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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 72 / 0 / 77 / 32 it is the complementary color CMYK 4 / 62 / 0 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 72 / 0 / 77 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 69 / 0 / 80 / 32, CMYK 63 / 0 / 72 / 25, CMYK 58 / 0 / 65 / 18, CMYK 54 / 0 / 59 / 11 and CMYK 50 / 0 / 55 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 72 / 0 / 77 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 72 / 0 / 77 / 32, CMYK 79 / 0 / 86 / 39, CMYK 89 / 0 / 99 / 46, CMYK 100 / 0 / 100 / 53 and CMYK 100 / 0 / 100 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 72 / 0 / 77 / 32, CMYK 51 / 0 / 77 / 32, CMYK 30 / 0 / 77 / 32, CMYK 9 / 0 / 77 / 32 and CMYK 0 / 11 / 77 / 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 72 / 0 / 77 / 32, CMYK 77 / 0 / 61 / 32, CMYK 77 / 0 / 40 / 32, CMYK 77 / 0 / 20 / 32 and CMYK 77 / 1 / 0 / 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 72 / 0 / 77 / 32 shade matches the following richer shades: CMYK 72 / 0 / 77 / 32, CMYK 82 / 0 / 88 / 25 and CMYK 91 / 0 / 97 / 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 72 / 0 / 77 / 32, CMYK 59 / 0 / 63 / 39, CMYK 43 / 0 / 46 / 46, CMYK 22 / 0 / 24 / 53 and CMYK 1 / 5 / 0 / 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 29 / 0 / 77 / 32, CMYK 50 / 0 / 77 / 32, CMYK 71 / 0 / 77 / 32, CMYK 77 / 0 / 62 / 32 and CMYK 77 / 0 / 42 / 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 72 / 0 / 76 / 58, CMYK 71 / 0 / 77 / 45, CMYK 72 / 0 / 77 / 32, CMYK 71 / 0 / 77 / 19 and CMYK 57 / 0 / 62 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 72 / 0 / 77 / 32, CMYK 77 / 9 / 0 / 32 and CMYK 0 / 77 / 40 / 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 72 / 0 / 77 / 32, CMYK 77 / 71 / 0 / 32 and CMYK 0 / 77 / 71 / 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 72 / 0 / 77 / 32, CMYK 77 / 9 / 0 / 32, CMYK 6 / 77 / 0 / 32 and CMYK 0 / 68 / 77 / 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 72 / 0 / 77 / 32 shade: CMYK 72 / 0 / 77 / 32, CMYK 77 / 32 / 0 / 32, CMYK 6 / 77 / 0 / 32 and CMYK 0 / 45 / 77 / 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

Complementary color

CMYK 4 / 62 / 0 / 16

HEX #CE52D7

RGB 206 82 215

HSL 295.94, 0.62%, 0.58%

LAB 56.15, 65.99, -45.53

 

CMYK 69 / 0 / 80 / 32

HEX #36AD23

RGB 54 173 35

HSL 111.74, 0.66%, 0.41%

LAB 62.33, -57.21, 56.29

 

CMYK 63 / 0 / 72 / 25

HEX #47BF36

RGB 71 191 54

HSL 112.55, 0.56%, 0.48%

LAB 68.66, -58.39, 56.21

 

CMYK 58 / 0 / 65 / 18

HEX #58D149

RGB 88 209 73

HSL 113.38, 0.6%, 0.55%

LAB 74.92, -59.11, 55.53

 

CMYK 54 / 0 / 59 / 11

HEX #69E35C

RGB 105 227 92

HSL 114.22, 0.71%, 0.63%

LAB 81.13, -59.53, 54.54

 

CMYK 50 / 0 / 55 / 4

HEX #7AF56F

RGB 122 245 111

HSL 115.07, 0.87%, 0.7%

LAB 87.29, -59.74, 53.41

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 79 / 0 / 86 / 39

HEX #209B15

RGB 32 155 21

HSL 115.07, 0.76%, 0.35%

LAB 55.89, -55.93, 54.05

 

CMYK 89 / 0 / 99 / 46

HEX #0F8902

RGB 15 137 2

HSL 114.22, 0.97%, 0.27%

LAB 49.49, -53.11, 52.19

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 51 / 0 / 77 / 32

HEX #55AD28

RGB 85 173 40

HSL 99.7, 0.62%, 0.42%

LAB 63.32, -49.17, 55.98

 

CMYK 30 / 0 / 77 / 32

HEX #79AD28

RGB 121 173 40

HSL 83.46, 0.62%, 0.42%

LAB 65.05, -36.81, 58.24

 

CMYK 9 / 0 / 77 / 32

HEX #9DAD28

RGB 157 173 40

HSL 67.22, 0.62%, 0.42%

LAB 67.43, -22.13, 61.33

 

CMYK 0 / 11 / 77 / 32

HEX #AD9A28

RGB 173 154 40

HSL 51.43, 0.62%, 0.42%

LAB 63.47, -5.25, 58.15

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 77 / 0 / 61 / 32

HEX #28AD43

RGB 40 173 67

HSL 132.18, 0.62%, 0.42%

LAB 62.29, -56.68, 43.69

 

CMYK 77 / 0 / 40 / 32

HEX #28AD67

RGB 40 173 103

HSL 148.42, 0.62%, 0.42%

LAB 62.77, -51, 26.23

 

CMYK 77 / 0 / 20 / 32

HEX #28AD8B

RGB 40 173 139

HSL 164.66, 0.62%, 0.42%

LAB 63.51, -42.96, 7.58

 

