 211 215

HSL 181.7, 0.64%, 0.57%

LAB 77.85, -34.93, -12.83

 

CMYK 61 / 2 / 0 / 8

HEX #5BE5EA

RGB 91 229 234

HSL 182.1, 0.77%, 0.64%

LAB 84.07, -35.44, -13.58

 

CMYK 57 / 2 / 0 / 1

HEX #6CF7FD

RGB 108 247 253

HSL 182.48, 0.97%, 0.71%

LAB 90.23, -35.81, -14.27

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 74 / 4 / 0 / 21

HEX #34C1C9

RGB 52 193 201

HSL 183.22, 0.59%, 0.5%

LAB 71.61, -33.37, -14.66

 

CMYK 81 / 4 / 0 / 29

HEX #23AFB6

RGB 35 175 182

HSL 182.86, 0.68%, 0.43%

LAB 65.27, -32.26, -13.76

 

CMYK 89 / 4 / 0 / 36

HEX #129DA3

RGB 18 157 163

HSL 182.48, 0.8%, 0.35%

LAB 58.87, -30.78, -12.76

 

CMYK 99 / 3 / 0 / 44

HEX #018B90

RGB 1 139 144

HSL 182.1, 0.99%, 0.28%

LAB 52.38, -28.95, -11.64

 

CMYK 100 / 3 / 0 / 51

HEX #00797D

RGB 0 121 125

HSL 181.92, 1%, 0.25%

LAB 45.85, -26.37, -10.32

 

CMYK 74 / 4 / 0 / 21

HEX #34C2CA

RGB 52 194 202

HSL 183.2, 0.59%, 0.5%

LAB 71.95, -33.54, -14.7

 

CMYK 74 / 24 / 0 / 21

HEX #349ACA

RGB 52 154 202

HSL 199.2, 0.59%, 0.5%

LAB 59.98, -13.11, -33.01

 

CMYK 74 / 44 / 0 / 21

HEX #3471CA

RGB 52 113 202

HSL 215.6, 0.59%, 0.5%

LAB 48.01, 11.12, -51.92

 

CMYK 74 / 64 / 0 / 21

HEX #3448CA

RGB 52 72 202

HSL 232, 0.59%, 0.5%

LAB 37.17, 37.34, -69.5

 

CMYK 64 / 74 / 0 / 21

HEX #4834CA

RGB 72 52 202

HSL 248, 0.59%, 0.5%

LAB 34.19, 51.22, -74.35

 

CMYK 74 / 4 / 0 / 21

HEX #34C2CA

RGB 52 194 202

HSL 183.2, 0.59%, 0.5%

LAB 71.95, -33.54, -14.7

 

CMYK 74 / 24 / 0 / 21

HEX #349ACA

RGB 52 154 202

HSL 199.2, 0.59%, 0.5%

LAB 59.98, -13.11, -33.01

 

CMYK 74 / 44 / 0 / 21

HEX #3471CA

RGB 52 113 202

HSL 215.6, 0.59%, 0.5%

LAB 48.01, 11.12, -51.92

 

CMYK 74 / 64 / 0 / 21

HEX #3448CA

RGB 52 72 202

HSL 232, 0.59%, 0.5%

LAB 37.17, 37.34, -69.5

 

CMYK 74 / 74 / 0 / 21

HEX #3434CA

RGB 52 52 202

HSL 240, 0.59%, 0.5%

LAB 32.81, 49.22, -76.67

 

CMYK 74 / 4 / 0 / 21

HEX #34C2CA

RGB 52 194 202

HSL 183.2, 0.59%, 0.5%

LAB 71.95, -33.54, -14.7

 

CMYK 86 / 4 / 0 / 13

HEX #1FD5DF

RGB 31 213 223

HSL 183.13, 0.76%, 0.5%

LAB 78, -37.86, -16.96

 

CMYK 95 / 5 / 0 / 5

HEX #0BE7F3

RGB 11 231 243

HSL 183.1, 0.91%, 0.5%

LAB 83.81, -40.81, -18.84

 

CMYK 74 / 4 / 0 / 21

HEX #34C2CA

RGB 52 194 202

HSL 183.2, 0.59%, 0.5%

LAB 71.95, -33.54, -14.7

 

CMYK 60 / 3 / 0 / 29

HEX #48B0B6

RGB 72 176 182

HSL 183.27, 0.43%, 0.5%

LAB 66.37, -27.83, -12.04

 

CMYK 42 / 2 / 0 / 37

HEX #5D9DA1

RGB 93 157 161

HSL 183.53, 0.27%, 0.5%

LAB 60.79, -19.41, -8.54

 

CMYK 19 / 1 / 0 / 45

HEX #728B8C

RGB 114 139 140

HSL 182.31, 0.1%, 0.5%

LAB 56.02, -8.63, -3.5

 

CMYK 0 / 10 / 10 / 47

HEX #867878

RGB 134 120 120

HSL 0, 0.06%, 0.5%

LAB 51.68, 5.38, 1.96

 

