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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 27 / 0 / 19 it is the complementary color CMYK 0 / 45 / 75 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 27 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 65 / 25 / 0 / 21, CMYK 60 / 24 / 0 / 13, CMYK 56 / 22 / 0 / 6, CMYK 52 / 20 / 0 / 0 and CMYK 45 / 13 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 27 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 68 / 27 / 0 / 19, CMYK 74 / 29 / 0 / 26, CMYK 81 / 32 / 0 / 34, CMYK 90 / 35 / 0 / 41 and CMYK 100 / 40 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 67 / 27 / 0 / 19, CMYK 67 / 45 / 0 / 19, CMYK 67 / 63 / 0 / 19, CMYK 53 / 67 / 0 / 19 and CMYK 35 / 67 / 0 / 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 67 / 27 / 0 / 19, CMYK 67 / 45 / 0 / 19, CMYK 67 / 63 / 0 / 19 and CMYK 67 / 67 / 0 / 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 68 / 27 / 0 / 19 shade matches the following richer shades: CMYK 67 / 27 / 0 / 19, CMYK 78 / 31 / 0 / 12 and CMYK 88 / 35 / 0 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 67 / 27 / 0 / 19, CMYK 53 / 21 / 0 / 27, CMYK 37 / 14 / 0 / 34, CMYK 16 / 6 / 0 / 42 and CMYK 0 / 6 / 10 / 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 67 / 0 / 10 / 19, CMYK 67 / 8 / 0 / 19, CMYK 67 / 26 / 0 / 19, CMYK 67 / 44 / 0 / 19 and CMYK 67 / 61 / 0 / 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 75 / 29 / 0 / 40, CMYK 75 / 30 / 0 / 27, CMYK 67 / 27 / 0 / 19, CMYK 53 / 21 / 0 / 16 and CMYK 40 / 16 / 0 / 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 68 / 27 / 0 / 19, CMYK 28 / 67 / 0 / 19 and CMYK 0 / 1 / 67 / 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 68 / 27 / 0 / 19, CMYK 0 / 67 / 26 / 19 and CMYK 26 / 0 / 67 / 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 68 / 27 / 0 / 19, CMYK 28 / 67 / 0 / 19, CMYK 0 / 41 / 67 / 19 and CMYK 39 / 0 / 67 / 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 68 / 27 / 0 / 19 shade: CMYK 68 / 27 / 0 / 19, CMYK 8 / 67 / 0 / 19, CMYK 0 / 41 / 67 / 19 and CMYK 59 / 0 / 67 / 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

Complementary color

CMYK 0 / 45 / 75 / 26

HEX #BD6830

RGB 189 104 48

HSL 23.83, 0.59%, 0.46%

LAB 52.88, 29.64, 45.08

 

CMYK 65 / 25 / 0 / 21

HEX #4797CA

RGB 71 151 202

HSL 203.36, 0.55%, 0.54%

LAB 59.65, -8.63, -33.49

 

CMYK 60 / 24 / 0 / 13

HEX #58A9DD

RGB 88 169 221

HSL 203.46, 0.66%, 0.61%

LAB 66.27, -9.46, -33.72

 

CMYK 56 / 22 / 0 / 6

HEX #69BBF0

RGB 105 187 240

HSL 203.56, 0.82%, 0.68%

LAB 72.78, -10.11, -33.94

 

CMYK 52 / 20 / 0 / 0

HEX #7ACDFF

RGB 122 205 255

HSL 202.56, 1%, 0.74%

LAB 79.05, -11.79, -32.26

 

CMYK 45 / 13 / 0 / 0

HEX #8BDFFF

RGB 139 223 255

HSL 196.55, 1%, 0.77%

LAB 84.73, -17.32, -23.5

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 74 / 29 / 0 / 26

HEX #3185BC

RGB 49 133 188

HSL 203.74, 0.59%, 0.46%

LAB 53.01, -6.5, -35.98

 

