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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 6 / 58 / 0 / 61 it is the complementary color CMYK 24 / 0 / 27 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 6 / 58 / 0 / 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 0 / 57 / 4 / 62, CMYK 0 / 48 / 2 / 55, CMYK 0 / 41 / 0 / 48, CMYK 1 / 36 / 0 / 41 and CMYK 2 / 33 / 0 / 33

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 6 / 58 / 0 / 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 6 / 58 / 0 / 61, CMYK 5 / 70 / 0 / 69, CMYK 3 / 90 / 0 / 76, CMYK 0 / 100 / 0 / 84 and CMYK 0 / 100 / 8 / 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 6 / 58 / 0 / 61, CMYK 0 / 58 / 9 / 61, CMYK 0 / 58 / 24 / 61, CMYK 0 / 58 / 40 / 61 and CMYK 0 / 58 / 56 / 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 6 / 58 / 0 / 61, CMYK 21 / 58 / 0 / 61, CMYK 36 / 58 / 0 / 61, CMYK 53 / 58 / 0 / 61 and CMYK 58 / 58 / 0 / 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 6 / 58 / 0 / 61 shade matches the following richer shades: CMYK 6 / 58 / 0 / 61, CMYK 7 / 72 / 0 / 56, CMYK 9 / 85 / 0 / 52 and CMYK 10 / 94 / 0 / 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 6 / 58 / 0 / 61, CMYK 5 / 39 / 0 / 65, CMYK 1 / 14 / 0 / 70, CMYK 14 / 0 / 16 / 70 and CMYK 36 / 0 / 40 / 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 37 / 58 / 0 / 61, CMYK 21 / 58 / 0 / 61, CMYK 6 / 58 / 0 / 61, CMYK 0 / 58 / 8 / 61 and CMYK 0 / 58 / 23 / 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 7 / 57 / 0 / 84, CMYK 7 / 58 / 0 / 72, CMYK 6 / 58 / 0 / 61, CMYK 5 / 57 / 0 / 50 and CMYK 6 / 57 / 0 / 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 6 / 58 / 0 / 61, CMYK 0 / 53 / 58 / 61 and CMYK 58 / 0 / 29 / 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 6 / 58 / 0 / 61, CMYK 0 / 6 / 58 / 61 and CMYK 58 / 0 / 6 / 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 6 / 58 / 0 / 61, CMYK 0 / 53 / 58 / 61, CMYK 51 / 0 / 58 / 61 and CMYK 58 / 4 / 0 / 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 6 / 58 / 0 / 61 shade: CMYK 6 / 58 / 0 / 61, CMYK 0 / 35 / 58 / 61, CMYK 51 / 0 / 58 / 61 and CMYK 58 / 21 / 0 / 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

Complementary color

CMYK 24 / 0 / 27 / 16

HEX #A2D59C

RGB 162 213 156

HSL 113.68, 0.4%, 0.72%

LAB 80.56, -27.37, 22.96

 

CMYK 0 / 57 / 4 / 62

HEX #622A5E

RGB 98 42 94

HSL 304.29, 0.4%, 0.27%

LAB 26.91, 33.13, -19.59

 

CMYK 0 / 48 / 2 / 55

HEX #733C71

RGB 115 60 113

HSL 302.18, 0.31%, 0.34%

LAB 34.13, 32.43, -20.34

 

CMYK 0 / 41 / 0 / 48

HEX #844E84

RGB 132 78 132

HSL 300, 0.26%, 0.41%

LAB 41.25, 31.63, -20.9

 

CMYK 1 / 36 / 0 / 41

HEX #956097

RGB 149 96 151

HSL 297.82, 0.22%, 0.48%

LAB 48.25, 30.83, -21.35

 

CMYK 2 / 33 / 0 / 33

HEX #A672AA

RGB 166 114 170

HSL 295.71, 0.25%, 0.56%

LAB 55.12, 30.06, -21.75

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 5 / 70 / 0 / 69

HEX #4C1850

RGB 76 24 80

HSL 295.71, 0.54%, 0.2%

LAB 19.09, 32.97, -22.82

 

CMYK 3 / 90 / 0 / 76

HEX #3B063D

RGB 59 6 61

HSL 297.82, 0.82%, 0.13%

LAB 11.94, 32.35, -21.19

 

CMYK 0 / 100 / 0 / 84

HEX #2A002A

RGB 42 0 42

HSL 300, 1%, 0.08%

LAB 5.96, 27.13, -16.99

 

CMYK 0 / 100 / 8 / 90

HEX #190017

RGB 25 0 23

HSL 304.8, 1%, 0.05%

LAB 2.43, 12.3, -7.73

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 0 / 58 / 9 / 61

HEX #632A5A

RGB 99 42 90

HSL 309.47, 0.4%, 0.28%

LAB 26.87, 32.68, -17.03

 

CMYK 0 / 58 / 24 / 61

HEX #632A4B

RGB 99 42 75

HSL 325.26, 0.4%, 0.28%

LAB 26.21, 30.07, -8.12

 

CMYK 0 / 58 / 40 / 61

HEX #632A3B

RGB 99 42 59

HSL 342.11, 0.4%, 0.28%

LAB 25.64, 27.72, 1.76

 

CMYK 0 / 58 / 56 / 61

HEX #632A2C

RGB 99 42 44

HSL 357.89, 0.4%, 0.28%

LAB 25.23, 26, 11.29

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 21 / 58 / 0 / 61

HEX #4E2A63

RGB 78 42 99

HSL 277.89, 0.4%, 0.28%

LAB 24.25, 28.04, -27.25

 

