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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 66 / 0 / 25 it is the complementary color CMYK 62 / 0 / 66 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 66 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 0 / 65 / 1 / 27, CMYK 0 / 60 / 0 / 20, CMYK 1 / 55 / 0 / 12, CMYK 2 / 51 / 0 / 5 and CMYK 0 / 46 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 66 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 5 / 66 / 0 / 25, CMYK 4 / 73 / 0 / 33, CMYK 3 / 81 / 0 / 40, CMYK 2 / 92 / 0 / 47 and CMYK 1 / 100 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 5 / 67 / 0 / 25, CMYK 0 / 67 / 14 / 25, CMYK 0 / 67 / 31 / 25, CMYK 0 / 67 / 49 / 25 and CMYK 0 / 67 / 67 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 5 / 67 / 0 / 25, CMYK 23 / 67 / 0 / 25, CMYK 41 / 67 / 0 / 25, CMYK 59 / 67 / 0 / 25 and CMYK 67 / 67 / 0 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 5 / 66 / 0 / 25 shade matches the following richer shades: CMYK 5 / 67 / 0 / 25, CMYK 6 / 80 / 0 / 17, CMYK 6 / 91 / 0 / 9 and CMYK 7 / 100 / 0 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 5 / 67 / 0 / 25, CMYK 4 / 51 / 0 / 33, CMYK 2 / 30 / 0 / 42, CMYK 0 / 3 / 0 / 49 and CMYK 24 / 0 / 26 / 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 41 / 67 / 0 / 25, CMYK 24 / 67 / 0 / 25, CMYK 6 / 67 / 0 / 25, CMYK 0 / 67 / 13 / 25 and CMYK 0 / 67 / 30 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 5 / 67 / 0 / 49, CMYK 5 / 67 / 0 / 37, CMYK 5 / 67 / 0 / 25, CMYK 4 / 53 / 0 / 21 and CMYK 3 / 41 / 0 / 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 5 / 66 / 0 / 25, CMYK 0 / 59 / 67 / 25 and CMYK 67 / 0 / 32 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 5 / 66 / 0 / 25, CMYK 0 / 6 / 67 / 25 and CMYK 67 / 0 / 6 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 5 / 66 / 0 / 25, CMYK 0 / 59 / 67 / 25, CMYK 61 / 0 / 67 / 25 and CMYK 67 / 8 / 0 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 5 / 66 / 0 / 25 shade: CMYK 5 / 66 / 0 / 25, CMYK 0 / 39 / 67 / 25, CMYK 61 / 0 / 67 / 25 and CMYK 67 / 28 / 0 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 66 / 0 / 25

HEX #B641BF

RGB 182 65 191

HSL 295.71, 0.5%, 0.5%

LAB 48.87, 63.03, -43.53

 

Complementary color

CMYK 62 / 0 / 66 / 25

HEX #49BE40

RGB 73 190 64

HSL 115.71, 0.5%, 0.5%

LAB 68.47, -56.7, 52.1

 

CMYK 0 / 65 / 1 / 27

HEX #BB41BA

RGB 187 65 186

HSL 300.49, 0.48%, 0.49%

LAB 49.36, 63.35, -39.79

 

CMYK 0 / 60 / 0 / 20

HEX #CC53CD

RGB 204 83 205

HSL 299.51, 0.55%, 0.56%

LAB 55.51, 63.34, -40.87

 

CMYK 1 / 55 / 0 / 12

HEX #DD65E0

RGB 221 101 224

HSL 298.54, 0.66%, 0.64%

LAB 61.71, 63.03, -41.7

 

CMYK 2 / 51 / 0 / 5

HEX #EE77F3

RGB 238 119 243

HSL 297.58, 0.84%, 0.71%

LAB 67.9, 62.53, -42.37

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 5 / 66 / 0 / 25

HEX #B641BF

RGB 182 65 191

HSL 295.71, 0.5%, 0.5%

LAB 48.87, 63.03, -43.53

 

CMYK 4 / 73 / 0 / 33

HEX #A52FAC

RGB 165 47 172

HSL 296.64, 0.57%, 0.43%

LAB 42.78, 62.58, -42.23

 

CMYK 3 / 81 / 0 / 40

HEX #941D99

RGB 148 29 153

HSL 297.58, 0.68%, 0.36%

LAB 36.88, 61.31, -40.39

 