CMYK 74 / 0 / 36 / 21

HEX #34CA82

RGB 52 202 130

HSL 151.2, 0.59%, 0.5%

LAB 72.62, -55.05, 25.11

 

CMYK 74 / 0 / 16 / 21

HEX #34CAAA

RGB 52 202 170

HSL 167.2, 0.59%, 0.5%

LAB 73.46, -45.97, 4.93

 

CMYK 74 / 3 / 0 / 21

HEX #34C3CA

RGB 52 195 202

HSL 182.8, 0.59%, 0.5%

LAB 72.24, -34.02, -14.25

 

CMYK 74 / 23 / 0 / 21

HEX #349BCA

RGB 52 155 202

HSL 198.8, 0.59%, 0.5%

LAB 60.28, -13.66, -32.55

 

CMYK 74 / 44 / 0 / 21

HEX #3472CA

RGB 52 114 202

HSL 215.2, 0.59%, 0.5%

LAB 48.3, 10.49, -51.47

 

CMYK 74 / 4 / 0 / 46

HEX #238389

RGB 35 131 137

HSL 183.53, 0.59%, 0.34%

LAB 49.97, -24.62, -11.15

 

CMYK 75 / 4 / 0 / 34

HEX #2BA3A9

RGB 43 163 169

HSL 182.86, 0.59%, 0.42%

LAB 61.28, -29.63, -12.48

 

CMYK 74 / 4 / 0 / 21

HEX #34C2CA

RGB 52 194 202

HSL 183.2, 0.59%, 0.5%

LAB 71.95, -33.54, -14.7

 

CMYK 60 / 3 / 0 / 17

HEX #55CCD3

RGB 85 204 211

HSL 183.33, 0.59%, 0.58%

LAB 75.96, -30.97, -13.48

 

CMYK 47 / 2 / 0 / 14

HEX #75D6DB

RGB 117 214 219

HSL 182.94, 0.59%, 0.66%

LAB 80.17, -27.26, -11.35

 

CMYK 74 / 4 / 0 / 21

HEX #34C1C9

RGB 52 193 201

HSL 183.22, 0.59%, 0.5%

LAB 71.61, -33.37, -14.66

 

CMYK 56 / 74 / 0 / 21

HEX #5934CA

RGB 89 52 202

HSL 254.8, 0.59%, 0.5%

LAB 35.68, 53.36, -71.84

 

CMYK 0 / 26 / 74 / 21

HEX #CA9634

RGB 202 150 52

HSL 39.2, 0.59%, 0.5%

LAB 65.45, 10.3, 56.53

 

CMYK 74 / 4 / 0 / 21

HEX #34C1C9

RGB 52 193 201

HSL 183.22, 0.59%, 0.5%

LAB 71.61, -33.37, -14.66

 

CMYK 0 / 74 / 3 / 21

HEX #CA34C3

RGB 202 52 195

HSL 302.8, 0.59%, 0.5%

LAB 50.63, 72.66, -42.86

 

CMYK 3 / 0 / 74 / 21

HEX #C3CA34

RGB 195 202 52

HSL 62.8, 0.59%, 0.5%

LAB 78.51, -19.88, 68.81

 

CMYK 74 / 4 / 0 / 21

HEX #34C1C9

RGB 52 193 201

HSL 183.22, 0.59%, 0.5%

LAB 71.61, -33.37, -14.66

 

CMYK 56 / 74 / 0 / 21

HEX #5934CA

RGB 89 52 202

HSL 254.8, 0.59%, 0.5%

LAB 35.68, 53.36, -71.84

 

CMYK 0 / 71 / 74 / 21

HEX #CA3B34

RGB 202 59 52

HSL 2.8, 0.59%, 0.5%

LAB 46.89, 55.75, 37.16

 

CMYK 18 / 0 / 74 / 21

HEX #A5CA34

RGB 165 202 52

HSL 74.8, 0.59%, 0.5%

LAB 76.37, -32.21, 66.02

 

CMYK 74 / 4 / 0 / 21

HEX #34C1C9

RGB 52 193 201

HSL 183.22, 0.59%, 0.5%

LAB 71.61, -33.37, -14.66

 

CMYK 33 / 74 / 0 / 21

HEX #8734CA

RGB 135 52 202

HSL 273.2, 0.59%, 0.5%

LAB 41.01, 60.7, -62.91

 

CMYK 0 / 71 / 74 / 21

HEX #CA3B34

RGB 202 59 52

HSL 2.8, 0.59%, 0.5%

LAB 46.89, 55.75, 37.16

 

CMYK 41 / 0 / 74 / 21

HEX #77CA34

RGB 119 202 52

HSL 93.2, 0.59%, 0.5%

LAB 73.81, -49.17, 62.67

 

Description

Color code: CMYK 74 / 4 / 0 / 21 | qconv.com Color code: CMYK 74 / 4 / 0 / 21 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 193 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 193 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 4 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 4% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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