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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 97 / 0 / 53 it is the complementary color CMYK 20 / 0 / 46 / 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 97 / 0 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 50 / 97 / 0 / 55, CMYK 44 / 84 / 0 / 47, CMYK 40 / 74 / 0 / 40, CMYK 37 / 66 / 0 / 33 and CMYK 34 / 60 / 0 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 97 / 0 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 56 / 97 / 0 / 53, CMYK 64 / 100 / 0 / 60, CMYK 77 / 100 / 0 / 68, CMYK 97 / 100 / 0 / 75 and CMYK 100 / 100 / 0 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 56 / 97 / 0 / 54, CMYK 30 / 97 / 0 / 54, CMYK 3 / 97 / 0 / 54, CMYK 0 / 97 / 22 / 54 and CMYK 0 / 97 / 48 / 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 56 / 97 / 0 / 54, CMYK 82 / 97 / 0 / 54 and CMYK 97 / 97 / 0 / 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 56 / 97 / 0 / 53 shade matches the following richer shades: CMYK 56 / 97 / 0 / 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 56 / 97 / 0 / 54, CMYK 51 / 88 / 0 / 58, CMYK 44 / 77 / 0 / 62, CMYK 37 / 63 / 0 / 65 and CMYK 27 / 46 / 0 / 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 97 / 86 / 0 / 54, CMYK 83 / 97 / 0 / 54, CMYK 57 / 97 / 0 / 54, CMYK 31 / 97 / 0 / 54 and CMYK 5 / 97 / 0 / 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 55 / 97 / 0 / 85, CMYK 56 / 97 / 0 / 69, CMYK 56 / 97 / 0 / 54, CMYK 56 / 97 / 0 / 38 and CMYK 56 / 97 / 0 / 22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 56 / 97 / 0 / 53, CMYK 0 / 97 / 60 / 54 and CMYK 97 / 0 / 96 / 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 56 / 97 / 0 / 53, CMYK 0 / 57 / 97 / 54 and CMYK 97 / 0 / 57 / 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 56 / 97 / 0 / 53, CMYK 0 / 97 / 60 / 54, CMYK 41 / 0 / 97 / 54 and CMYK 97 / 0 / 37 / 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 56 / 97 / 0 / 53 shade: CMYK 56 / 97 / 0 / 53, CMYK 0 / 97 / 89 / 54, CMYK 41 / 0 / 97 / 54 and CMYK 97 / 0 / 8 / 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 97 / 0 / 53

HEX #350478

RGB 53 4 120

HSL 265.34, 0.94%, 0.24%

LAB 16.5, 46.01, -53.6

 

Complementary color

CMYK 20 / 0 / 46 / 2

HEX #CAFB87

RGB 202 251 135

HSL 85.34, 0.94%, 0.76%

LAB 93.15, -33.98, 50.31

 

CMYK 50 / 97 / 0 / 55

HEX #3A0473

RGB 58 4 115

HSL 269.19, 0.93%, 0.23%

LAB 16.62, 45.26, -50.15

 

CMYK 44 / 84 / 0 / 47

HEX #4B1686

RGB 75 22 134

HSL 268.39, 0.72%, 0.31%

LAB 22.97, 46.41, -51.74

 

CMYK 40 / 74 / 0 / 40

HEX #5C2899

RGB 92 40 153

HSL 267.61, 0.59%, 0.38%

LAB 29.65, 46.34, -52.5

 

CMYK 37 / 66 / 0 / 33

HEX #6D3AAC

RGB 109 58 172

HSL 266.84, 0.5%, 0.45%

LAB 36.47, 45.62, -52.78

 

CMYK 34 / 60 / 0 / 25

HEX #7E4CBF

RGB 126 76 191

HSL 266.09, 0.47%, 0.52%

LAB 43.31, 44.66, -52.85

 

CMYK 56 / 97 / 0 / 53

HEX #350478

RGB 53 4 120

HSL 265.34, 0.94%, 0.24%

LAB 16.5, 46.01, -53.6

 

