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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 52 / 0 / 9 / 25 it is the complementary color CMYK 0 / 61 / 50 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 52 / 0 / 9 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 49 / 0 / 12 / 25, CMYK 45 / 0 / 10 / 18, CMYK 42 / 0 / 9 / 11, CMYK 40 / 0 / 8 / 4 and CMYK 35 / 0 / 4 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 52 / 0 / 9 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 52 / 0 / 9 / 25, CMYK 57 / 0 / 10 / 32, CMYK 63 / 0 / 12 / 39, CMYK 70 / 0 / 15 / 46 and CMYK 80 / 0 / 18 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 53 / 0 / 9 / 25, CMYK 53 / 0 / 23 / 25, CMYK 53 / 0 / 38 / 25, CMYK 53 / 0 / 52 / 25 and CMYK 39 / 0 / 53 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 53 / 0 / 9 / 25, CMYK 53 / 5 / 0 / 25, CMYK 53 / 19 / 0 / 25, CMYK 53 / 34 / 0 / 25 and CMYK 53 / 48 / 0 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 52 / 0 / 9 / 25 shade matches the following richer shades: CMYK 53 / 0 / 9 / 25, CMYK 66 / 0 / 11 / 18, CMYK 77 / 0 / 13 / 11 and CMYK 86 / 0 / 15 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 53 / 0 / 9 / 25, CMYK 37 / 0 / 6 / 33, CMYK 18 / 0 / 3 / 40, CMYK 0 / 7 / 6 / 43 and CMYK 0 / 29 / 24 / 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 53 / 0 / 38 / 25, CMYK 53 / 0 / 24 / 25, CMYK 53 / 0 / 9 / 25, CMYK 53 / 4 / 0 / 25 and CMYK 53 / 18 / 0 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 61 / 0 / 11 / 44, CMYK 62 / 0 / 10 / 33, CMYK 53 / 0 / 9 / 25, CMYK 41 / 0 / 7 / 21 and CMYK 30 / 0 / 5 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 52 / 0 / 9 / 25, CMYK 52 / 53 / 0 / 25 and CMYK 0 / 31 / 53 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 52 / 0 / 9 / 25, CMYK 9 / 53 / 0 / 25 and CMYK 0 / 9 / 53 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 52 / 0 / 9 / 25, CMYK 52 / 53 / 0 / 25, CMYK 0 / 53 / 43 / 25 and CMYK 1 / 0 / 53 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 52 / 0 / 9 / 25 shade: CMYK 52 / 0 / 9 / 25, CMYK 36 / 53 / 0 / 25, CMYK 0 / 53 / 43 / 25 and CMYK 17 / 0 / 53 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 9 / 25

HEX #5CBFAE

RGB 92 191 174

HSL 169.7, 0.44%, 0.55%

LAB 71.28, -33.2, -0.29

 

Complementary color

CMYK 0 / 61 / 50 / 36

HEX #A34051

RGB 163 64 81

HSL 349.7, 0.44%, 0.45%

LAB 41.29, 42.42, 11.21

 

CMYK 49 / 0 / 12 / 25

HEX #61BFA9

RGB 97 191 169

HSL 165.96, 0.42%, 0.56%

LAB 71.33, -33.28, 2.53

 

CMYK 45 / 0 / 10 / 18

HEX #72D1BC

RGB 114 209 188

HSL 166.74, 0.51%, 0.63%

LAB 77.76, -33.18, 1.68

 

CMYK 42 / 0 / 9 / 11

HEX #83E3CF

RGB 131 227 207

HSL 167.5, 0.63%, 0.7%

LAB 84.11, -33.06, 0.89

 

CMYK 40 / 0 / 8 / 4

HEX #94F5E2

RGB 148 245 226

HSL 168.25, 0.83%, 0.77%

LAB 90.36, -32.93, 0.14

 

CMYK 35 / 0 / 4 / 0

HEX #A5FFF5

RGB 165 255 245

HSL 173.33, 1%, 0.82%

LAB 94.36, -29.03, -3.76

 

CMYK 52 / 0 / 9 / 25

HEX #5CBFAE

RGB 92 191 174

HSL 169.7, 0.44%, 0.55%

LAB 71.28, -33.2, -0.29

 

CMYK 57 / 0 / 10 / 32

HEX #4BAD9B

RGB 75 173 155

HSL 168.98, 0.4%, 0.49%

LAB 64.76, -33.14, 0.6

 

CMYK 63 / 0 / 12 / 39

HEX #3A9B88

RGB 58 155 136

HSL 168.25, 0.46%, 0.42%

LAB 58.15, -32.96, 1.59

 

