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Color name
CMYK 55 / 0 / 46 / 58

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 0 / 46 / 58 it is the complementary color CMYK 0 / 29 / 5 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 0 / 46 / 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 50 / 0 / 50 / 58, CMYK 44 / 0 / 42 / 51, CMYK 39 / 0 / 36 / 44, CMYK 35 / 0 / 32 / 37 and CMYK 32 / 0 / 28 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 0 / 46 / 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 55 / 0 / 46 / 58, CMYK 65 / 0 / 56 / 65, CMYK 80 / 0 / 72 / 72, CMYK 100 / 0 / 98 / 79 and CMYK 100 / 0 / 100 / 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 55 / 0 / 46 / 59, CMYK 50 / 0 / 55 / 59, CMYK 35 / 0 / 55 / 59, CMYK 20 / 0 / 55 / 59 and CMYK 5 / 0 / 55 / 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 55 / 0 / 46 / 59, CMYK 55 / 0 / 31 / 59, CMYK 55 / 0 / 16 / 59, CMYK 55 / 0 / 1 / 59 and CMYK 55 / 13 / 0 / 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 55 / 0 / 46 / 58 shade matches the following richer shades: CMYK 55 / 0 / 46 / 59, CMYK 70 / 0 / 58 / 54, CMYK 83 / 0 / 69 / 49 and CMYK 93 / 0 / 77 / 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 55 / 0 / 46 / 59, CMYK 37 / 0 / 30 / 64, CMYK 10 / 0 / 9 / 69, CMYK 0 / 19 / 4 / 67 and CMYK 0 / 42 / 6 / 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 35 / 0 / 55 / 59, CMYK 50 / 0 / 55 / 59, CMYK 55 / 0 / 46 / 59, CMYK 55 / 0 / 31 / 59 and CMYK 55 / 0 / 16 / 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 56 / 0 / 46 / 81, CMYK 56 / 0 / 47 / 70, CMYK 55 / 0 / 46 / 59, CMYK 55 / 0 / 46 / 47 and CMYK 55 / 0 / 46 / 36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 55 / 0 / 46 / 58, CMYK 55 / 20 / 0 / 59 and CMYK 0 / 55 / 43 / 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 55 / 0 / 46 / 58, CMYK 46 / 55 / 0 / 59 and CMYK 0 / 46 / 55 / 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 55 / 0 / 46 / 58, CMYK 55 / 20 / 0 / 59, CMYK 0 / 55 / 10 / 59 and CMYK 0 / 35 / 55 / 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 55 / 0 / 46 / 58 shade: CMYK 55 / 0 / 46 / 58, CMYK 55 / 37 / 0 / 59, CMYK 0 / 55 / 10 / 59 and CMYK 0 / 18 / 55 / 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 46 / 58

HEX #306B3A

RGB 48 107 58

HSL 130.17, 0.38%, 0.3%

LAB 40.33, -30.83, 21.73

 

Complementary color

CMYK 0 / 29 / 5 / 19

HEX #CF94C5

RGB 207 148 197

HSL 310.17, 0.38%, 0.7%

LAB 68.37, 30.03, -16.48

 

CMYK 50 / 0 / 50 / 58

HEX #356B35

RGB 53 107 53

HSL 120, 0.34%, 0.31%

LAB 40.46, -30.16, 24.76

 

CMYK 44 / 0 / 42 / 51

HEX #467D48

RGB 70 125 72

HSL 122.18, 0.28%, 0.38%

LAB 47.54, -30.02, 23.34

 

CMYK 39 / 0 / 36 / 44

HEX #578F5B

RGB 87 143 91

HSL 124.29, 0.24%, 0.45%

LAB 54.48, -29.78, 22.02

 

CMYK 35 / 0 / 32 / 37

HEX #68A16E

RGB 104 161 110

HSL 126.32, 0.23%, 0.52%

LAB 61.27, -29.51, 20.81

 

CMYK 32 / 0 / 28 / 30

HEX #79B381

RGB 121 179 129

HSL 128.28, 0.28%, 0.59%

LAB 67.94, -29.24, 19.68

 

CMYK 55 / 0 / 46 / 58

HEX #306B3A

RGB 48 107 58

HSL 130.17, 0.38%, 0.3%

LAB 40.33, -30.83, 21.73

 

CMYK 65 / 0 / 56 / 65

HEX #1F5927

RGB 31 89 39

HSL 128.28, 0.48%, 0.24%

LAB 33.1, -30.7, 23.28

 

