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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 74 / 18 / 0 / 40 it is the complementary color CMYK 0 / 40 / 53 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 74 / 18 / 0 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 70 / 16 / 0 / 42, CMYK 63 / 14 / 0 / 35, CMYK 58 / 13 / 0 / 27, CMYK 53 / 13 / 0 / 20 and CMYK 50 / 12 / 0 / 12

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 74 / 18 / 0 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 74 / 18 / 0 / 40, CMYK 83 / 20 / 0 / 47, CMYK 95 / 23 / 0 / 55, CMYK 100 / 26 / 0 / 62 and CMYK 100 / 31 / 0 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 75 / 19 / 0 / 40, CMYK 75 / 39 / 0 / 40, CMYK 75 / 58 / 0 / 40, CMYK 70 / 75 / 0 / 40 and CMYK 50 / 75 / 0 / 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 75 / 19 / 0 / 40, CMYK 75 / 39 / 0 / 40, CMYK 75 / 58 / 0 / 40 and CMYK 75 / 75 / 0 / 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 74 / 18 / 0 / 40 shade matches the following richer shades: CMYK 75 / 19 / 0 / 40, CMYK 86 / 21 / 0 / 34 and CMYK 96 / 24 / 0 / 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 75 / 19 / 0 / 40, CMYK 60 / 15 / 0 / 46, CMYK 42 / 11 / 0 / 52, CMYK 20 / 5 / 0 / 58 and CMYK 0 / 8 / 11 / 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 75 / 0 / 23 / 40, CMYK 75 / 0 / 3 / 40, CMYK 75 / 18 / 0 / 40, CMYK 75 / 38 / 0 / 40 and CMYK 75 / 57 / 0 / 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 75 / 18 / 0 / 65, CMYK 74 / 19 / 0 / 53, CMYK 75 / 19 / 0 / 40, CMYK 74 / 18 / 0 / 27 and CMYK 67 / 17 / 0 / 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 74 / 18 / 0 / 40, CMYK 42 / 75 / 0 / 40 and CMYK 0 / 12 / 75 / 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 74 / 18 / 0 / 40, CMYK 0 / 75 / 18 / 40 and CMYK 18 / 0 / 75 / 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 74 / 18 / 0 / 40, CMYK 42 / 75 / 0 / 40, CMYK 0 / 57 / 75 / 40 and CMYK 32 / 0 / 75 / 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 74 / 18 / 0 / 40 shade: CMYK 74 / 18 / 0 / 40, CMYK 20 / 75 / 0 / 40, CMYK 0 / 57 / 75 / 40 and CMYK 55 / 0 / 75 / 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 18 / 0 / 40

HEX #287D99

RGB 40 125 153

HSL 194.87, 0.59%, 0.38%

LAB 48.78, -15.44, -22.33

 

Complementary color

CMYK 0 / 40 / 53 / 16

HEX #D78266

RGB 215 130 102

HSL 14.87, 0.59%, 0.62%

LAB 62.82, 29.91, 29.05

 

CMYK 70 / 16 / 0 / 42

HEX #2D7D94

RGB 45 125 148

HSL 193.4, 0.53%, 0.38%

LAB 48.71, -16.39, -19.49

 

CMYK 63 / 14 / 0 / 35

HEX #3E8FA7

RGB 62 143 167

HSL 193.71, 0.46%, 0.45%

LAB 55.54, -17.13, -20.01

 

CMYK 58 / 13 / 0 / 27

HEX #4FA1BA

RGB 79 161 186

HSL 194.02, 0.44%, 0.52%

LAB 62.25, -17.65, -20.48

 

CMYK 53 / 13 / 0 / 20

HEX #60B3CD

RGB 96 179 205

HSL 194.31, 0.52%, 0.59%

LAB 68.85, -18.02, -20.92

 

CMYK 50 / 12 / 0 / 12

HEX #71C5E0

RGB 113 197 224

HSL 194.59, 0.64%, 0.66%

LAB 75.34, -18.3, -21.33

 

CMYK 74 / 18 / 0 / 40

HEX #287D99

RGB 40 125 153

HSL 194.87, 0.59%, 0.38%

LAB 48.78, -15.44, -22.33

 

CMYK 83 / 20 / 0 / 47

HEX #176B86

RGB 23 107 134

HSL 194.59, 0.71%, 0.31%

LAB 41.87, -14.09, -21.75

 

