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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 52 / 5 / 0 / 43 it is the complementary color CMYK 0 / 37 / 41 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 52 / 5 / 0 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 46 / 1 / 0 / 45, CMYK 42 / 2 / 0 / 38, CMYK 39 / 2 / 0 / 30, CMYK 36 / 3 / 0 / 23 and CMYK 34 / 3 / 0 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 52 / 5 / 0 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 5 / 0 / 43, CMYK 58 / 5 / 0 / 51, CMYK 66 / 5 / 0 / 58, CMYK 78 / 5 / 0 / 65 and CMYK 97 / 4 / 0 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 5 / 0 / 44, CMYK 52 / 19 / 0 / 44, CMYK 52 / 33 / 0 / 44, CMYK 52 / 47 / 0 / 44 and CMYK 43 / 52 / 0 / 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 5 / 0 / 44, CMYK 52 / 19 / 0 / 44, CMYK 52 / 33 / 0 / 44, CMYK 52 / 47 / 0 / 44 and CMYK 52 / 52 / 0 / 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 52 / 5 / 0 / 43 shade matches the following richer shades: CMYK 52 / 5 / 0 / 44, CMYK 68 / 6 / 0 / 37, CMYK 81 / 8 / 0 / 30, CMYK 91 / 9 / 0 / 23 and CMYK 100 / 9 / 0 / 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 5 / 0 / 44, CMYK 32 / 3 / 0 / 50, CMYK 5 / 0 / 0 / 57, CMYK 0 / 21 / 24 / 53 and CMYK 0 / 41 / 46 / 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 0 / 24 / 44, CMYK 52 / 0 / 10 / 44, CMYK 52 / 4 / 0 / 44, CMYK 52 / 18 / 0 / 44 and CMYK 52 / 32 / 0 / 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 5 / 0 / 65, CMYK 52 / 4 / 0 / 55, CMYK 52 / 5 / 0 / 44, CMYK 52 / 5 / 0 / 33 and CMYK 40 / 4 / 0 / 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 5 / 0 / 43, CMYK 38 / 52 / 0 / 44 and CMYK 0 / 17 / 52 / 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 5 / 0 / 43, CMYK 0 / 52 / 4 / 44 and CMYK 4 / 0 / 52 / 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 5 / 0 / 43, CMYK 38 / 52 / 0 / 44, CMYK 0 / 48 / 52 / 44 and CMYK 15 / 0 / 52 / 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 52 / 5 / 0 / 43 shade: CMYK 52 / 5 / 0 / 43, CMYK 22 / 52 / 0 / 44, CMYK 0 / 48 / 52 / 44 and CMYK 31 / 0 / 52 / 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 5 / 0 / 43

HEX #468A91

RGB 70 138 145

HSL 185.6, 0.35%, 0.42%

LAB 53.52, -19.46, -10.37

 

Complementary color

CMYK 0 / 37 / 41 / 27

HEX #B9756E

RGB 185 117 110

HSL 5.6, 0.35%, 0.58%

LAB 56.25, 25.89, 15.05

 

CMYK 46 / 1 / 0 / 45

HEX #4B8A8C

RGB 75 138 140

HSL 181.85, 0.3%, 0.42%

LAB 53.56, -19.67, -7.39

 

CMYK 42 / 2 / 0 / 38

HEX #5C9C9F

RGB 92 156 159

HSL 182.69, 0.27%, 0.49%

LAB 60.39, -19.68, -8.02

 

CMYK 39 / 2 / 0 / 30

HEX #6DAEB2

RGB 109 174 178

HSL 183.48, 0.31%, 0.56%

LAB 67.08, -19.65, -8.61

 

CMYK 36 / 3 / 0 / 23

HEX #7EC0C5

RGB 126 192 197

HSL 184.23, 0.38%, 0.63%

LAB 73.65, -19.61, -9.17

 

CMYK 34 / 3 / 0 / 15

HEX #8FD2D8

RGB 143 210 216

HSL 184.93, 0.48%, 0.7%

LAB 80.12, -19.56, -9.71

 

CMYK 52 / 5 / 0 / 43

HEX #468A91

RGB 70 138 145

HSL 185.6, 0.35%, 0.42%

LAB 53.52, -19.46, -10.37

 

CMYK 58 / 5 / 0 / 51

HEX #35787E

RGB 53 120 126

HSL 184.93, 0.41%, 0.35%

LAB 46.57, -19.22, -9.72

 

CMYK 66 / 5 / 0 / 58

HEX #24666B

RGB 36 102 107

HSL 184.23, 0.5%, 0.28%

LAB 39.48, -18.8, -8.98

 

