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Color name
CMYK 60 / 0 / 77 / 13

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 60 / 0 / 77 / 13 it is the complementary color CMYK 19 / 84 / 0 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 60 / 0 / 77 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 58 / 0 / 79 / 13, CMYK 54 / 0 / 73 / 6, CMYK 50 / 0 / 67 / 0, CMYK 43 / 0 / 60 / 0 and CMYK 36 / 0 / 52 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 60 / 0 / 77 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 60 / 0 / 77 / 13, CMYK 65 / 0 / 84 / 20, CMYK 70 / 0 / 93 / 27, CMYK 77 / 0 / 100 / 34 and CMYK 86 / 0 / 100 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 59 / 0 / 76 / 13, CMYK 39 / 0 / 76 / 13, CMYK 18 / 0 / 76 / 13, CMYK 0 / 3 / 76 / 13 and CMYK 0 / 23 / 76 / 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 59 / 0 / 76 / 13, CMYK 76 / 0 / 73 / 13, CMYK 76 / 0 / 52 / 13, CMYK 76 / 0 / 32 / 13 and CMYK 76 / 0 / 11 / 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 60 / 0 / 77 / 13 shade matches the following richer shades: CMYK 59 / 0 / 76 / 13 and CMYK 67 / 0 / 86 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 59 / 0 / 76 / 13, CMYK 50 / 0 / 65 / 20, CMYK 40 / 0 / 51 / 28, CMYK 26 / 0 / 33 / 35 and CMYK 10 / 0 / 12 / 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 18 / 0 / 76 / 13, CMYK 38 / 0 / 76 / 13, CMYK 59 / 0 / 76 / 13, CMYK 76 / 0 / 74 / 13 and CMYK 76 / 0 / 54 / 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 65 / 0 / 84 / 35, CMYK 65 / 0 / 84 / 21, CMYK 59 / 0 / 76 / 13, CMYK 48 / 0 / 61 / 11 and CMYK 36 / 0 / 47 / 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 60 / 0 / 77 / 13, CMYK 76 / 0 / 3 / 13 and CMYK 0 / 76 / 28 / 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 60 / 0 / 77 / 13, CMYK 76 / 59 / 0 / 13 and CMYK 0 / 76 / 59 / 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 60 / 0 / 77 / 13, CMYK 76 / 0 / 3 / 13, CMYK 18 / 76 / 0 / 13 and CMYK 0 / 76 / 74 / 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 60 / 0 / 77 / 13 shade: CMYK 60 / 0 / 77 / 13, CMYK 76 / 20 / 0 / 13, CMYK 18 / 76 / 0 / 13 and CMYK 0 / 56 / 76 / 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 77 / 13

HEX #59DE33

RGB 89 222 51

HSL 106.67, 0.72%, 0.54%

LAB 78.81, -65.1, 67.46

 

Complementary color

CMYK 19 / 84 / 0 / 20

HEX #A621CC

RGB 166 33 204

HSL 286.67, 0.72%, 0.46%

LAB 43.59, 72.53, -59.68

 

CMYK 58 / 0 / 79 / 13

HEX #5EDE2E

RGB 94 222 46

HSL 103.64, 0.73%, 0.53%

LAB 78.94, -64.19, 69.09

 

CMYK 54 / 0 / 73 / 6

HEX #6FF041

RGB 111 240 65

HSL 104.23, 0.85%, 0.6%

LAB 85.04, -65.01, 69.29

 

CMYK 50 / 0 / 67 / 0

HEX #80FF54

RGB 128 255 84

HSL 104.56, 1%, 0.66%

LAB 90.21, -64.48, 68

 

CMYK 43 / 0 / 60 / 0

HEX #91FF67

RGB 145 255 103

HSL 103.42, 1%, 0.7%

LAB 91.02, -57.96, 61.46

 

CMYK 36 / 0 / 52 / 0

HEX #A2FF7A

RGB 162 255 122

HSL 101.95, 1%, 0.74%

LAB 91.96, -50.77, 54.4

 

CMYK 60 / 0 / 77 / 13

HEX #59DE33

RGB 89 222 51

HSL 106.67, 0.72%, 0.54%

LAB 78.81, -65.1, 67.46

 

CMYK 65 / 0 / 84 / 20

HEX #48CC20

RGB 72 204 32

HSL 106.05, 0.73%, 0.46%

LAB 72.67, -63.89, 66.76

 

