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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 66 / 0 / 19 / 46 it is the complementary color CMYK 0 / 44 / 31 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 66 / 0 / 19 / 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 62 / 0 / 22 / 46, CMYK 56 / 0 / 19 / 39, CMYK 51 / 0 / 17 / 32, CMYK 46 / 0 / 15 / 25 and CMYK 43 / 0 / 13 / 18

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 66 / 0 / 19 / 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 66 / 0 / 19 / 46, CMYK 75 / 0 / 23 / 53, CMYK 87 / 0 / 27 / 60, CMYK 100 / 0 / 35 / 67 and CMYK 100 / 0 / 45 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 66 / 0 / 18 / 47, CMYK 66 / 0 / 37 / 47, CMYK 66 / 0 / 54 / 47, CMYK 60 / 0 / 66 / 47 and CMYK 42 / 0 / 66 / 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 66 / 0 / 18 / 47, CMYK 66 / 0 / 1 / 47, CMYK 66 / 17 / 0 / 47, CMYK 66 / 35 / 0 / 47 and CMYK 66 / 52 / 0 / 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 66 / 0 / 19 / 46 shade matches the following richer shades: CMYK 66 / 0 / 18 / 47, CMYK 79 / 0 / 23 / 41, CMYK 90 / 0 / 26 / 35 and CMYK 99 / 0 / 28 / 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 66 / 0 / 18 / 47, CMYK 50 / 0 / 14 / 53, CMYK 29 / 0 / 8 / 58, CMYK 1 / 0 / 1 / 64 and CMYK 0 / 27 / 20 / 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 66 / 0 / 55 / 47, CMYK 66 / 0 / 38 / 47, CMYK 66 / 0 / 20 / 47, CMYK 66 / 0 / 2 / 47 and CMYK 66 / 15 / 0 / 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 67 / 0 / 19 / 71, CMYK 66 / 0 / 19 / 58, CMYK 66 / 0 / 18 / 47, CMYK 66 / 0 / 19 / 35 and CMYK 62 / 0 / 18 / 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 66 / 0 / 19 / 46, CMYK 66 / 60 / 0 / 47 and CMYK 0 / 46 / 66 / 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 66 / 0 / 19 / 46, CMYK 20 / 66 / 0 / 47 and CMYK 0 / 20 / 66 / 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 66 / 0 / 19 / 46, CMYK 66 / 60 / 0 / 47, CMYK 0 / 66 / 46 / 47 and CMYK 0 / 7 / 66 / 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 66 / 0 / 19 / 46 shade: CMYK 66 / 0 / 19 / 46, CMYK 53 / 66 / 0 / 47, CMYK 0 / 66 / 46 / 47 and CMYK 13 / 0 / 66 / 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 19 / 46

HEX #2F8A70

RGB 47 138 112

HSL 162.86, 0.49%, 0.36%

LAB 51.78, -33.33, 6.12

 

Complementary color

CMYK 0 / 44 / 31 / 18

HEX #D0758F

RGB 208 117 143

HSL 342.86, 0.49%, 0.64%

LAB 59.99, 38.61, 1.69

 

CMYK 62 / 0 / 22 / 46

HEX #348A6B

RGB 52 138 107

HSL 158.37, 0.45%, 0.37%

LAB 51.8, -33.59, 9.06

 

CMYK 56 / 0 / 19 / 39

HEX #459C7E

RGB 69 156 126

HSL 159.31, 0.39%, 0.44%

LAB 58.55, -33.65, 7.88

 

CMYK 51 / 0 / 17 / 32

HEX #56AE91

RGB 86 174 145

HSL 160.23, 0.35%, 0.51%

LAB 65.2, -33.58, 6.83

 

CMYK 46 / 0 / 15 / 25

HEX #67C0A4

RGB 103 192 164

HSL 161.12, 0.41%, 0.58%

LAB 71.73, -33.45, 5.87

 

CMYK 43 / 0 / 13 / 18

HEX #78D2B7

RGB 120 210 183

HSL 162, 0.5%, 0.65%

LAB 78.17, -33.29, 4.99

 

CMYK 66 / 0 / 19 / 46

HEX #2F8A70

RGB 47 138 112

HSL 162.86, 0.49%, 0.36%

LAB 51.78, -33.33, 6.12

 

CMYK 75 / 0 / 23 / 53

HEX #1E785D

RGB 30 120 93

HSL 162, 0.6%, 0.29%

LAB 44.94, -32.87, 7.43

 

