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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 42 / 23 / 0 / 25 it is the complementary color CMYK 0 / 25 / 56 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 42 / 23 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 38 / 21 / 0 / 27, CMYK 35 / 20 / 0 / 20, CMYK 33 / 18 / 0 / 12, CMYK 31 / 17 / 0 / 5 and CMYK 28 / 14 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 42 / 23 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 42 / 23 / 0 / 25, CMYK 45 / 25 / 0 / 33, CMYK 50 / 27 / 0 / 40, CMYK 55 / 31 / 0 / 47 and CMYK 63 / 35 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 42 / 23 / 0 / 25, CMYK 42 / 34 / 0 / 25, CMYK 38 / 42 / 0 / 25, CMYK 27 / 42 / 0 / 25 and CMYK 16 / 42 / 0 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 42 / 23 / 0 / 25, CMYK 42 / 34 / 0 / 25 and CMYK 42 / 42 / 0 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 42 / 23 / 0 / 25 shade matches the following richer shades: CMYK 42 / 23 / 0 / 25, CMYK 55 / 30 / 0 / 19, CMYK 66 / 36 / 0 / 12 and CMYK 75 / 41 / 0 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 42 / 23 / 0 / 25, CMYK 27 / 14 / 0 / 32, CMYK 8 / 4 / 0 / 39, CMYK 0 / 6 / 14 / 37 and CMYK 0 / 14 / 31 / 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 42 / 1 / 0 / 25, CMYK 42 / 12 / 0 / 25, CMYK 42 / 23 / 0 / 25, CMYK 42 / 34 / 0 / 25 and CMYK 38 / 42 / 0 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 55 / 30 / 0 / 41, CMYK 54 / 29 / 0 / 31, CMYK 42 / 23 / 0 / 25, CMYK 31 / 17 / 0 / 21 and CMYK 22 / 12 / 0 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 42 / 23 / 0 / 25, CMYK 11 / 42 / 0 / 25 and CMYK 6 / 0 / 42 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 42 / 23 / 0 / 25, CMYK 0 / 42 / 23 / 25 and CMYK 23 / 0 / 42 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 42 / 23 / 0 / 25, CMYK 11 / 42 / 0 / 25, CMYK 0 / 19 / 42 / 25 and CMYK 32 / 0 / 42 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 42 / 23 / 0 / 25 shade: CMYK 42 / 23 / 0 / 25, CMYK 0 / 42 / 2 / 25, CMYK 0 / 19 / 42 / 25 and CMYK 42 / 0 / 40 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 23 / 0 / 25

HEX #6F93BF

RGB 111 147 191

HSL 213, 0.38%, 0.59%

LAB 59.9, -0.94, -26.77

 

Complementary color

CMYK 0 / 25 / 56 / 44

HEX #906C40

RGB 144 108 64

HSL 33, 0.38%, 0.41%

LAB 48.29, 8.89, 29.97

 

CMYK 38 / 21 / 0 / 27

HEX #7493BA

RGB 116 147 186

HSL 213.43, 0.34%, 0.59%

LAB 60, -0.96, -23.76

 

CMYK 35 / 20 / 0 / 20

HEX #85A5CD

RGB 133 165 205

HSL 213.33, 0.42%, 0.66%

LAB 66.75, -1.24, -23.95

 

CMYK 33 / 18 / 0 / 12

HEX #96B7E0

RGB 150 183 224

HSL 213.24, 0.54%, 0.73%

LAB 73.37, -1.49, -24.16

 

CMYK 31 / 17 / 0 / 5

HEX #A7C9F3

RGB 167 201 243

HSL 213.16, 0.76%, 0.8%

LAB 79.87, -1.71, -24.39

 

CMYK 28 / 14 / 0 / 0

HEX #B8DBFF

RGB 184 219 255

HSL 210.42, 1%, 0.86%

LAB 86.04, -3.55, -21.29

 

CMYK 42 / 23 / 0 / 25

HEX #6F93BF

RGB 111 147 191

HSL 213, 0.38%, 0.59%

LAB 59.9, -0.94, -26.77

 

CMYK 45 / 25 / 0 / 33

HEX #5E81AC

RGB 94 129 172

HSL 213.08, 0.32%, 0.52%

LAB 53.01, -0.51, -26.65

 