CMYK 70 / 0 / 93 / 27

HEX #37BA0D

RGB 55 186 13

HSL 105.43, 0.87%, 0.39%

LAB 66.49, -62.14, 64.83

 

CMYK 77 / 0 / 100 / 34

HEX #26A800

RGB 38 168 0

HSL 106.43, 1%, 0.33%

LAB 60.26, -59.72, 61.31

 

CMYK 86 / 0 / 100 / 41

HEX #159600

RGB 21 150 0

HSL 111.6, 1%, 0.29%

LAB 54, -56.47, 56.2

 

CMYK 59 / 0 / 76 / 13

HEX #5ADE35

RGB 90 222 53

HSL 106.86, 0.72%, 0.54%

LAB 78.85, -64.75, 66.89

 

CMYK 39 / 0 / 76 / 13

HEX #88DE35

RGB 136 222 53

HSL 90.53, 0.72%, 0.54%

LAB 80.59, -51.53, 69.16

 

CMYK 18 / 0 / 76 / 13

HEX #B5DE35

RGB 181 222 53

HSL 74.56, 0.72%, 0.54%

LAB 83.09, -35.04, 72.4

 

CMYK 0 / 3 / 76 / 13

HEX #DED835

RGB 222 216 53

HSL 57.87, 0.72%, 0.54%

LAB 84.43, -15.42, 74.73

 

CMYK 0 / 23 / 76 / 13

HEX #DEAB35

RGB 222 171 53

HSL 41.89, 0.72%, 0.54%

LAB 72.83, 7.74, 64

 

CMYK 59 / 0 / 76 / 13

HEX #5ADE35

RGB 90 222 53

HSL 106.86, 0.72%, 0.54%

LAB 78.85, -64.75, 66.89

 

CMYK 76 / 0 / 73 / 13

HEX #35DE3D

RGB 53 222 61

HSL 122.84, 0.72%, 0.54%

LAB 78.07, -71.09, 63.18

 

CMYK 76 / 0 / 52 / 13

HEX #35DE6A

RGB 53 222 106

HSL 138.82, 0.72%, 0.54%

LAB 78.49, -66.11, 44.71

 

CMYK 76 / 0 / 32 / 13

HEX #35DE98

RGB 53 222 152

HSL 155.15, 0.72%, 0.54%

LAB 79.19, -57.99, 22.55

 

CMYK 76 / 0 / 11 / 13

HEX #35DEC5

RGB 53 222 197

HSL 171.12, 0.72%, 0.54%

LAB 80.2, -47.38, 0.22

 

CMYK 59 / 0 / 76 / 13

HEX #5ADE35

RGB 90 222 53

HSL 106.86, 0.72%, 0.54%

LAB 78.85, -64.75, 66.89

 

CMYK 67 / 0 / 86 / 5

HEX #50F122

RGB 80 241 34

HSL 106.67, 0.88%, 0.54%

LAB 84.35, -73.96, 76.69

 

CMYK 59 / 0 / 76 / 13

HEX #5ADE35

RGB 90 222 53

HSL 106.86, 0.72%, 0.54%

LAB 78.85, -64.75, 66.89

 

CMYK 50 / 0 / 65 / 20

HEX #65CB48

RGB 101 203 72

HSL 106.72, 0.56%, 0.54%

LAB 73.51, -53.56, 54.53

 

CMYK 40 / 0 / 51 / 28

HEX #6FB85B

RGB 111 184 91

HSL 107.1, 0.4%, 0.54%

LAB 68.33, -40.64, 39.93

 

CMYK 26 / 0 / 33 / 35

HEX #7AA56E

RGB 122 165 110

HSL 106.91, 0.23%, 0.54%

LAB 63.49, -25.29, 23.96

 

CMYK 10 / 0 / 12 / 43

HEX #849281

RGB 132 146 129

HSL 109.41, 0.07%, 0.54%

LAB 59.02, -8.4, 7.3

 

CMYK 18 / 0 / 76 / 13

HEX #B6DE35

RGB 182 222 53

HSL 74.2, 0.72%, 0.54%

LAB 83.15, -34.65, 72.48

 

CMYK 38 / 0 / 76 / 13

HEX #89DE35

RGB 137 222 53

HSL 90.18, 0.72%, 0.54%

LAB 80.64, -51.19, 69.22

 

CMYK 59 / 0 / 76 / 13

HEX #5CDE35

RGB 92 222 53

HSL 106.15, 0.72%, 0.54%

LAB 78.91, -64.27, 66.96

 