CMYK 64 / 100 / 0 / 60

HEX #240065

RGB 36 0 101

HSL 261.39, 1%, 0.2%

LAB 11.38, 41.34, -49.75

 

CMYK 77 / 100 / 0 / 68

HEX #130052

RGB 19 0 82

HSL 253.9, 1%, 0.16%

LAB 6.75, 34.99, -44.65

 

CMYK 97 / 100 / 0 / 75

HEX #02003F

RGB 2 0 63

HSL 241.9, 1%, 0.12%

LAB 3.36, 23.2, -36.91

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 56 / 97 / 0 / 54

HEX #340376

RGB 52 3 118

HSL 265.57, 0.95%, 0.24%

LAB 16.02, 45.75, -53.11

 

CMYK 30 / 97 / 0 / 54

HEX #530376

RGB 83 3 118

HSL 281.74, 0.95%, 0.24%

LAB 20.87, 49.34, -44.95

 

CMYK 3 / 97 / 0 / 54

HEX #720376

RGB 114 3 118

HSL 297.91, 0.95%, 0.24%

LAB 26.59, 54.34, -35.42

 

CMYK 0 / 97 / 22 / 54

HEX #76035C

RGB 118 3 92

HSL 313.57, 0.95%, 0.24%

LAB 25.83, 51.21, -19.69

 

CMYK 0 / 97 / 48 / 54

HEX #76033D

RGB 118 3 61

HSL 329.74, 0.95%, 0.24%

LAB 24.49, 47.7, -0.82

 

CMYK 56 / 97 / 0 / 54

HEX #340376

RGB 52 3 118

HSL 265.57, 0.95%, 0.24%

LAB 16.02, 45.75, -53.11

 

CMYK 82 / 97 / 0 / 54

HEX #150376

RGB 21 3 118

HSL 249.39, 0.95%, 0.24%

LAB 12.81, 43.9, -58.53

 

CMYK 97 / 97 / 0 / 54

HEX #030376

RGB 3 3 118

HSL 240, 0.95%, 0.24%

LAB 11.91, 43.48, -60.07

 

CMYK 56 / 97 / 0 / 54

HEX #340376

RGB 52 3 118

HSL 265.57, 0.95%, 0.24%

LAB 16.02, 45.75, -53.11

 

CMYK 56 / 97 / 0 / 54

HEX #340376

RGB 52 3 118

HSL 265.57, 0.95%, 0.24%

LAB 16.02, 45.75, -53.11

 

CMYK 51 / 88 / 0 / 58

HEX #350D6C

RGB 53 13 108

HSL 265.26, 0.79%, 0.24%

LAB 16.14, 39.88, -46.41

 

CMYK 44 / 77 / 0 / 62

HEX #371762

RGB 55 23 98

HSL 265.6, 0.62%, 0.24%

LAB 17.02, 32.83, -38.38

 

CMYK 37 / 63 / 0 / 65

HEX #382159

RGB 56 33 89

HSL 264.64, 0.46%, 0.24%

LAB 18.58, 24.53, -29.86

 

CMYK 27 / 46 / 0 / 69

HEX #3A2B4F

RGB 58 43 79

HSL 265, 0.3%, 0.24%

LAB 20.8, 15.6, -19.63

 

CMYK 97 / 86 / 0 / 54

HEX #031176

RGB 3 17 118

HSL 232.7, 0.95%, 0.24%

LAB 13.99, 37.2, -56.59

 

CMYK 83 / 97 / 0 / 54

HEX #140376

RGB 20 3 118

HSL 248.87, 0.95%, 0.24%

LAB 12.75, 43.87, -58.64

 

CMYK 57 / 97 / 0 / 54

HEX #330376

RGB 51 3 118

HSL 265.04, 0.95%, 0.24%

LAB 15.89, 45.66, -53.34

 

CMYK 31 / 97 / 0 / 54

HEX #520376

RGB 82 3 118

HSL 281.22, 0.95%, 0.24%

LAB 20.7, 49.2, -45.24

 