CMYK 70 / 0 / 15 / 46

HEX #298975

RGB 41 137 117

HSL 167.5, 0.54%, 0.35%

LAB 51.44, -32.59, 2.71

 

CMYK 80 / 0 / 18 / 53

HEX #187762

RGB 24 119 98

HSL 166.74, 0.66%, 0.28%

LAB 44.62, -31.89, 3.99

 

CMYK 53 / 0 / 9 / 25

HEX #59BEAD

RGB 89 190 173

HSL 169.9, 0.44%, 0.55%

LAB 70.85, -33.63, -0.39

 

CMYK 53 / 0 / 23 / 25

HEX #59BE92

RGB 89 190 146

HSL 153.86, 0.44%, 0.55%

LAB 70.19, -39.94, 13.39

 

CMYK 53 / 0 / 38 / 25

HEX #59BE76

RGB 89 190 118

HSL 137.23, 0.44%, 0.55%

LAB 69.65, -45.44, 27.62

 

CMYK 53 / 0 / 52 / 25

HEX #59BE5B

RGB 89 190 91

HSL 121.19, 0.44%, 0.55%

LAB 69.26, -49.63, 40.86

 

CMYK 39 / 0 / 53 / 25

HEX #73BE59

RGB 115 190 89

HSL 104.55, 0.44%, 0.55%

LAB 70.31, -42.19, 43.35

 

CMYK 53 / 0 / 9 / 25

HEX #59BEAD

RGB 89 190 173

HSL 169.9, 0.44%, 0.55%

LAB 70.85, -33.63, -0.39

 

CMYK 53 / 5 / 0 / 25

HEX #59B4BE

RGB 89 180 190

HSL 185.94, 0.44%, 0.55%

LAB 68.38, -24.26, -13.4

 

CMYK 53 / 19 / 0 / 25

HEX #5999BE

RGB 89 153 190

HSL 201.98, 0.44%, 0.55%

LAB 60.45, -9.99, -25.45

 

CMYK 53 / 34 / 0 / 25

HEX #597EBE

RGB 89 126 190

HSL 218.02, 0.44%, 0.55%

LAB 52.69, 5.6, -37.52

 

CMYK 53 / 48 / 0 / 25

HEX #5963BE

RGB 89 99 190

HSL 234.06, 0.44%, 0.55%

LAB 45.31, 22.2, -49.23

 

CMYK 53 / 0 / 9 / 25

HEX #59BEAD

RGB 89 190 173

HSL 169.9, 0.44%, 0.55%

LAB 70.85, -33.63, -0.39

 

CMYK 66 / 0 / 11 / 18

HEX #47D1B9

RGB 71 209 185

HSL 169.57, 0.6%, 0.55%

LAB 76.34, -42.54, 1.06

 

CMYK 77 / 0 / 13 / 11

HEX #34E3C5

RGB 52 227 197

HSL 169.71, 0.76%, 0.55%

LAB 81.67, -49.58, 2.37

 

CMYK 86 / 0 / 15 / 4

HEX #22F6D1

RGB 34 246 209

HSL 169.53, 0.92%, 0.55%

LAB 87.41, -55.7, 4.37

 

CMYK 53 / 0 / 9 / 25

HEX #59BEAD

RGB 89 190 173

HSL 169.9, 0.44%, 0.55%

LAB 70.85, -33.63, -0.39

 

CMYK 37 / 0 / 6 / 33

HEX #6CACA1

RGB 108 172 161

HSL 169.69, 0.28%, 0.55%

LAB 65.96, -23.08, -0.83

 

CMYK 18 / 0 / 3 / 40

HEX #7E9995

RGB 126 153 149

HSL 171.11, 0.12%, 0.55%

LAB 61.12, -10.28, -1.06

 

CMYK 0 / 7 / 6 / 43

HEX #918788

RGB 145 135 136

HSL 354, 0.04%, 0.55%

LAB 57.2, 3.93, 0.81

 

CMYK 0 / 29 / 24 / 36

HEX #A4747C

RGB 164 116 124

HSL 350, 0.21%, 0.55%

LAB 53.86, 20.08, 3.16

 

CMYK 53 / 0 / 38 / 25

HEX #59BE76

RGB 89 190 118

HSL 137.23, 0.44%, 0.55%

LAB 69.65, -45.44, 27.62

 

CMYK 53 / 0 / 24 / 25

HEX #59BE91

RGB 89 190 145

HSL 153.27, 0.44%, 0.55%

LAB 70.17, -40.16, 13.9

 

