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Color name
CMYK 68 / 0 / 42 / 22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 0 / 42 / 22 it is the complementary color CMYK 0 / 71 / 27 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 0 / 42 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 65 / 0 / 45 / 22, CMYK 60 / 0 / 41 / 15, CMYK 56 / 0 / 37 / 8, CMYK 53 / 0 / 34 / 1 and CMYK 46 / 0 / 27 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 0 / 42 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 68 / 0 / 42 / 22, CMYK 74 / 0 / 47 / 29, CMYK 82 / 0 / 53 / 36, CMYK 91 / 0 / 60 / 43 and CMYK 100 / 0 / 69 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 67 / 0 / 42 / 22, CMYK 67 / 0 / 60 / 22, CMYK 56 / 0 / 67 / 22, CMYK 38 / 0 / 67 / 22 and CMYK 20 / 0 / 67 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 67 / 0 / 42 / 22, CMYK 67 / 0 / 24 / 22, CMYK 67 / 0 / 6 / 22, CMYK 67 / 13 / 0 / 22 and CMYK 67 / 31 / 0 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 68 / 0 / 42 / 22 shade matches the following richer shades: CMYK 67 / 0 / 42 / 22, CMYK 79 / 0 / 49 / 14 and CMYK 90 / 0 / 56 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 67 / 0 / 42 / 22, CMYK 53 / 0 / 33 / 29, CMYK 35 / 0 / 22 / 37, CMYK 11 / 0 / 7 / 45 and CMYK 0 / 17 / 6 / 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 56 / 0 / 67 / 22, CMYK 67 / 0 / 61 / 22, CMYK 67 / 0 / 43 / 22, CMYK 67 / 0 / 25 / 22 and CMYK 67 / 0 / 7 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 71 / 0 / 44 / 45, CMYK 71 / 0 / 45 / 32, CMYK 67 / 0 / 42 / 22, CMYK 54 / 0 / 33 / 18 and CMYK 41 / 0 / 26 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 68 / 0 / 42 / 22, CMYK 67 / 38 / 0 / 22 and CMYK 0 / 67 / 65 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 68 / 0 / 42 / 22, CMYK 43 / 67 / 0 / 22 and CMYK 0 / 43 / 67 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 68 / 0 / 42 / 22, CMYK 67 / 38 / 0 / 22, CMYK 0 / 67 / 25 / 22 and CMYK 0 / 29 / 67 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 68 / 0 / 42 / 22 shade: CMYK 68 / 0 / 42 / 22, CMYK 67 / 58 / 0 / 22, CMYK 0 / 67 / 25 / 22 and CMYK 0 / 9 / 67 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 42 / 22

HEX #40C773

RGB 64 199 115

HSL 142.67, 0.55%, 0.52%

LAB 71.67, -54.86, 31.7

 

Complementary color

CMYK 0 / 71 / 27 / 25

HEX #BF388C

RGB 191 56 140

HSL 322.67, 0.55%, 0.48%

LAB 46.71, 60.94, -16.6

 

CMYK 65 / 0 / 45 / 22

HEX #45C76E

RGB 69 199 110

HSL 138.92, 0.54%, 0.53%

LAB 71.72, -54.8, 34.33

 

CMYK 60 / 0 / 41 / 15

HEX #56D981

RGB 86 217 129

HSL 139.69, 0.63%, 0.59%

LAB 77.99, -55.07, 32.9

 

CMYK 56 / 0 / 37 / 8

HEX #67EB94

RGB 103 235 148

HSL 140.45, 0.77%, 0.66%

LAB 84.19, -55.16, 31.55

 

CMYK 53 / 0 / 34 / 1

HEX #78FDA7

RGB 120 253 167

HSL 141.2, 0.97%, 0.73%

LAB 90.34, -55.14, 30.28

 

CMYK 46 / 0 / 27 / 0

HEX #89FFBA

RGB 137 255 186

HSL 144.92, 1%, 0.77%

LAB 91.86, -48.4, 22.84

 

CMYK 68 / 0 / 42 / 22

HEX #40C773

RGB 64 199 115

HSL 142.67, 0.55%, 0.52%

LAB 71.67, -54.86, 31.7

 

CMYK 74 / 0 / 47 / 29

HEX #2FB560

RGB 47 181 96

HSL 141.94, 0.59%, 0.45%

LAB 65.35, -54.23, 33.25

 