CMYK 80 / 0 / 72 / 72

HEX #0E4714

RGB 14 71 20

HSL 126.32, 0.67%, 0.17%

LAB 25.71, -29.91, 24.8

 

CMYK 100 / 0 / 98 / 79

HEX #003501

RGB 0 53 1

HSL 121.13, 1%, 0.1%

LAB 18.14, -28.22, 24.79

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 55 / 0 / 46 / 59

HEX #2F6939

RGB 47 105 57

HSL 130.34, 0.38%, 0.3%

LAB 39.59, -30.38, 21.34

 

CMYK 50 / 0 / 55 / 59

HEX #35692F

RGB 53 105 47

HSL 113.79, 0.38%, 0.3%

LAB 39.69, -30.13, 27.1

 

CMYK 35 / 0 / 55 / 59

HEX #44692F

RGB 68 105 47

HSL 98.28, 0.38%, 0.3%

LAB 40.47, -24.76, 28.23

 

CMYK 20 / 0 / 55 / 59

HEX #54692F

RGB 84 105 47

HSL 81.72, 0.38%, 0.3%

LAB 41.52, -18.19, 29.74

 

CMYK 5 / 0 / 55 / 59

HEX #64692F

RGB 100 105 47

HSL 65.17, 0.38%, 0.3%

LAB 42.79, -11.08, 31.55

 

CMYK 55 / 0 / 46 / 59

HEX #2F6939

RGB 47 105 57

HSL 130.34, 0.38%, 0.3%

LAB 39.59, -30.38, 21.34

 

CMYK 55 / 0 / 31 / 59

HEX #2F6948

RGB 47 105 72

HSL 145.86, 0.38%, 0.3%

LAB 39.87, -27.4, 12.92

 

CMYK 55 / 0 / 16 / 59

HEX #2F6958

RGB 47 105 88

HSL 162.41, 0.38%, 0.3%

LAB 40.27, -23.54, 3.82

 

CMYK 55 / 0 / 1 / 59

HEX #2F6968

RGB 47 105 104

HSL 178.97, 0.38%, 0.3%

LAB 40.75, -19.07, -5.22

 

CMYK 55 / 13 / 0 / 59

HEX #2F5B69

RGB 47 91 105

HSL 194.48, 0.38%, 0.3%

LAB 36.19, -10.84, -12.69

 

CMYK 55 / 0 / 46 / 59

HEX #2F6939

RGB 47 105 57

HSL 130.34, 0.38%, 0.3%

LAB 39.59, -30.38, 21.34

 

CMYK 70 / 0 / 58 / 54

HEX #237531

RGB 35 117 49

HSL 130.24, 0.54%, 0.3%

LAB 43.21, -39.74, 30.13

 

CMYK 83 / 0 / 69 / 49

HEX #168228

RGB 22 130 40

HSL 130, 0.71%, 0.3%

LAB 47.35, -47.76, 39.1

 

CMYK 93 / 0 / 77 / 44

HEX #0A8E20

RGB 10 142 32

HSL 130, 0.87%, 0.3%

LAB 51.28, -53.51, 46.33

 

CMYK 55 / 0 / 46 / 59

HEX #2F6939

RGB 47 105 57

HSL 130.34, 0.38%, 0.3%

LAB 39.59, -30.38, 21.34

 

CMYK 37 / 0 / 30 / 64

HEX #3B5D41

RGB 59 93 65

HSL 130.59, 0.22%, 0.3%

LAB 36.25, -18.97, 12.27

 

CMYK 10 / 0 / 9 / 69

HEX #485049

RGB 72 80 73

HSL 127.5, 0.05%, 0.3%

LAB 33.13, -4.76, 3.03

 

CMYK 0 / 19 / 4 / 67

HEX #544451

RGB 84 68 81

HSL 311.25, 0.11%, 0.3%

LAB 30.91, 9.45, -5.2

 

CMYK 0 / 42 / 6 / 62

HEX #60385A

RGB 96 56 90

HSL 309, 0.26%, 0.3%

LAB 29.55, 23.56, -12.94

 

CMYK 35 / 0 / 55 / 59

HEX #44692F

RGB 68 105 47

HSL 98.28, 0.38%, 0.3%

LAB 40.47, -24.76, 28.23

 

CMYK 50 / 0 / 55 / 59

HEX #35692F

RGB 53 105 47

HSL 113.79, 0.38%, 0.3%

LAB 39.69, -30.13, 27.1

 

