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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 41 / 83 / 0 / 5 it is the complementary color CMYK 48 / 0 / 94 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 41 / 83 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 38 / 83 / 0 / 7, CMYK 35 / 77 / 0 / 0, CMYK 29 / 70 / 0 / 0, CMYK 22 / 63 / 0 / 0 and CMYK 15 / 56 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 41 / 83 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 41 / 83 / 0 / 5, CMYK 43 / 90 / 0 / 13, CMYK 47 / 98 / 0 / 20, CMYK 50 / 100 / 0 / 27 and CMYK 55 / 100 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 42 / 84 / 0 / 5, CMYK 19 / 84 / 0 / 5, CMYK 0 / 84 / 4 / 5, CMYK 0 / 84 / 27 / 5 and CMYK 0 / 84 / 50 / 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 42 / 84 / 0 / 5, CMYK 64 / 84 / 0 / 5 and CMYK 84 / 84 / 0 / 5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 41 / 83 / 0 / 5 shade matches the following richer shades: CMYK 42 / 84 / 0 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 42 / 84 / 0 / 5, CMYK 37 / 75 / 0 / 13, CMYK 31 / 63 / 0 / 20, CMYK 25 / 50 / 0 / 27 and CMYK 17 / 33 / 0 / 34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 84 / 82 / 0 / 5, CMYK 65 / 84 / 0 / 5, CMYK 42 / 84 / 0 / 5, CMYK 20 / 84 / 0 / 5 and CMYK 0 / 84 / 3 / 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 47 / 95 / 0 / 27, CMYK 46 / 94 / 0 / 11, CMYK 42 / 84 / 0 / 5, CMYK 34 / 68 / 0 / 4 and CMYK 26 / 53 / 0 / 4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 41 / 83 / 0 / 5, CMYK 0 / 84 / 59 / 5 and CMYK 84 / 0 / 76 / 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 41 / 83 / 0 / 5, CMYK 0 / 42 / 84 / 5 and CMYK 84 / 0 / 42 / 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 41 / 83 / 0 / 5, CMYK 0 / 84 / 59 / 5, CMYK 42 / 0 / 84 / 5 and CMYK 84 / 0 / 25 / 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 41 / 83 / 0 / 5 shade: CMYK 41 / 83 / 0 / 5, CMYK 0 / 84 / 84 / 5, CMYK 42 / 0 / 84 / 5 and CMYK 84 / 0 / 0 / 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 83 / 0 / 5

HEX #8F29F2

RGB 143 41 242

HSL 270.45, 0.89%, 0.55%

LAB 44, 74.67, -80.85

 

Complementary color

CMYK 48 / 0 / 94 / 16

HEX #70D60D

RGB 112 214 13

HSL 90.45, 0.89%, 0.45%

LAB 77.02, -57.52, 74.2

 

CMYK 38 / 83 / 0 / 7

HEX #9429ED

RGB 148 41 237

HSL 272.76, 0.84%, 0.55%

LAB 44.23, 74.24, -77.63

 

CMYK 35 / 77 / 0 / 0

HEX #A53BFF

RGB 165 59 255

HSL 272.45, 1%, 0.62%

LAB 49.91, 74.71, -78.33

 

CMYK 29 / 70 / 0 / 0

HEX #B64DFF

RGB 182 77 255

HSL 275.39, 1%, 0.65%

LAB 54.53, 70.69, -70.74

 

CMYK 22 / 63 / 0 / 0

HEX #C75FFF

RGB 199 95 255

HSL 279, 1%, 0.69%

LAB 59.48, 66.36, -62.65

 

CMYK 15 / 56 / 0 / 0

HEX #D871FF

RGB 216 113 255

HSL 283.52, 1%, 0.72%

LAB 64.67, 61.95, -54.25

 

CMYK 41 / 83 / 0 / 5

HEX #8F29F2

RGB 143 41 242

HSL 270.45, 0.89%, 0.55%

LAB 44, 74.67, -80.85

 

CMYK 43 / 90 / 0 / 13

HEX #7E17DF

RGB 126 23 223

HSL 270.9, 0.81%, 0.48%

LAB 38.51, 73.11, -79.16

 

