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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 0 / 22 / 50 it is the complementary color CMYK 14 / 19 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 0 / 22 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 2 / 0 / 27 / 50, CMYK 2 / 0 / 23 / 43, CMYK 2 / 0 / 20 / 36, CMYK 3 / 0 / 17 / 29 and CMYK 3 / 0 / 15 / 22

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 0 / 22 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 5 / 0 / 23 / 50, CMYK 5 / 0 / 27 / 57, CMYK 5 / 0 / 34 / 64, CMYK 5 / 0 / 43 / 71 and CMYK 5 / 0 / 59 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 5 / 0 / 23 / 49, CMYK 0 / 1 / 23 / 49, CMYK 0 / 7 / 23 / 49, CMYK 0 / 13 / 23 / 49 and CMYK 0 / 19 / 23 / 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 5 / 0 / 23 / 49, CMYK 12 / 0 / 23 / 49, CMYK 18 / 0 / 23 / 49, CMYK 23 / 0 / 22 / 49 and CMYK 23 / 0 / 16 / 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 5 / 0 / 22 / 50 shade matches the following richer shades: CMYK 5 / 0 / 23 / 49, CMYK 11 / 0 / 45 / 42, CMYK 15 / 0 / 63 / 35, CMYK 18 / 0 / 76 / 27 and CMYK 21 / 0 / 88 / 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 5 / 0 / 23 / 49, CMYK 5 / 6 / 0 / 54, CMYK 24 / 32 / 0 / 47, CMYK 40 / 53 / 0 / 39 and CMYK 52 / 68 / 0 / 32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 0 / 7 / 23 / 49, CMYK 0 / 1 / 23 / 49, CMYK 5 / 0 / 23 / 49, CMYK 12 / 0 / 23 / 49 and CMYK 18 / 0 / 23 / 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 6 / 0 / 24 / 67, CMYK 6 / 0 / 24 / 58, CMYK 5 / 0 / 23 / 49, CMYK 5 / 0 / 21 / 41 and CMYK 4 / 0 / 15 / 34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 5 / 0 / 23 / 50, CMYK 23 / 0 / 13 / 49 and CMYK 4 / 23 / 0 / 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 5 / 0 / 23 / 50, CMYK 23 / 5 / 0 / 49 and CMYK 0 / 23 / 5 / 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 5 / 0 / 23 / 50, CMYK 23 / 0 / 13 / 49, CMYK 18 / 23 / 0 / 49 and CMYK 0 / 23 / 10 / 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 5 / 0 / 22 / 50 shade: CMYK 5 / 0 / 23 / 50, CMYK 23 / 0 / 6 / 49, CMYK 18 / 23 / 0 / 49 and CMYK 0 / 23 / 17 / 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 22 / 50

HEX #798063

RGB 121 128 99

HSL 74.48, 0.13%, 0.45%

LAB 52.29, -7.99, 14.91

 

Complementary color

CMYK 14 / 19 / 0 / 39

HEX #867F9C

RGB 134 127 156

HSL 254.48, 0.13%, 0.55%

LAB 54.71, 8.7, -14.56

 

CMYK 2 / 0 / 27 / 50

HEX #7E805E

RGB 126 128 94

HSL 63.53, 0.15%, 0.44%

LAB 52.6, -6.74, 18.26

 

CMYK 2 / 0 / 23 / 43

HEX #8F9271

RGB 143 146 113

HSL 65.45, 0.13%, 0.51%

LAB 59.52, -6.91, 17.17

 

CMYK 2 / 0 / 20 / 36

HEX #A0A484

RGB 160 164 132

HSL 67.5, 0.15%, 0.58%

LAB 66.28, -7.06, 16.16

 

CMYK 3 / 0 / 17 / 29

HEX #B1B697

RGB 177 182 151

HSL 69.68, 0.18%, 0.65%

LAB 72.92, -7.18, 15.21

 

CMYK 3 / 0 / 15 / 22

HEX #C2C8AA

RGB 194 200 170

HSL 72, 0.21%, 0.73%

LAB 79.43, -7.29, 14.32

 

CMYK 5 / 0 / 23 / 50

HEX #798063

RGB 121 128 99

HSL 74.48, 0.13%, 0.45%

LAB 52.29, -7.99, 14.91

 

CMYK 5 / 0 / 27 / 57

HEX #686E50

RGB 104 110 80

HSL 72, 0.16%, 0.37%

LAB 45.18, -7.89, 16.01

 

