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Color name
CMYK 62 / 0 / 88 / 51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 62 / 0 / 88 / 51 it is the complementary color CMYK 13 / 46 / 0 / 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 62 / 0 / 88 / 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 58 / 0 / 92 / 51, CMYK 52 / 0 / 80 / 44, CMYK 47 / 0 / 70 / 37, CMYK 42 / 0 / 63 / 30 and CMYK 39 / 0 / 56 / 23

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 62 / 0 / 88 / 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 62 / 0 / 88 / 51, CMYK 72 / 0 / 100 / 58, CMYK 85 / 0 / 100 / 65, CMYK 100 / 0 / 100 / 72 and CMYK 100 / 0 / 100 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 63 / 0 / 89 / 52, CMYK 39 / 0 / 89 / 52, CMYK 15 / 0 / 89 / 52, CMYK 0 / 9 / 89 / 52 and CMYK 0 / 33 / 89 / 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 63 / 0 / 89 / 52, CMYK 87 / 0 / 89 / 52, CMYK 89 / 0 / 67 / 52, CMYK 89 / 0 / 43 / 52 and CMYK 89 / 0 / 19 / 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 62 / 0 / 88 / 51 shade matches the following richer shades: CMYK 63 / 0 / 89 / 52 and CMYK 69 / 0 / 98 / 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 63 / 0 / 89 / 52, CMYK 55 / 0 / 78 / 56, CMYK 45 / 0 / 64 / 61, CMYK 33 / 0 / 47 / 65 and CMYK 18 / 0 / 24 / 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 15 / 0 / 89 / 52, CMYK 38 / 0 / 89 / 52, CMYK 62 / 0 / 89 / 52, CMYK 85 / 0 / 89 / 52 and CMYK 89 / 0 / 68 / 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 63 / 0 / 90 / 81, CMYK 63 / 0 / 88 / 66, CMYK 63 / 0 / 89 / 52, CMYK 63 / 0 / 89 / 37 and CMYK 63 / 0 / 88 / 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 62 / 0 / 88 / 51, CMYK 89 / 0 / 9 / 52 and CMYK 0 / 89 / 27 / 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 62 / 0 / 88 / 51, CMYK 89 / 62 / 0 / 52 and CMYK 0 / 89 / 62 / 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 62 / 0 / 88 / 51, CMYK 89 / 0 / 9 / 52, CMYK 27 / 89 / 0 / 52 and CMYK 0 / 89 / 80 / 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 62 / 0 / 88 / 51 shade: CMYK 62 / 0 / 88 / 51, CMYK 89 / 18 / 0 / 52, CMYK 27 / 89 / 0 / 52 and CMYK 0 / 71 / 89 / 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 88 / 51

HEX #2F7D0F

RGB 47 125 15

HSL 102.55, 0.79%, 0.27%

LAB 46.05, -43.06, 46.89

 

Complementary color

CMYK 13 / 46 / 0 / 6

HEX #D082F0

RGB 208 130 240

HSL 282.55, 0.79%, 0.73%

LAB 66.26, 48.29, -43.54

 

CMYK 58 / 0 / 92 / 51

HEX #347D0A

RGB 52 125 10

HSL 98.09, 0.85%, 0.26%

LAB 46.2, -41.88, 48.22

 

CMYK 52 / 0 / 80 / 44

HEX #458F1D

RGB 69 143 29

HSL 98.95, 0.66%, 0.34%

LAB 52.95, -42.93, 49.44

 

CMYK 47 / 0 / 70 / 37

HEX #56A130

RGB 86 161 48

HSL 99.82, 0.54%, 0.41%

LAB 59.6, -43.51, 49.33

 

CMYK 42 / 0 / 63 / 30

HEX #67B343

RGB 103 179 67

HSL 100.71, 0.46%, 0.48%

LAB 66.16, -43.79, 48.59

 

CMYK 39 / 0 / 56 / 23

HEX #78C556

RGB 120 197 86

HSL 101.62, 0.49%, 0.55%

LAB 72.63, -43.89, 47.57

 

CMYK 62 / 0 / 88 / 51

HEX #2F7D0F

RGB 47 125 15

HSL 102.55, 0.79%, 0.27%

LAB 46.05, -43.06, 46.89

 