CMYK 82 / 0 / 53 / 36

HEX #1EA34D

RGB 30 163 77

HSL 141.2, 0.69%, 0.38%

LAB 58.98, -53.16, 34.89

 

CMYK 91 / 0 / 60 / 43

HEX #0D913A

RGB 13 145 58

HSL 140.45, 0.84%, 0.31%

LAB 52.56, -51.43, 36.56

 

CMYK 100 / 0 / 69 / 50

HEX #007F27

RGB 0 127 39

HSL 138.43, 1%, 0.25%

LAB 46.08, -48.85, 38.09

 

CMYK 67 / 0 / 42 / 22

HEX #41C774

RGB 65 199 116

HSL 142.84, 0.54%, 0.52%

LAB 71.71, -54.51, 31.24

 

CMYK 67 / 0 / 60 / 22

HEX #41C74F

RGB 65 199 79

HSL 126.27, 0.54%, 0.52%

LAB 71.24, -59.93, 48.65

 

CMYK 56 / 0 / 67 / 22

HEX #57C741

RGB 87 199 65

HSL 110.15, 0.54%, 0.52%

LAB 71.73, -56.47, 55.32

 

CMYK 38 / 0 / 67 / 22

HEX #7BC741

RGB 123 199 65

HSL 94.03, 0.54%, 0.52%

LAB 73.18, -45.69, 57.3

 

CMYK 20 / 0 / 67 / 22

HEX #9FC741

RGB 159 199 65

HSL 77.91, 0.54%, 0.52%

LAB 75.2, -32.44, 60.04

 

CMYK 67 / 0 / 42 / 22

HEX #41C774

RGB 65 199 116

HSL 142.84, 0.54%, 0.52%

LAB 71.71, -54.51, 31.24

 

CMYK 67 / 0 / 24 / 22

HEX #41C798

RGB 65 199 152

HSL 158.96, 0.54%, 0.52%

LAB 72.39, -47.22, 13.14

 

CMYK 67 / 0 / 6 / 22

HEX #41C7BC

RGB 65 199 188

HSL 175.07, 0.54%, 0.52%

LAB 73.29, -38.18, -5.06

 

CMYK 67 / 13 / 0 / 22

HEX #41AEC7

RGB 65 174 199

HSL 191.19, 0.54%, 0.52%

LAB 66.15, -22.9, -21.81

 

CMYK 67 / 31 / 0 / 22

HEX #418AC7

RGB 65 138 199

HSL 207.31, 0.54%, 0.52%

LAB 55.51, -3.2, -38.29

 

CMYK 67 / 0 / 42 / 22

HEX #41C774

RGB 65 199 116

HSL 142.84, 0.54%, 0.52%

LAB 71.71, -54.51, 31.24

 

CMYK 79 / 0 / 49 / 14

HEX #2DDB6F

RGB 45 219 111

HSL 142.76, 0.71%, 0.52%

LAB 77.5, -65.32, 41.06

 

CMYK 90 / 0 / 56 / 6

HEX #19EF6A

RGB 25 239 106

HSL 142.71, 0.87%, 0.52%

LAB 83.43, -74.11, 50.61

 

CMYK 67 / 0 / 42 / 22

HEX #41C774

RGB 65 199 116

HSL 142.84, 0.54%, 0.52%

LAB 71.71, -54.51, 31.24

 

CMYK 53 / 0 / 33 / 29

HEX #55B478

RGB 85 180 120

HSL 142.11, 0.39%, 0.52%

LAB 66.47, -41.83, 22.27

 

CMYK 35 / 0 / 22 / 37

HEX #68A07D

RGB 104 160 125

HSL 142.5, 0.23%, 0.52%

LAB 61.28, -26.18, 12.51

 

CMYK 11 / 0 / 7 / 45

HEX #7C8C82

RGB 124 140 130

HSL 142.5, 0.07%, 0.52%

LAB 56.74, -7.83, 3.38

 

CMYK 0 / 17 / 6 / 44

HEX #907887

RGB 144 120 135

HSL 322.5, 0.1%, 0.52%

LAB 53.07, 12, -4.68

 

CMYK 56 / 0 / 67 / 22

HEX #57C741

RGB 87 199 65

HSL 110.15, 0.54%, 0.52%

LAB 71.73, -56.47, 55.32

 

CMYK 67 / 0 / 61 / 22

HEX #41C74E

RGB 65 199 78

HSL 125.82, 0.54%, 0.52%

LAB 71.23, -60.05, 49.09

 

