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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 43 / 0 / 57 / 36 it is the complementary color CMYK 12 / 50 / 0 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 43 / 0 / 57 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 40 / 0 / 60 / 36, CMYK 36 / 0 / 54 / 29, CMYK 34 / 0 / 48 / 22, CMYK 31 / 0 / 44 / 15 and CMYK 29 / 0 / 40 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 43 / 0 / 57 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 43 / 0 / 57 / 36, CMYK 48 / 0 / 65 / 43, CMYK 54 / 0 / 75 / 50, CMYK 61 / 0 / 88 / 57 and CMYK 73 / 0 / 100 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 43 / 0 / 57 / 36, CMYK 28 / 0 / 57 / 36, CMYK 12 / 0 / 57 / 36, CMYK 0 / 4 / 57 / 36 and CMYK 0 / 19 / 57 / 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 43 / 0 / 57 / 36, CMYK 57 / 0 / 56 / 36, CMYK 57 / 0 / 41 / 36, CMYK 57 / 0 / 25 / 36 and CMYK 57 / 0 / 10 / 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 43 / 0 / 57 / 36 shade matches the following richer shades: CMYK 43 / 0 / 57 / 36, CMYK 55 / 0 / 72 / 28, CMYK 63 / 0 / 84 / 21 and CMYK 71 / 0 / 94 / 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 43 / 0 / 57 / 36, CMYK 29 / 0 / 39 / 43, CMYK 11 / 0 / 14 / 51, CMYK 4 / 16 / 0 / 50 and CMYK 10 / 40 / 0 / 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 13 / 0 / 57 / 36, CMYK 28 / 0 / 57 / 36, CMYK 43 / 0 / 57 / 36, CMYK 57 / 0 / 57 / 36 and CMYK 57 / 0 / 41 / 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 43 / 0 / 58 / 58, CMYK 43 / 0 / 57 / 47, CMYK 43 / 0 / 57 / 36, CMYK 38 / 0 / 51 / 28 and CMYK 29 / 0 / 40 / 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 43 / 0 / 57 / 36, CMYK 57 / 0 / 3 / 36 and CMYK 0 / 57 / 20 / 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 43 / 0 / 57 / 36, CMYK 57 / 43 / 0 / 36 and CMYK 0 / 57 / 43 / 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 43 / 0 / 57 / 36, CMYK 57 / 0 / 3 / 36, CMYK 15 / 57 / 0 / 36 and CMYK 0 / 57 / 54 / 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 43 / 0 / 57 / 36 shade: CMYK 43 / 0 / 57 / 36, CMYK 57 / 15 / 0 / 36, CMYK 15 / 57 / 0 / 36 and CMYK 0 / 43 / 57 / 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 57 / 36

HEX #5DA346

RGB 93 163 70

HSL 105.16, 0.4%, 0.46%

LAB 60.75, -39.92, 40.91

 

Complementary color

CMYK 12 / 50 / 0 / 27

HEX #A25CB9

RGB 162 92 185

HSL 285.16, 0.4%, 0.54%

LAB 50.5, 44.01, -37.66

 

CMYK 40 / 0 / 60 / 36

HEX #62A341

RGB 98 163 65

HSL 99.8, 0.43%, 0.45%

LAB 60.93, -38.81, 43.55

 

CMYK 36 / 0 / 54 / 29

HEX #73B554

RGB 115 181 84

HSL 100.82, 0.4%, 0.52%

LAB 67.53, -38.84, 42.43

 

CMYK 34 / 0 / 48 / 22

HEX #84C767

RGB 132 199 103

HSL 101.88, 0.46%, 0.59%

LAB 74.02, -38.77, 41.24

 

CMYK 31 / 0 / 44 / 15

HEX #95D97A

RGB 149 217 122

HSL 102.95, 0.56%, 0.66%

LAB 80.42, -38.65, 40.04

 

CMYK 29 / 0 / 40 / 8

HEX #A6EB8D

RGB 166 235 141

HSL 104.04, 0.7%, 0.74%

LAB 86.72, -38.5, 38.87

 

CMYK 43 / 0 / 57 / 36

HEX #5DA346

RGB 93 163 70

HSL 105.16, 0.4%, 0.46%

LAB 60.75, -39.92, 40.91

 

CMYK 48 / 0 / 65 / 43

HEX #4C9133

RGB 76 145 51

HSL 104.04, 0.48%, 0.38%

LAB 54.05, -39.78, 41.98

 

