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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 67 / 0 / 34 it is the complementary color CMYK 19 / 0 / 56 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 67 / 0 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 39 / 66 / 0 / 36, CMYK 36 / 59 / 0 / 29, CMYK 34 / 54 / 0 / 21, CMYK 32 / 50 / 0 / 14 and CMYK 30 / 46 / 0 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 67 / 0 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 44 / 67 / 0 / 34, CMYK 48 / 74 / 0 / 42, CMYK 54 / 85 / 0 / 49, CMYK 61 / 98 / 0 / 56 and CMYK 72 / 100 / 0 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 44 / 67 / 0 / 34, CMYK 26 / 67 / 0 / 34, CMYK 8 / 67 / 0 / 34, CMYK 0 / 67 / 10 / 34 and CMYK 0 / 67 / 28 / 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 44 / 67 / 0 / 34, CMYK 63 / 67 / 0 / 34 and CMYK 67 / 67 / 0 / 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 44 / 67 / 0 / 34 shade matches the following richer shades: CMYK 44 / 67 / 0 / 34, CMYK 53 / 80 / 0 / 27, CMYK 60 / 91 / 0 / 20 and CMYK 66 / 100 / 0 / 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 44 / 67 / 0 / 34, CMYK 33 / 51 / 0 / 41, CMYK 20 / 30 / 0 / 49, CMYK 2 / 3 / 0 / 56 and CMYK 9 / 0 / 26 / 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 67 / 54 / 0 / 34, CMYK 63 / 67 / 0 / 34, CMYK 45 / 67 / 0 / 34, CMYK 27 / 67 / 0 / 34 and CMYK 9 / 67 / 0 / 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 44 / 67 / 0 / 58, CMYK 45 / 67 / 0 / 46, CMYK 44 / 67 / 0 / 34, CMYK 41 / 63 / 0 / 24 and CMYK 33 / 50 / 0 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 44 / 67 / 0 / 34, CMYK 0 / 67 / 36 / 34 and CMYK 63 / 0 / 67 / 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 44 / 67 / 0 / 34, CMYK 0 / 45 / 67 / 34 and CMYK 67 / 0 / 45 / 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 44 / 67 / 0 / 34, CMYK 0 / 67 / 36 / 34, CMYK 23 / 0 / 67 / 34 and CMYK 67 / 0 / 32 / 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 44 / 67 / 0 / 34 shade: CMYK 44 / 67 / 0 / 34, CMYK 0 / 67 / 56 / 34, CMYK 23 / 0 / 67 / 34 and CMYK 67 / 0 / 11 / 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

Complementary color

CMYK 19 / 0 / 56 / 22

HEX #A1C757

RGB 161 199 87

HSL 80.36, 0.5%, 0.56%

LAB 75.52, -29.93, 51.05

 

CMYK 39 / 66 / 0 / 36

HEX #6338A3

RGB 99 56 163

HSL 264.11, 0.49%, 0.43%

LAB 34.24, 42.17, -51.06

 

CMYK 36 / 59 / 0 / 29

HEX #744AB6

RGB 116 74 182

HSL 263.33, 0.43%, 0.5%

LAB 41.2, 41.1, -51.04

 

CMYK 34 / 54 / 0 / 21

HEX #855CC9

RGB 133 92 201

HSL 262.57, 0.5%, 0.57%

LAB 48.08, 40.01, -50.94

 

CMYK 32 / 50 / 0 / 14

HEX #966EDC

RGB 150 110 220

HSL 261.82, 0.61%, 0.65%

LAB 54.87, 38.97, -50.81

 

CMYK 30 / 46 / 0 / 6

HEX #A780EF

RGB 167 128 239

HSL 261.08, 0.78%, 0.72%

LAB 61.56, 38, -50.7

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 48 / 74 / 0 / 42

HEX #4D2695

RGB 77 38 149

HSL 261.08, 0.59%, 0.37%

LAB 27.11, 43.56, -54.26

 

CMYK 54 / 85 / 0 / 49

HEX #3C1482

RGB 60 20 130

HSL 261.82, 0.73%, 0.29%

LAB 20.33, 44.05, -53.62

 

CMYK 61 / 98 / 0 / 56

HEX #2B026F

RGB 43 2 111

HSL 262.57, 0.96%, 0.22%

LAB 13.85, 43.58, -52.19

 

CMYK 72 / 100 / 0 / 64

HEX #1A005C

RGB 26 0 92

HSL 256.96, 1%, 0.18%

LAB 8.93, 38.38, -47.83

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 26 / 67 / 0 / 34

HEX #7C38A8

RGB 124 56 168

HSL 276.43, 0.5%, 0.44%

LAB 37.74, 48.95, -48.26

 

CMYK 8 / 67 / 0 / 34

HEX #9A38A8

RGB 154 56 168

HSL 292.5, 0.5%, 0.44%

LAB 42.04, 55.93, -41.13

 

CMYK 0 / 67 / 10 / 34

HEX #A83897

RGB 168 56 151

HSL 309.11, 0.5%, 0.44%

LAB 43.34, 56.46, -28.75

 

CMYK 0 / 67 / 28 / 34

HEX #A83879

RGB 168 56 121

HSL 325.18, 0.5%, 0.44%

LAB 42.05, 52.11, -12.45

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 63 / 67 / 0 / 34

HEX #3F38A8

RGB 63 56 168

HSL 243.75, 0.5%, 0.44%

LAB 31.14, 36.95, -59.27

 

