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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 6 / 64 / 0 / 33 it is the complementary color CMYK 51 / 0 / 56 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 6 / 64 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 0 / 63 / 0 / 35, CMYK 1 / 57 / 0 / 27, CMYK 2 / 52 / 0 / 20, CMYK 3 / 48 / 0 / 13 and CMYK 3 / 45 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 6 / 64 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 6 / 64 / 0 / 33, CMYK 5 / 71 / 0 / 40, CMYK 5 / 80 / 0 / 48, CMYK 4 / 93 / 0 / 55 and CMYK 2 / 100 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 6 / 64 / 0 / 33, CMYK 0 / 64 / 12 / 33, CMYK 0 / 64 / 28 / 33, CMYK 0 / 64 / 46 / 33 and CMYK 0 / 64 / 63 / 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 6 / 64 / 0 / 33, CMYK 23 / 64 / 0 / 33, CMYK 41 / 64 / 0 / 33, CMYK 58 / 64 / 0 / 33 and CMYK 64 / 64 / 0 / 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 6 / 64 / 0 / 33 shade matches the following richer shades: CMYK 6 / 64 / 0 / 33, CMYK 7 / 77 / 0 / 25, CMYK 8 / 89 / 0 / 18 and CMYK 9 / 98 / 0 / 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 6 / 64 / 0 / 33, CMYK 5 / 47 / 0 / 40, CMYK 2 / 25 / 0 / 47, CMYK 3 / 0 / 3 / 53 and CMYK 28 / 0 / 30 / 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 41 / 64 / 0 / 33, CMYK 23 / 64 / 0 / 33, CMYK 6 / 64 / 0 / 33, CMYK 0 / 64 / 10 / 33 and CMYK 0 / 64 / 28 / 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 5 / 64 / 0 / 56, CMYK 6 / 64 / 0 / 44, CMYK 6 / 64 / 0 / 33, CMYK 5 / 57 / 0 / 25 and CMYK 4 / 44 / 0 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 6 / 64 / 0 / 33, CMYK 0 / 58 / 64 / 33 and CMYK 64 / 0 / 32 / 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 6 / 64 / 0 / 33, CMYK 0 / 6 / 64 / 33 and CMYK 64 / 0 / 6 / 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 6 / 64 / 0 / 33, CMYK 0 / 58 / 64 / 33, CMYK 58 / 0 / 64 / 33 and CMYK 64 / 6 / 0 / 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 6 / 64 / 0 / 33 shade: CMYK 6 / 64 / 0 / 33, CMYK 0 / 38 / 64 / 33, CMYK 58 / 0 / 64 / 33 and CMYK 64 / 26 / 0 / 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 64 / 0 / 33

HEX #A13EAB

RGB 161 62 171

HSL 294.5, 0.47%, 0.46%

LAB 44.18, 55.63, -39.45

 

Complementary color

CMYK 51 / 0 / 56 / 24

HEX #5EC154

RGB 94 193 84

HSL 114.5, 0.47%, 0.54%

LAB 70.29, -50.35, 45.48

 

CMYK 0 / 63 / 0 / 35

HEX #A63EA6

RGB 166 62 166

HSL 300, 0.46%, 0.45%

LAB 44.67, 55.98, -35.66

 

CMYK 1 / 57 / 0 / 27

HEX #B750B9

RGB 183 80 185

HSL 298.86, 0.43%, 0.52%

LAB 51.04, 55.76, -36.6

 

CMYK 2 / 52 / 0 / 20

HEX #C862CC

RGB 200 98 204

HSL 297.74, 0.51%, 0.59%

LAB 57.44, 55.27, -37.32

 

CMYK 3 / 48 / 0 / 13

HEX #D974DF

RGB 217 116 223

HSL 296.64, 0.63%, 0.66%

LAB 63.81, 54.65, -37.89

 

CMYK 3 / 45 / 0 / 5

HEX #EA86F2

RGB 234 134 242

HSL 295.56, 0.81%, 0.74%

LAB 70.14, 53.97, -38.35

 

CMYK 6 / 64 / 0 / 33

HEX #A13EAB

RGB 161 62 171

HSL 294.5, 0.47%, 0.46%

LAB 44.18, 55.63, -39.45

 

CMYK 5 / 71 / 0 / 40

HEX #902C98

RGB 144 44 152

HSL 295.56, 0.55%, 0.38%

LAB 37.84, 55.44, -38.3

 