CMYK 50 / 27 / 0 / 40

HEX #4D6F99

RGB 77 111 153

HSL 213.16, 0.33%, 0.45%

LAB 45.97, 0.02, -26.56

 

CMYK 55 / 31 / 0 / 47

HEX #3C5D86

RGB 60 93 134

HSL 213.24, 0.38%, 0.38%

LAB 38.74, 0.71, -26.51

 

CMYK 63 / 35 / 0 / 55

HEX #2B4B73

RGB 43 75 115

HSL 213.33, 0.46%, 0.31%

LAB 31.31, 1.67, -26.51

 

CMYK 42 / 23 / 0 / 25

HEX #6E92BE

RGB 110 146 190

HSL 213, 0.38%, 0.59%

LAB 59.52, -0.91, -26.8

 

CMYK 42 / 34 / 0 / 25

HEX #6E7DBE

RGB 110 125 190

HSL 228.75, 0.38%, 0.59%

LAB 53.71, 11.38, -35.83

 

CMYK 38 / 42 / 0 / 25

HEX #756EBE

RGB 117 110 190

HSL 245.25, 0.38%, 0.59%

LAB 50.28, 22.28, -41.2

 

CMYK 27 / 42 / 0 / 25

HEX #8B6EBE

RGB 139 110 190

HSL 261.75, 0.38%, 0.59%

LAB 52.24, 28.42, -37.97

 

CMYK 16 / 42 / 0 / 25

HEX #A06EBE

RGB 160 110 190

HSL 277.5, 0.38%, 0.59%

LAB 54.39, 34.62, -34.45

 

CMYK 42 / 23 / 0 / 25

HEX #6E92BE

RGB 110 146 190

HSL 213, 0.38%, 0.59%

LAB 59.52, -0.91, -26.8

 

CMYK 42 / 34 / 0 / 25

HEX #6E7DBE

RGB 110 125 190

HSL 228.75, 0.38%, 0.59%

LAB 53.71, 11.38, -35.83

 

CMYK 42 / 42 / 0 / 25

HEX #6E6EBE

RGB 110 110 190

HSL 240, 0.38%, 0.59%

LAB 49.72, 20.43, -42.12

 

CMYK 42 / 23 / 0 / 25

HEX #6E92BE

RGB 110 146 190

HSL 213, 0.38%, 0.59%

LAB 59.52, -0.91, -26.8

 

CMYK 55 / 30 / 0 / 19

HEX #5D90CF

RGB 93 144 207

HSL 213.16, 0.54%, 0.59%

LAB 58.77, 1.25, -37.61

 

CMYK 66 / 36 / 0 / 12

HEX #4C8FE0

RGB 76 143 224

HSL 212.84, 0.7%, 0.59%

LAB 58.57, 4.23, -47.48

 

CMYK 75 / 41 / 0 / 6

HEX #3B8DF0

RGB 59 141 240

HSL 212.82, 0.86%, 0.59%

LAB 58.29, 8.68, -56.84

 

CMYK 42 / 23 / 0 / 25

HEX #6E92BE

RGB 110 146 190

HSL 213, 0.38%, 0.59%

LAB 59.52, -0.91, -26.8

 

CMYK 27 / 14 / 0 / 32

HEX #7F94AD

RGB 127 148 173

HSL 212.61, 0.22%, 0.59%

LAB 60.52, -1.63, -15.54

 

CMYK 8 / 4 / 0 / 39

HEX #90959C

RGB 144 149 156

HSL 215, 0.06%, 0.59%

LAB 61.5, -0.38, -4.31

 

CMYK 0 / 6 / 14 / 37

HEX #A1978B

RGB 161 151 139

HSL 32.73, 0.1%, 0.59%

LAB 62.99, 1.56, 7.63

 

CMYK 0 / 14 / 31 / 30

HEX #B2997A

RGB 178 153 122

HSL 33.21, 0.27%, 0.59%

LAB 64.69, 4.57, 19.74

 

CMYK 42 / 1 / 0 / 25

HEX #6EBCBE

RGB 110 188 190

HSL 181.5, 0.38%, 0.59%

LAB 71.55, -23.47, -8.55

 

CMYK 42 / 12 / 0 / 25

HEX #6EA7BE

RGB 110 167 190

HSL 197.25, 0.38%, 0.59%

LAB 65.49, -12.56, -17.66

 

