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Color name
CMYK 61 / 0 / 71 / 19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 61 / 0 / 71 / 19 it is the complementary color CMYK 11 / 75 / 0 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 61 / 0 / 71 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 58 / 0 / 73 / 19, CMYK 54 / 0 / 67 / 12, CMYK 51 / 0 / 62 / 5, CMYK 46 / 0 / 56 / 0 and CMYK 40 / 0 / 49 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 61 / 0 / 71 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 61 / 0 / 71 / 19, CMYK 66 / 0 / 78 / 26, CMYK 73 / 0 / 87 / 33, CMYK 80 / 0 / 98 / 40 and CMYK 90 / 0 / 100 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 61 / 0 / 71 / 19, CMYK 42 / 0 / 71 / 19, CMYK 23 / 0 / 71 / 19, CMYK 4 / 0 / 71 / 19 and CMYK 0 / 16 / 71 / 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 61 / 0 / 71 / 19, CMYK 71 / 0 / 63 / 19, CMYK 71 / 0 / 43 / 19, CMYK 71 / 0 / 24 / 19 and CMYK 71 / 0 / 5 / 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 61 / 0 / 71 / 19 shade matches the following richer shades: CMYK 61 / 0 / 71 / 19, CMYK 71 / 0 / 83 / 12 and CMYK 79 / 0 / 92 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 61 / 0 / 71 / 19, CMYK 49 / 0 / 58 / 27, CMYK 35 / 0 / 41 / 35, CMYK 16 / 0 / 19 / 43 and CMYK 1 / 9 / 0 / 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 23 / 0 / 71 / 19, CMYK 42 / 0 / 71 / 19, CMYK 61 / 0 / 71 / 19, CMYK 71 / 0 / 63 / 19 and CMYK 71 / 0 / 44 / 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 64 / 0 / 75 / 43, CMYK 65 / 0 / 75 / 30, CMYK 61 / 0 / 71 / 19, CMYK 49 / 0 / 57 / 16 and CMYK 37 / 0 / 44 / 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 61 / 0 / 71 / 19, CMYK 71 / 4 / 0 / 19 and CMYK 0 / 71 / 33 / 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 61 / 0 / 71 / 19, CMYK 71 / 61 / 0 / 19 and CMYK 0 / 71 / 61 / 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 61 / 0 / 71 / 19, CMYK 71 / 4 / 0 / 19, CMYK 11 / 71 / 0 / 19 and CMYK 0 / 68 / 71 / 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 61 / 0 / 71 / 19 shade: CMYK 61 / 0 / 71 / 19, CMYK 71 / 25 / 0 / 19, CMYK 11 / 71 / 0 / 19 and CMYK 0 / 47 / 71 / 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 71 / 19

HEX #51CF3C

RGB 81 207 60

HSL 111.43, 0.6%, 0.52%

LAB 74, -61.19, 59.57

 

Complementary color

CMYK 11 / 75 / 0 / 24

HEX #AE30C3

RGB 174 48 195

HSL 291.43, 0.6%, 0.48%

LAB 45.71, 68.15, -50.98

 

CMYK 58 / 0 / 73 / 19

HEX #56CF37

RGB 86 207 55

HSL 107.76, 0.61%, 0.51%

LAB 74.11, -60.38, 61.52

 

CMYK 54 / 0 / 67 / 12

HEX #67E14A

RGB 103 225 74

HSL 108.48, 0.72%, 0.59%

LAB 80.31, -61.04, 61.07

 

CMYK 51 / 0 / 62 / 5

HEX #78F35D

RGB 120 243 93

HSL 109.2, 0.86%, 0.66%

LAB 86.45, -61.43, 60.26

 

CMYK 46 / 0 / 56 / 0

HEX #89FF70

RGB 137 255 112

HSL 109.51, 1%, 0.72%

LAB 90.78, -59.35, 57.22

 

CMYK 40 / 0 / 49 / 0

HEX #9AFF83

RGB 154 255 131

HSL 108.87, 1%, 0.76%

LAB 91.7, -52.2, 49.84

 

CMYK 61 / 0 / 71 / 19

HEX #51CF3C

RGB 81 207 60

HSL 111.43, 0.6%, 0.52%

LAB 74, -61.19, 59.57

 

CMYK 66 / 0 / 78 / 26

HEX #40BD29

RGB 64 189 41

HSL 110.68, 0.64%, 0.45%

LAB 67.76, -60.14, 59.7

 