CMYK 55 / 0 / 46 / 59

HEX #2F6939

RGB 47 105 57

HSL 130.34, 0.38%, 0.3%

LAB 39.59, -30.38, 21.34

 

CMYK 55 / 0 / 31 / 59

HEX #2F6948

RGB 47 105 72

HSL 145.86, 0.38%, 0.3%

LAB 39.87, -27.4, 12.92

 

CMYK 55 / 0 / 16 / 59

HEX #2F6958

RGB 47 105 88

HSL 162.41, 0.38%, 0.3%

LAB 40.27, -23.54, 3.82

 

CMYK 56 / 0 / 46 / 81

HEX #15301A

RGB 21 48 26

HSL 131.11, 0.39%, 0.14%

LAB 17.22, -16.31, 11

 

CMYK 56 / 0 / 47 / 70

HEX #224D29

RGB 34 77 41

HSL 129.77, 0.39%, 0.22%

LAB 28.92, -23.97, 16.89

 

CMYK 55 / 0 / 46 / 59

HEX #2F6939

RGB 47 105 57

HSL 130.34, 0.38%, 0.3%

LAB 39.59, -30.38, 21.34

 

CMYK 55 / 0 / 46 / 47

HEX #3C8648

RGB 60 134 72

HSL 129.73, 0.38%, 0.38%

LAB 50.07, -37.08, 26.51

 

CMYK 55 / 0 / 46 / 36

HEX #49A258

RGB 73 162 88

HSL 130.11, 0.38%, 0.46%

LAB 59.85, -42.89, 30.54

 

CMYK 55 / 0 / 46 / 58

HEX #306B3A

RGB 48 107 58

HSL 130.17, 0.38%, 0.3%

LAB 40.33, -30.83, 21.73

 

CMYK 55 / 20 / 0 / 59

HEX #2F5469

RGB 47 84 105

HSL 201.72, 0.38%, 0.3%

LAB 33.91, -6.62, -16.17

 

CMYK 0 / 55 / 43 / 59

HEX #692F3C

RGB 105 47 60

HSL 346.55, 0.38%, 0.3%

LAB 27.74, 27.4, 4.25

 

CMYK 55 / 0 / 46 / 58

HEX #306B3A

RGB 48 107 58

HSL 130.17, 0.38%, 0.3%

LAB 40.33, -30.83, 21.73

 

CMYK 46 / 55 / 0 / 59

HEX #392F69

RGB 57 47 105

HSL 250.34, 0.38%, 0.3%

LAB 23.41, 20.57, -32.61

 

CMYK 0 / 46 / 55 / 59

HEX #69392F

RGB 105 57 47

HSL 10.34, 0.38%, 0.3%

LAB 29.75, 20.1, 15.52

 

CMYK 55 / 0 / 46 / 58

HEX #306B3A

RGB 48 107 58

HSL 130.17, 0.38%, 0.3%

LAB 40.33, -30.83, 21.73

 

CMYK 55 / 20 / 0 / 59

HEX #2F5469

RGB 47 84 105

HSL 201.72, 0.38%, 0.3%

LAB 33.91, -6.62, -16.17

 

CMYK 0 / 55 / 10 / 59

HEX #692F5F

RGB 105 47 95

HSL 310.34, 0.38%, 0.3%

LAB 29.06, 32.88, -16.81

 

CMYK 0 / 35 / 55 / 59

HEX #69442F

RGB 105 68 47

HSL 21.72, 0.38%, 0.3%

LAB 32.57, 13.39, 19.18

 

CMYK 55 / 0 / 46 / 58

HEX #306B3A

RGB 48 107 58

HSL 130.17, 0.38%, 0.3%

LAB 40.33, -30.83, 21.73

 

CMYK 55 / 37 / 0 / 59

HEX #2F4269

RGB 47 66 105

HSL 220.34, 0.38%, 0.3%

LAB 28.17, 4.98, -25.11

 

CMYK 0 / 55 / 10 / 59

HEX #692F5F

RGB 105 47 95

HSL 310.34, 0.38%, 0.3%

LAB 29.06, 32.88, -16.81

 

CMYK 0 / 18 / 55 / 59

HEX #69562F

RGB 105 86 47

HSL 40.34, 0.38%, 0.3%

LAB 37.6, 2.37, 25.46

 

Description

Color code: CMYK 55 / 0 / 46 / 58 | qconv.com Color code: CMYK 55 / 0 / 46 / 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 107 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 107 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 46 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 46% 58% C M Y K

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Provide designers and agencies with accurate color values.

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