CMYK 67 / 67 / 0 / 34

HEX #3838A8

RGB 56 56 168

HSL 240, 0.5%, 0.44%

LAB 30.63, 35.93, -60.12

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 53 / 80 / 0 / 27

HEX #5825BA

RGB 88 37 186

HSL 260.54, 0.67%, 0.44%

LAB 31.68, 55.69, -69.04

 

CMYK 60 / 91 / 0 / 20

HEX #5213CC

RGB 82 19 204

HSL 260.43, 0.83%, 0.44%

LAB 30.92, 65.59, -80.88

 

CMYK 66 / 100 / 0 / 13

HEX #4C01DE

RGB 76 1 222

HSL 260.36, 0.99%, 0.44%

LAB 31.42, 72.68, -90.5

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 33 / 51 / 0 / 41

HEX #644A96

RGB 100 74 150

HSL 260.53, 0.34%, 0.44%

LAB 37.5, 28.4, -37.98

 

CMYK 20 / 30 / 0 / 49

HEX #695C83

RGB 105 92 131

HSL 260, 0.17%, 0.44%

LAB 41.68, 13.84, -19.87

 

CMYK 2 / 3 / 0 / 56

HEX #6F6E71

RGB 111 110 113

HSL 260, 0.01%, 0.44%

LAB 46.61, 1, -1.54

 

CMYK 9 / 0 / 26 / 50

HEX #75805F

RGB 117 128 95

HSL 80, 0.15%, 0.44%

LAB 51.89, -10.25, 16.6

 

CMYK 67 / 54 / 0 / 34

HEX #384EA8

RGB 56 78 168

HSL 228.21, 0.5%, 0.44%

LAB 36.21, 21.71, -51.05

 

CMYK 63 / 67 / 0 / 34

HEX #3F38A8

RGB 63 56 168

HSL 243.75, 0.5%, 0.44%

LAB 31.14, 36.95, -59.27

 

CMYK 45 / 67 / 0 / 34

HEX #5D38A8

RGB 93 56 168

HSL 259.82, 0.5%, 0.44%

LAB 33.95, 42.3, -54.57

 

CMYK 27 / 67 / 0 / 34

HEX #7B38A8

RGB 123 56 168

HSL 275.89, 0.5%, 0.44%

LAB 37.6, 48.73, -48.48

 

CMYK 9 / 67 / 0 / 34

HEX #9938A8

RGB 153 56 168

HSL 291.96, 0.5%, 0.44%

LAB 41.89, 55.69, -41.38

 

CMYK 44 / 67 / 0 / 58

HEX #3B236A

RGB 59 35 106

HSL 260.28, 0.5%, 0.28%

LAB 20.72, 29.14, -37.59

 

CMYK 45 / 67 / 0 / 46

HEX #4C2D89

RGB 76 45 137

HSL 260.22, 0.51%, 0.36%

LAB 27.35, 36.16, -46.45

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 41 / 63 / 0 / 24

HEX #7147C1

RGB 113 71 193

HSL 260.66, 0.5%, 0.52%

LAB 41, 45.04, -57.8

 

CMYK 33 / 50 / 0 / 20

HEX #8966CC

RGB 137 102 204

HSL 260.59, 0.5%, 0.6%

LAB 50.9, 36.08, -48.13

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 0 / 67 / 36 / 34

HEX #A8386C

RGB 168 56 108

HSL 332.14, 0.5%, 0.44%

LAB 41.59, 50.5, -5.1

 

CMYK 63 / 0 / 67 / 34

HEX #3FA838

RGB 63 168 56

HSL 116.25, 0.5%, 0.44%

LAB 61.09, -51.86, 47.36

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 0 / 45 / 67 / 34

HEX #A85D38

RGB 168 93 56

HSL 19.82, 0.5%, 0.44%

LAB 47.55, 27.29, 34.22

 

CMYK 67 / 0 / 45 / 34

HEX #38A85D

RGB 56 168 93

HSL 139.82, 0.5%, 0.44%

LAB 61.34, -48.32, 29.71

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 0 / 67 / 36 / 34

HEX #A8386C

RGB 168 56 108

HSL 332.14, 0.5%, 0.44%

LAB 41.59, 50.5, -5.1

 

CMYK 23 / 0 / 67 / 34

HEX #82A838

RGB 130 168 56

HSL 80.36, 0.5%, 0.44%

LAB 64.19, -29.96, 51.6

 

CMYK 67 / 0 / 32 / 34

HEX #38A873

RGB 56 168 115

HSL 151.61, 0.5%, 0.44%

LAB 61.73, -44.08, 18.39

 

CMYK 44 / 67 / 0 / 34

HEX #5E38A8

RGB 94 56 168

HSL 260.36, 0.5%, 0.44%

LAB 34.06, 42.5, -54.39

 

CMYK 0 / 67 / 56 / 34

HEX #A8384A

RGB 168 56 74

HSL 350.36, 0.5%, 0.44%

LAB 40.65, 47.13, 14.84

 

CMYK 23 / 0 / 67 / 34

HEX #82A838

RGB 130 168 56

HSL 80.36, 0.5%, 0.44%

LAB 64.19, -29.96, 51.6

 

CMYK 67 / 0 / 11 / 34

HEX #38A895

RGB 56 168 149

HSL 169.82, 0.5%, 0.44%

LAB 62.52, -35.9, 0.62

 

Description

Color code: CMYK 44 / 67 / 0 / 34 | qconv.com Color code: CMYK 44 / 67 / 0 / 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 56 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 56 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 67 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 67% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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