CMYK 73 / 0 / 87 / 33

HEX #2FAB16

RGB 47 171 22

HSL 109.93, 0.77%, 0.38%

LAB 61.47, -58.54, 58.88

 

CMYK 80 / 0 / 98 / 40

HEX #1E9903

RGB 30 153 3

HSL 109.2, 0.96%, 0.31%

LAB 55.14, -56.2, 56.68

 

CMYK 90 / 0 / 100 / 47

HEX #0D8700

RGB 13 135 0

HSL 114.22, 1%, 0.26%

LAB 48.78, -52.76, 51.99

 

CMYK 61 / 0 / 71 / 19

HEX #50CE3B

RGB 80 206 59

HSL 111.43, 0.6%, 0.52%

LAB 73.65, -61.15, 59.57

 

CMYK 42 / 0 / 71 / 19

HEX #77CE3B

RGB 119 206 59

HSL 95.51, 0.6%, 0.52%

LAB 75.06, -50.32, 61.46

 

CMYK 23 / 0 / 71 / 19

HEX #9FCE3B

RGB 159 206 59

HSL 79.18, 0.6%, 0.52%

LAB 77.18, -36.03, 64.28

 

CMYK 4 / 0 / 71 / 19

HEX #C6CE3B

RGB 198 206 59

HSL 63.27, 0.6%, 0.52%

LAB 79.88, -20.28, 67.83

 

CMYK 0 / 16 / 71 / 19

HEX #CEAD3B

RGB 206 173 59

HSL 46.53, 0.6%, 0.52%

LAB 71.77, 0.02, 60.12

 

CMYK 61 / 0 / 71 / 19

HEX #50CE3B

RGB 80 206 59

HSL 111.43, 0.6%, 0.52%

LAB 73.65, -61.15, 59.57

 

CMYK 71 / 0 / 63 / 19

HEX #3BCE4D

RGB 59 206 77

HSL 127.35, 0.6%, 0.52%

LAB 73.29, -63.6, 51.83

 

CMYK 71 / 0 / 43 / 19

HEX #3BCE75

RGB 59 206 117

HSL 143.67, 0.6%, 0.52%

LAB 73.78, -57.94, 33.39

 

CMYK 71 / 0 / 24 / 19

HEX #3BCE9D

RGB 59 206 157

HSL 160, 0.6%, 0.52%

LAB 74.51, -49.86, 13.43

 

CMYK 71 / 0 / 5 / 19

HEX #3BCEC4

RGB 59 206 196

HSL 175.92, 0.6%, 0.52%

LAB 75.49, -39.97, -6.15

 

CMYK 61 / 0 / 71 / 19

HEX #50CE3B

RGB 80 206 59

HSL 111.43, 0.6%, 0.52%

LAB 73.65, -61.15, 59.57

 

CMYK 71 / 0 / 83 / 12

HEX #41E127

RGB 65 225 39

HSL 111.61, 0.76%, 0.52%

LAB 79.11, -71.54, 70.82

 

CMYK 79 / 0 / 92 / 4

HEX #33F513

RGB 51 245 19

HSL 111.5, 0.92%, 0.52%

LAB 85.02, -80.05, 79.46

 

CMYK 61 / 0 / 71 / 19

HEX #50CE3B

RGB 80 206 59

HSL 111.43, 0.6%, 0.52%

LAB 73.65, -61.15, 59.57

 

CMYK 49 / 0 / 58 / 27

HEX #5EBA4E

RGB 94 186 78

HSL 111.11, 0.44%, 0.52%

LAB 68.06, -48.27, 45.66

 

CMYK 35 / 0 / 41 / 35

HEX #6CA662

RGB 108 166 98

HSL 111.18, 0.28%, 0.52%

LAB 62.8, -32.52, 29.35

 

CMYK 16 / 0 / 19 / 43

HEX #7A9276

RGB 122 146 118

HSL 111.43, 0.11%, 0.52%

LAB 58.04, -14.13, 12.06

 

CMYK 1 / 9 / 0 / 46

HEX #887E8A

RGB 136 126 138

HSL 290, 0.05%, 0.52%

LAB 54.02, 6.13, -5.12

 

CMYK 23 / 0 / 71 / 19

HEX #9FCE3B

RGB 159 206 59

HSL 79.18, 0.6%, 0.52%

LAB 77.18, -36.03, 64.28

 

CMYK 42 / 0 / 71 / 19

HEX #78CE3B

RGB 120 206 59

HSL 95.1, 0.6%, 0.52%

LAB 75.11, -50, 61.52

 