CMYK 67 / 0 / 43 / 22

HEX #41C772

RGB 65 199 114

HSL 141.94, 0.54%, 0.52%

LAB 71.68, -54.86, 32.23

 

CMYK 67 / 0 / 25 / 22

HEX #41C796

RGB 65 199 150

HSL 158.06, 0.54%, 0.52%

LAB 72.34, -47.67, 14.15

 

CMYK 67 / 0 / 7 / 22

HEX #41C7BA

RGB 65 199 186

HSL 174.18, 0.54%, 0.52%

LAB 73.23, -38.72, -4.05

 

CMYK 71 / 0 / 44 / 45

HEX #298D4F

RGB 41 141 79

HSL 142.8, 0.55%, 0.36%

LAB 51.93, -43.03, 24.98

 

CMYK 71 / 0 / 45 / 32

HEX #32AD60

RGB 50 173 96

HSL 142.44, 0.55%, 0.44%

LAB 62.85, -50.79, 30.06

 

CMYK 67 / 0 / 42 / 22

HEX #41C774

RGB 65 199 116

HSL 142.84, 0.54%, 0.52%

LAB 71.71, -54.51, 31.24

 

CMYK 54 / 0 / 33 / 18

HEX #61D18B

RGB 97 209 139

HSL 142.5, 0.55%, 0.6%

LAB 76.07, -47.62, 25.26

 

CMYK 41 / 0 / 26 / 15

HEX #81DAA2

RGB 129 218 162

HSL 142.25, 0.55%, 0.68%

LAB 80.41, -38.88, 19.36

 

CMYK 68 / 0 / 42 / 22

HEX #40C773

RGB 64 199 115

HSL 142.67, 0.55%, 0.52%

LAB 71.67, -54.86, 31.7

 

CMYK 67 / 38 / 0 / 22

HEX #417BC7

RGB 65 123 199

HSL 214.03, 0.54%, 0.52%

LAB 51.17, 5.74, -45.15

 

CMYK 0 / 67 / 65 / 22

HEX #C74145

RGB 199 65 69

HSL 358.21, 0.54%, 0.52%

LAB 47.43, 53.29, 27.79

 

CMYK 68 / 0 / 42 / 22

HEX #40C773

RGB 64 199 115

HSL 142.67, 0.55%, 0.52%

LAB 71.67, -54.86, 31.7

 

CMYK 43 / 67 / 0 / 22

HEX #7241C7

RGB 114 65 199

HSL 261.94, 0.54%, 0.52%

LAB 40.38, 50.05, -62.31

 

CMYK 0 / 43 / 67 / 22

HEX #C77241

RGB 199 114 65

HSL 21.94, 0.54%, 0.52%

LAB 56.64, 29.29, 41.02

 

CMYK 68 / 0 / 42 / 22

HEX #40C773

RGB 64 199 115

HSL 142.67, 0.55%, 0.52%

LAB 71.67, -54.86, 31.7

 

CMYK 67 / 38 / 0 / 22

HEX #417BC7

RGB 65 123 199

HSL 214.03, 0.54%, 0.52%

LAB 51.17, 5.74, -45.15

 

CMYK 0 / 67 / 25 / 22

HEX #C74196

RGB 199 65 150

HSL 321.94, 0.54%, 0.52%

LAB 49.65, 61.02, -17.99

 

CMYK 0 / 29 / 67 / 22

HEX #C78D41

RGB 199 141 65

HSL 34.03, 0.54%, 0.52%

LAB 62.99, 14.58, 48.1

 

CMYK 68 / 0 / 42 / 22

HEX #40C773

RGB 64 199 115

HSL 142.67, 0.55%, 0.52%

LAB 71.67, -54.86, 31.7

 

CMYK 67 / 58 / 0 / 22

HEX #4153C7

RGB 65 83 199

HSL 231.94, 0.54%, 0.52%

LAB 40.3, 30.97, -62.61

 

CMYK 0 / 67 / 25 / 22

HEX #C74196

RGB 199 65 150

HSL 321.94, 0.54%, 0.52%

LAB 49.65, 61.02, -17.99

 

CMYK 0 / 9 / 67 / 22

HEX #C7B541

RGB 199 181 65

HSL 51.94, 0.54%, 0.52%

LAB 73.27, -6.88, 59

 

Description

Color code: CMYK 68 / 0 / 42 / 22 | qconv.com Color code: CMYK 68 / 0 / 42 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 199 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 199 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 42 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 42% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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