CMYK 95 / 23 / 0 / 55

HEX #065973

RGB 6 89 115

HSL 194.31, 0.9%, 0.24%

LAB 34.85, -12.18, -21.05

 

CMYK 100 / 26 / 0 / 62

HEX #004760

RGB 0 71 96

HSL 195.63, 1%, 0.19%

LAB 27.71, -9.37, -20.17

 

CMYK 100 / 31 / 0 / 70

HEX #00354D

RGB 0 53 77

HSL 198.7, 1%, 0.15%

LAB 20.37, -5.87, -19.2

 

CMYK 75 / 19 / 0 / 40

HEX #277D9A

RGB 39 125 154

HSL 195.13, 0.6%, 0.38%

LAB 48.8, -15.23, -22.89

 

CMYK 75 / 39 / 0 / 40

HEX #275E9A

RGB 39 94 154

HSL 211.3, 0.6%, 0.38%

LAB 39.19, 3.33, -37.94

 

CMYK 75 / 58 / 0 / 40

HEX #27409A

RGB 39 64 154

HSL 226.96, 0.6%, 0.38%

LAB 30.48, 23.3, -51.96

 

CMYK 70 / 75 / 0 / 40

HEX #2E279A

RGB 46 39 154

HSL 243.65, 0.6%, 0.38%

LAB 24.84, 40.16, -61.17

 

CMYK 50 / 75 / 0 / 40

HEX #4D279A

RGB 77 39 154

HSL 259.83, 0.6%, 0.38%

LAB 27.74, 44.46, -56.3

 

CMYK 75 / 19 / 0 / 40

HEX #277D9A

RGB 39 125 154

HSL 195.13, 0.6%, 0.38%

LAB 48.8, -15.23, -22.89

 

CMYK 75 / 39 / 0 / 40

HEX #275E9A

RGB 39 94 154

HSL 211.3, 0.6%, 0.38%

LAB 39.19, 3.33, -37.94

 

CMYK 75 / 58 / 0 / 40

HEX #27409A

RGB 39 64 154

HSL 226.96, 0.6%, 0.38%

LAB 30.48, 23.3, -51.96

 

CMYK 75 / 75 / 0 / 40

HEX #27279A

RGB 39 39 154

HSL 240, 0.6%, 0.38%

LAB 24.37, 39.44, -61.96

 

CMYK 75 / 19 / 0 / 40

HEX #277D9A

RGB 39 125 154

HSL 195.13, 0.6%, 0.38%

LAB 48.8, -15.23, -22.89

 

CMYK 86 / 21 / 0 / 34

HEX #1885A9

RGB 24 133 169

HSL 194.9, 0.75%, 0.38%

LAB 51.65, -15.94, -27.23

 

CMYK 96 / 24 / 0 / 27

HEX #088DB9

RGB 8 141 185

HSL 194.92, 0.92%, 0.38%

LAB 54.66, -15.43, -31.74

 

CMYK 75 / 19 / 0 / 40

HEX #277D9A

RGB 39 125 154

HSL 195.13, 0.6%, 0.38%

LAB 48.8, -15.23, -22.89

 

CMYK 60 / 15 / 0 / 46

HEX #37758A

RGB 55 117 138

HSL 195.18, 0.43%, 0.38%

LAB 46.14, -13.4, -17.5

 

CMYK 42 / 11 / 0 / 52

HEX #476D7A

RGB 71 109 122

HSL 195.29, 0.26%, 0.38%

LAB 43.77, -9.77, -11.46

 

CMYK 20 / 5 / 0 / 58

HEX #56666B

RGB 86 102 107

HSL 194.29, 0.11%, 0.38%

LAB 42.07, -4.84, -4.85

 

CMYK 0 / 8 / 11 / 60

HEX #665E5B

RGB 102 94 91

HSL 16.36, 0.06%, 0.38%

LAB 40.55, 2.62, 2.87

 

CMYK 75 / 0 / 23 / 40

HEX #279A77

RGB 39 154 119

HSL 161.74, 0.6%, 0.38%

LAB 56.95, -39.98, 9.45

 

CMYK 75 / 0 / 3 / 40

HEX #279A96

RGB 39 154 150

HSL 177.91, 0.6%, 0.38%

LAB 57.79, -31.49, -6.95

 