CMYK 5 / 80 / 0 / 48

HEX #7F1A85

RGB 127 26 133

HSL 296.64, 0.67%, 0.31%

LAB 31.68, 54.43, -36.61

 

CMYK 4 / 93 / 0 / 55

HEX #6E0872

RGB 110 8 114

HSL 297.74, 0.87%, 0.24%

LAB 25.87, 52, -34.05

 

CMYK 2 / 100 / 0 / 63

HEX #5D005F

RGB 93 0 95

HSL 298.74, 1%, 0.19%

LAB 20.65, 47.34, -30.21

 

CMYK 6 / 64 / 0 / 33

HEX #A23EAC

RGB 162 62 172

HSL 294.55, 0.47%, 0.46%

LAB 44.38, 56.06, -39.71

 

CMYK 0 / 64 / 12 / 33

HEX #AC3E98

RGB 172 62 152

HSL 310.91, 0.47%, 0.46%

LAB 44.92, 55.21, -26.85

 

CMYK 0 / 64 / 28 / 33

HEX #AC3E7B

RGB 172 62 123

HSL 326.73, 0.47%, 0.46%

LAB 43.72, 51.02, -11.09

 

CMYK 0 / 64 / 46 / 33

HEX #AC3E5D

RGB 172 62 93

HSL 343.09, 0.47%, 0.46%

LAB 42.77, 47.55, 6.05

 

CMYK 0 / 64 / 63 / 33

HEX #AC3E3F

RGB 172 62 63

HSL 359.45, 0.47%, 0.46%

LAB 42.12, 45.07, 23.69

 

CMYK 6 / 64 / 0 / 33

HEX #A23EAC

RGB 162 62 172

HSL 294.55, 0.47%, 0.46%

LAB 44.38, 56.06, -39.71

 

CMYK 23 / 64 / 0 / 33

HEX #843EAC

RGB 132 62 172

HSL 278.18, 0.47%, 0.46%

LAB 40.13, 48.79, -46.74

 

CMYK 41 / 64 / 0 / 33

HEX #663EAC

RGB 102 62 172

HSL 261.82, 0.47%, 0.46%

LAB 36.46, 41.96, -52.84

 

CMYK 58 / 64 / 0 / 33

HEX #493EAC

RGB 73 62 172

HSL 246, 0.47%, 0.46%

LAB 33.65, 36.25, -57.54

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 6 / 64 / 0 / 33

HEX #A23EAC

RGB 162 62 172

HSL 294.55, 0.47%, 0.46%

LAB 44.38, 56.06, -39.71

 

CMYK 7 / 77 / 0 / 25

HEX #B12BBF

RGB 177 43 191

HSL 294.32, 0.63%, 0.46%

LAB 45.41, 69.57, -49.1

 

CMYK 8 / 89 / 0 / 18

HEX #C118D2

RGB 193 24 210

HSL 294.52, 0.79%, 0.46%

LAB 47.81, 79.73, -56.11

 

CMYK 9 / 98 / 0 / 10

HEX #D005E5

RGB 208 5 229

HSL 294.38, 0.96%, 0.46%

LAB 50.89, 87.02, -61.85

 

CMYK 6 / 64 / 0 / 33

HEX #A23EAC

RGB 162 62 172

HSL 294.55, 0.47%, 0.46%

LAB 44.38, 56.06, -39.71

 

CMYK 5 / 47 / 0 / 40

HEX #925199

RGB 146 81 153

HSL 294.17, 0.31%, 0.46%

LAB 44.65, 38.64, -28.14

 

CMYK 2 / 25 / 0 / 47

HEX #836486

RGB 131 100 134

HSL 294.71, 0.15%, 0.46%

LAB 46.53, 18.79, -14.04

 

CMYK 3 / 0 / 3 / 53

HEX #737773

RGB 115 119 115

HSL 120, 0.02%, 0.46%

LAB 49.59, -2.32, 1.67

 

CMYK 28 / 0 / 30 / 46

HEX #648A60

RGB 100 138 96

HSL 114.29, 0.18%, 0.46%

LAB 53.74, -21.93, 18.36

 

CMYK 41 / 64 / 0 / 33

HEX #663EAC

RGB 102 62 172

HSL 261.82, 0.47%, 0.46%

LAB 36.46, 41.96, -52.84

 

CMYK 23 / 64 / 0 / 33

HEX #843EAC

RGB 132 62 172

HSL 278.18, 0.47%, 0.46%

LAB 40.13, 48.79, -46.74

 