CMYK 61 / 0 / 71 / 19

HEX #51CE3B

RGB 81 206 59

HSL 111.02, 0.6%, 0.52%

LAB 73.68, -60.92, 59.61

 

CMYK 71 / 0 / 63 / 19

HEX #3BCE4C

RGB 59 206 76

HSL 126.94, 0.6%, 0.52%

LAB 73.28, -63.71, 52.25

 

CMYK 71 / 0 / 44 / 19

HEX #3BCE73

RGB 59 206 115

HSL 142.86, 0.6%, 0.52%

LAB 73.75, -58.28, 34.37

 

CMYK 64 / 0 / 75 / 43

HEX #349224

RGB 52 146 36

HSL 111.27, 0.6%, 0.36%

LAB 53.4, -48.22, 47.24

 

CMYK 65 / 0 / 75 / 30

HEX #3FB32C

RGB 63 179 44

HSL 111.56, 0.61%, 0.44%

LAB 64.55, -56.77, 55.59

 

CMYK 61 / 0 / 71 / 19

HEX #50CE3B

RGB 80 206 59

HSL 111.43, 0.6%, 0.52%

LAB 73.65, -61.15, 59.57

 

CMYK 49 / 0 / 57 / 16

HEX #6DD65C

RGB 109 214 92

HSL 111.64, 0.6%, 0.6%

LAB 77.35, -53.51, 50.21

 

CMYK 37 / 0 / 44 / 13

HEX #8BDE7D

RGB 139 222 125

HSL 111.34, 0.6%, 0.68%

LAB 81.41, -43.7, 39.71

 

CMYK 61 / 0 / 71 / 19

HEX #51CF3C

RGB 81 207 60

HSL 111.43, 0.6%, 0.52%

LAB 74, -61.19, 59.57

 

CMYK 71 / 4 / 0 / 19

HEX #3BC6CE

RGB 59 198 206

HSL 183.27, 0.6%, 0.52%

LAB 73.4, -33.43, -14.68

 

CMYK 0 / 71 / 33 / 19

HEX #CE3B8B

RGB 206 59 139

HSL 327.35, 0.6%, 0.52%

LAB 49.63, 63.76, -11.32

 

CMYK 61 / 0 / 71 / 19

HEX #51CF3C

RGB 81 207 60

HSL 111.43, 0.6%, 0.52%

LAB 74, -61.19, 59.57

 

CMYK 71 / 61 / 0 / 19

HEX #3B51CE

RGB 59 81 206

HSL 231.02, 0.6%, 0.52%

LAB 40.03, 33.9, -67.11

 

CMYK 0 / 71 / 61 / 19

HEX #CE3B51

RGB 206 59 81

HSL 351.02, 0.6%, 0.52%

LAB 48.06, 58.54, 21.64

 

CMYK 61 / 0 / 71 / 19

HEX #51CF3C

RGB 81 207 60

HSL 111.43, 0.6%, 0.52%

LAB 74, -61.19, 59.57

 

CMYK 71 / 4 / 0 / 19

HEX #3BC6CE

RGB 59 198 206

HSL 183.27, 0.6%, 0.52%

LAB 73.4, -33.43, -14.68

 

CMYK 11 / 71 / 0 / 19

HEX #B83BCE

RGB 184 59 206

HSL 291.02, 0.6%, 0.52%

LAB 49.22, 68.41, -51.62

 

CMYK 0 / 68 / 71 / 19

HEX #CE423B

RGB 206 66 59

HSL 2.86, 0.6%, 0.52%

LAB 48.68, 54.66, 35.42

 

CMYK 61 / 0 / 71 / 19

HEX #51CF3C

RGB 81 207 60

HSL 111.43, 0.6%, 0.52%

LAB 74, -61.19, 59.57

 

CMYK 71 / 25 / 0 / 19

HEX #3B9ACE

RGB 59 154 206

HSL 201.22, 0.6%, 0.52%

LAB 60.34, -10.82, -34.69

 

CMYK 11 / 71 / 0 / 19

HEX #B83BCE

RGB 184 59 206

HSL 291.02, 0.6%, 0.52%

LAB 49.22, 68.41, -51.62

 

CMYK 0 / 47 / 71 / 19

HEX #CE6E3B

RGB 206 110 59

HSL 20.82, 0.6%, 0.52%

LAB 56.67, 33.93, 44.4

 

Description

Color code: CMYK 61 / 0 / 71 / 19 | qconv.com Color code: CMYK 61 / 0 / 71 / 19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 207 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 207 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 71% 19% C M Y K

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