CMYK 36 / 58 / 0 / 61

HEX #3F2A63

RGB 63 42 99

HSL 262.11, 0.4%, 0.28%

LAB 22.35, 23.65, -30.38

 

CMYK 53 / 58 / 0 / 61

HEX #2F2A63

RGB 47 42 99

HSL 245.26, 0.4%, 0.28%

LAB 20.68, 19.41, -33.16

 

CMYK 58 / 58 / 0 / 61

HEX #2A2A63

RGB 42 42 99

HSL 240, 0.4%, 0.28%

LAB 20.24, 18.22, -33.89

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 7 / 72 / 0 / 56

HEX #671F6F

RGB 103 31 111

HSL 294, 0.56%, 0.28%

LAB 26.77, 43.16, -30.77

 

CMYK 9 / 85 / 0 / 52

HEX #70137B

RGB 112 19 123

HSL 293.65, 0.73%, 0.28%

LAB 27.68, 51.55, -36.87

 

CMYK 10 / 94 / 0 / 47

HEX #790886

RGB 121 8 134

HSL 293.81, 0.89%, 0.28%

LAB 29.31, 57.43, -41.09

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 5 / 39 / 0 / 65

HEX #543658

RGB 84 54 88

HSL 292.94, 0.24%, 0.28%

LAB 27.37, 19.97, -15.11

 

CMYK 1 / 14 / 0 / 70

HEX #4B414C

RGB 75 65 76

HSL 294.55, 0.08%, 0.28%

LAB 28.9, 6.62, -5.06

 

CMYK 14 / 0 / 16 / 70

HEX #424D41

RGB 66 77 65

HSL 115, 0.08%, 0.28%

LAB 31.46, -7.09, 5.66

 

CMYK 36 / 0 / 40 / 65

HEX #395935

RGB 57 89 53

HSL 113.33, 0.25%, 0.28%

LAB 34.54, -19.86, 17.22

 

CMYK 37 / 58 / 0 / 61

HEX #3E2A63

RGB 62 42 99

HSL 261.05, 0.4%, 0.28%

LAB 22.23, 23.37, -30.57

 

CMYK 21 / 58 / 0 / 61

HEX #4E2A63

RGB 78 42 99

HSL 277.89, 0.4%, 0.28%

LAB 24.25, 28.04, -27.25

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 0 / 58 / 8 / 61

HEX #632A5B

RGB 99 42 91

HSL 308.42, 0.4%, 0.28%

LAB 26.92, 32.87, -17.61

 

CMYK 0 / 58 / 23 / 61

HEX #632A4C

RGB 99 42 76

HSL 324.21, 0.4%, 0.28%

LAB 26.25, 30.23, -8.73

 

CMYK 7 / 57 / 0 / 84

HEX #27122A

RGB 39 18 42

HSL 292.5, 0.4%, 0.12%

LAB 9.25, 15.77, -11.85

 

CMYK 7 / 58 / 0 / 72

HEX #421E47

RGB 66 30 71

HSL 292.68, 0.41%, 0.2%

LAB 18.11, 24.68, -18.34

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 5 / 57 / 0 / 50

HEX #793780

RGB 121 55 128

HSL 294.25, 0.4%, 0.36%

LAB 34.71, 40, -28.74

 

CMYK 6 / 57 / 0 / 38

HEX #94439D

RGB 148 67 157

HSL 294, 0.4%, 0.44%

LAB 42.38, 47.28, -34.08

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 0 / 53 / 58 / 61

HEX #632F2A

RGB 99 47 42

HSL 5.26, 0.4%, 0.28%

LAB 26.31, 22.93, 14.06

 

CMYK 58 / 0 / 29 / 61

HEX #2A6346

RGB 42 99 70

HSL 149.47, 0.4%, 0.28%

LAB 37.59, -26.27, 10.94

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 0 / 6 / 58 / 61

HEX #635D2A

RGB 99 93 42

HSL 53.68, 0.4%, 0.28%

LAB 38.98, -5.13, 29.75

 

CMYK 58 / 0 / 6 / 61

HEX #2A635D

RGB 42 99 93

HSL 173.68, 0.4%, 0.28%

LAB 38.21, -20.23, -2.25

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 0 / 53 / 58 / 61

HEX #632F2A

RGB 99 47 42

HSL 5.26, 0.4%, 0.28%

LAB 26.31, 22.93, 14.06

 

CMYK 51 / 0 / 58 / 61

HEX #31632A

RGB 49 99 42

HSL 112.63, 0.4%, 0.28%

LAB 37.38, -29.39, 26.98

 

CMYK 58 / 4 / 0 / 61

HEX #2A5F63

RGB 42 95 99

HSL 184.21, 0.4%, 0.28%

LAB 37.07, -16.24, -7.65

 

CMYK 6 / 58 / 0 / 61

HEX #5D2A63

RGB 93 42 99

HSL 293.68, 0.4%, 0.28%

LAB 26.4, 32.59, -23.7

 

CMYK 0 / 35 / 58 / 61

HEX #63402A

RGB 99 64 42

HSL 23.16, 0.4%, 0.28%

LAB 30.61, 12.57, 19.6

 

CMYK 51 / 0 / 58 / 61

HEX #31632A

RGB 49 99 42

HSL 112.63, 0.4%, 0.28%

LAB 37.38, -29.39, 26.98

 

CMYK 58 / 21 / 0 / 61

HEX #2A4E63

RGB 42 78 99

HSL 202.11, 0.4%, 0.28%

LAB 31.44, -6.18, -16.21

 

Description

Color code: CMYK 6 / 58 / 0 / 61 | qconv.com Color code: CMYK 6 / 58 / 0 / 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 42 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 42 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 58 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 58% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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