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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 0 / 61 / 1 it is the complementary color CMYK 8 / 98 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 0 / 61 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 54 / 0 / 63 / 1, CMYK 48 / 0 / 56 / 0, CMYK 41 / 0 / 49 / 0, CMYK 35 / 0 / 41 / 0 and CMYK 28 / 0 / 34 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 0 / 61 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 56 / 0 / 61 / 1, CMYK 60 / 0 / 66 / 8, CMYK 64 / 0 / 72 / 15, CMYK 70 / 0 / 79 / 22 and CMYK 76 / 0 / 88 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 55 / 0 / 60 / 2, CMYK 39 / 0 / 60 / 2, CMYK 23 / 0 / 60 / 2, CMYK 6 / 0 / 60 / 2 and CMYK 0 / 10 / 60 / 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 55 / 0 / 60 / 2, CMYK 60 / 0 / 49 / 2, CMYK 60 / 0 / 33 / 2, CMYK 60 / 0 / 16 / 2 and CMYK 60 / 0 / 0 / 2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 56 / 0 / 61 / 1 shade matches the following richer shades: CMYK 55 / 0 / 60 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 55 / 0 / 60 / 2, CMYK 49 / 0 / 53 / 6, CMYK 41 / 0 / 45 / 11, CMYK 32 / 0 / 35 / 16 and CMYK 23 / 0 / 25 / 22

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 22 / 0 / 60 / 2, CMYK 38 / 0 / 60 / 2, CMYK 54 / 0 / 60 / 2, CMYK 60 / 0 / 50 / 2 and CMYK 60 / 0 / 34 / 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 85 / 0 / 92 / 2, CMYK 70 / 0 / 76 / 2, CMYK 55 / 0 / 60 / 2, CMYK 41 / 0 / 44 / 1 and CMYK 26 / 0 / 29 / 1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 56 / 0 / 61 / 1, CMYK 60 / 6 / 0 / 2 and CMYK 0 / 60 / 30 / 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 56 / 0 / 61 / 1, CMYK 60 / 54 / 0 / 2 and CMYK 0 / 60 / 54 / 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 56 / 0 / 61 / 1, CMYK 60 / 6 / 0 / 2, CMYK 6 / 60 / 0 / 2 and CMYK 0 / 54 / 60 / 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 56 / 0 / 61 / 1 shade: CMYK 56 / 0 / 61 / 1, CMYK 60 / 24 / 0 / 2, CMYK 6 / 60 / 0 / 2 and CMYK 0 / 36 / 60 / 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 61 / 1

HEX #6FFC62

RGB 111 252 98

HSL 114.94, 0.96%, 0.69%

LAB 88.87, -66.48, 60.8

 

Complementary color

CMYK 8 / 98 / 0 / 38

HEX #90039D

RGB 144 3 157

HSL 294.94, 0.96%, 0.31%

LAB 34.86, 65.87, -46.1

 

CMYK 54 / 0 / 63 / 1

HEX #74FC5D

RGB 116 252 93

HSL 111.32, 0.96%, 0.68%

LAB 88.98, -65.75, 63.03

 

CMYK 48 / 0 / 56 / 0

HEX #85FF70

RGB 133 255 112

HSL 111.19, 1%, 0.72%

LAB 90.63, -60.46, 57.01

 

CMYK 41 / 0 / 49 / 0

HEX #96FF83

RGB 150 255 131

HSL 110.81, 1%, 0.76%

LAB 91.52, -53.39, 49.59

 

CMYK 35 / 0 / 41 / 0

HEX #A7FF96

RGB 167 255 150

HSL 110.29, 1%, 0.79%

LAB 92.55, -45.73, 41.96

 

CMYK 28 / 0 / 34 / 0

HEX #B8FFA9

RGB 184 255 169

HSL 109.53, 1%, 0.83%

LAB 93.7, -37.61, 34.27

 

CMYK 56 / 0 / 61 / 1

HEX #6FFC62

RGB 111 252 98

HSL 114.94, 0.96%, 0.69%

LAB 88.87, -66.48, 60.8

 

CMYK 60 / 0 / 66 / 8

HEX #5EEA4F

RGB 94 234 79

HSL 114.19, 0.79%, 0.61%

LAB 82.8, -65.96, 61.7

 