CMYK 75 / 18 / 0 / 40

HEX #277F9A

RGB 39 127 154

HSL 194.09, 0.6%, 0.38%

LAB 49.43, -16.34, -21.92

 

CMYK 75 / 38 / 0 / 40

HEX #27609A

RGB 39 96 154

HSL 210.26, 0.6%, 0.38%

LAB 39.8, 2.05, -36.97

 

CMYK 75 / 57 / 0 / 40

HEX #27429A

RGB 39 66 154

HSL 225.91, 0.6%, 0.38%

LAB 31.02, 21.94, -51.07

 

CMYK 75 / 18 / 0 / 65

HEX #164858

RGB 22 72 88

HSL 194.55, 0.6%, 0.22%

LAB 28.14, -10.6, -14.32

 

CMYK 74 / 19 / 0 / 53

HEX #1F6279

RGB 31 98 121

HSL 195.33, 0.59%, 0.3%

LAB 38.56, -12.61, -18.96

 

CMYK 75 / 19 / 0 / 40

HEX #277D9A

RGB 39 125 154

HSL 195.13, 0.6%, 0.38%

LAB 48.8, -15.23, -22.89

 

CMYK 74 / 18 / 0 / 27

HEX #3098BA

RGB 48 152 186

HSL 194.78, 0.59%, 0.46%

LAB 58.63, -17.93, -26.11

 

CMYK 67 / 17 / 0 / 19

HEX #45ACCF

RGB 69 172 207

HSL 195.22, 0.59%, 0.54%

LAB 65.96, -18.75, -26.52

 

CMYK 74 / 18 / 0 / 40

HEX #287D99

RGB 40 125 153

HSL 194.87, 0.59%, 0.38%

LAB 48.78, -15.44, -22.33

 

CMYK 42 / 75 / 0 / 40

HEX #59279A

RGB 89 39 154

HSL 266.09, 0.6%, 0.38%

LAB 29.18, 46.52, -53.89

 

CMYK 0 / 12 / 75 / 40

HEX #9A8727

RGB 154 135 39

HSL 50.09, 0.6%, 0.38%

LAB 56.43, -3.56, 51.22

 

CMYK 74 / 18 / 0 / 40

HEX #287D99

RGB 40 125 153

HSL 194.87, 0.59%, 0.38%

LAB 48.78, -15.44, -22.33

 

CMYK 0 / 75 / 18 / 40

HEX #9A277F

RGB 154 39 127

HSL 314.09, 0.6%, 0.38%

LAB 37.58, 55.57, -23.25

 

CMYK 18 / 0 / 75 / 40

HEX #7F9A27

RGB 127 154 39

HSL 74.09, 0.6%, 0.38%

LAB 59.68, -25.51, 53.58

 

CMYK 74 / 18 / 0 / 40

HEX #287D99

RGB 40 125 153

HSL 194.87, 0.59%, 0.38%

LAB 48.78, -15.44, -22.33

 

CMYK 42 / 75 / 0 / 40

HEX #59279A

RGB 89 39 154

HSL 266.09, 0.6%, 0.38%

LAB 29.18, 46.52, -53.89

 

CMYK 0 / 57 / 75 / 40

HEX #9A4227

RGB 154 66 39

HSL 14.09, 0.6%, 0.38%

LAB 39.43, 35.06, 33.85

 

CMYK 32 / 0 / 75 / 40

HEX #689A27

RGB 104 154 39

HSL 86.09, 0.6%, 0.38%

LAB 58.23, -34.79, 51.67

 

CMYK 74 / 18 / 0 / 40

HEX #287D99

RGB 40 125 153

HSL 194.87, 0.59%, 0.38%

LAB 48.78, -15.44, -22.33

 

CMYK 20 / 75 / 0 / 40

HEX #7B279A

RGB 123 39 154

HSL 283.83, 0.6%, 0.38%

LAB 33.97, 53.15, -45.89

 

CMYK 0 / 57 / 75 / 40

HEX #9A4227

RGB 154 66 39

HSL 14.09, 0.6%, 0.38%

LAB 39.43, 35.06, 33.85

 

CMYK 55 / 0 / 75 / 40

HEX #469A27

RGB 70 154 39

HSL 103.83, 0.6%, 0.38%

LAB 56.64, -46.28, 49.57

 

Description

Color code: CMYK 74 / 18 / 0 / 40 | qconv.com Color code: CMYK 74 / 18 / 0 / 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 125 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 125 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 18 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 18% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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