CMYK 72 / 0 / 100 / 58

HEX #1E6B00

RGB 30 107 0

HSL 103.18, 1%, 0.21%

LAB 39.23, -41.28, 44.48

 

CMYK 85 / 0 / 100 / 65

HEX #0D5900

RGB 13 89 0

HSL 111.24, 1%, 0.17%

LAB 32.33, -38.26, 38.83

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 63 / 0 / 89 / 52

HEX #2E7B0E

RGB 46 123 14

HSL 102.39, 0.8%, 0.27%

LAB 45.33, -42.62, 46.49

 

CMYK 39 / 0 / 89 / 52

HEX #4B7B0E

RGB 75 123 14

HSL 86.42, 0.8%, 0.27%

LAB 46.57, -33.15, 48.05

 

CMYK 15 / 0 / 89 / 52

HEX #687B0E

RGB 104 123 14

HSL 70.46, 0.8%, 0.27%

LAB 48.44, -20.98, 50.39

 

CMYK 0 / 9 / 89 / 52

HEX #7B700E

RGB 123 112 14

HSL 53.94, 0.8%, 0.27%

LAB 46.75, -6.16, 49.65

 

CMYK 0 / 33 / 89 / 52

HEX #7B530E

RGB 123 83 14

HSL 37.98, 0.8%, 0.27%

LAB 38.6, 10.8, 42.9

 

CMYK 63 / 0 / 89 / 52

HEX #2E7B0E

RGB 46 123 14

HSL 102.39, 0.8%, 0.27%

LAB 45.33, -42.62, 46.49

 

CMYK 87 / 0 / 89 / 52

HEX #107B0E

RGB 16 123 14

HSL 118.9, 0.8%, 0.27%

LAB 44.67, -48.24, 45.65

 

CMYK 89 / 0 / 67 / 52

HEX #0E7B29

RGB 14 123 41

HSL 134.86, 0.8%, 0.27%

LAB 44.83, -46.18, 35.85

 

CMYK 89 / 0 / 43 / 52

HEX #0E7B46

RGB 14 123 70

HSL 150.83, 0.8%, 0.27%

LAB 45.22, -41.44, 21.13

 

CMYK 89 / 0 / 19 / 52

HEX #0E7B64

RGB 14 123 100

HSL 167.34, 0.8%, 0.27%

LAB 45.88, -34.16, 4.6

 

CMYK 63 / 0 / 89 / 52

HEX #2E7B0E

RGB 46 123 14

HSL 102.39, 0.8%, 0.27%

LAB 45.33, -42.62, 46.49

 

CMYK 69 / 0 / 98 / 47

HEX #298603

RGB 41 134 3

HSL 102.6, 0.96%, 0.27%

LAB 48.92, -48.14, 51.72

 

CMYK 63 / 0 / 89 / 52

HEX #2E7B0E

RGB 46 123 14

HSL 102.39, 0.8%, 0.27%

LAB 45.33, -42.62, 46.49

 

CMYK 55 / 0 / 78 / 56

HEX #327019

RGB 50 112 25

HSL 102.76, 0.64%, 0.27%

LAB 41.75, -36.52, 39.72

 

CMYK 45 / 0 / 64 / 61

HEX #376424

RGB 55 100 36

HSL 102.19, 0.47%, 0.27%

LAB 37.94, -28.54, 30.83

 

CMYK 33 / 0 / 47 / 65

HEX #3C592F

RGB 60 89 47

HSL 101.43, 0.31%, 0.27%

LAB 34.62, -19.68, 20.9

 

CMYK 18 / 0 / 24 / 69

HEX #404E3B

RGB 64 78 59

HSL 104.21, 0.14%, 0.27%

LAB 31.47, -9.74, 9.46

 

CMYK 15 / 0 / 89 / 52

HEX #697B0E

RGB 105 123 14

HSL 69.91, 0.8%, 0.27%

LAB 48.51, -20.53, 50.48

 

CMYK 38 / 0 / 89 / 52

HEX #4C7B0E

RGB 76 123 14

HSL 85.87, 0.8%, 0.27%

LAB 46.62, -32.77, 48.12

 

CMYK 62 / 0 / 89 / 52

HEX #2F7B0E

RGB 47 123 14

HSL 101.83, 0.8%, 0.27%

LAB 45.36, -42.36, 46.53

 

