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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 48 / 0 / 76 / 11 it is the complementary color CMYK 32 / 86 / 0 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 48 / 0 / 76 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 46 / 0 / 78 / 11, CMYK 43 / 0 / 72 / 4, CMYK 38 / 0 / 66 / 0, CMYK 32 / 0 / 58 / 0 and CMYK 25 / 0 / 51 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 48 / 0 / 76 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 48 / 0 / 76 / 11, CMYK 52 / 0 / 83 / 18, CMYK 56 / 0 / 92 / 25, CMYK 61 / 0 / 100 / 32 and CMYK 68 / 0 / 100 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 48 / 0 / 77 / 11, CMYK 28 / 0 / 77 / 11, CMYK 7 / 0 / 77 / 11, CMYK 0 / 14 / 77 / 11 and CMYK 0 / 34 / 77 / 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 48 / 0 / 77 / 11, CMYK 69 / 0 / 77 / 11, CMYK 77 / 0 / 64 / 11, CMYK 77 / 0 / 43 / 11 and CMYK 77 / 0 / 22 / 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 48 / 0 / 76 / 11 shade matches the following richer shades: CMYK 48 / 0 / 77 / 11 and CMYK 54 / 0 / 86 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 48 / 0 / 77 / 11, CMYK 41 / 0 / 66 / 18, CMYK 33 / 0 / 53 / 25, CMYK 23 / 0 / 37 / 33 and CMYK 11 / 0 / 17 / 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 7 / 0 / 77 / 11, CMYK 27 / 0 / 77 / 11, CMYK 48 / 0 / 77 / 11, CMYK 68 / 0 / 77 / 11 and CMYK 77 / 0 / 65 / 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 55 / 0 / 87 / 32, CMYK 55 / 0 / 87 / 18, CMYK 48 / 0 / 77 / 11, CMYK 39 / 0 / 62 / 9 and CMYK 30 / 0 / 47 / 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 48 / 0 / 76 / 11, CMYK 77 / 0 / 14 / 11 and CMYK 0 / 77 / 17 / 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 48 / 0 / 76 / 11, CMYK 77 / 48 / 0 / 11 and CMYK 0 / 77 / 48 / 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 48 / 0 / 76 / 11, CMYK 77 / 0 / 14 / 11, CMYK 30 / 77 / 0 / 11 and CMYK 0 / 77 / 63 / 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 48 / 0 / 76 / 11 shade: CMYK 48 / 0 / 76 / 11, CMYK 77 / 9 / 0 / 11, CMYK 30 / 77 / 0 / 11 and CMYK 0 / 68 / 77 / 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 76 / 11

HEX #76E336

RGB 118 227 54

HSL 97.8, 0.76%, 0.55%

LAB 81.32, -59.05, 69.28

 

Complementary color

CMYK 32 / 86 / 0 / 21

HEX #891CC9

RGB 137 28 201

HSL 277.8, 0.76%, 0.45%

LAB 38.49, 68.71, -66.42

 

CMYK 46 / 0 / 78 / 11

HEX #7BE331

RGB 123 227 49

HSL 95.06, 0.76%, 0.54%

LAB 81.5, -57.83, 71

 

CMYK 43 / 0 / 72 / 4

HEX #8CF544

RGB 140 245 68

HSL 95.59, 0.9%, 0.61%

LAB 87.63, -58.4, 71.22

 

CMYK 38 / 0 / 66 / 0

HEX #9DFF57

RGB 157 255 87

HSL 95, 1%, 0.67%

LAB 91.4, -55.63, 68.48

 

CMYK 32 / 0 / 58 / 0

HEX #AEFF6A

RGB 174 255 106

HSL 92.62, 1%, 0.71%

LAB 92.38, -48.45, 62.09

 

CMYK 25 / 0 / 51 / 0

HEX #BFFF7D

RGB 191 255 125

HSL 89.54, 1%, 0.75%

LAB 93.48, -40.75, 55.22

 

CMYK 48 / 0 / 76 / 11

HEX #76E336

RGB 118 227 54

HSL 97.8, 0.76%, 0.55%

LAB 81.32, -59.05, 69.28

 

CMYK 52 / 0 / 83 / 18

HEX #65D123

RGB 101 209 35

HSL 97.24, 0.71%, 0.48%

LAB 75.13, -58.27, 68.58

 