CMYK 54 / 0 / 75 / 50

HEX #3B7F20

RGB 59 127 32

HSL 102.95, 0.6%, 0.31%

LAB 47.25, -39.35, 42.64

 

CMYK 61 / 0 / 88 / 57

HEX #2A6D0D

RGB 42 109 13

HSL 101.88, 0.79%, 0.24%

LAB 40.34, -38.43, 42.26

 

CMYK 73 / 0 / 100 / 64

HEX #195B00

RGB 25 91 0

HSL 103.52, 1%, 0.18%

LAB 33.33, -36.66, 39.74

 

CMYK 43 / 0 / 57 / 36

HEX #5DA446

RGB 93 164 70

HSL 105.32, 0.4%, 0.46%

LAB 61.06, -40.35, 41.28

 

CMYK 28 / 0 / 57 / 36

HEX #76A446

RGB 118 164 70

HSL 89.36, 0.4%, 0.46%

LAB 62.38, -31.52, 43.14

 

CMYK 12 / 0 / 57 / 36

HEX #90A446

RGB 144 164 70

HSL 72.77, 0.4%, 0.46%

LAB 64.1, -21.16, 45.56

 

CMYK 0 / 4 / 57 / 36

HEX #A49E46

RGB 164 158 70

HSL 56.17, 0.4%, 0.46%

LAB 63.99, -9.56, 45.87

 

CMYK 0 / 19 / 57 / 36

HEX #A48546

RGB 164 133 70

HSL 40.21, 0.4%, 0.46%

LAB 57.18, 4.07, 37.99

 

CMYK 43 / 0 / 57 / 36

HEX #5DA446

RGB 93 164 70

HSL 105.32, 0.4%, 0.46%

LAB 61.06, -40.35, 41.28

 

CMYK 57 / 0 / 56 / 36

HEX #46A448

RGB 70 164 72

HSL 121.28, 0.4%, 0.46%

LAB 60.18, -46.8, 39.04

 

CMYK 57 / 0 / 41 / 36

HEX #46A461

RGB 70 164 97

HSL 137.23, 0.4%, 0.46%

LAB 60.53, -42.96, 26.62

 

CMYK 57 / 0 / 25 / 36

HEX #46A47B

RGB 70 164 123

HSL 153.83, 0.4%, 0.46%

LAB 61.03, -37.76, 13.07

 

CMYK 57 / 0 / 10 / 36

HEX #46A494

RGB 70 164 148

HSL 169.79, 0.4%, 0.46%

LAB 61.65, -31.71, -0.05

 

CMYK 43 / 0 / 57 / 36

HEX #5DA446

RGB 93 164 70

HSL 105.32, 0.4%, 0.46%

LAB 61.06, -40.35, 41.28

 

CMYK 55 / 0 / 72 / 28

HEX #53B733

RGB 83 183 51

HSL 105.45, 0.56%, 0.46%

LAB 66.48, -52.77, 55.22

 

CMYK 63 / 0 / 84 / 21

HEX #4ACA20

RGB 74 202 32

HSL 105.18, 0.73%, 0.46%

LAB 72.1, -62.79, 66.26

 

CMYK 71 / 0 / 94 / 13

HEX #40DD0D

RGB 64 221 13

HSL 105.29, 0.89%, 0.46%

LAB 77.78, -71.34, 74.24

 

CMYK 43 / 0 / 57 / 36

HEX #5DA446

RGB 93 164 70

HSL 105.32, 0.4%, 0.46%

LAB 61.06, -40.35, 41.28

 

CMYK 29 / 0 / 39 / 43

HEX #679159

RGB 103 145 89

HSL 105, 0.24%, 0.46%

LAB 55.94, -25.53, 25.22

 

CMYK 11 / 0 / 14 / 51

HEX #707E6C

RGB 112 126 108

HSL 106.67, 0.08%, 0.46%

LAB 51.21, -8.81, 8.07

 

CMYK 4 / 16 / 0 / 50

HEX #7A6B7F

RGB 122 107 127

HSL 285, 0.09%, 0.46%

LAB 47.22, 9.86, -8.9

 

CMYK 10 / 40 / 0 / 43

HEX #835892

RGB 131 88 146

HSL 284.48, 0.25%, 0.46%

LAB 44.06, 28.45, -25.01

 

CMYK 13 / 0 / 57 / 36

HEX #8FA446

RGB 143 164 70

HSL 73.4, 0.4%, 0.46%

LAB 64.03, -21.58, 45.46

 

CMYK 28 / 0 / 57 / 36

HEX #76A446

RGB 118 164 70

HSL 89.36, 0.4%, 0.46%

LAB 62.38, -31.52, 43.14

 