CMYK 85 / 0 / 89 / 52

HEX #127B0E

RGB 18 123 14

HSL 117.8, 0.8%, 0.27%

LAB 44.7, -48.01, 45.69

 

CMYK 89 / 0 / 68 / 52

HEX #0E7B27

RGB 14 123 39

HSL 133.76, 0.8%, 0.27%

LAB 44.81, -46.42, 36.75

 

CMYK 63 / 0 / 90 / 81

HEX #123105

RGB 18 49 5

HSL 102.27, 0.81%, 0.11%

LAB 17.16, -21.1, 22.12

 

CMYK 63 / 0 / 88 / 66

HEX #20560A

RGB 32 86 10

HSL 102.63, 0.79%, 0.19%

LAB 31.77, -32.31, 35.23

 

CMYK 63 / 0 / 89 / 52

HEX #2E7B0E

RGB 46 123 14

HSL 102.39, 0.8%, 0.27%

LAB 45.33, -42.62, 46.49

 

CMYK 63 / 0 / 89 / 37

HEX #3BA012

RGB 59 160 18

HSL 102.68, 0.8%, 0.35%

LAB 58.15, -52.53, 56.94

 

CMYK 63 / 0 / 88 / 23

HEX #49C517

RGB 73 197 23

HSL 102.76, 0.79%, 0.43%

LAB 70.46, -61.7, 66.73

 

CMYK 62 / 0 / 88 / 51

HEX #2F7D0F

RGB 47 125 15

HSL 102.55, 0.79%, 0.27%

LAB 46.05, -43.06, 46.89

 

CMYK 89 / 0 / 9 / 52

HEX #0E7B70

RGB 14 123 112

HSL 173.94, 0.8%, 0.27%

LAB 46.22, -30.66, -2.03

 

CMYK 0 / 89 / 27 / 52

HEX #7B0E5A

RGB 123 14 90

HSL 318.17, 0.8%, 0.27%

LAB 27.47, 50, -15.74

 

CMYK 62 / 0 / 88 / 51

HEX #2F7D0F

RGB 47 125 15

HSL 102.55, 0.79%, 0.27%

LAB 46.05, -43.06, 46.89

 

CMYK 89 / 62 / 0 / 52

HEX #0E2F7B

RGB 14 47 123

HSL 221.83, 0.8%, 0.27%

LAB 22.15, 20.04, -46.33

 

CMYK 0 / 89 / 62 / 52

HEX #7B0E2F

RGB 123 14 47

HSL 341.83, 0.8%, 0.27%

LAB 25.95, 45.7, 11.02

 

CMYK 62 / 0 / 88 / 51

HEX #2F7D0F

RGB 47 125 15

HSL 102.55, 0.79%, 0.27%

LAB 46.05, -43.06, 46.89

 

CMYK 89 / 0 / 9 / 52

HEX #0E7B70

RGB 14 123 112

HSL 173.94, 0.8%, 0.27%

LAB 46.22, -30.66, -2.03

 

CMYK 27 / 89 / 0 / 52

HEX #5A0E7B

RGB 90 14 123

HSL 281.83, 0.8%, 0.27%

LAB 23.4, 48.83, -43.98

 

CMYK 0 / 89 / 80 / 52

HEX #7B0E19

RGB 123 14 25

HSL 353.94, 0.8%, 0.27%

LAB 25.55, 44.51, 25.25

 

CMYK 62 / 0 / 88 / 51

HEX #2F7D0F

RGB 47 125 15

HSL 102.55, 0.79%, 0.27%

LAB 46.05, -43.06, 46.89

 

CMYK 89 / 18 / 0 / 52

HEX #0E657B

RGB 14 101 123

HSL 192.11, 0.8%, 0.27%

LAB 39.29, -15.53, -19.08

 

CMYK 27 / 89 / 0 / 52

HEX #5A0E7B

RGB 90 14 123

HSL 281.83, 0.8%, 0.27%

LAB 23.4, 48.83, -43.98

 

CMYK 0 / 71 / 89 / 52

HEX #7B240E

RGB 123 36 14

HSL 12.11, 0.8%, 0.27%

LAB 28.13, 36.67, 34.06

 

Description

Color code: CMYK 62 / 0 / 88 / 51 | qconv.com Color code: CMYK 62 / 0 / 88 / 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 125 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 125 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 88 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 88% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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