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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 6 / 0 / 50 it is the complementary color CMYK 0 / 33 / 37 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 6 / 0 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 52 / 2 / 0 / 52, CMYK 46 / 3 / 0 / 44, CMYK 42 / 3 / 0 / 37, CMYK 39 / 3 / 0 / 29 and CMYK 36 / 4 / 0 / 22

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 6 / 0 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 58 / 6 / 0 / 50, CMYK 66 / 6 / 0 / 57, CMYK 78 / 7 / 0 / 65, CMYK 96 / 7 / 0 / 72 and CMYK 100 / 8 / 0 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 58 / 6 / 0 / 49, CMYK 58 / 22 / 0 / 49, CMYK 58 / 38 / 0 / 49, CMYK 58 / 53 / 0 / 49 and CMYK 47 / 58 / 0 / 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 58 / 6 / 0 / 49, CMYK 58 / 22 / 0 / 49, CMYK 58 / 38 / 0 / 49, CMYK 58 / 53 / 0 / 49 and CMYK 58 / 58 / 0 / 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 58 / 6 / 0 / 50 shade matches the following richer shades: CMYK 58 / 6 / 0 / 49, CMYK 73 / 8 / 0 / 44, CMYK 85 / 9 / 0 / 38 and CMYK 95 / 10 / 0 / 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 58 / 6 / 0 / 49, CMYK 39 / 4 / 0 / 55, CMYK 16 / 1 / 0 / 61, CMYK 0 / 12 / 14 / 62 and CMYK 0 / 35 / 38 / 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 58 / 0 / 26 / 49, CMYK 58 / 0 / 10 / 49, CMYK 58 / 6 / 0 / 49, CMYK 58 / 22 / 0 / 49 and CMYK 58 / 37 / 0 / 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 59 / 7 / 0 / 72, CMYK 59 / 6 / 0 / 61, CMYK 58 / 6 / 0 / 49, CMYK 58 / 6 / 0 / 38 and CMYK 55 / 6 / 0 / 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 58 / 6 / 0 / 50, CMYK 41 / 58 / 0 / 49 and CMYK 0 / 18 / 58 / 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 58 / 6 / 0 / 50, CMYK 0 / 58 / 6 / 49 and CMYK 6 / 0 / 58 / 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 58 / 6 / 0 / 50, CMYK 41 / 58 / 0 / 49, CMYK 0 / 53 / 58 / 49 and CMYK 18 / 0 / 58 / 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 58 / 6 / 0 / 50 shade: CMYK 58 / 6 / 0 / 50, CMYK 23 / 58 / 0 / 49, CMYK 0 / 53 / 58 / 49 and CMYK 35 / 0 / 58 / 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 6 / 0 / 50

HEX #367880

RGB 54 120 128

HSL 186.49, 0.41%, 0.36%

LAB 46.68, -18.4, -10.75

 

Complementary color

CMYK 0 / 33 / 37 / 21

HEX #C9877F

RGB 201 135 127

HSL 6.49, 0.41%, 0.64%

LAB 62.74, 24.3, 14.63

 

CMYK 52 / 2 / 0 / 52

HEX #3B787B

RGB 59 120 123

HSL 182.81, 0.35%, 0.36%

LAB 46.7, -18.77, -7.72

 

CMYK 46 / 3 / 0 / 44

HEX #4C8A8E

RGB 76 138 142

HSL 183.64, 0.3%, 0.43%

LAB 53.67, -18.86, -8.38

 

CMYK 42 / 3 / 0 / 37

HEX #5D9CA1

RGB 93 156 161

HSL 184.41, 0.27%, 0.5%

LAB 60.5, -18.89, -8.98

 

CMYK 39 / 3 / 0 / 29

HEX #6EAEB4

RGB 110 174 180

HSL 185.14, 0.32%, 0.57%

LAB 67.19, -18.88, -9.55

 

CMYK 36 / 4 / 0 / 22

HEX #7FC0C7

RGB 127 192 199

HSL 185.83, 0.39%, 0.64%

LAB 73.76, -18.85, -10.09

 

CMYK 58 / 6 / 0 / 50

HEX #367880

RGB 54 120 128

HSL 186.49, 0.41%, 0.36%

LAB 46.68, -18.4, -10.75

 

CMYK 66 / 6 / 0 / 57

HEX #25666D

RGB 37 102 109

HSL 185.83, 0.49%, 0.29%

LAB 39.58, -17.97, -10.05

 

