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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 29 / 0 / 43 it is the complementary color CMYK 0 / 20 / 42 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 29 / 0 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 50 / 26 / 0 / 45, CMYK 45 / 24 / 0 / 38, CMYK 42 / 22 / 0 / 30, CMYK 39 / 20 / 0 / 23 and CMYK 36 / 19 / 0 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 29 / 0 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 55 / 29 / 0 / 43, CMYK 62 / 33 / 0 / 51, CMYK 71 / 37 / 0 / 58, CMYK 84 / 44 / 0 / 65 and CMYK 100 / 55 / 0 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 56 / 29 / 0 / 44, CMYK 56 / 44 / 0 / 44, CMYK 52 / 56 / 0 / 44, CMYK 37 / 56 / 0 / 44 and CMYK 22 / 56 / 0 / 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 56 / 29 / 0 / 44, CMYK 56 / 44 / 0 / 44 and CMYK 56 / 56 / 0 / 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 55 / 29 / 0 / 43 shade matches the following richer shades: CMYK 56 / 29 / 0 / 44, CMYK 71 / 37 / 0 / 37, CMYK 83 / 44 / 0 / 30 and CMYK 93 / 49 / 0 / 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 56 / 29 / 0 / 44, CMYK 36 / 19 / 0 / 50, CMYK 11 / 5 / 0 / 57, CMYK 0 / 9 / 19 / 55 and CMYK 0 / 20 / 42 / 48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 56 / 0 / 1 / 44, CMYK 56 / 14 / 0 / 44, CMYK 56 / 28 / 0 / 44, CMYK 56 / 43 / 0 / 44 and CMYK 53 / 56 / 0 / 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 55 / 29 / 0 / 66, CMYK 55 / 29 / 0 / 55, CMYK 56 / 29 / 0 / 44, CMYK 55 / 29 / 0 / 33 and CMYK 44 / 24 / 0 / 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 55 / 29 / 0 / 43, CMYK 16 / 56 / 0 / 44 and CMYK 6 / 0 / 56 / 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 55 / 29 / 0 / 43, CMYK 0 / 56 / 28 / 44 and CMYK 28 / 0 / 56 / 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 55 / 29 / 0 / 43, CMYK 16 / 56 / 0 / 44, CMYK 0 / 27 / 56 / 44 and CMYK 40 / 0 / 56 / 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 55 / 29 / 0 / 43 shade: CMYK 55 / 29 / 0 / 43, CMYK 0 / 56 / 1 / 44, CMYK 0 / 27 / 56 / 44 and CMYK 56 / 0 / 54 / 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 29 / 0 / 43

HEX #416791

RGB 65 103 145

HSL 211.5, 0.38%, 0.41%

LAB 42.56, -0.62, -27.16

 

Complementary color

CMYK 0 / 20 / 42 / 25

HEX #BE986E

RGB 190 152 110

HSL 31.5, 0.38%, 0.59%

LAB 65.38, 8.55, 27.47

 

CMYK 50 / 26 / 0 / 45

HEX #46678C

RGB 70 103 140

HSL 211.71, 0.33%, 0.41%

LAB 42.61, -1.02, -24.08

 

CMYK 45 / 24 / 0 / 38

HEX #57799F

RGB 87 121 159

HSL 211.67, 0.29%, 0.48%

LAB 49.74, -1.52, -24.2

 

CMYK 42 / 22 / 0 / 30

HEX #688BB2

RGB 104 139 178

HSL 211.62, 0.32%, 0.55%

LAB 56.71, -1.91, -24.35

 

CMYK 39 / 20 / 0 / 23

HEX #799DC5

RGB 121 157 197

HSL 211.58, 0.4%, 0.62%

LAB 63.52, -2.23, -24.52

 

CMYK 36 / 19 / 0 / 15

HEX #8AAFD8

RGB 138 175 216

HSL 211.54, 0.5%, 0.69%

LAB 70.19, -2.51, -24.72

 

CMYK 55 / 29 / 0 / 43

HEX #416791

RGB 65 103 145

HSL 211.5, 0.38%, 0.41%

LAB 42.56, -0.62, -27.16

 

CMYK 62 / 33 / 0 / 51

HEX #30557E

RGB 48 85 126

HSL 211.54, 0.45%, 0.34%

LAB 35.27, 0.26, -27.11

 