CMYK 77 / 1 / 0 / 32

HEX #28ACAD

RGB 40 172 173

HSL 180.45, 0.62%, 0.42%

LAB 64.14, -33.08, -10.45

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 82 / 0 / 88 / 25

HEX #22BE17

RGB 34 190 23

HSL 116.05, 0.78%, 0.42%

LAB 67.45, -66.17, 63.82

 

CMYK 91 / 0 / 97 / 18

HEX #13D006

RGB 19 208 6

HSL 116.14, 0.94%, 0.42%

LAB 73.06, -72.97, 70.84

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 59 / 0 / 63 / 39

HEX #409C3A

RGB 64 156 58

HSL 116.33, 0.46%, 0.42%

LAB 57.24, -46.91, 42.22

 

CMYK 43 / 0 / 46 / 46

HEX #4F8A4B

RGB 79 138 75

HSL 116.19, 0.3%, 0.42%

LAB 52.23, -32.67, 27.8

 

CMYK 22 / 0 / 24 / 53

HEX #5E795C

RGB 94 121 92

HSL 115.86, 0.14%, 0.42%

LAB 48.04, -15.91, 12.78

 

CMYK 1 / 5 / 0 / 57

HEX #6D686E

RGB 109 104 110

HSL 290, 0.03%, 0.42%

LAB 44.63, 3.18, -2.67

 

CMYK 29 / 0 / 77 / 32

HEX #7AAD28

RGB 122 173 40

HSL 83.01, 0.62%, 0.42%

LAB 65.1, -36.42, 58.31

 

CMYK 50 / 0 / 77 / 32

HEX #57AD28

RGB 87 173 40

HSL 98.8, 0.62%, 0.42%

LAB 63.4, -48.57, 56.08

 

CMYK 71 / 0 / 77 / 32

HEX #33AD28

RGB 51 173 40

HSL 115.04, 0.62%, 0.42%

LAB 62.29, -57.46, 54.63

 

CMYK 77 / 0 / 62 / 32

HEX #28AD41

RGB 40 173 65

HSL 131.28, 0.62%, 0.42%

LAB 62.27, -56.92, 44.57

 

CMYK 77 / 0 / 42 / 32

HEX #28AD64

RGB 40 173 100

HSL 147.07, 0.62%, 0.42%

LAB 62.73, -51.57, 27.75

 

CMYK 72 / 0 / 76 / 58

HEX #1E6A19

RGB 30 106 25

HSL 116.3, 0.62%, 0.26%

LAB 38.99, -39.45, 36.73

 

CMYK 71 / 0 / 77 / 45

HEX #288C20

RGB 40 140 32

HSL 115.56, 0.63%, 0.34%

LAB 51.05, -48.99, 46.25

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 71 / 0 / 77 / 19

HEX #3BCE30

RGB 59 206 48

HSL 115.82, 0.62%, 0.5%

LAB 73.08, -66.15, 62.6

 

CMYK 57 / 0 / 62 / 16

HEX #5BD652

RGB 91 214 82

HSL 115.91, 0.62%, 0.58%

LAB 76.63, -59.29, 53.66

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 77 / 9 / 0 / 32

HEX #289EAD

RGB 40 158 173

HSL 186.77, 0.62%, 0.42%

LAB 59.82, -26.25, -16.96

 

CMYK 0 / 77 / 40 / 32

HEX #AD2868

RGB 173 40 104

HSL 331.13, 0.62%, 0.42%

LAB 40.25, 57.36, -4.49

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 77 / 71 / 0 / 32

HEX #2833AD

RGB 40 51 173

HSL 235.04, 0.62%, 0.42%

LAB 28.99, 38.92, -65.85

 

CMYK 0 / 77 / 71 / 32

HEX #AD2833

RGB 173 40 51

HSL 355.04, 0.62%, 0.42%

LAB 38.97, 53.3, 27.17

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 77 / 9 / 0 / 32

HEX #289EAD

RGB 40 158 173

HSL 186.77, 0.62%, 0.42%

LAB 59.82, -26.25, -16.96

 

CMYK 6 / 77 / 0 / 32

HEX #A228AD

RGB 162 40 173

HSL 295.04, 0.62%, 0.42%

LAB 41.56, 64.39, -44.8

 

CMYK 0 / 68 / 77 / 32

HEX #AD3828

RGB 173 56 40

HSL 7.22, 0.62%, 0.42%

LAB 41, 46.81, 35.96

 

CMYK 72 / 0 / 77 / 32

HEX #31AD28

RGB 49 173 40

HSL 115.94, 0.62%, 0.42%

LAB 62.25, -57.83, 54.57

 

CMYK 77 / 32 / 0 / 32

HEX #2876AD

RGB 40 118 173

HSL 204.81, 0.62%, 0.42%

LAB 47.53, -4.25, -35.97

 

CMYK 6 / 77 / 0 / 32

HEX #A228AD

RGB 162 40 173

HSL 295.04, 0.62%, 0.42%

LAB 41.56, 64.39, -44.8

 

CMYK 0 / 45 / 77 / 32

HEX #AD6028

RGB 173 96 40

HSL 25.26, 0.62%, 0.42%

LAB 48.76, 26.9, 43.99

 

Description

Color code: CMYK 72 / 0 / 77 / 32 | qconv.com Color code: CMYK 72 / 0 / 77 / 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 173 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 173 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 77 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 77% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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