CMYK 78 / 7 / 0 / 65

HEX #14545A

RGB 20 84 90

HSL 185.14, 0.64%, 0.22%

LAB 32.32, -17.2, -9.24

 

CMYK 96 / 7 / 0 / 72

HEX #034247

RGB 3 66 71

HSL 184.41, 0.92%, 0.15%

LAB 24.86, -15.98, -8.27

 

CMYK 100 / 8 / 0 / 80

HEX #003034

RGB 0 48 52

HSL 184.62, 1%, 0.1%

LAB 17.28, -13.29, -6.91

 

CMYK 58 / 6 / 0 / 49

HEX #367981

RGB 54 121 129

HSL 186.4, 0.41%, 0.36%

LAB 47.03, -18.64, -10.81

 

CMYK 58 / 22 / 0 / 49

HEX #366481

RGB 54 100 129

HSL 203.2, 0.41%, 0.36%

LAB 40.38, -6.67, -20.95

 

CMYK 58 / 38 / 0 / 49

HEX #365081

RGB 54 80 129

HSL 219.2, 0.41%, 0.36%

LAB 34.2, 5.9, -30.61

 

CMYK 58 / 53 / 0 / 49

HEX #363C81

RGB 54 60 129

HSL 235.2, 0.41%, 0.36%

LAB 28.38, 19.27, -39.9

 

CMYK 47 / 58 / 0 / 49

HEX #443681

RGB 68 54 129

HSL 251.2, 0.41%, 0.36%

LAB 27.99, 26.43, -40.48

 

CMYK 58 / 6 / 0 / 49

HEX #367981

RGB 54 121 129

HSL 186.4, 0.41%, 0.36%

LAB 47.03, -18.64, -10.81

 

CMYK 58 / 22 / 0 / 49

HEX #366481

RGB 54 100 129

HSL 203.2, 0.41%, 0.36%

LAB 40.38, -6.67, -20.95

 

CMYK 58 / 38 / 0 / 49

HEX #365081

RGB 54 80 129

HSL 219.2, 0.41%, 0.36%

LAB 34.2, 5.9, -30.61

 

CMYK 58 / 53 / 0 / 49

HEX #363C81

RGB 54 60 129

HSL 235.2, 0.41%, 0.36%

LAB 28.38, 19.27, -39.9

 

CMYK 58 / 58 / 0 / 49

HEX #363681

RGB 54 54 129

HSL 240, 0.41%, 0.36%

LAB 26.76, 23.3, -42.52

 

CMYK 58 / 6 / 0 / 49

HEX #367981

RGB 54 121 129

HSL 186.4, 0.41%, 0.36%

LAB 47.03, -18.64, -10.81

 

CMYK 73 / 8 / 0 / 44

HEX #278490

RGB 39 132 144

HSL 186.86, 0.57%, 0.36%

LAB 50.63, -22.36, -14.25

 

CMYK 85 / 9 / 0 / 38

HEX #18909F

RGB 24 144 159

HSL 186.67, 0.74%, 0.36%

LAB 54.7, -25.23, -16.77

 

CMYK 95 / 10 / 0 / 32

HEX #099CAD

RGB 9 156 173

HSL 186.22, 0.9%, 0.36%

LAB 58.84, -27.46, -18.48

 

CMYK 58 / 6 / 0 / 49

HEX #367981

RGB 54 121 129

HSL 186.4, 0.41%, 0.36%

LAB 47.03, -18.64, -10.81

 

CMYK 39 / 4 / 0 / 55

HEX #456D72

RGB 69 109 114

HSL 186.67, 0.25%, 0.36%

LAB 43.39, -12.6, -7.24

 

CMYK 16 / 1 / 0 / 61

HEX #536263

RGB 83 98 99

HSL 183.75, 0.09%, 0.36%

LAB 40.37, -5.47, -2.5

 

CMYK 0 / 12 / 14 / 62

HEX #625654

RGB 98 86 84

HSL 8.57, 0.08%, 0.36%

LAB 37.65, 4.52, 2.95

 

CMYK 0 / 35 / 38 / 56

HEX #714A46

RGB 113 74 70

HSL 5.58, 0.23%, 0.36%

LAB 35.69, 16.05, 9.18

 

CMYK 58 / 0 / 26 / 49

HEX #368160

RGB 54 129 96

HSL 153.6, 0.41%, 0.36%

LAB 48.67, -31.58, 11.03

 

CMYK 58 / 0 / 10 / 49

HEX #368174

RGB 54 129 116

HSL 169.6, 0.41%, 0.36%

LAB 49.19, -26.54, 0.07

 

