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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 6 / 65 / 0 / 48 it is the complementary color CMYK 38 / 0 / 42 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 6 / 65 / 0 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 0 / 65 / 2 / 49, CMYK 0 / 56 / 0 / 42, CMYK 1 / 51 / 0 / 35, CMYK 2 / 46 / 0 / 27 and CMYK 3 / 42 / 0 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 6 / 65 / 0 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 6 / 65 / 0 / 48, CMYK 5 / 75 / 0 / 55, CMYK 4 / 89 / 0 / 63, CMYK 3 / 100 / 0 / 70 and CMYK 0 / 100 / 0 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 6 / 66 / 0 / 48, CMYK 0 / 66 / 11 / 48, CMYK 0 / 66 / 30 / 48, CMYK 0 / 66 / 47 / 48 and CMYK 0 / 66 / 65 / 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 6 / 66 / 0 / 48, CMYK 23 / 66 / 0 / 48, CMYK 42 / 66 / 0 / 48, CMYK 59 / 66 / 0 / 48 and CMYK 66 / 66 / 0 / 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 6 / 65 / 0 / 48 shade matches the following richer shades: CMYK 6 / 66 / 0 / 48, CMYK 7 / 79 / 0 / 42, CMYK 8 / 90 / 0 / 37 and CMYK 9 / 99 / 0 / 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 6 / 66 / 0 / 48, CMYK 4 / 50 / 0 / 54, CMYK 3 / 29 / 0 / 59, CMYK 0 / 1 / 0 / 65 and CMYK 25 / 0 / 27 / 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 42 / 66 / 0 / 48, CMYK 24 / 66 / 0 / 48, CMYK 6 / 66 / 0 / 48, CMYK 0 / 66 / 11 / 48 and CMYK 0 / 66 / 28 / 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 6 / 66 / 0 / 72, CMYK 6 / 67 / 0 / 60, CMYK 6 / 66 / 0 / 48, CMYK 6 / 66 / 0 / 36 and CMYK 6 / 64 / 0 / 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 6 / 65 / 0 / 48, CMYK 0 / 59 / 66 / 48 and CMYK 66 / 0 / 33 / 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 6 / 65 / 0 / 48, CMYK 0 / 6 / 66 / 48 and CMYK 66 / 0 / 6 / 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 6 / 65 / 0 / 48, CMYK 0 / 59 / 66 / 48, CMYK 59 / 0 / 66 / 48 and CMYK 66 / 6 / 0 / 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 6 / 65 / 0 / 48 shade: CMYK 6 / 65 / 0 / 48, CMYK 0 / 39 / 66 / 48, CMYK 59 / 0 / 66 / 48 and CMYK 66 / 27 / 0 / 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 65 / 0 / 48

HEX #7D2E85

RGB 125 46 133

HSL 294.48, 0.49%, 0.35%

LAB 34, 46.44, -32.93

 

Complementary color

CMYK 38 / 0 / 42 / 18

HEX #82D17A

RGB 130 209 122

HSL 114.48, 0.49%, 0.65%

LAB 77.13, -41.29, 35.66

 

CMYK 0 / 65 / 2 / 49

HEX #822E80

RGB 130 46 128

HSL 301.43, 0.48%, 0.35%

LAB 34.52, 46.82, -28.96

 

CMYK 0 / 56 / 0 / 42

HEX #934093

RGB 147 64 147

HSL 300, 0.39%, 0.41%

LAB 41.18, 46.57, -29.96

 

CMYK 1 / 51 / 0 / 35

HEX #A452A6

RGB 164 82 166

HSL 298.57, 0.34%, 0.49%

LAB 47.85, 46.02, -30.68

 

CMYK 2 / 46 / 0 / 27

HEX #B564B9

RGB 181 100 185

HSL 297.18, 0.38%, 0.56%

LAB 54.49, 45.33, -31.23

 

CMYK 3 / 42 / 0 / 20

HEX #C676CC

RGB 198 118 204

HSL 295.81, 0.46%, 0.63%

LAB 61.06, 44.59, -31.68

 

CMYK 6 / 65 / 0 / 48

HEX #7D2E85

RGB 125 46 133

HSL 294.48, 0.49%, 0.35%

LAB 34, 46.44, -32.93

 

CMYK 5 / 75 / 0 / 55

HEX #6C1C72

RGB 108 28 114

HSL 295.81, 0.61%, 0.28%

LAB 27.39, 46.12, -31.65

 

