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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 0 / 52 / 15 it is the complementary color CMYK 0 / 76 / 4 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 0 / 52 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 53 / 0 / 54 / 15, CMYK 49 / 0 / 50 / 8, CMYK 46 / 0 / 46 / 1, CMYK 40 / 0 / 39 / 0 and CMYK 33 / 0 / 31 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 0 / 52 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 55 / 0 / 52 / 15, CMYK 59 / 0 / 57 / 22, CMYK 65 / 0 / 64 / 29, CMYK 71 / 0 / 71 / 36 and CMYK 79 / 0 / 81 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 55 / 0 / 52 / 15, CMYK 43 / 0 / 55 / 15, CMYK 28 / 0 / 55 / 15, CMYK 13 / 0 / 55 / 15 and CMYK 0 / 2 / 55 / 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 55 / 0 / 52 / 15, CMYK 55 / 0 / 37 / 15, CMYK 55 / 0 / 23 / 15, CMYK 55 / 0 / 8 / 15 and CMYK 55 / 7 / 0 / 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 55 / 0 / 52 / 15 shade matches the following richer shades: CMYK 55 / 0 / 52 / 15, CMYK 64 / 0 / 61 / 9 and CMYK 73 / 0 / 69 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 55 / 0 / 52 / 15, CMYK 43 / 0 / 41 / 21, CMYK 30 / 0 / 28 / 27, CMYK 14 / 0 / 14 / 33 and CMYK 0 / 4 / 0 / 37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 28 / 0 / 55 / 15, CMYK 43 / 0 / 55 / 15, CMYK 55 / 0 / 52 / 15, CMYK 55 / 0 / 37 / 15 and CMYK 55 / 0 / 23 / 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 76 / 0 / 72 / 26, CMYK 69 / 0 / 65 / 18, CMYK 55 / 0 / 52 / 15, CMYK 41 / 0 / 40 / 12 and CMYK 29 / 0 / 28 / 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 55 / 0 / 52 / 15, CMYK 55 / 14 / 0 / 15 and CMYK 0 / 55 / 35 / 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 55 / 0 / 52 / 15, CMYK 52 / 55 / 0 / 15 and CMYK 0 / 52 / 55 / 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 55 / 0 / 52 / 15, CMYK 55 / 14 / 0 / 15, CMYK 0 / 55 / 3 / 15 and CMYK 0 / 41 / 55 / 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 55 / 0 / 52 / 15 shade: CMYK 55 / 0 / 52 / 15, CMYK 55 / 30 / 0 / 15, CMYK 0 / 55 / 3 / 15 and CMYK 0 / 24 / 55 / 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

Complementary color

CMYK 0 / 76 / 4 / 38

HEX #9D2697

RGB 157 38 151

HSL 303.03, 0.61%, 0.38%

LAB 39.22, 60.28, -35.36

 

CMYK 53 / 0 / 54 / 15

HEX #67D963

RGB 103 217 99

HSL 117.97, 0.61%, 0.62%

LAB 78.12, -55.47, 47.84

 

CMYK 49 / 0 / 50 / 8

HEX #78EB76

RGB 120 235 118

HSL 118.97, 0.75%, 0.69%

LAB 84.34, -55.55, 46.6

 

CMYK 46 / 0 / 46 / 1

HEX #89FD89

RGB 137 253 137

HSL 120, 0.97%, 0.76%

LAB 90.49, -55.51, 45.35

 

CMYK 40 / 0 / 39 / 0

HEX #9AFF9C

RGB 154 255 156

HSL 121.19, 1%, 0.8%

LAB 92.04, -48.81, 38.25

 

CMYK 33 / 0 / 31 / 0

HEX #ABFFAF

RGB 171 255 175

HSL 122.86, 1%, 0.84%

LAB 93.13, -40.79, 30.39

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 59 / 0 / 57 / 22

HEX #51C755

RGB 81 199 85

HSL 122.03, 0.51%, 0.55%

LAB 71.73, -55.83, 46.6

 

CMYK 65 / 0 / 64 / 29

HEX #40B542

RGB 64 181 66

HSL 121.03, 0.48%, 0.48%

LAB 65.38, -55.28, 47.78

 

CMYK 71 / 0 / 71 / 36

HEX #2FA32F

RGB 47 163 47

HSL 120, 0.55%, 0.41%

LAB 58.98, -54.29, 48.69

 

CMYK 79 / 0 / 81 / 43

HEX #1E911C

RGB 30 145 28

HSL 118.97, 0.68%, 0.34%

LAB 52.52, -52.65, 48.97

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 43 / 0 / 55 / 15

HEX #7CD962

RGB 124 217 98

HSL 106.89, 0.61%, 0.62%

LAB 78.92, -49.64, 49.46

 

CMYK 28 / 0 / 55 / 15

HEX #9CD962

RGB 156 217 98

HSL 90.76, 0.61%, 0.62%

LAB 80.5, -39, 51.71

 

CMYK 13 / 0 / 55 / 15

HEX #BCD962

RGB 188 217 98

HSL 74.62, 0.61%, 0.62%

LAB 82.49, -27.01, 54.52

 

CMYK 0 / 2 / 55 / 15

HEX #D9D562

RGB 217 213 98

HSL 57.98, 0.61%, 0.62%

LAB 83.56, -13.45, 56.32

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 55 / 0 / 37 / 15

HEX #62D988

RGB 98 217 136

HSL 139.16, 0.61%, 0.62%

LAB 78.46, -51.21, 30.02

 