CMYK 87 / 0 / 27 / 60

HEX #0D664A

RGB 13 102 74

HSL 161.12, 0.77%, 0.23%

LAB 37.99, -31.95, 8.97

 

CMYK 100 / 0 / 35 / 67

HEX #005437

RGB 0 84 55

HSL 159.29, 1%, 0.16%

LAB 30.92, -30.37, 10.79

 

CMYK 100 / 0 / 45 / 74

HEX #004224

RGB 0 66 36

HSL 152.73, 1%, 0.13%

LAB 23.75, -27.42, 13.04

 

CMYK 66 / 0 / 18 / 47

HEX #2E886F

RGB 46 136 111

HSL 163.33, 0.49%, 0.36%

LAB 51.08, -32.85, 5.69

 

CMYK 66 / 0 / 37 / 47

HEX #2E8856

RGB 46 136 86

HSL 146.67, 0.49%, 0.36%

LAB 50.52, -38.65, 19.26

 

CMYK 66 / 0 / 54 / 47

HEX #2E883E

RGB 46 136 62

HSL 130.67, 0.49%, 0.36%

LAB 50.14, -42.91, 31.81

 

CMYK 60 / 0 / 66 / 47

HEX #37882E

RGB 55 136 46

HSL 114, 0.49%, 0.36%

LAB 50.24, -42.78, 39.8

 

CMYK 42 / 0 / 66 / 47

HEX #4F882E

RGB 79 136 46

HSL 98, 0.49%, 0.36%

LAB 51.23, -35.37, 41.17

 

CMYK 66 / 0 / 18 / 47

HEX #2E886F

RGB 46 136 111

HSL 163.33, 0.49%, 0.36%

LAB 51.08, -32.85, 5.69

 

CMYK 66 / 0 / 1 / 47

HEX #2E8887

RGB 46 136 135

HSL 179.33, 0.49%, 0.36%

LAB 51.77, -26.15, -7.27

 

CMYK 66 / 17 / 0 / 47

HEX #2E7188

RGB 46 113 136

HSL 195.33, 0.49%, 0.36%

LAB 44.47, -13.54, -18.89

 

CMYK 66 / 35 / 0 / 47

HEX #2E5988

RGB 46 89 136

HSL 211.33, 0.49%, 0.36%

LAB 36.94, 0.93, -30.62

 

CMYK 66 / 52 / 0 / 47

HEX #2E4188

RGB 46 65 136

HSL 227.33, 0.49%, 0.36%

LAB 29.76, 16.84, -42.06

 

CMYK 66 / 0 / 18 / 47

HEX #2E886F

RGB 46 136 111

HSL 163.33, 0.49%, 0.36%

LAB 51.08, -32.85, 5.69

 

CMYK 79 / 0 / 23 / 41

HEX #1F9775

RGB 31 151 117

HSL 163, 0.66%, 0.36%

LAB 55.8, -40.21, 8.93

 

CMYK 90 / 0 / 26 / 35

HEX #11A67B

RGB 17 166 123

HSL 162.68, 0.81%, 0.36%

LAB 60.62, -46.14, 12.34

 

CMYK 99 / 0 / 28 / 29

HEX #02B582

RGB 2 181 130

HSL 162.91, 0.98%, 0.36%

LAB 65.49, -51.03, 15.28

 

CMYK 66 / 0 / 18 / 47

HEX #2E886F

RGB 46 136 111

HSL 163.33, 0.49%, 0.36%

LAB 51.08, -32.85, 5.69

 

CMYK 50 / 0 / 14 / 53

HEX #3D7968

RGB 61 121 104

HSL 163, 0.33%, 0.36%

LAB 46.53, -23.97, 3.33

 

CMYK 29 / 0 / 8 / 58

HEX #4C6B62

RGB 76 107 98

HSL 162.58, 0.17%, 0.36%

LAB 42.66, -13.38, 1.41

 

CMYK 1 / 0 / 1 / 64

HEX #5B5C5B

RGB 91 92 91

HSL 120, 0.01%, 0.36%

LAB 38.96, -0.6, 0.43

 

CMYK 0 / 27 / 20 / 58

HEX #6A4D55

RGB 106 77 85

HSL 343.45, 0.16%, 0.36%

LAB 36.04, 13.6, 0.1

 

CMYK 66 / 0 / 55 / 47

HEX #2E883D

RGB 46 136 61

HSL 130, 0.49%, 0.36%

LAB 50.13, -43.06, 32.31

 

CMYK 66 / 0 / 38 / 47

HEX #2E8855

RGB 46 136 85

HSL 146, 0.49%, 0.36%

LAB 50.51, -38.86, 19.79

 