CMYK 42 / 23 / 0 / 25

HEX #6E92BE

RGB 110 146 190

HSL 213, 0.38%, 0.59%

LAB 59.52, -0.91, -26.8

 

CMYK 42 / 34 / 0 / 25

HEX #6E7DBE

RGB 110 125 190

HSL 228.75, 0.38%, 0.59%

LAB 53.71, 11.38, -35.83

 

CMYK 38 / 42 / 0 / 25

HEX #756EBE

RGB 117 110 190

HSL 245.25, 0.38%, 0.59%

LAB 50.28, 22.28, -41.2

 

CMYK 55 / 30 / 0 / 41

HEX #436996

RGB 67 105 150

HSL 212.53, 0.38%, 0.43%

LAB 43.5, 0.28, -28.67

 

CMYK 54 / 29 / 0 / 31

HEX #527DB1

RGB 82 125 177

HSL 212.84, 0.38%, 0.51%

LAB 51.42, 0.45, -32.06

 

CMYK 42 / 23 / 0 / 25

HEX #6E92BE

RGB 110 146 190

HSL 213, 0.38%, 0.59%

LAB 59.52, -0.91, -26.8

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7CA

RGB 139 167 202

HSL 213.33, 0.37%, 0.67%

LAB 67.57, -1.4, -21.01

 

CMYK 22 / 12 / 0 / 16

HEX #A7BDD7

RGB 167 189 215

HSL 212.5, 0.38%, 0.75%

LAB 75.77, -1.87, -15.53

 

CMYK 42 / 23 / 0 / 25

HEX #6F93BF

RGB 111 147 191

HSL 213, 0.38%, 0.59%

LAB 59.9, -0.94, -26.77

 

CMYK 11 / 42 / 0 / 25

HEX #AA6EBE

RGB 170 110 190

HSL 285, 0.38%, 0.59%

LAB 55.5, 37.64, -32.63

 

CMYK 6 / 0 / 42 / 25

HEX #B2BE6E

RGB 178 190 110

HSL 69, 0.38%, 0.59%

LAB 74.46, -16.49, 38.92

 

CMYK 42 / 23 / 0 / 25

HEX #6F93BF

RGB 111 147 191

HSL 213, 0.38%, 0.59%

LAB 59.9, -0.94, -26.77

 

CMYK 0 / 42 / 23 / 25

HEX #BE6E92

RGB 190 110 146

HSL 333, 0.38%, 0.59%

LAB 56.26, 36.36, -5.8

 

CMYK 23 / 0 / 42 / 25

HEX #92BE6E

RGB 146 190 110

HSL 93, 0.38%, 0.59%

LAB 72.27, -28.77, 35.7

 

CMYK 42 / 23 / 0 / 25

HEX #6F93BF

RGB 111 147 191

HSL 213, 0.38%, 0.59%

LAB 59.9, -0.94, -26.77

 

CMYK 11 / 42 / 0 / 25

HEX #AA6EBE

RGB 170 110 190

HSL 285, 0.38%, 0.59%

LAB 55.5, 37.64, -32.63

 

CMYK 0 / 19 / 42 / 25

HEX #BE9A6E

RGB 190 154 110

HSL 33, 0.38%, 0.59%

LAB 65.89, 7.45, 28.14

 

CMYK 32 / 0 / 42 / 25

HEX #82BE6E

RGB 130 190 110

HSL 105, 0.38%, 0.59%

LAB 71.35, -34.44, 34.34

 

CMYK 42 / 23 / 0 / 25

HEX #6F93BF

RGB 111 147 191

HSL 213, 0.38%, 0.59%

LAB 59.9, -0.94, -26.77

 

CMYK 0 / 42 / 2 / 25

HEX #BE6EBA

RGB 190 110 186

HSL 303, 0.38%, 0.59%

LAB 57.7, 43.01, -26.74

 

CMYK 0 / 19 / 42 / 25

HEX #BE9A6E

RGB 190 154 110

HSL 33, 0.38%, 0.59%

LAB 65.89, 7.45, 28.14

 

CMYK 42 / 0 / 40 / 25

HEX #6EBE72

RGB 110 190 114

HSL 123, 0.38%, 0.59%

LAB 70.43, -40.3, 30.89

 

Description

Color code: CMYK 42 / 23 / 0 / 25 | qconv.com Color code: CMYK 42 / 23 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 147 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 147 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 23 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 23% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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