CMYK 5 / 0 / 34 / 64

HEX #575C3D

RGB 87 92 61

HSL 69.68, 0.2%, 0.3%

LAB 37.87, -7.75, 17.22

 

CMYK 5 / 0 / 43 / 71

HEX #464A2A

RGB 70 74 42

HSL 67.5, 0.28%, 0.23%

LAB 30.32, -7.53, 18.56

 

CMYK 5 / 0 / 59 / 78

HEX #353817

RGB 53 56 23

HSL 65.45, 0.42%, 0.15%

LAB 22.47, -7.15, 19.98

 

CMYK 5 / 0 / 23 / 49

HEX #7A8163

RGB 122 129 99

HSL 74, 0.13%, 0.45%

LAB 52.66, -8.15, 15.43

 

CMYK 0 / 1 / 23 / 49

HEX #818063

RGB 129 128 99

HSL 58, 0.13%, 0.45%

LAB 52.96, -4.75, 15.93

 

CMYK 0 / 7 / 23 / 49

HEX #817863

RGB 129 120 99

HSL 42, 0.13%, 0.45%

LAB 50.69, -0.2, 12.8

 

CMYK 0 / 13 / 23 / 49

HEX #817063

RGB 129 112 99

HSL 26, 0.13%, 0.45%

LAB 48.46, 4.43, 9.67

 

CMYK 0 / 19 / 23 / 49

HEX #816863

RGB 129 104 99

HSL 10, 0.13%, 0.45%

LAB 46.27, 9.14, 6.58

 

CMYK 5 / 0 / 23 / 49

HEX #7A8163

RGB 122 129 99

HSL 74, 0.13%, 0.45%

LAB 52.66, -8.15, 15.43

 

CMYK 12 / 0 / 23 / 49

HEX #728163

RGB 114 129 99

HSL 90, 0.13%, 0.45%

LAB 52.04, -11.33, 14.47

 

CMYK 18 / 0 / 23 / 49

HEX #6A8163

RGB 106 129 99

HSL 106, 0.13%, 0.45%

LAB 51.46, -14.42, 13.58

 

CMYK 23 / 0 / 22 / 49

HEX #638165

RGB 99 129 101

HSL 124, 0.13%, 0.45%

LAB 51.03, -16.66, 11.75

 

CMYK 23 / 0 / 16 / 49

HEX #63816D

RGB 99 129 109

HSL 140, 0.13%, 0.45%

LAB 51.22, -15.07, 7.37

 

CMYK 5 / 0 / 23 / 49

HEX #7A8163

RGB 122 129 99

HSL 74, 0.13%, 0.45%

LAB 52.66, -8.15, 15.43

 

CMYK 11 / 0 / 45 / 42

HEX #849451

RGB 132 148 81

HSL 74.33, 0.29%, 0.45%

LAB 58.68, -16.8, 33.41

 

CMYK 15 / 0 / 63 / 35

HEX #8DA63E

RGB 141 166 62

HSL 74.42, 0.46%, 0.45%

LAB 64.39, -24.07, 49.47

 

CMYK 18 / 0 / 76 / 27

HEX #97B92C

RGB 151 185 44

HSL 74.47, 0.62%, 0.45%

LAB 70.5, -30.27, 62.74

 

CMYK 21 / 0 / 88 / 20

HEX #A0CB19

RGB 160 203 25

HSL 74.49, 0.78%, 0.45%

LAB 76.23, -35.67, 72.8

 

CMYK 5 / 0 / 23 / 49

HEX #7A8163

RGB 122 129 99

HSL 74, 0.13%, 0.45%

LAB 52.66, -8.15, 15.43

 

CMYK 5 / 6 / 0 / 54

HEX #706F76

RGB 112 111 118

HSL 248.57, 0.03%, 0.45%

LAB 47.13, 1.84, -3.74

 

CMYK 24 / 32 / 0 / 47

HEX #675C88

RGB 103 92 136

HSL 255, 0.19%, 0.45%

LAB 41.71, 14.44, -22.86

 

CMYK 40 / 53 / 0 / 39

HEX #5D499B

RGB 93 73 155

HSL 254.63, 0.36%, 0.45%

LAB 36.85, 28.56, -42.07

 

CMYK 52 / 68 / 0 / 32

HEX #5437AE

RGB 84 55 174

HSL 254.62, 0.52%, 0.45%

LAB 33.29, 42.9, -59.27

 

CMYK 0 / 7 / 23 / 49

HEX #817863

RGB 129 120 99

HSL 42, 0.13%, 0.45%

LAB 50.69, -0.2, 12.8

 