CMYK 4 / 89 / 0 / 63

HEX #5B0A5F

RGB 91 10 95

HSL 297.18, 0.81%, 0.21%

LAB 21.08, 44.5, -29.53

 

CMYK 3 / 100 / 0 / 70

HEX #4A004C

RGB 74 0 76

HSL 298.42, 1%, 0.15%

LAB 15.37, 40.55, -26.04

 

CMYK 0 / 100 / 0 / 78

HEX #390039

RGB 57 0 57

HSL 300, 1%, 0.11%

LAB 10.3, 33.86, -20.97

 

CMYK 6 / 66 / 0 / 48

HEX #7C2D84

RGB 124 45 132

HSL 294.48, 0.49%, 0.35%

LAB 33.62, 46.44, -32.92

 

CMYK 0 / 66 / 11 / 48

HEX #842D75

RGB 132 45 117

HSL 310.34, 0.49%, 0.35%

LAB 34.12, 45.89, -22.67

 

CMYK 0 / 66 / 30 / 48

HEX #842D5D

RGB 132 45 93

HSL 326.9, 0.49%, 0.35%

LAB 33.08, 42.26, -8.99

 

CMYK 0 / 66 / 47 / 48

HEX #842D46

RGB 132 45 70

HSL 342.76, 0.49%, 0.35%

LAB 32.31, 39.48, 4.81

 

CMYK 0 / 66 / 65 / 48

HEX #842D2E

RGB 132 45 46

HSL 359.31, 0.49%, 0.35%

LAB 31.76, 37.41, 19.64

 

CMYK 6 / 66 / 0 / 48

HEX #7C2D84

RGB 124 45 132

HSL 294.48, 0.49%, 0.35%

LAB 33.62, 46.44, -32.92

 

CMYK 23 / 66 / 0 / 48

HEX #652D84

RGB 101 45 132

HSL 278.62, 0.49%, 0.35%

LAB 30.18, 40.63, -38.61

 

CMYK 42 / 66 / 0 / 48

HEX #4D2D84

RGB 77 45 132

HSL 262.07, 0.49%, 0.35%

LAB 27.08, 34.94, -43.78

 

CMYK 59 / 66 / 0 / 48

HEX #362D84

RGB 54 45 132

HSL 246.21, 0.49%, 0.35%

LAB 24.72, 30.23, -47.7

 

CMYK 66 / 66 / 0 / 48

HEX #2D2D84

RGB 45 45 132

HSL 240, 0.49%, 0.35%

LAB 24, 28.7, -48.91

 

CMYK 6 / 66 / 0 / 48

HEX #7C2D84

RGB 124 45 132

HSL 294.48, 0.49%, 0.35%

LAB 33.62, 46.44, -32.92

 

CMYK 7 / 79 / 0 / 42

HEX #881F93

RGB 136 31 147

HSL 294.31, 0.65%, 0.35%

LAB 34.64, 57.27, -40.43

 

CMYK 8 / 90 / 0 / 37

HEX #9410A1

RGB 148 16 161

HSL 294.62, 0.82%, 0.35%

LAB 36.44, 65.44, -45.94

 

CMYK 9 / 99 / 0 / 31

HEX #A002B0

RGB 160 2 176

HSL 294.48, 0.98%, 0.35%

LAB 38.99, 71.62, -50.73

 

CMYK 6 / 66 / 0 / 48

HEX #7C2D84

RGB 124 45 132

HSL 294.48, 0.49%, 0.35%

LAB 33.62, 46.44, -32.92

 

CMYK 4 / 50 / 0 / 54

HEX #713B76

RGB 113 59 118

HSL 294.92, 0.33%, 0.35%

LAB 33.87, 33.36, -23.9

 

CMYK 3 / 29 / 0 / 59

HEX #654A68

RGB 101 74 104

HSL 294, 0.17%, 0.35%

LAB 35.33, 17.25, -12.99

 

CMYK 0 / 1 / 0 / 65

HEX #595859

RGB 89 88 89

HSL 300, 0.01%, 0.35%

LAB 37.53, 0.61, -0.44

 

CMYK 25 / 0 / 27 / 60

HEX #4D674B

RGB 77 103 75

HSL 115.71, 0.16%, 0.35%

LAB 40.87, -15.74, 12.76

 

CMYK 42 / 66 / 0 / 48

HEX #4D2D84

RGB 77 45 132

HSL 262.07, 0.49%, 0.35%

LAB 27.08, 34.94, -43.78

 

CMYK 24 / 66 / 0 / 48

HEX #642D84

RGB 100 45 132

HSL 277.93, 0.49%, 0.35%

LAB 30.04, 40.39, -38.85

 