CMYK 55 / 0 / 23 / 15

HEX #62D9A8

RGB 98 217 168

HSL 155.29, 0.61%, 0.62%

LAB 79.07, -44.97, 14.14

 

CMYK 55 / 0 / 8 / 15

HEX #62D9C8

RGB 98 217 200

HSL 171.43, 0.61%, 0.62%

LAB 79.84, -37.54, -1.78

 

CMYK 55 / 7 / 0 / 15

HEX #62C9D9

RGB 98 201 217

HSL 188.07, 0.61%, 0.62%

LAB 75.69, -25.42, -17.08

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 64 / 0 / 61 / 9

HEX #53E85A

RGB 83 232 90

HSL 122.82, 0.76%, 0.62%

LAB 82, -66.52, 56.22

 

CMYK 73 / 0 / 69 / 3

HEX #43F84C

RGB 67 248 76

HSL 122.98, 0.93%, 0.62%

LAB 86.43, -75.81, 66.5

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 43 / 0 / 41 / 21

HEX #72C977

RGB 114 201 119

HSL 123.45, 0.45%, 0.62%

LAB 73.99, -43.12, 32.97

 

CMYK 30 / 0 / 28 / 27

HEX #82B985

RGB 130 185 133

HSL 123.27, 0.28%, 0.62%

LAB 70.27, -28.47, 20.8

 

CMYK 14 / 0 / 14 / 33

HEX #92AA93

RGB 146 170 147

HSL 122.5, 0.12%, 0.62%

LAB 67.25, -12.85, 9.09

 

CMYK 0 / 4 / 0 / 37

HEX #A19AA1

RGB 161 154 161

HSL 300, 0.04%, 0.62%

LAB 64.37, 3.87, -2.75

 

CMYK 28 / 0 / 55 / 15

HEX #9CD962

RGB 156 217 98

HSL 90.76, 0.61%, 0.62%

LAB 80.5, -39, 51.71

 

CMYK 43 / 0 / 55 / 15

HEX #7CD962

RGB 124 217 98

HSL 106.89, 0.61%, 0.62%

LAB 78.92, -49.64, 49.46

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 55 / 0 / 37 / 15

HEX #62D988

RGB 98 217 136

HSL 139.16, 0.61%, 0.62%

LAB 78.46, -51.21, 30.02

 

CMYK 55 / 0 / 23 / 15

HEX #62D9A7

RGB 98 217 167

HSL 154.79, 0.61%, 0.62%

LAB 79.05, -45.19, 14.64

 

CMYK 76 / 0 / 72 / 26

HEX #2DBC34

RGB 45 188 52

HSL 122.94, 0.61%, 0.46%

LAB 67.11, -62.39, 55.18

 

CMYK 69 / 0 / 65 / 18

HEX #41D149

RGB 65 209 73

HSL 123.33, 0.61%, 0.54%

LAB 74.32, -63.98, 54.7

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 41 / 0 / 40 / 12

HEX #84E188

RGB 132 225 136

HSL 122.58, 0.61%, 0.7%

LAB 82.13, -45.53, 35.08

 

CMYK 29 / 0 / 28 / 9

HEX #A5E9A8

RGB 165 233 168

HSL 122.65, 0.61%, 0.78%

LAB 86.56, -33.84, 24.97

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 55 / 14 / 0 / 15

HEX #62BBD9

RGB 98 187 217

HSL 195.13, 0.61%, 0.62%

LAB 71.65, -18.31, -23.2

 

CMYK 0 / 55 / 35 / 15

HEX #D9628C

RGB 217 98 140

HSL 338.82, 0.61%, 0.62%

LAB 57.44, 50.85, -0.13

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 52 / 55 / 0 / 15

HEX #6862D9

RGB 104 98 217

HSL 243.03, 0.61%, 0.62%

LAB 47.86, 34.49, -60.57

 

CMYK 0 / 52 / 55 / 15

HEX #D96862

RGB 217 104 98

HSL 3.03, 0.61%, 0.62%

LAB 57.59, 43.78, 24.52

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 55 / 14 / 0 / 15

HEX #62BBD9

RGB 98 187 217

HSL 195.13, 0.61%, 0.62%

LAB 71.65, -18.31, -23.2

 

CMYK 0 / 55 / 3 / 15

HEX #D962D3

RGB 217 98 211

HSL 303.03, 0.61%, 0.62%

LAB 60.06, 61.1, -37.01

 

CMYK 0 / 41 / 55 / 15

HEX #D98062

RGB 217 128 98

HSL 15.13, 0.61%, 0.62%

LAB 62.57, 31.42, 30.99

 

CMYK 55 / 0 / 52 / 15

HEX #62D968

RGB 98 217 104

HSL 123.03, 0.61%, 0.62%

LAB 78.01, -56.1, 45.32

 

CMYK 55 / 30 / 0 / 15

HEX #6298D9

RGB 98 152 217

HSL 212.77, 0.61%, 0.62%

LAB 61.71, 0.84, -38.58

 

CMYK 0 / 55 / 3 / 15

HEX #D962D3

RGB 217 98 211

HSL 303.03, 0.61%, 0.62%

LAB 60.06, 61.1, -37.01

 

CMYK 0 / 24 / 55 / 15

HEX #D9A462

RGB 217 164 98

HSL 33.28, 0.61%, 0.62%

LAB 71, 12.08, 41.52

 

Description

Color code: CMYK 55 / 0 / 52 / 15 | qconv.com Color code: CMYK 55 / 0 / 52 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 217 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 217 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 52% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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