CMYK 2 / 92 / 0 / 47

HEX #830B86

RGB 131 11 134

HSL 298.54, 0.85%, 0.28%

LAB 31.31, 58.74, -37.77

 

CMYK 1 / 100 / 0 / 55

HEX #720073

RGB 114 0 115

HSL 299.48, 1%, 0.23%

LAB 26.2, 54.41, -34.12

 

CMYK 5 / 67 / 0 / 25

HEX #B63FBF

RGB 182 63 191

HSL 295.78, 0.5%, 0.5%

LAB 48.59, 63.81, -43.98

 

CMYK 0 / 67 / 14 / 25

HEX #BF3FA5

RGB 191 63 165

HSL 312.19, 0.5%, 0.5%

LAB 48.7, 61.78, -28.47

 

CMYK 0 / 67 / 31 / 25

HEX #BF3F83

RGB 191 63 131

HSL 328.13, 0.5%, 0.5%

LAB 47.33, 57.18, -10.22

 

CMYK 0 / 67 / 49 / 25

HEX #BF3F61

RGB 191 63 97

HSL 344.06, 0.5%, 0.5%

LAB 46.3, 53.6, 9.04

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 5 / 67 / 0 / 25

HEX #B63FBF

RGB 182 63 191

HSL 295.78, 0.5%, 0.5%

LAB 48.59, 63.81, -43.98

 

CMYK 23 / 67 / 0 / 25

HEX #933FBF

RGB 147 63 191

HSL 279.38, 0.5%, 0.5%

LAB 43.54, 55.92, -52.34

 

CMYK 41 / 67 / 0 / 25

HEX #713FBF

RGB 113 63 191

HSL 263.44, 0.5%, 0.5%

LAB 39.29, 48.78, -59.42

 

CMYK 59 / 67 / 0 / 25

HEX #4E3FBF

RGB 78 63 191

HSL 247.03, 0.5%, 0.5%

LAB 35.86, 42.54, -65.15

 

CMYK 67 / 67 / 0 / 25

HEX #3F3FBF

RGB 63 63 191

HSL 240, 0.5%, 0.5%

LAB 34.75, 40.39, -67.02

 

CMYK 5 / 67 / 0 / 25

HEX #B63FBF

RGB 182 63 191

HSL 295.78, 0.5%, 0.5%

LAB 48.59, 63.81, -43.98

 

CMYK 6 / 80 / 0 / 17

HEX #C72BD3

RGB 199 43 211

HSL 295.71, 0.66%, 0.5%

LAB 50.18, 77.07, -52.82

 

CMYK 6 / 91 / 0 / 9

HEX #D916E8

RGB 217 22 232

HSL 295.71, 0.83%, 0.5%

LAB 53.12, 87.31, -59.89

 

CMYK 7 / 100 / 0 / 1

HEX #EB01FD

RGB 235 1 253

HSL 295.71, 0.99%, 0.5%

LAB 56.86, 94.91, -65.48

 

CMYK 5 / 67 / 0 / 25

HEX #B63FBF

RGB 182 63 191

HSL 295.78, 0.5%, 0.5%

LAB 48.59, 63.81, -43.98

 

CMYK 4 / 51 / 0 / 33

HEX #A454AA

RGB 164 84 170

HSL 295.81, 0.34%, 0.5%

LAB 48.43, 45.76, -32.13

 

CMYK 2 / 30 / 0 / 42

HEX #926995

RGB 146 105 149

HSL 295.91, 0.17%, 0.5%

LAB 49.96, 24.22, -17.57

 

CMYK 0 / 3 / 0 / 49

HEX #817D81

RGB 129 125 129

HSL 300, 0.02%, 0.5%

LAB 52.86, 2.3, -1.64

 

CMYK 24 / 0 / 26 / 43

HEX #6F926C

RGB 111 146 108

HSL 115.26, 0.15%, 0.5%

LAB 57.09, -19.96, 16.29

 

CMYK 41 / 67 / 0 / 25

HEX #703FBF

RGB 112 63 191

HSL 262.97, 0.5%, 0.5%

LAB 39.18, 48.58, -59.61

 

CMYK 24 / 67 / 0 / 25

HEX #923FBF

RGB 146 63 191

HSL 278.91, 0.5%, 0.5%

LAB 43.4, 55.7, -52.57

 

CMYK 6 / 67 / 0 / 25

HEX #B43FBF

RGB 180 63 191

HSL 294.84, 0.5%, 0.5%

LAB 48.29, 63.36, -44.48

 