CMYK 6 / 66 / 0 / 48

HEX #7C2D84

RGB 124 45 132

HSL 294.48, 0.49%, 0.35%

LAB 33.62, 46.44, -32.92

 

CMYK 0 / 66 / 11 / 48

HEX #842D76

RGB 132 45 118

HSL 309.66, 0.49%, 0.35%

LAB 34.17, 46.06, -23.22

 

CMYK 0 / 66 / 28 / 48

HEX #842D5F

RGB 132 45 95

HSL 325.52, 0.49%, 0.35%

LAB 33.15, 42.53, -10.16

 

CMYK 6 / 66 / 0 / 72

HEX #431847

RGB 67 24 71

HSL 294.89, 0.49%, 0.19%

LAB 17, 28.43, -20.08

 

CMYK 6 / 67 / 0 / 60

HEX #602266

RGB 96 34 102

HSL 294.71, 0.5%, 0.27%

LAB 25.53, 38.2, -26.99

 

CMYK 6 / 66 / 0 / 48

HEX #7C2D84

RGB 124 45 132

HSL 294.48, 0.49%, 0.35%

LAB 33.62, 46.44, -32.92

 

CMYK 6 / 66 / 0 / 36

HEX #9938A3

RGB 153 56 163

HSL 294.39, 0.49%, 0.43%

LAB 41.6, 54.76, -38.85

 

CMYK 6 / 64 / 0 / 25

HEX #B445BF

RGB 180 69 191

HSL 294.59, 0.49%, 0.51%

LAB 49.16, 60.92, -43.1

 

CMYK 6 / 65 / 0 / 48

HEX #7D2E85

RGB 125 46 133

HSL 294.48, 0.49%, 0.35%

LAB 34, 46.44, -32.93

 

CMYK 0 / 59 / 66 / 48

HEX #84362D

RGB 132 54 45

HSL 6.21, 0.49%, 0.35%

LAB 33.42, 32.9, 22.36

 

CMYK 66 / 0 / 33 / 48

HEX #2D8459

RGB 45 132 89

HSL 150.34, 0.49%, 0.35%

LAB 49.23, -36.5, 15.79

 

CMYK 6 / 65 / 0 / 48

HEX #7D2E85

RGB 125 46 133

HSL 294.48, 0.49%, 0.35%

LAB 34, 46.44, -32.93

 

CMYK 0 / 6 / 66 / 48

HEX #847C2D

RGB 132 124 45

HSL 54.48, 0.49%, 0.35%

LAB 51.28, -7.2, 42.78

 

CMYK 66 / 0 / 6 / 48

HEX #2D847C

RGB 45 132 124

HSL 174.48, 0.49%, 0.35%

LAB 50.12, -27.55, -3.29

 

CMYK 6 / 65 / 0 / 48

HEX #7D2E85

RGB 125 46 133

HSL 294.48, 0.49%, 0.35%

LAB 34, 46.44, -32.93

 

CMYK 0 / 59 / 66 / 48

HEX #84362D

RGB 132 54 45

HSL 6.21, 0.49%, 0.35%

LAB 33.42, 32.9, 22.36

 

CMYK 59 / 0 / 66 / 48

HEX #36842D

RGB 54 132 45

HSL 113.79, 0.49%, 0.35%

LAB 48.85, -41.58, 38.72

 

CMYK 66 / 6 / 0 / 48

HEX #2D7C84

RGB 45 124 132

HSL 185.52, 0.49%, 0.35%

LAB 47.8, -21.05, -11.45

 

CMYK 6 / 65 / 0 / 48

HEX #7D2E85

RGB 125 46 133

HSL 294.48, 0.49%, 0.35%

LAB 34, 46.44, -32.93

 

CMYK 0 / 39 / 66 / 48

HEX #84502D

RGB 132 80 45

HSL 24.14, 0.49%, 0.35%

LAB 39.3, 18.33, 29.44

 

CMYK 59 / 0 / 66 / 48

HEX #36842D

RGB 54 132 45

HSL 113.79, 0.49%, 0.35%

LAB 48.85, -41.58, 38.72

 

CMYK 66 / 27 / 0 / 48

HEX #2D6184

RGB 45 97 132

HSL 204.14, 0.49%, 0.35%

LAB 39.2, -5.7, -24.65

 

Description

Color code: CMYK 6 / 65 / 0 / 48 | qconv.com Color code: CMYK 6 / 65 / 0 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 46 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 46 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 65 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 65% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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