CMYK 43 / 0 / 57 / 36

HEX #5DA446

RGB 93 164 70

HSL 105.32, 0.4%, 0.46%

LAB 61.06, -40.35, 41.28

 

CMYK 57 / 0 / 57 / 36

HEX #46A447

RGB 70 164 71

HSL 120.64, 0.4%, 0.46%

LAB 60.17, -46.93, 39.51

 

CMYK 57 / 0 / 41 / 36

HEX #46A460

RGB 70 164 96

HSL 136.6, 0.4%, 0.46%

LAB 60.51, -43.13, 27.13

 

CMYK 43 / 0 / 58 / 58

HEX #3C6A2D

RGB 60 106 45

HSL 105.25, 0.4%, 0.3%

LAB 40.34, -28.48, 29.04

 

CMYK 43 / 0 / 57 / 47

HEX #4D873A

RGB 77 135 58

HSL 105.19, 0.4%, 0.38%

LAB 50.93, -34.32, 35.08

 

CMYK 43 / 0 / 57 / 36

HEX #5DA446

RGB 93 164 70

HSL 105.32, 0.4%, 0.46%

LAB 61.06, -40.35, 41.28

 

CMYK 38 / 0 / 51 / 28

HEX #72B85B

RGB 114 184 91

HSL 105.16, 0.4%, 0.54%

LAB 68.47, -39.65, 40.14

 

CMYK 29 / 0 / 40 / 23

HEX #8BC577

RGB 139 197 119

HSL 104.62, 0.4%, 0.62%

LAB 74.03, -33.33, 33.27

 

CMYK 43 / 0 / 57 / 36

HEX #5DA346

RGB 93 163 70

HSL 105.16, 0.4%, 0.46%

LAB 60.75, -39.92, 40.91

 

CMYK 57 / 0 / 3 / 36

HEX #46A49F

RGB 70 164 159

HSL 176.81, 0.4%, 0.46%

LAB 61.96, -28.77, -5.77

 

CMYK 0 / 57 / 20 / 36

HEX #A44683

RGB 164 70 131

HSL 321.06, 0.4%, 0.46%

LAB 44.11, 46.03, -15.51

 

CMYK 43 / 0 / 57 / 36

HEX #5DA346

RGB 93 163 70

HSL 105.16, 0.4%, 0.46%

LAB 60.75, -39.92, 40.91

 

CMYK 57 / 43 / 0 / 36

HEX #465DA4

RGB 70 93 164

HSL 225.32, 0.4%, 0.46%

LAB 40.91, 13.22, -41.07

 

CMYK 0 / 57 / 43 / 36

HEX #A4465D

RGB 164 70 93

HSL 345.32, 0.4%, 0.46%

LAB 42.86, 41.07, 5.99

 

CMYK 43 / 0 / 57 / 36

HEX #5DA346

RGB 93 163 70

HSL 105.16, 0.4%, 0.46%

LAB 60.75, -39.92, 40.91

 

CMYK 57 / 0 / 3 / 36

HEX #46A49F

RGB 70 164 159

HSL 176.81, 0.4%, 0.46%

LAB 61.96, -28.77, -5.77

 

CMYK 15 / 57 / 0 / 36

HEX #8C46A4

RGB 140 70 164

HSL 284.68, 0.4%, 0.46%

LAB 42.21, 45.03, -38.6

 

CMYK 0 / 57 / 54 / 36

HEX #A4464B

RGB 164 70 75

HSL 356.81, 0.4%, 0.46%

LAB 42.43, 39.31, 16.51

 

CMYK 43 / 0 / 57 / 36

HEX #5DA346

RGB 93 163 70

HSL 105.16, 0.4%, 0.46%

LAB 60.75, -39.92, 40.91

 

CMYK 57 / 15 / 0 / 36

HEX #468CA4

RGB 70 140 164

HSL 195.32, 0.4%, 0.46%

LAB 54.8, -14.87, -19.39

 

CMYK 15 / 57 / 0 / 36

HEX #8C46A4

RGB 140 70 164

HSL 284.68, 0.4%, 0.46%

LAB 42.21, 45.03, -38.6

 

CMYK 0 / 43 / 57 / 36

HEX #A45D46

RGB 164 93 70

HSL 14.68, 0.4%, 0.46%

LAB 47.19, 26.66, 25.73

 

Description

Color code: CMYK 43 / 0 / 57 / 36 | qconv.com Color code: CMYK 43 / 0 / 57 / 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 163 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 163 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 57 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 57% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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