CMYK 64 / 0 / 72 / 15

HEX #4DD83C

RGB 77 216 60

HSL 113.46, 0.67%, 0.54%

LAB 76.69, -65.12, 62.29

 

CMYK 70 / 0 / 79 / 22

HEX #3CC629

RGB 60 198 41

HSL 112.74, 0.66%, 0.47%

LAB 70.53, -63.87, 62.31

 

CMYK 76 / 0 / 88 / 29

HEX #2BB416

RGB 43 180 22

HSL 112.03, 0.78%, 0.4%

LAB 64.33, -62.02, 61.36

 

CMYK 55 / 0 / 60 / 2

HEX #70FB64

RGB 112 251 100

HSL 115.23, 0.95%, 0.69%

LAB 88.62, -65.68, 59.69

 

CMYK 39 / 0 / 60 / 2

HEX #99FB64

RGB 153 251 100

HSL 98.94, 0.95%, 0.69%

LAB 90.18, -54.21, 61.87

 

CMYK 23 / 0 / 60 / 2

HEX #C2FB64

RGB 194 251 100

HSL 82.65, 0.95%, 0.69%

LAB 92.3, -40.19, 64.83

 

CMYK 6 / 0 / 60 / 2

HEX #EBFB64

RGB 235 251 100

HSL 66.36, 0.95%, 0.69%

LAB 94.98, -24.57, 68.53

 

CMYK 0 / 10 / 60 / 2

HEX #FBE364

RGB 251 227 100

HSL 50.46, 0.95%, 0.69%

LAB 90.03, -6.45, 63.47

 

CMYK 55 / 0 / 60 / 2

HEX #70FB64

RGB 112 251 100

HSL 115.23, 0.95%, 0.69%

LAB 88.62, -65.68, 59.69

 

CMYK 60 / 0 / 49 / 2

HEX #64FB80

RGB 100 251 128

HSL 131.13, 0.95%, 0.69%

LAB 88.57, -64.99, 46.96

 

CMYK 60 / 0 / 33 / 2

HEX #64FBA9

RGB 100 251 169

HSL 147.42, 0.95%, 0.69%

LAB 89.19, -58.26, 27.62

 

CMYK 60 / 0 / 16 / 2

HEX #64FBD2

RGB 100 251 210

HSL 163.71, 0.95%, 0.69%

LAB 90.02, -49.68, 7.75

 

CMYK 60 / 0 / 0 / 2

HEX #64FBFA

RGB 100 251 250

HSL 179.6, 0.95%, 0.69%

LAB 91.06, -39.78, -11.5

 

CMYK 55 / 0 / 60 / 2

HEX #70FB64

RGB 112 251 100

HSL 115.23, 0.95%, 0.69%

LAB 88.62, -65.68, 59.69

 

CMYK 55 / 0 / 60 / 2

HEX #70FB64

RGB 112 251 100

HSL 115.23, 0.95%, 0.69%

LAB 88.62, -65.68, 59.69

 

CMYK 49 / 0 / 53 / 6

HEX #7BEF70

RGB 123 239 112

HSL 114.8, 0.8%, 0.69%

LAB 85.56, -57.05, 50.91

 

CMYK 41 / 0 / 45 / 11

HEX #86E27D

RGB 134 226 125

HSL 114.65, 0.64%, 0.69%

LAB 82.35, -46.95, 40.86

 

CMYK 32 / 0 / 35 / 16

HEX #90D58A

RGB 144 213 138

HSL 115.2, 0.47%, 0.69%

LAB 79.24, -36.2, 30.38

 

CMYK 23 / 0 / 25 / 22

HEX #9BC897

RGB 155 200 151

HSL 115.1, 0.31%, 0.69%

LAB 76.38, -24.26, 19.8

 

CMYK 22 / 0 / 60 / 2

HEX #C4FB64

RGB 196 251 100

HSL 81.85, 0.95%, 0.69%

LAB 92.42, -39.46, 64.99

 

CMYK 38 / 0 / 60 / 2

HEX #9BFB64

RGB 155 251 100

HSL 98.15, 0.95%, 0.69%

LAB 90.27, -53.58, 62

 

CMYK 54 / 0 / 60 / 2

HEX #73FB64

RGB 115 251 100

HSL 114.04, 0.95%, 0.69%

LAB 88.71, -64.95, 59.82

 