CMYK 0 / 67 / 13 / 25

HEX #BF3FA7

RGB 191 63 167

HSL 311.25, 0.5%, 0.5%

LAB 48.79, 62.08, -29.51

 

CMYK 0 / 67 / 30 / 25

HEX #BF3F85

RGB 191 63 133

HSL 327.19, 0.5%, 0.5%

LAB 47.4, 57.42, -11.33

 

CMYK 5 / 67 / 0 / 49

HEX #7B2B81

RGB 123 43 129

HSL 295.81, 0.5%, 0.34%

LAB 32.97, 46.5, -32.1

 

CMYK 5 / 67 / 0 / 37

HEX #9835A0

RGB 152 53 160

HSL 295.51, 0.5%, 0.42%

LAB 40.83, 55.22, -38.29

 

CMYK 5 / 67 / 0 / 25

HEX #B63FBF

RGB 182 63 191

HSL 295.78, 0.5%, 0.5%

LAB 48.59, 63.81, -43.98

 

CMYK 4 / 53 / 0 / 21

HEX #C15EC9

RGB 193 94 201

HSL 295.51, 0.5%, 0.58%

LAB 55.64, 54.74, -38.49

 

CMYK 3 / 41 / 0 / 17

HEX #CD7DD3

RGB 205 125 211

HSL 295.81, 0.49%, 0.66%

LAB 63.63, 44.34, -31.57

 

CMYK 5 / 66 / 0 / 25

HEX #B641BF

RGB 182 65 191

HSL 295.71, 0.5%, 0.5%

LAB 48.87, 63.03, -43.53

 

CMYK 0 / 59 / 67 / 25

HEX #BF4E3F

RGB 191 78 63

HSL 7.03, 0.5%, 0.5%

LAB 48.11, 44.47, 31.82

 

CMYK 67 / 0 / 32 / 25

HEX #3FBF81

RGB 63 191 129

HSL 150.94, 0.5%, 0.5%

LAB 69.4, -49.28, 21.33

 

CMYK 5 / 66 / 0 / 25

HEX #B641BF

RGB 182 65 191

HSL 295.71, 0.5%, 0.5%

LAB 48.87, 63.03, -43.53

 

CMYK 0 / 6 / 67 / 25

HEX #BFB43F

RGB 191 180 63

HSL 54.84, 0.5%, 0.5%

LAB 72.28, -9.91, 58.58

 

CMYK 67 / 0 / 6 / 25

HEX #3FBFB4

RGB 63 191 180

HSL 174.84, 0.5%, 0.5%

LAB 70.6, -37, -4.66

 

CMYK 5 / 66 / 0 / 25

HEX #B641BF

RGB 182 65 191

HSL 295.71, 0.5%, 0.5%

LAB 48.87, 63.03, -43.53

 

CMYK 0 / 59 / 67 / 25

HEX #BF4E3F

RGB 191 78 63

HSL 7.03, 0.5%, 0.5%

LAB 48.11, 44.47, 31.82

 

CMYK 61 / 0 / 67 / 25

HEX #4ABF3F

RGB 74 191 63

HSL 114.84, 0.5%, 0.5%

LAB 68.81, -56.92, 52.88

 

CMYK 67 / 8 / 0 / 25

HEX #3FB0BF

RGB 63 176 191

HSL 187.03, 0.5%, 0.5%

LAB 66.42, -26.66, -16.98

 

CMYK 5 / 66 / 0 / 25

HEX #B641BF

RGB 182 65 191

HSL 295.71, 0.5%, 0.5%

LAB 48.87, 63.03, -43.53

 

CMYK 0 / 39 / 67 / 25

HEX #BF743F

RGB 191 116 63

HSL 24.84, 0.5%, 0.5%

LAB 56.01, 24.76, 41.06

 

CMYK 61 / 0 / 67 / 25

HEX #4ABF3F

RGB 74 191 63

HSL 114.84, 0.5%, 0.5%

LAB 68.81, -56.92, 52.88

 

CMYK 67 / 28 / 0 / 25

HEX #3F8ABF

RGB 63 138 191

HSL 204.84, 0.5%, 0.5%

LAB 55.07, -6.27, -34.45

 

Description

Color code: CMYK 5 / 66 / 0 / 25 | qconv.com Color code: CMYK 5 / 66 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 65 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 65 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 66 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 66% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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