CMYK 47 / 98 / 0 / 20

HEX #6D05CC

RGB 109 5 204

HSL 271.36, 0.95%, 0.41%

LAB 33.39, 70.25, -76.69

 

CMYK 50 / 100 / 0 / 27

HEX #5C00B9

RGB 92 0 185

HSL 269.84, 1%, 0.36%

LAB 28.85, 65.44, -73.1

 

CMYK 55 / 100 / 0 / 35

HEX #4B00A6

RGB 75 0 166

HSL 267.11, 1%, 0.33%

LAB 24.48, 59.86, -68.99

 

CMYK 42 / 84 / 0 / 5

HEX #8D26F2

RGB 141 38 242

HSL 270.29, 0.89%, 0.55%

LAB 43.45, 75.28, -81.76

 

CMYK 19 / 84 / 0 / 5

HEX #C426F2

RGB 196 38 242

HSL 286.47, 0.89%, 0.55%

LAB 51.3, 82.97, -68.61

 

CMYK 0 / 84 / 4 / 5

HEX #F226E8

RGB 242 38 232

HSL 302.94, 0.89%, 0.55%

LAB 58.12, 89.12, -51.65

 

CMYK 0 / 84 / 27 / 5

HEX #F226B1

RGB 242 38 177

HSL 319.12, 0.89%, 0.55%

LAB 55.52, 82.13, -24.25

 

CMYK 0 / 84 / 50 / 5

HEX #F2267A

RGB 242 38 122

HSL 335.29, 0.89%, 0.55%

LAB 53.67, 76.93, 5.6

 

CMYK 42 / 84 / 0 / 5

HEX #8D26F2

RGB 141 38 242

HSL 270.29, 0.89%, 0.55%

LAB 43.45, 75.28, -81.76

 

CMYK 64 / 84 / 0 / 5

HEX #5626F2

RGB 86 38 242

HSL 254.12, 0.89%, 0.55%

LAB 37.44, 69.81, -91.88

 

CMYK 84 / 84 / 0 / 5

HEX #2626F2

RGB 38 38 242

HSL 240, 0.89%, 0.55%

LAB 34.41, 67.25, -96.99

 

CMYK 42 / 84 / 0 / 5

HEX #8D26F2

RGB 141 38 242

HSL 270.29, 0.89%, 0.55%

LAB 43.45, 75.28, -81.76

 

CMYK 42 / 84 / 0 / 5

HEX #8D26F2

RGB 141 38 242

HSL 270.29, 0.89%, 0.55%

LAB 43.45, 75.28, -81.76

 

CMYK 37 / 75 / 0 / 13

HEX #8D38DF

RGB 141 56 223

HSL 270.54, 0.72%, 0.55%

LAB 43.97, 64.9, -70.13

 

CMYK 31 / 63 / 0 / 20

HEX #8D4BCD

RGB 141 75 205

HSL 270.46, 0.57%, 0.55%

LAB 45.77, 52.03, -56.89

 

CMYK 25 / 50 / 0 / 27

HEX #8C5DBA

RGB 140 93 186

HSL 270.32, 0.4%, 0.55%

LAB 48.2, 37.52, -42.04

 

CMYK 17 / 33 / 0 / 34

HEX #8C70A8

RGB 140 112 168

HSL 270, 0.24%, 0.55%

LAB 51.83, 22.25, -25.89

 

CMYK 84 / 82 / 0 / 5

HEX #262CF2

RGB 38 44 242

HSL 238.24, 0.89%, 0.55%

LAB 35.25, 64.77, -95.6

 

CMYK 65 / 84 / 0 / 5

HEX #5526F2

RGB 85 38 242

HSL 253.82, 0.89%, 0.55%

LAB 37.35, 69.73, -92.03

 

CMYK 42 / 84 / 0 / 5

HEX #8C26F2

RGB 140 38 242

HSL 270, 0.89%, 0.55%

LAB 43.32, 75.16, -81.98

 

CMYK 20 / 84 / 0 / 5

HEX #C226F2

RGB 194 38 242

HSL 285.88, 0.89%, 0.55%

LAB 51, 82.66, -69.12

 