CMYK 81 / 32 / 0 / 34

HEX #2073A9

RGB 32 115 169

HSL 203.65, 0.68%, 0.39%

LAB 46.22, -4.85, -35.7

 

CMYK 90 / 35 / 0 / 41

HEX #0F6196

RGB 15 97 150

HSL 203.56, 0.82%, 0.32%

LAB 39.33, -2.64, -35.35

 

CMYK 100 / 40 / 0 / 49

HEX #004F83

RGB 0 79 131

HSL 203.82, 1%, 0.26%

LAB 32.33, 0.2, -34.93

 

CMYK 67 / 27 / 0 / 19

HEX #4497CE

RGB 68 151 206

HSL 203.91, 0.58%, 0.54%

LAB 59.72, -7.79, -35.63

 

CMYK 67 / 45 / 0 / 19

HEX #4472CE

RGB 68 114 206

HSL 220, 0.58%, 0.54%

LAB 49.15, 14.27, -52.34

 

CMYK 67 / 63 / 0 / 19

HEX #444DCE

RGB 68 77 206

HSL 236.09, 0.58%, 0.54%

LAB 39.57, 37.58, -67.85

 

CMYK 53 / 67 / 0 / 19

HEX #6144CE

RGB 97 68 206

HSL 252.61, 0.58%, 0.54%

LAB 39.8, 47.34, -67.38

 

CMYK 35 / 67 / 0 / 19

HEX #8644CE

RGB 134 68 206

HSL 268.7, 0.58%, 0.54%

LAB 43.74, 54.26, -60.8

 

CMYK 67 / 27 / 0 / 19

HEX #4497CE

RGB 68 151 206

HSL 203.91, 0.58%, 0.54%

LAB 59.72, -7.79, -35.63

 

CMYK 67 / 45 / 0 / 19

HEX #4472CE

RGB 68 114 206

HSL 220, 0.58%, 0.54%

LAB 49.15, 14.27, -52.34

 

CMYK 67 / 63 / 0 / 19

HEX #444DCE

RGB 68 77 206

HSL 236.09, 0.58%, 0.54%

LAB 39.57, 37.58, -67.85

 

CMYK 67 / 67 / 0 / 19

HEX #4444CE

RGB 68 68 206

HSL 240, 0.58%, 0.54%

LAB 37.52, 43.03, -71.21

 

CMYK 67 / 27 / 0 / 19

HEX #4497CE

RGB 68 151 206

HSL 203.91, 0.58%, 0.54%

LAB 59.72, -7.79, -35.63

 

CMYK 78 / 31 / 0 / 12

HEX #319BE1

RGB 49 155 225

HSL 203.86, 0.75%, 0.54%

LAB 61.25, -6, -43.86

 

CMYK 88 / 35 / 0 / 4

HEX #1E9FF4

RGB 30 159 244

HSL 203.83, 0.91%, 0.54%

LAB 63.01, -2.96, -51.57

 

CMYK 67 / 27 / 0 / 19

HEX #4497CE

RGB 68 151 206

HSL 203.91, 0.58%, 0.54%

LAB 59.72, -7.79, -35.63

 

CMYK 53 / 21 / 0 / 27

HEX #5794BB

RGB 87 148 187

HSL 203.4, 0.42%, 0.54%

LAB 58.78, -8.57, -26.33

 

CMYK 37 / 14 / 0 / 34

HEX #6A90A8

RGB 106 144 168

HSL 203.23, 0.26%, 0.54%

LAB 57.88, -6.95, -16.83

 

CMYK 16 / 6 / 0 / 42

HEX #7D8C95

RGB 125 140 149

HSL 202.5, 0.1%, 0.54%

LAB 57.35, -3.43, -6.62

 

CMYK 0 / 6 / 10 / 44

HEX #908882

RGB 144 136 130

HSL 25.71, 0.06%, 0.54%

LAB 57.22, 1.89, 4.28

 

CMYK 67 / 0 / 10 / 19

HEX #44CEBA

RGB 68 206 186

HSL 171.3, 0.58%, 0.54%

LAB 75.4, -41.42, -0.86

 