CMYK 5 / 97 / 0 / 54

HEX #700376

RGB 112 3 118

HSL 296.87, 0.95%, 0.24%

LAB 26.21, 53.98, -36.05

 

CMYK 55 / 97 / 0 / 85

HEX #110126

RGB 17 1 38

HSL 265.95, 0.95%, 0.08%

LAB 2.54, 13.31, -19.52

 

CMYK 56 / 97 / 0 / 69

HEX #22024E

RGB 34 2 78

HSL 265.26, 0.95%, 0.16%

LAB 8.43, 34.05, -39.06

 

CMYK 56 / 97 / 0 / 54

HEX #340376

RGB 52 3 118

HSL 265.57, 0.95%, 0.24%

LAB 16.02, 45.75, -53.11

 

CMYK 56 / 97 / 0 / 38

HEX #45049E

RGB 69 4 158

HSL 265.32, 0.95%, 0.32%

LAB 23.07, 56.67, -66.48

 

CMYK 56 / 97 / 0 / 22

HEX #5706C6

RGB 87 6 198

HSL 265.31, 0.94%, 0.4%

LAB 29.99, 66.99, -78.89

 

CMYK 56 / 97 / 0 / 53

HEX #350478

RGB 53 4 120

HSL 265.34, 0.94%, 0.24%

LAB 16.5, 46.01, -53.6

 

CMYK 0 / 97 / 60 / 54

HEX #76032F

RGB 118 3 47

HSL 337.04, 0.95%, 0.24%

LAB 24.07, 46.56, 8.26

 

CMYK 97 / 0 / 96 / 54

HEX #037605

RGB 3 118 5

HSL 121.04, 0.95%, 0.24%

LAB 42.74, -48.28, 45.95

 

CMYK 56 / 97 / 0 / 53

HEX #350478

RGB 53 4 120

HSL 265.34, 0.94%, 0.24%

LAB 16.5, 46.01, -53.6

 

CMYK 0 / 57 / 97 / 54

HEX #763303

RGB 118 51 3

HSL 25.04, 0.95%, 0.24%

LAB 29.98, 26.92, 39.8

 

CMYK 97 / 0 / 57 / 54

HEX #037633

RGB 3 118 51

HSL 145.04, 0.95%, 0.24%

LAB 43.09, -43.97, 28.81

 

CMYK 56 / 97 / 0 / 53

HEX #350478

RGB 53 4 120

HSL 265.34, 0.94%, 0.24%

LAB 16.5, 46.01, -53.6

 

CMYK 0 / 97 / 60 / 54

HEX #76032F

RGB 118 3 47

HSL 337.04, 0.95%, 0.24%

LAB 24.07, 46.56, 8.26

 

CMYK 41 / 0 / 97 / 54

HEX #467603

RGB 70 118 3

HSL 85.04, 0.95%, 0.24%

LAB 44.61, -33.18, 48.71

 

CMYK 97 / 0 / 37 / 54

HEX #03764A

RGB 3 118 74

HSL 157.04, 0.95%, 0.24%

LAB 43.46, -39.48, 16.48

 

CMYK 56 / 97 / 0 / 53

HEX #350478

RGB 53 4 120

HSL 265.34, 0.94%, 0.24%

LAB 16.5, 46.01, -53.6

 

CMYK 0 / 97 / 89 / 54

HEX #76030D

RGB 118 3 13

HSL 354.78, 0.95%, 0.24%

LAB 23.49, 44.96, 29.87

 

CMYK 41 / 0 / 97 / 54

HEX #467603

RGB 70 118 3

HSL 85.04, 0.95%, 0.24%

LAB 44.61, -33.18, 48.71

 

CMYK 97 / 0 / 8 / 54

HEX #03766D

RGB 3 118 109

HSL 175.3, 0.95%, 0.24%

LAB 44.35, -29.92, -3

 

Description

Color code: CMYK 56 / 97 / 0 / 53 | qconv.com Color code: CMYK 56 / 97 / 0 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 4 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 4 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 97 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 97% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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