CMYK 71 / 37 / 0 / 58

HEX #1F436B

RGB 31 67 107

HSL 211.58, 0.55%, 0.27%

LAB 27.76, 1.53, -27.09

 

CMYK 84 / 44 / 0 / 65

HEX #0E3158

RGB 14 49 88

HSL 211.62, 0.73%, 0.2%

LAB 20.02, 3.46, -27.06

 

CMYK 100 / 55 / 0 / 73

HEX #001F45

RGB 0 31 69

HSL 213.04, 1%, 0.14%

LAB 12.02, 6.4, -27.02

 

CMYK 56 / 29 / 0 / 44

HEX #406690

RGB 64 102 144

HSL 211.5, 0.38%, 0.41%

LAB 42.16, -0.57, -27.19

 

CMYK 56 / 44 / 0 / 44

HEX #405190

RGB 64 81 144

HSL 227.25, 0.38%, 0.41%

LAB 35.96, 12.78, -36.97

 

CMYK 52 / 56 / 0 / 44

HEX #454090

RGB 69 64 144

HSL 243.75, 0.38%, 0.41%

LAB 31.68, 25.05, -43.8

 

CMYK 37 / 56 / 0 / 44

HEX #5B4090

RGB 91 64 144

HSL 260.25, 0.38%, 0.41%

LAB 33.78, 30.41, -40.31

 

CMYK 22 / 56 / 0 / 44

HEX #704090

RGB 112 64 144

HSL 276, 0.38%, 0.41%

LAB 36.22, 36.09, -36.28

 

CMYK 56 / 29 / 0 / 44

HEX #406690

RGB 64 102 144

HSL 211.5, 0.38%, 0.41%

LAB 42.16, -0.57, -27.19

 

CMYK 56 / 44 / 0 / 44

HEX #405190

RGB 64 81 144

HSL 227.25, 0.38%, 0.41%

LAB 35.96, 12.78, -36.97

 

CMYK 56 / 56 / 0 / 44

HEX #404090

RGB 64 64 144

HSL 240, 0.38%, 0.41%

LAB 31.28, 23.96, -44.47

 

CMYK 56 / 29 / 0 / 44

HEX #406690

RGB 64 102 144

HSL 211.5, 0.38%, 0.41%

LAB 42.16, -0.57, -27.19

 

CMYK 71 / 37 / 0 / 37

HEX #2F65A1

RGB 47 101 161

HSL 211.58, 0.55%, 0.41%

LAB 41.98, 2.73, -37.67

 

CMYK 83 / 44 / 0 / 30

HEX #1E64B2

RGB 30 100 178

HSL 211.62, 0.71%, 0.41%

LAB 42.16, 7.76, -47.43

 

CMYK 93 / 49 / 0 / 24

HEX #0E64C3

RGB 14 100 195

HSL 211.49, 0.87%, 0.41%

LAB 42.99, 13.46, -56.02

 

CMYK 56 / 29 / 0 / 44

HEX #406690

RGB 64 102 144

HSL 211.5, 0.38%, 0.41%

LAB 42.16, -0.57, -27.19

 

CMYK 36 / 19 / 0 / 50

HEX #51677F

RGB 81 103 127

HSL 211.3, 0.22%, 0.41%

LAB 42.74, -1.82, -16

 

CMYK 11 / 5 / 0 / 57

HEX #62686E

RGB 98 104 110

HSL 210, 0.06%, 0.41%

LAB 43.69, -0.97, -4.16

 

CMYK 0 / 9 / 19 / 55

HEX #73695D

RGB 115 105 93

HSL 32.73, 0.11%, 0.41%

LAB 45, 1.76, 8.17

 

CMYK 0 / 20 / 42 / 48

HEX #84694C

RGB 132 105 76

HSL 31.07, 0.27%, 0.41%

LAB 46.35, 6.58, 20.39

 

CMYK 56 / 0 / 1 / 44

HEX #40908E

RGB 64 144 142

HSL 178.5, 0.38%, 0.41%

LAB 55.06, -24.75, -6.36

 

CMYK 56 / 14 / 0 / 44

HEX #407C90

RGB 64 124 144

HSL 195, 0.38%, 0.41%

LAB 48.91, -13.49, -16.79

 