CMYK 0 / 1 / 23 / 49

HEX #818063

RGB 129 128 99

HSL 58, 0.13%, 0.45%

LAB 52.96, -4.75, 15.93

 

CMYK 5 / 0 / 23 / 49

HEX #7A8163

RGB 122 129 99

HSL 74, 0.13%, 0.45%

LAB 52.66, -8.15, 15.43

 

CMYK 12 / 0 / 23 / 49

HEX #728163

RGB 114 129 99

HSL 90, 0.13%, 0.45%

LAB 52.04, -11.33, 14.47

 

CMYK 18 / 0 / 23 / 49

HEX #6A8163

RGB 106 129 99

HSL 106, 0.13%, 0.45%

LAB 51.46, -14.42, 13.58

 

CMYK 6 / 0 / 24 / 67

HEX #4E533F

RGB 78 83 63

HSL 75, 0.14%, 0.29%

LAB 34.32, -6.02, 11.07

 

CMYK 6 / 0 / 24 / 58

HEX #646A51

RGB 100 106 81

HSL 74.4, 0.13%, 0.37%

LAB 43.67, -7.1, 13.3

 

CMYK 5 / 0 / 23 / 49

HEX #7A8163

RGB 122 129 99

HSL 74, 0.13%, 0.45%

LAB 52.66, -8.15, 15.43

 

CMYK 5 / 0 / 21 / 41

HEX #8F9677

RGB 143 150 119

HSL 73.55, 0.13%, 0.53%

LAB 60.77, -8.15, 15.53

 

CMYK 4 / 0 / 15 / 34

HEX #A2A88F

RGB 162 168 143

HSL 74.4, 0.13%, 0.61%

LAB 67.78, -6.65, 12.2

 

CMYK 5 / 0 / 23 / 50

HEX #798063

RGB 121 128 99

HSL 74.48, 0.13%, 0.45%

LAB 52.29, -7.99, 14.91

 

CMYK 23 / 0 / 13 / 49

HEX #638170

RGB 99 129 112

HSL 146, 0.13%, 0.45%

LAB 51.29, -14.44, 5.73

 

CMYK 4 / 23 / 0 / 49

HEX #7C6381

RGB 124 99 129

HSL 290, 0.13%, 0.45%

LAB 45.35, 15.81, -12.89

 

CMYK 5 / 0 / 23 / 50

HEX #798063

RGB 121 128 99

HSL 74.48, 0.13%, 0.45%

LAB 52.29, -7.99, 14.91

 

CMYK 23 / 5 / 0 / 49

HEX #637A81

RGB 99 122 129

HSL 194, 0.13%, 0.45%

LAB 49.69, -6.66, -6.59

 

CMYK 0 / 23 / 5 / 49

HEX #81637A

RGB 129 99 122

HSL 314, 0.13%, 0.45%

LAB 45.63, 16.23, -8.2

 

CMYK 5 / 0 / 23 / 50

HEX #798063

RGB 121 128 99

HSL 74.48, 0.13%, 0.45%

LAB 52.29, -7.99, 14.91

 

CMYK 23 / 0 / 13 / 49

HEX #638170

RGB 99 129 112

HSL 146, 0.13%, 0.45%

LAB 51.29, -14.44, 5.73

 

CMYK 18 / 23 / 0 / 49

HEX #6A6381

RGB 106 99 129

HSL 254, 0.13%, 0.45%

LAB 43.61, 9.4, -15.69

 

CMYK 0 / 23 / 10 / 49

HEX #816374

RGB 129 99 116

HSL 326, 0.13%, 0.45%

LAB 45.43, 15.08, -4.88

 

CMYK 5 / 0 / 23 / 50

HEX #798063

RGB 121 128 99

HSL 74.48, 0.13%, 0.45%

LAB 52.29, -7.99, 14.91

 

CMYK 23 / 0 / 6 / 49

HEX #638179

RGB 99 129 121

HSL 164, 0.13%, 0.45%

LAB 51.53, -12.47, 0.83

 

CMYK 18 / 23 / 0 / 49

HEX #6A6381

RGB 106 99 129

HSL 254, 0.13%, 0.45%

LAB 43.61, 9.4, -15.69

 

CMYK 0 / 23 / 17 / 49

HEX #81636B

RGB 129 99 107

HSL 344, 0.13%, 0.45%

LAB 45.15, 13.45, 0.15

 

Description

Color code: CMYK 5 / 0 / 22 / 50 | qconv.com Color code: CMYK 5 / 0 / 22 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 128 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 128 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 22 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 22% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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