CMYK 58 / 6 / 0 / 49

HEX #367981

RGB 54 121 129

HSL 186.4, 0.41%, 0.36%

LAB 47.03, -18.64, -10.81

 

CMYK 58 / 22 / 0 / 49

HEX #366581

RGB 54 101 129

HSL 202.4, 0.41%, 0.36%

LAB 40.7, -7.27, -20.47

 

CMYK 58 / 37 / 0 / 49

HEX #365181

RGB 54 81 129

HSL 218.4, 0.41%, 0.36%

LAB 34.51, 5.25, -30.13

 

CMYK 59 / 7 / 0 / 72

HEX #1D4247

RGB 29 66 71

HSL 187.14, 0.42%, 0.2%

LAB 25.6, -11.52, -7.08

 

CMYK 59 / 6 / 0 / 61

HEX #295E64

RGB 41 94 100

HSL 186.1, 0.42%, 0.28%

LAB 36.74, -15.59, -8.78

 

CMYK 58 / 6 / 0 / 49

HEX #367981

RGB 54 121 129

HSL 186.4, 0.41%, 0.36%

LAB 47.03, -18.64, -10.81

 

CMYK 58 / 6 / 0 / 38

HEX #42949E

RGB 66 148 158

HSL 186.52, 0.41%, 0.44%

LAB 56.89, -21.77, -12.8

 

CMYK 55 / 6 / 0 / 28

HEX #53ACB7

RGB 83 172 183

HSL 186.6, 0.41%, 0.52%

LAB 65.56, -23.42, -13.77

 

CMYK 58 / 6 / 0 / 50

HEX #367880

RGB 54 120 128

HSL 186.49, 0.41%, 0.36%

LAB 46.68, -18.4, -10.75

 

CMYK 41 / 58 / 0 / 49

HEX #4C3681

RGB 76 54 129

HSL 257.6, 0.41%, 0.36%

LAB 28.8, 28.39, -39.13

 

CMYK 0 / 18 / 58 / 49

HEX #816A36

RGB 129 106 54

HSL 41.6, 0.41%, 0.36%

LAB 45.96, 2.35, 32.24

 

CMYK 58 / 6 / 0 / 50

HEX #367880

RGB 54 120 128

HSL 186.49, 0.41%, 0.36%

LAB 46.68, -18.4, -10.75

 

CMYK 0 / 58 / 6 / 49

HEX #813679

RGB 129 54 121

HSL 306.4, 0.41%, 0.36%

LAB 35.37, 41.51, -23.26

 

CMYK 6 / 0 / 58 / 49

HEX #798136

RGB 121 129 54

HSL 66.4, 0.41%, 0.36%

LAB 51.87, -14.19, 38.89

 

CMYK 58 / 6 / 0 / 50

HEX #367880

RGB 54 120 128

HSL 186.49, 0.41%, 0.36%

LAB 46.68, -18.4, -10.75

 

CMYK 41 / 58 / 0 / 49

HEX #4C3681

RGB 76 54 129

HSL 257.6, 0.41%, 0.36%

LAB 28.8, 28.39, -39.13

 

CMYK 0 / 53 / 58 / 49

HEX #813D36

RGB 129 61 54

HSL 5.6, 0.41%, 0.36%

LAB 34.54, 28.64, 18.06

 

CMYK 18 / 0 / 58 / 49

HEX #6A8136

RGB 106 129 54

HSL 78.4, 0.41%, 0.36%

LAB 50.72, -20.68, 37.27

 

CMYK 58 / 6 / 0 / 50

HEX #367880

RGB 54 120 128

HSL 186.49, 0.41%, 0.36%

LAB 46.68, -18.4, -10.75

 

CMYK 23 / 58 / 0 / 49

HEX #633681

RGB 99 54 129

HSL 276, 0.41%, 0.36%

LAB 31.52, 34.52, -34.61

 

CMYK 0 / 53 / 58 / 49

HEX #813D36

RGB 129 61 54

HSL 5.6, 0.41%, 0.36%

LAB 34.54, 28.64, 18.06

 

CMYK 35 / 0 / 58 / 49

HEX #548136

RGB 84 129 54

HSL 96, 0.41%, 0.36%

LAB 49.32, -29.51, 35.28

 

Description

Color code: CMYK 58 / 6 / 0 / 50 | qconv.com Color code: CMYK 58 / 6 / 0 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 120 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 120 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 6 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 6% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

96% - The page you request...
Link: http://www.rcgov.org

Verification of their color palette as a manufacturer!

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