CMYK 56 / 28 / 0 / 44

HEX #406790

RGB 64 103 144

HSL 210.75, 0.38%, 0.41%

LAB 42.47, -1.19, -26.72

 

CMYK 56 / 43 / 0 / 44

HEX #405290

RGB 64 82 144

HSL 226.5, 0.38%, 0.41%

LAB 36.25, 12.13, -36.51

 

CMYK 53 / 56 / 0 / 44

HEX #444090

RGB 68 64 144

HSL 243, 0.38%, 0.41%

LAB 31.6, 24.83, -43.94

 

CMYK 55 / 29 / 0 / 66

HEX #273E57

RGB 39 62 87

HSL 211.25, 0.38%, 0.25%

LAB 25.46, -0.81, -17.76

 

CMYK 55 / 29 / 0 / 55

HEX #345273

RGB 52 82 115

HSL 211.43, 0.38%, 0.33%

LAB 33.99, -0.74, -22.28

 

CMYK 56 / 29 / 0 / 44

HEX #406690

RGB 64 102 144

HSL 211.5, 0.38%, 0.41%

LAB 42.16, -0.57, -27.19

 

CMYK 55 / 29 / 0 / 33

HEX #4D7AAC

RGB 77 122 172

HSL 211.58, 0.38%, 0.49%

LAB 50.07, -0.51, -31.3

 

CMYK 44 / 24 / 0 / 27

HEX #688FBB

RGB 104 143 187

HSL 211.81, 0.38%, 0.57%

LAB 58.2, -1.63, -27.16

 

CMYK 55 / 29 / 0 / 43

HEX #416791

RGB 65 103 145

HSL 211.5, 0.38%, 0.41%

LAB 42.56, -0.62, -27.16

 

CMYK 16 / 56 / 0 / 44

HEX #794090

RGB 121 64 144

HSL 282.75, 0.38%, 0.41%

LAB 37.38, 38.62, -34.37

 

CMYK 6 / 0 / 56 / 44

HEX #879040

RGB 135 144 64

HSL 66.75, 0.38%, 0.41%

LAB 57.53, -15.19, 40.75

 

CMYK 55 / 29 / 0 / 43

HEX #416791

RGB 65 103 145

HSL 211.5, 0.38%, 0.41%

LAB 42.56, -0.62, -27.16

 

CMYK 0 / 56 / 28 / 44

HEX #904067

RGB 144 64 103

HSL 330.75, 0.38%, 0.41%

LAB 38.86, 38.38, -6.47

 

CMYK 28 / 0 / 56 / 44

HEX #679040

RGB 103 144 64

HSL 90.75, 0.38%, 0.41%

LAB 55.28, -28.35, 37.55

 

CMYK 55 / 29 / 0 / 43

HEX #416791

RGB 65 103 145

HSL 211.5, 0.38%, 0.41%

LAB 42.56, -0.62, -27.16

 

CMYK 16 / 56 / 0 / 44

HEX #794090

RGB 121 64 144

HSL 282.75, 0.38%, 0.41%

LAB 37.38, 38.62, -34.37

 

CMYK 0 / 27 / 56 / 44

HEX #906940

RGB 144 105 64

HSL 30.75, 0.38%, 0.41%

LAB 47.5, 10.63, 29

 

CMYK 40 / 0 / 56 / 44

HEX #579040

RGB 87 144 64

HSL 102.75, 0.38%, 0.41%

LAB 54.39, -34.23, 36.28

 

CMYK 55 / 29 / 0 / 43

HEX #416791

RGB 65 103 145

HSL 211.5, 0.38%, 0.41%

LAB 42.56, -0.62, -27.16

 

CMYK 0 / 56 / 1 / 44

HEX #90408E

RGB 144 64 142

HSL 301.5, 0.38%, 0.41%

LAB 40.49, 44.79, -28.04

 

CMYK 0 / 27 / 56 / 44

HEX #906940

RGB 144 105 64

HSL 30.75, 0.38%, 0.41%

LAB 47.5, 10.63, 29

 

CMYK 56 / 0 / 54 / 44

HEX #409042

RGB 64 144 66

HSL 121.5, 0.38%, 0.41%

LAB 53.42, -41.13, 33.87

 

Description

Color code: CMYK 55 / 29 / 0 / 43 | qconv.com Color code: CMYK 55 / 29 / 0 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 103 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 103 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 29 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 29% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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