CMYK 76 / 0 / 74 / 13

HEX #35DE3A

RGB 53 222 58

HSL 121.78, 0.72%, 0.54%

LAB 78.05, -71.32, 64.2

 

CMYK 76 / 0 / 54 / 13

HEX #35DE67

RGB 53 222 103

HSL 137.75, 0.72%, 0.54%

LAB 78.45, -66.53, 46.08

 

CMYK 65 / 0 / 84 / 35

HEX #39A51B

RGB 57 165 27

HSL 106.96, 0.72%, 0.38%

LAB 59.76, -54.33, 56.22

 

CMYK 65 / 0 / 84 / 21

HEX #46C920

RGB 70 201 32

HSL 106.51, 0.73%, 0.46%

LAB 71.68, -63.33, 65.85

 

CMYK 59 / 0 / 76 / 13

HEX #5ADE35

RGB 90 222 53

HSL 106.86, 0.72%, 0.54%

LAB 78.85, -64.75, 66.89

 

CMYK 48 / 0 / 61 / 11

HEX #77E358

RGB 119 227 88

HSL 106.62, 0.71%, 0.62%

LAB 81.6, -56.14, 56.93

 

CMYK 36 / 0 / 47 / 9

HEX #94E97C

RGB 148 233 124

HSL 106.79, 0.71%, 0.7%

LAB 85.01, -45.72, 44.83

 

CMYK 60 / 0 / 77 / 13

HEX #59DE33

RGB 89 222 51

HSL 106.67, 0.72%, 0.54%

LAB 78.81, -65.1, 67.46

 

CMYK 76 / 0 / 3 / 13

HEX #35DED8

RGB 53 222 216

HSL 177.87, 0.72%, 0.54%

LAB 80.72, -42.23, -9.13

 

CMYK 0 / 76 / 28 / 13

HEX #DE35A0

RGB 222 53 160

HSL 322.01, 0.72%, 0.54%

LAB 52.52, 72.15, -19.18

 

CMYK 60 / 0 / 77 / 13

HEX #59DE33

RGB 89 222 51

HSL 106.67, 0.72%, 0.54%

LAB 78.81, -65.1, 67.46

 

CMYK 76 / 59 / 0 / 13

HEX #355CDE

RGB 53 92 222

HSL 226.15, 0.72%, 0.54%

LAB 43.78, 32, -70.18

 

CMYK 0 / 76 / 59 / 13

HEX #DE355C

RGB 222 53 92

HSL 346.15, 0.72%, 0.54%

LAB 50.51, 65.91, 18.76

 

CMYK 60 / 0 / 77 / 13

HEX #59DE33

RGB 89 222 51

HSL 106.67, 0.72%, 0.54%

LAB 78.81, -65.1, 67.46

 

CMYK 76 / 0 / 3 / 13

HEX #35DED8

RGB 53 222 216

HSL 177.87, 0.72%, 0.54%

LAB 80.72, -42.23, -9.13

 

CMYK 18 / 76 / 0 / 13

HEX #B635DE

RGB 182 53 222

HSL 285.8, 0.72%, 0.54%

LAB 49.21, 72.98, -60.8

 

CMYK 0 / 76 / 74 / 13

HEX #DE353A

RGB 222 53 58

HSL 358.22, 0.72%, 0.54%

LAB 49.96, 64.13, 38.22

 

CMYK 60 / 0 / 77 / 13

HEX #59DE33

RGB 89 222 51

HSL 106.67, 0.72%, 0.54%

LAB 78.81, -65.1, 67.46

 

CMYK 76 / 20 / 0 / 13

HEX #35B1DE

RGB 53 177 222

HSL 195.98, 0.72%, 0.54%

LAB 67.63, -18.64, -32.23

 

CMYK 18 / 76 / 0 / 13

HEX #B635DE

RGB 182 53 222

HSL 285.8, 0.72%, 0.54%

LAB 49.21, 72.98, -60.8

 

CMYK 0 / 56 / 76 / 13

HEX #DE6235

RGB 222 98 53

HSL 15.98, 0.72%, 0.54%

LAB 56.61, 45.88, 48.04

 

Description

Color code: CMYK 60 / 0 / 77 / 13 | qconv.com Color code: CMYK 60 / 0 / 77 / 13 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 222 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 222 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 77% 13% C M Y K

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Provide designers and agencies with accurate color values.

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