CMYK 67 / 8 / 0 / 19

HEX #44BECE

RGB 68 190 206

HSL 186.96, 0.58%, 0.54%

LAB 71.22, -28.35, -17.94

 

CMYK 67 / 26 / 0 / 19

HEX #4499CE

RGB 68 153 206

HSL 203.04, 0.58%, 0.54%

LAB 60.31, -8.92, -34.71

 

CMYK 67 / 44 / 0 / 19

HEX #4474CE

RGB 68 116 206

HSL 219.13, 0.58%, 0.54%

LAB 49.71, 13.02, -51.46

 

CMYK 67 / 61 / 0 / 19

HEX #4450CE

RGB 68 80 206

HSL 234.78, 0.58%, 0.54%

LAB 40.28, 35.72, -66.69

 

CMYK 75 / 29 / 0 / 40

HEX #276C99

RGB 39 108 153

HSL 203.68, 0.59%, 0.38%

LAB 43.44, -5.74, -30.63

 

CMYK 75 / 30 / 0 / 27

HEX #2F83BA

RGB 47 131 186

HSL 203.74, 0.6%, 0.46%

LAB 52.27, -6.32, -36.01

 

CMYK 67 / 27 / 0 / 19

HEX #4497CE

RGB 68 151 206

HSL 203.91, 0.58%, 0.54%

LAB 59.72, -7.79, -35.63

 

CMYK 53 / 21 / 0 / 16

HEX #65AAD7

RGB 101 170 215

HSL 203.68, 0.59%, 0.62%

LAB 66.84, -9.21, -29.48

 

CMYK 40 / 16 / 0 / 13

HEX #86BCDF

RGB 134 188 223

HSL 203.6, 0.58%, 0.7%

LAB 73.78, -8.78, -23.08

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 28 / 67 / 0 / 19

HEX #9544CE

RGB 149 68 206

HSL 275.22, 0.58%, 0.54%

LAB 45.61, 57.36, -57.69

 

CMYK 0 / 1 / 67 / 19

HEX #CECC44

RGB 206 204 68

HSL 59.13, 0.58%, 0.54%

LAB 80.02, -15.48, 64.9

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 0 / 67 / 26 / 19

HEX #CE4499

RGB 206 68 153

HSL 323.04, 0.58%, 0.54%

LAB 51.33, 62.16, -17.1

 

CMYK 26 / 0 / 67 / 19

HEX #99CE44

RGB 153 206 68

HSL 83.04, 0.58%, 0.54%

LAB 76.88, -37.74, 60.49

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 28 / 67 / 0 / 19

HEX #9544CE

RGB 149 68 206

HSL 275.22, 0.58%, 0.54%

LAB 45.61, 57.36, -57.69

 

CMYK 0 / 41 / 67 / 19

HEX #CE7944

RGB 206 121 68

HSL 23.04, 0.58%, 0.54%

LAB 59.17, 28.59, 42.6

 

CMYK 39 / 0 / 67 / 19

HEX #7ECE44

RGB 126 206 68

HSL 94.78, 0.58%, 0.54%

LAB 75.45, -47.36, 58.55

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 8 / 67 / 0 / 19

HEX #BE44CE

RGB 190 68 206

HSL 293.04, 0.58%, 0.54%

LAB 51.31, 66.34, -48.23

 

CMYK 0 / 41 / 67 / 19

HEX #CE7944

RGB 206 121 68

HSL 23.04, 0.58%, 0.54%

LAB 59.17, 28.59, 42.6

 

CMYK 59 / 0 / 67 / 19

HEX #54CE44

RGB 84 206 68

HSL 113.04, 0.58%, 0.54%

LAB 73.83, -59.46, 56.35

 

Description

Color code: CMYK 68 / 27 / 0 / 19 | qconv.com Color code: CMYK 68 / 27 / 0 / 19 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 151 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 151 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 27 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 27% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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