CMYK 0 / 84 / 3 / 5

HEX #F226EB

RGB 242 38 235

HSL 302.06, 0.89%, 0.55%

LAB 58.28, 89.55, -53.08

 

CMYK 47 / 95 / 0 / 27

HEX #640ABB

RGB 100 10 187

HSL 270.51, 0.9%, 0.39%

LAB 30.67, 64.96, -71.23

 

CMYK 46 / 94 / 0 / 11

HEX #790DE2

RGB 121 13 226

HSL 270.42, 0.89%, 0.47%

LAB 37.56, 74.99, -82.46

 

CMYK 42 / 84 / 0 / 5

HEX #8D26F2

RGB 141 38 242

HSL 270.29, 0.89%, 0.55%

LAB 43.45, 75.28, -81.76

 

CMYK 34 / 68 / 0 / 4

HEX #A24DF4

RGB 162 77 244

HSL 270.54, 0.88%, 0.63%

LAB 51.29, 64.48, -69.97

 

CMYK 26 / 53 / 0 / 4

HEX #B674F6

RGB 182 116 246

HSL 270.46, 0.88%, 0.71%

LAB 60.86, 50.06, -55.58

 

CMYK 41 / 83 / 0 / 5

HEX #8F29F2

RGB 143 41 242

HSL 270.45, 0.89%, 0.55%

LAB 44, 74.67, -80.85

 

CMYK 0 / 84 / 59 / 5

HEX #F22663

RGB 242 38 99

HSL 342.06, 0.89%, 0.55%

LAB 53.13, 75.36, 18.72

 

CMYK 84 / 0 / 76 / 5

HEX #26F23A

RGB 38 242 58

HSL 125.88, 0.89%, 0.55%

LAB 84.08, -78.85, 70.09

 

CMYK 41 / 83 / 0 / 5

HEX #8F29F2

RGB 143 41 242

HSL 270.45, 0.89%, 0.55%

LAB 44, 74.67, -80.85

 

CMYK 0 / 42 / 84 / 5

HEX #F28C26

RGB 242 140 38

HSL 30, 0.89%, 0.55%

LAB 67.85, 32.11, 65.69

 

CMYK 84 / 0 / 42 / 5

HEX #26F28C

RGB 38 242 140

HSL 150, 0.89%, 0.55%

LAB 84.9, -68.89, 36.25

 

CMYK 41 / 83 / 0 / 5

HEX #8F29F2

RGB 143 41 242

HSL 270.45, 0.89%, 0.55%

LAB 44, 74.67, -80.85

 

CMYK 0 / 84 / 59 / 5

HEX #F22663

RGB 242 38 99

HSL 342.06, 0.89%, 0.55%

LAB 53.13, 75.36, 18.72

 

CMYK 42 / 0 / 84 / 5

HEX #8CF226

RGB 140 242 38

HSL 90, 0.89%, 0.55%

LAB 86.61, -58.71, 78.61

 

CMYK 84 / 0 / 25 / 5

HEX #26F2B5

RGB 38 242 181

HSL 162.06, 0.89%, 0.55%

LAB 85.63, -60.61, 16.39

 

CMYK 41 / 83 / 0 / 5

HEX #8F29F2

RGB 143 41 242

HSL 270.45, 0.89%, 0.55%

LAB 44, 74.67, -80.85

 

CMYK 0 / 84 / 84 / 5

HEX #F22626

RGB 242 38 38

HSL 0, 0.89%, 0.55%

LAB 52.29, 72.89, 52.46

 

CMYK 42 / 0 / 84 / 5

HEX #8CF226

RGB 140 242 38

HSL 90, 0.89%, 0.55%

LAB 86.61, -58.71, 78.61

 

CMYK 84 / 0 / 0 / 5

HEX #26F2F2

RGB 38 242 242

HSL 180, 0.89%, 0.55%

LAB 87.16, -44.88, -13.27

 

Description

Color code: CMYK 41 / 83 / 0 / 5 | qconv.com Color code: CMYK 41 / 83 / 0 / 5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 41 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 41 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 83 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 83% 0% 5% C M Y K

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Provide designers and agencies with accurate color values.

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