CMYK 66 / 0 / 20 / 47

HEX #2E886D

RGB 46 136 109

HSL 162, 0.49%, 0.36%

LAB 51.03, -33.36, 6.78

 

CMYK 66 / 0 / 2 / 47

HEX #2E8885

RGB 46 136 133

HSL 178, 0.49%, 0.36%

LAB 51.7, -26.74, -6.19

 

CMYK 66 / 15 / 0 / 47

HEX #2E7388

RGB 46 115 136

HSL 194, 0.49%, 0.36%

LAB 45.11, -14.67, -17.92

 

CMYK 67 / 0 / 19 / 71

HEX #194B3D

RGB 25 75 61

HSL 163.2, 0.5%, 0.2%

LAB 28.32, -20.66, 3.41

 

CMYK 66 / 0 / 19 / 58

HEX #246A56

RGB 36 106 86

HSL 162.86, 0.49%, 0.28%

LAB 40.17, -27.08, 4.85

 

CMYK 66 / 0 / 18 / 47

HEX #2E886F

RGB 46 136 111

HSL 163.33, 0.49%, 0.36%

LAB 51.08, -32.85, 5.69

 

CMYK 66 / 0 / 19 / 35

HEX #39A788

RGB 57 167 136

HSL 163.09, 0.49%, 0.44%

LAB 61.9, -38.63, 6.99

 

CMYK 62 / 0 / 18 / 25

HEX #49C09E

RGB 73 192 158

HSL 162.86, 0.49%, 0.52%

LAB 70.58, -41.43, 7.35

 

CMYK 66 / 0 / 19 / 46

HEX #2F8A70

RGB 47 138 112

HSL 162.86, 0.49%, 0.36%

LAB 51.78, -33.33, 6.12

 

CMYK 66 / 60 / 0 / 47

HEX #2E3788

RGB 46 55 136

HSL 234, 0.49%, 0.36%

LAB 26.99, 23.64, -46.54

 

CMYK 0 / 46 / 66 / 47

HEX #88492E

RGB 136 73 46

HSL 18, 0.49%, 0.36%

LAB 38.19, 24.22, 27.7

 

CMYK 66 / 0 / 19 / 46

HEX #2F8A70

RGB 47 138 112

HSL 162.86, 0.49%, 0.36%

LAB 51.78, -33.33, 6.12

 

CMYK 20 / 66 / 0 / 47

HEX #6D2E88

RGB 109 46 136

HSL 282, 0.49%, 0.36%

LAB 31.77, 43.03, -38.49

 

CMYK 0 / 20 / 66 / 47

HEX #886D2E

RGB 136 109 46

HSL 42, 0.49%, 0.36%

LAB 47.45, 3.23, 38.29

 

CMYK 66 / 0 / 19 / 46

HEX #2F8A70

RGB 47 138 112

HSL 162.86, 0.49%, 0.36%

LAB 51.78, -33.33, 6.12

 

CMYK 66 / 60 / 0 / 47

HEX #2E3788

RGB 46 55 136

HSL 234, 0.49%, 0.36%

LAB 26.99, 23.64, -46.54

 

CMYK 0 / 66 / 46 / 47

HEX #882E49

RGB 136 46 73

HSL 342, 0.49%, 0.36%

LAB 33.28, 40.7, 4.35

 

CMYK 0 / 7 / 66 / 47

HEX #887F2E

RGB 136 127 46

HSL 54, 0.49%, 0.36%

LAB 52.52, -6.97, 43.75

 

CMYK 66 / 0 / 19 / 46

HEX #2F8A70

RGB 47 138 112

HSL 162.86, 0.49%, 0.36%

LAB 51.78, -33.33, 6.12

 

CMYK 53 / 66 / 0 / 47

HEX #402E88

RGB 64 46 136

HSL 252, 0.49%, 0.36%

LAB 26.22, 32.81, -47.73

 

CMYK 0 / 66 / 46 / 47

HEX #882E49

RGB 136 46 73

HSL 342, 0.49%, 0.36%

LAB 33.28, 40.7, 4.35

 

CMYK 13 / 0 / 66 / 47

HEX #76882E

RGB 118 136 46

HSL 72, 0.49%, 0.36%

LAB 53.66, -19.84, 44.5

 

Description

Color code: CMYK 66 / 0 / 19 / 46 | qconv.com Color code: CMYK 66 / 0 / 19 / 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 138 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 138 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 19 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 19% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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