CMYK 56 / 0 / 92 / 25

HEX #54BF10

RGB 84 191 16

HSL 96.69, 0.85%, 0.41%

LAB 68.88, -57.13, 66.72

 

CMYK 61 / 0 / 100 / 32

HEX #43AD00

RGB 67 173 0

HSL 96.76, 1%, 0.34%

LAB 62.58, -55.55, 63.43

 

CMYK 68 / 0 / 100 / 39

HEX #329B00

RGB 50 155 0

HSL 100.65, 1%, 0.3%

LAB 56.21, -53.39, 58.19

 

CMYK 48 / 0 / 77 / 11

HEX #75E335

RGB 117 227 53

HSL 97.93, 0.76%, 0.55%

LAB 81.28, -59.4, 69.54

 

CMYK 28 / 0 / 77 / 11

HEX #A4E335

RGB 164 227 53

HSL 81.72, 0.76%, 0.55%

LAB 83.49, -43.74, 72.41

 

CMYK 7 / 0 / 77 / 11

HEX #D3E335

RGB 211 227 53

HSL 65.52, 0.76%, 0.55%

LAB 86.53, -25.33, 76.31

 

CMYK 0 / 14 / 77 / 11

HEX #E3C435

RGB 227 196 53

HSL 49.31, 0.76%, 0.55%

LAB 79.65, -3.2, 70.53

 

CMYK 0 / 34 / 77 / 11

HEX #E39535

RGB 227 149 53

HSL 33.1, 0.76%, 0.55%

LAB 68.08, 21.62, 59.66

 

CMYK 48 / 0 / 77 / 11

HEX #75E335

RGB 117 227 53

HSL 97.93, 0.76%, 0.55%

LAB 81.28, -59.4, 69.54

 

CMYK 69 / 0 / 77 / 11

HEX #46E335

RGB 70 227 53

HSL 114.14, 0.76%, 0.55%

LAB 79.9, -70.52, 67.73

 

CMYK 77 / 0 / 64 / 11

HEX #35E352

RGB 53 227 82

HSL 130, 0.76%, 0.55%

LAB 79.79, -70.71, 56.94

 

CMYK 77 / 0 / 43 / 11

HEX #35E381

RGB 53 227 129

HSL 146.21, 0.76%, 0.55%

LAB 80.34, -64.18, 35.82

 

CMYK 77 / 0 / 22 / 11

HEX #35E3B0

RGB 53 227 176

HSL 162.41, 0.76%, 0.55%

LAB 81.2, -54.62, 12.78

 

CMYK 48 / 0 / 77 / 11

HEX #75E335

RGB 117 227 53

HSL 97.93, 0.76%, 0.55%

LAB 81.28, -59.4, 69.54

 

CMYK 54 / 0 / 86 / 4

HEX #70F622

RGB 112 246 34

HSL 97.92, 0.92%, 0.55%

LAB 86.74, -68.37, 79.11

 

CMYK 48 / 0 / 77 / 11

HEX #75E335

RGB 117 227 53

HSL 97.93, 0.76%, 0.55%

LAB 81.28, -59.4, 69.54

 

CMYK 41 / 0 / 66 / 18

HEX #7AD047

RGB 122 208 71

HSL 97.66, 0.59%, 0.55%

LAB 75.89, -49.25, 57.76

 

CMYK 33 / 0 / 53 / 25

HEX #7FBE5A

RGB 127 190 90

HSL 97.8, 0.43%, 0.55%

LAB 70.92, -38.02, 43.75

 

CMYK 23 / 0 / 37 / 33

HEX #84AB6C

RGB 132 171 108

HSL 97.14, 0.27%, 0.55%

LAB 65.84, -24.94, 28.26

 

CMYK 11 / 0 / 17 / 40

HEX #88997F

RGB 136 153 127

HSL 99.23, 0.11%, 0.55%

LAB 61.26, -11.08, 11.66

 

CMYK 7 / 0 / 77 / 11

HEX #D4E335

RGB 212 227 53

HSL 65.17, 0.76%, 0.55%

LAB 86.6, -24.92, 76.41

 

CMYK 27 / 0 / 77 / 11

HEX #A6E335

RGB 166 227 53

HSL 81.03, 0.76%, 0.55%

LAB 83.6, -43, 72.55

 

CMYK 48 / 0 / 77 / 11

HEX #77E335

RGB 119 227 53

HSL 97.24, 0.76%, 0.55%

LAB 81.36, -58.82, 69.64

 