CMYK 78 / 5 / 0 / 65

HEX #135458

RGB 19 84 88

HSL 183.48, 0.64%, 0.21%

LAB 32.22, -18.03, -8.12

 

CMYK 97 / 4 / 0 / 73

HEX #024245

RGB 2 66 69

HSL 182.69, 0.94%, 0.14%

LAB 24.76, -16.85, -7.11

 

CMYK 52 / 5 / 0 / 44

HEX #458990

RGB 69 137 144

HSL 185.6, 0.35%, 0.42%

LAB 53.14, -19.45, -10.37

 

CMYK 52 / 19 / 0 / 44

HEX #457590

RGB 69 117 144

HSL 201.6, 0.35%, 0.42%

LAB 46.98, -8.34, -19.72

 

CMYK 52 / 33 / 0 / 44

HEX #456190

RGB 69 97 144

HSL 217.6, 0.35%, 0.42%

LAB 40.94, 3.73, -29.08

 

CMYK 52 / 47 / 0 / 44

HEX #454C90

RGB 69 76 144

HSL 234.4, 0.35%, 0.42%

LAB 34.9, 17.22, -38.64

 

CMYK 43 / 52 / 0 / 44

HEX #524590

RGB 82 69 144

HSL 250.4, 0.35%, 0.42%

LAB 34.12, 24.97, -39.83

 

CMYK 52 / 5 / 0 / 44

HEX #458990

RGB 69 137 144

HSL 185.6, 0.35%, 0.42%

LAB 53.14, -19.45, -10.37

 

CMYK 52 / 19 / 0 / 44

HEX #457590

RGB 69 117 144

HSL 201.6, 0.35%, 0.42%

LAB 46.98, -8.34, -19.72

 

CMYK 52 / 33 / 0 / 44

HEX #456190

RGB 69 97 144

HSL 217.6, 0.35%, 0.42%

LAB 40.94, 3.73, -29.08

 

CMYK 52 / 47 / 0 / 44

HEX #454C90

RGB 69 76 144

HSL 234.4, 0.35%, 0.42%

LAB 34.9, 17.22, -38.64

 

CMYK 52 / 52 / 0 / 44

HEX #454590

RGB 69 69 144

HSL 240, 0.35%, 0.42%

LAB 33, 21.8, -41.69

 

CMYK 52 / 5 / 0 / 44

HEX #458990

RGB 69 137 144

HSL 185.6, 0.35%, 0.42%

LAB 53.14, -19.45, -10.37

 

CMYK 68 / 6 / 0 / 37

HEX #3497A1

RGB 52 151 161

HSL 185.5, 0.51%, 0.42%

LAB 57.5, -24.88, -13.63

 

CMYK 81 / 8 / 0 / 30

HEX #22A5B3

RGB 34 165 179

HSL 185.79, 0.68%, 0.42%

LAB 62.09, -28.42, -16.9

 

CMYK 91 / 9 / 0 / 23

HEX #11B3C4

RGB 17 179 196

HSL 185.7, 0.84%, 0.42%

LAB 66.78, -30.94, -19.26

 

CMYK 100 / 9 / 0 / 16

HEX #00C1D5

RGB 0 193 213

HSL 185.63, 1%, 0.42%

LAB 71.52, -32.76, -21.39

CMYK 100 / 9 / 0 / 16

CMYK 52 / 5 / 0 / 44

HEX #458990

RGB 69 137 144

HSL 185.6, 0.35%, 0.42%

LAB 53.14, -19.45, -10.37

 

CMYK 32 / 3 / 0 / 50

HEX #567B7F

RGB 86 123 127

HSL 185.85, 0.19%, 0.42%

LAB 49.1, -11.91, -6.37

 

CMYK 5 / 0 / 0 / 57

HEX #686D6D

RGB 104 109 109

HSL 180, 0.02%, 0.42%

LAB 45.61, -1.91, -0.67

 

CMYK 0 / 21 / 24 / 53

HEX #795F5C

RGB 121 95 92

HSL 6.21, 0.14%, 0.42%

LAB 42.8, 10.05, 5.74

 

CMYK 0 / 41 / 46 / 46

HEX #8A514B

RGB 138 81 75

HSL 5.71, 0.3%, 0.42%

LAB 40.89, 23.13, 13.77

 

CMYK 52 / 0 / 24 / 44

HEX #45906E

RGB 69 144 110

HSL 152.8, 0.35%, 0.42%

LAB 54.38, -31.73, 11.06

 