CMYK 53 / 0 / 9 / 25

HEX #59BEAC

RGB 89 190 172

HSL 169.31, 0.44%, 0.55%

LAB 70.82, -33.88, 0.12

 

CMYK 53 / 4 / 0 / 25

HEX #59B6BE

RGB 89 182 190

HSL 184.75, 0.44%, 0.55%

LAB 68.97, -25.26, -12.51

 

CMYK 53 / 18 / 0 / 25

HEX #599BBE

RGB 89 155 190

HSL 200.79, 0.44%, 0.55%

LAB 61.03, -11.1, -24.56

 

CMYK 61 / 0 / 11 / 44

HEX #378E7F

RGB 55 142 127

HSL 169.66, 0.44%, 0.39%

LAB 53.7, -29.74, 0.25

 

CMYK 62 / 0 / 10 / 33

HEX #42AC9A

RGB 66 172 154

HSL 169.81, 0.45%, 0.47%

LAB 64.16, -34.69, 0.24

 

CMYK 53 / 0 / 9 / 25

HEX #59BEAD

RGB 89 190 173

HSL 169.9, 0.44%, 0.55%

LAB 70.85, -33.63, -0.39

 

CMYK 41 / 0 / 7 / 21

HEX #77CABC

RGB 119 202 188

HSL 169.88, 0.44%, 0.63%

LAB 75.94, -28.59, -0.95

 

CMYK 30 / 0 / 5 / 16

HEX #95D5CA

RGB 149 213 202

HSL 169.69, 0.43%, 0.71%

LAB 80.87, -22.59, -1.08

 

CMYK 52 / 0 / 9 / 25

HEX #5CBFAE

RGB 92 191 174

HSL 169.7, 0.44%, 0.55%

LAB 71.28, -33.2, -0.29

 

CMYK 52 / 53 / 0 / 25

HEX #5B59BE

RGB 91 89 190

HSL 241.19, 0.44%, 0.55%

LAB 42.89, 28.86, -53.1

 

CMYK 0 / 31 / 53 / 25

HEX #BE8359

RGB 190 131 89

HSL 24.95, 0.44%, 0.55%

LAB 59.8, 18.02, 31.72

 

CMYK 52 / 0 / 9 / 25

HEX #5CBFAE

RGB 92 191 174

HSL 169.7, 0.44%, 0.55%

LAB 71.28, -33.2, -0.29

 

CMYK 9 / 53 / 0 / 25

HEX #AC59BE

RGB 172 89 190

HSL 289.31, 0.44%, 0.55%

LAB 51.42, 49.37, -39.01

 

CMYK 0 / 9 / 53 / 25

HEX #BEAC59

RGB 190 172 89

HSL 49.31, 0.44%, 0.55%

LAB 70.3, -4.31, 44.57

 

CMYK 52 / 0 / 9 / 25

HEX #5CBFAE

RGB 92 191 174

HSL 169.7, 0.44%, 0.55%

LAB 71.28, -33.2, -0.29

 

CMYK 52 / 53 / 0 / 25

HEX #5B59BE

RGB 91 89 190

HSL 241.19, 0.44%, 0.55%

LAB 42.89, 28.86, -53.1

 

CMYK 0 / 53 / 43 / 25

HEX #BE596C

RGB 190 89 108

HSL 348.71, 0.44%, 0.55%

LAB 50.89, 42.44, 8.83

 

CMYK 1 / 0 / 53 / 25

HEX #BDBE59

RGB 189 190 89

HSL 60.59, 0.44%, 0.55%

LAB 75.06, -14.07, 50.12

 

CMYK 52 / 0 / 9 / 25

HEX #5CBFAE

RGB 92 191 174

HSL 169.7, 0.44%, 0.55%

LAB 71.28, -33.2, -0.29

 

CMYK 36 / 53 / 0 / 25

HEX #7959BE

RGB 121 89 190

HSL 259.01, 0.44%, 0.55%

LAB 45.53, 35.84, -48.72

 

CMYK 0 / 53 / 43 / 25

HEX #BE596C

RGB 190 89 108

HSL 348.71, 0.44%, 0.55%

LAB 50.89, 42.44, 8.83

 

CMYK 17 / 0 / 53 / 25

HEX #9EBE59

RGB 158 190 89

HSL 79.01, 0.44%, 0.55%

LAB 72.77, -26.6, 46.87

 

Description

Color code: CMYK 52 / 0 / 9 / 25 | qconv.com Color code: CMYK 52 / 0 / 9 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 191 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 191 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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