CMYK 68 / 0 / 77 / 11

HEX #49E335

RGB 73 227 53

HSL 113.1, 0.76%, 0.55%

LAB 79.96, -69.97, 67.81

 

CMYK 77 / 0 / 65 / 11

HEX #35E34F

RGB 53 227 79

HSL 128.97, 0.76%, 0.55%

LAB 79.76, -71.02, 58.14

 

CMYK 55 / 0 / 87 / 32

HEX #4FAE17

RGB 79 174 23

HSL 97.75, 0.77%, 0.39%

LAB 63.34, -52.14, 60.64

 

CMYK 55 / 0 / 87 / 18

HEX #5FD21C

RGB 95 210 28

HSL 97.91, 0.76%, 0.47%

LAB 75.21, -60.54, 70.11

 

CMYK 48 / 0 / 77 / 11

HEX #75E335

RGB 117 227 53

HSL 97.93, 0.76%, 0.55%

LAB 81.28, -59.4, 69.54

 

CMYK 39 / 0 / 62 / 9

HEX #8EE859

RGB 142 232 89

HSL 97.76, 0.76%, 0.63%

LAB 84.06, -51.02, 59.52

 

CMYK 30 / 0 / 47 / 7

HEX #A6ED7D

RGB 166 237 125

HSL 98.04, 0.76%, 0.71%

LAB 87.07, -41.43, 47.1

 

CMYK 48 / 0 / 76 / 11

HEX #76E336

RGB 118 227 54

HSL 97.8, 0.76%, 0.55%

LAB 81.32, -59.05, 69.28

 

CMYK 77 / 0 / 14 / 11

HEX #35E3C3

RGB 53 227 195

HSL 168.97, 0.76%, 0.55%

LAB 81.64, -49.99, 3.38

 

CMYK 0 / 77 / 17 / 11

HEX #E335BD

RGB 227 53 189

HSL 313.1, 0.76%, 0.55%

LAB 54.61, 76.91, -32.85

 

CMYK 48 / 0 / 76 / 11

HEX #76E336

RGB 118 227 54

HSL 97.8, 0.76%, 0.55%

LAB 81.32, -59.05, 69.28

 

CMYK 77 / 48 / 0 / 11

HEX #3577E3

RGB 53 119 227

HSL 217.24, 0.76%, 0.55%

LAB 51.26, 16.74, -60.88

 

CMYK 0 / 77 / 48 / 11

HEX #E33577

RGB 227 53 119

HSL 337.24, 0.76%, 0.55%

LAB 52.07, 69.29, 4.75

 

CMYK 48 / 0 / 76 / 11

HEX #76E336

RGB 118 227 54

HSL 97.8, 0.76%, 0.55%

LAB 81.32, -59.05, 69.28

 

CMYK 77 / 0 / 14 / 11

HEX #35E3C3

RGB 53 227 195

HSL 168.97, 0.76%, 0.55%

LAB 81.64, -49.99, 3.38

 

CMYK 30 / 77 / 0 / 11

HEX #A035E3

RGB 160 53 227

HSL 276.9, 0.76%, 0.55%

LAB 46.4, 70.08, -68.35

 

CMYK 0 / 77 / 63 / 11

HEX #E33555

RGB 227 53 85

HSL 348.97, 0.76%, 0.55%

LAB 51.31, 66.87, 24.21

 

CMYK 48 / 0 / 76 / 11

HEX #76E336

RGB 118 227 54

HSL 97.8, 0.76%, 0.55%

LAB 81.32, -59.05, 69.28

 

CMYK 77 / 9 / 0 / 11

HEX #35CFE3

RGB 53 207 227

HSL 186.9, 0.76%, 0.55%

LAB 76.64, -32.1, -21.14

 

CMYK 30 / 77 / 0 / 11

HEX #A035E3

RGB 160 53 227

HSL 276.9, 0.76%, 0.55%

LAB 46.4, 70.08, -68.35

 

CMYK 0 / 68 / 77 / 11

HEX #E34935

RGB 227 73 53

HSL 6.9, 0.76%, 0.55%

LAB 53.33, 58.52, 44.9

 

Description

Color code: CMYK 48 / 0 / 76 / 11 | qconv.com Color code: CMYK 48 / 0 / 76 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 227 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 227 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 76 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 76% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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