CMYK 52 / 0 / 10 / 44

HEX #459082

RGB 69 144 130

HSL 168.8, 0.35%, 0.42%

LAB 54.89, -26.88, 0.32

 

CMYK 52 / 4 / 0 / 44

HEX #458A90

RGB 69 138 144

HSL 184.8, 0.35%, 0.42%

LAB 53.44, -19.98, -9.91

 

CMYK 52 / 18 / 0 / 44

HEX #457690

RGB 69 118 144

HSL 200.8, 0.35%, 0.42%

LAB 47.28, -8.92, -19.25

 

CMYK 52 / 32 / 0 / 44

HEX #456290

RGB 69 98 144

HSL 216.8, 0.35%, 0.42%

LAB 41.24, 3.11, -28.62

 

CMYK 52 / 5 / 0 / 65

HEX #2A5458

RGB 42 84 88

HSL 185.22, 0.35%, 0.25%

LAB 33, -13.38, -6.87

 

CMYK 52 / 4 / 0 / 55

HEX #386F74

RGB 56 111 116

HSL 185, 0.35%, 0.34%

LAB 43.46, -16.64, -8.39

 

CMYK 52 / 5 / 0 / 44

HEX #458990

RGB 69 137 144

HSL 185.6, 0.35%, 0.42%

LAB 53.14, -19.45, -10.37

 

CMYK 52 / 5 / 0 / 33

HEX #53A3AC

RGB 83 163 172

HSL 186.07, 0.35%, 0.5%

LAB 62.52, -21.92, -12.2

 

CMYK 40 / 4 / 0 / 27

HEX #6FB2B9

RGB 111 178 185

HSL 185.68, 0.35%, 0.58%

LAB 68.55, -19.41, -10.28

 

CMYK 52 / 5 / 0 / 43

HEX #468A91

RGB 70 138 145

HSL 185.6, 0.35%, 0.42%

LAB 53.52, -19.46, -10.37

 

CMYK 38 / 52 / 0 / 44

HEX #5A4590

RGB 90 69 144

HSL 256.8, 0.35%, 0.42%

LAB 34.89, 27.07, -38.55

 

CMYK 0 / 17 / 52 / 44

HEX #907845

RGB 144 120 69

HSL 40.8, 0.35%, 0.42%

LAB 51.6, 2.46, 31.3

 

CMYK 52 / 5 / 0 / 43

HEX #468A91

RGB 70 138 145

HSL 185.6, 0.35%, 0.42%

LAB 53.52, -19.46, -10.37

 

CMYK 0 / 52 / 4 / 44

HEX #90458A

RGB 144 69 138

HSL 304.8, 0.35%, 0.42%

LAB 41.25, 41.52, -24.42

 

CMYK 4 / 0 / 52 / 44

HEX #8A9045

RGB 138 144 69

HSL 64.8, 0.35%, 0.42%

LAB 57.83, -13.43, 38.67

 

CMYK 52 / 5 / 0 / 43

HEX #468A91

RGB 70 138 145

HSL 185.6, 0.35%, 0.42%

LAB 53.52, -19.46, -10.37

 

CMYK 38 / 52 / 0 / 44

HEX #5A4590

RGB 90 69 144

HSL 256.8, 0.35%, 0.42%

LAB 34.89, 27.07, -38.55

 

CMYK 0 / 48 / 52 / 44

HEX #904B45

RGB 144 75 69

HSL 4.8, 0.35%, 0.42%

LAB 40.23, 28.37, 16.7

 

CMYK 15 / 0 / 52 / 44

HEX #7B9045

RGB 123 144 69

HSL 76.8, 0.35%, 0.42%

LAB 56.67, -19.78, 37.02

 

CMYK 52 / 5 / 0 / 43

HEX #468A91

RGB 70 138 145

HSL 185.6, 0.35%, 0.42%

LAB 53.52, -19.46, -10.37

 

CMYK 22 / 52 / 0 / 44

HEX #714590

RGB 113 69 144

HSL 275.2, 0.35%, 0.42%

LAB 37.45, 33.51, -34.33

 

CMYK 0 / 48 / 52 / 44

HEX #904B45

RGB 144 75 69

HSL 4.8, 0.35%, 0.42%

LAB 40.23, 28.37, 16.7

 

CMYK 31 / 0 / 52 / 44

HEX #649045

RGB 100 144 69

HSL 95.2, 0.35%, 0.42%

LAB 55.16, -28.92, 34.84

 

Description

Color code: CMYK 52 / 5 / 0 / 43 | qconv.com Color code: CMYK 52 / 5 / 0 / 43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 138 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 138 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 5 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 5% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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