CMYK 60 / 0 / 50 / 2

HEX #64FB7D

RGB 100 251 125

HSL 129.93, 0.95%, 0.69%

LAB 88.54, -65.4, 48.33

 

CMYK 60 / 0 / 34 / 2

HEX #64FBA5

RGB 100 251 165

HSL 145.83, 0.95%, 0.69%

LAB 89.12, -59, 29.55

 

CMYK 85 / 0 / 92 / 2

HEX #26FA13

RGB 38 250 19

HSL 115.06, 0.96%, 0.53%

LAB 86.42, -82.73, 80.56

 

CMYK 70 / 0 / 76 / 2

HEX #4BFB3B

RGB 75 251 59

HSL 115, 0.96%, 0.61%

LAB 87.39, -76.7, 73.18

 

CMYK 55 / 0 / 60 / 2

HEX #70FB64

RGB 112 251 100

HSL 115.23, 0.95%, 0.69%

LAB 88.62, -65.68, 59.69

 

CMYK 41 / 0 / 44 / 1

HEX #95FC8C

RGB 149 252 140

HSL 115.18, 0.95%, 0.77%

LAB 90.74, -51.29, 44.32

 

CMYK 26 / 0 / 29 / 1

HEX #BBFDB4

RGB 187 253 180

HSL 114.25, 0.95%, 0.85%

LAB 93.5, -34.06, 28.5

 

CMYK 56 / 0 / 61 / 1

HEX #6FFC62

RGB 111 252 98

HSL 114.94, 0.96%, 0.69%

LAB 88.87, -66.48, 60.8

 

CMYK 60 / 6 / 0 / 2

HEX #64ECFB

RGB 100 236 251

HSL 185.96, 0.95%, 0.69%

LAB 86.83, -32.57, -18.36

 

CMYK 0 / 60 / 30 / 2

HEX #FB64AF

RGB 251 100 175

HSL 330.2, 0.95%, 0.69%

LAB 63.93, 64.61, -10.19

 

CMYK 56 / 0 / 61 / 1

HEX #6FFC62

RGB 111 252 98

HSL 114.94, 0.96%, 0.69%

LAB 88.87, -66.48, 60.8

 

CMYK 60 / 54 / 0 / 2

HEX #6473FB

RGB 100 115 251

HSL 234.04, 0.95%, 0.69%

LAB 53.96, 34.28, -69.81

 

CMYK 0 / 60 / 54 / 2

HEX #FB6473

RGB 251 100 115

HSL 354.04, 0.95%, 0.69%

LAB 62.39, 58.71, 22.08

 

CMYK 56 / 0 / 61 / 1

HEX #6FFC62

RGB 111 252 98

HSL 114.94, 0.96%, 0.69%

LAB 88.87, -66.48, 60.8

 

CMYK 60 / 6 / 0 / 2

HEX #64ECFB

RGB 100 236 251

HSL 185.96, 0.95%, 0.69%

LAB 86.83, -32.57, -18.36

 

CMYK 6 / 60 / 0 / 2

HEX #EC64FB

RGB 236 100 251

HSL 294.04, 0.95%, 0.69%

LAB 64.89, 71.89, -51.53

 

CMYK 0 / 54 / 60 / 2

HEX #FB7364

RGB 251 115 100

HSL 5.96, 0.95%, 0.69%

LAB 64.72, 50.85, 33.59

 

CMYK 56 / 0 / 61 / 1

HEX #6FFC62

RGB 111 252 98

HSL 114.94, 0.96%, 0.69%

LAB 88.87, -66.48, 60.8

 

CMYK 60 / 24 / 0 / 2

HEX #64BFFB

RGB 100 191 251

HSL 203.84, 0.95%, 0.69%

LAB 74.15, -9.87, -37.77

 

CMYK 6 / 60 / 0 / 2

HEX #EC64FB

RGB 236 100 251

HSL 294.04, 0.95%, 0.69%

LAB 64.89, 71.89, -51.53

 

CMYK 0 / 36 / 60 / 2

HEX #FBA064

RGB 251 160 100

HSL 23.84, 0.95%, 0.69%

LAB 73.91, 28.22, 44.92

 

Description

Color code: CMYK 56 / 0 / 61 / 1 | qconv.com Color code: CMYK 56 / 0 / 61 / 1 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 252 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 252 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 61 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 61% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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