CMYK 6 / 64 / 0 / 33

HEX #A13EAC

RGB 161 62 172

HSL 294, 0.47%, 0.46%

LAB 44.23, 55.81, -39.95

 

CMYK 0 / 64 / 10 / 33

HEX #AC3E9A

RGB 172 62 154

HSL 309.82, 0.47%, 0.46%

LAB 45.01, 55.53, -27.9

 

CMYK 0 / 64 / 28 / 33

HEX #AC3E7C

RGB 172 62 124

HSL 326.18, 0.47%, 0.46%

LAB 43.76, 51.15, -11.65

 

CMYK 5 / 64 / 0 / 56

HEX #69286F

RGB 105 40 111

HSL 294.93, 0.47%, 0.3%

LAB 28.56, 39.59, -27.9

 

CMYK 6 / 64 / 0 / 44

HEX #85338E

RGB 133 51 142

HSL 294.07, 0.47%, 0.38%

LAB 36.57, 47.98, -34.32

 

CMYK 6 / 64 / 0 / 33

HEX #A23EAC

RGB 162 62 172

HSL 294.55, 0.47%, 0.46%

LAB 44.38, 56.06, -39.71

 

CMYK 5 / 57 / 0 / 25

HEX #B652C0

RGB 182 82 192

HSL 294.55, 0.47%, 0.54%

LAB 51.59, 55.84, -39.8

 

CMYK 4 / 44 / 0 / 20

HEX #C371CB

RGB 195 113 203

HSL 294.67, 0.46%, 0.62%

LAB 59.64, 46.12, -33.36

 

CMYK 6 / 64 / 0 / 33

HEX #A13EAB

RGB 161 62 171

HSL 294.5, 0.47%, 0.46%

LAB 44.18, 55.63, -39.45

 

CMYK 0 / 58 / 64 / 33

HEX #AC493E

RGB 172 73 62

HSL 6, 0.47%, 0.46%

LAB 44.07, 39.8, 26.75

 

CMYK 64 / 0 / 32 / 33

HEX #3EAC75

RGB 62 172 117

HSL 150, 0.47%, 0.46%

LAB 63.19, -44.18, 19.32

 

CMYK 6 / 64 / 0 / 33

HEX #A13EAB

RGB 161 62 171

HSL 294.5, 0.47%, 0.46%

LAB 44.18, 55.63, -39.45

 

CMYK 0 / 6 / 64 / 33

HEX #ACA13E

RGB 172 161 62

HSL 54, 0.47%, 0.46%

LAB 65.44, -8.26, 51.33

 

CMYK 64 / 0 / 6 / 33

HEX #3EACA1

RGB 62 172 161

HSL 174, 0.47%, 0.46%

LAB 64.24, -33.52, -3.55

 

CMYK 6 / 64 / 0 / 33

HEX #A13EAB

RGB 161 62 171

HSL 294.5, 0.47%, 0.46%

LAB 44.18, 55.63, -39.45

 

CMYK 0 / 58 / 64 / 33

HEX #AC493E

RGB 172 73 62

HSL 6, 0.47%, 0.46%

LAB 44.07, 39.8, 26.75

 

CMYK 58 / 0 / 64 / 33

HEX #49AC3E

RGB 73 172 62

HSL 114, 0.47%, 0.46%

LAB 62.73, -50.29, 46.66

 

CMYK 64 / 6 / 0 / 33

HEX #3EA1AC

RGB 62 161 172

HSL 186, 0.47%, 0.46%

LAB 61.21, -25, -14.23

 

CMYK 6 / 64 / 0 / 33

HEX #A13EAB

RGB 161 62 171

HSL 294.5, 0.47%, 0.46%

LAB 44.18, 55.63, -39.45

 

CMYK 0 / 38 / 64 / 33

HEX #AC6A3E

RGB 172 106 62

HSL 24, 0.47%, 0.46%

LAB 51.18, 22.16, 35.36

 

CMYK 58 / 0 / 64 / 33

HEX #49AC3E

RGB 73 172 62

HSL 114, 0.47%, 0.46%

LAB 62.73, -50.29, 46.66

 

CMYK 64 / 26 / 0 / 33

HEX #3E80AC

RGB 62 128 172

HSL 204, 0.47%, 0.46%

LAB 51.2, -7.1, -29.59

 

Description

Color code: CMYK 6 / 64 / 0 / 33 | qconv.com Color code: CMYK 6 / 64 / 0 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 62 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 62 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 64 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 64% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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