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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 7 / 95 / 0 / 25 it is the complementary color CMYK 69 / 0 / 74 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 7 / 95 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 2 / 95 / 0 / 27, CMYK 2 / 86 / 0 / 20, CMYK 3 / 79 / 0 / 12, CMYK 4 / 74 / 0 / 5 and CMYK 2 / 68 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 7 / 95 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 7 / 95 / 0 / 25, CMYK 6 / 100 / 0 / 33, CMYK 6 / 100 / 0 / 40, CMYK 5 / 100 / 0 / 47 and CMYK 4 / 100 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 6 / 95 / 0 / 26, CMYK 0 / 95 / 19 / 26, CMYK 0 / 95 / 44 / 26, CMYK 0 / 95 / 70 / 26 and CMYK 0 / 95 / 95 / 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 6 / 95 / 0 / 26, CMYK 32 / 95 / 0 / 26, CMYK 58 / 95 / 0 / 26, CMYK 84 / 95 / 0 / 26 and CMYK 95 / 95 / 0 / 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 7 / 95 / 0 / 25 shade matches the following richer shades: CMYK 6 / 95 / 0 / 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 6 / 95 / 0 / 26, CMYK 6 / 85 / 0 / 33, CMYK 5 / 73 / 0 / 39, CMYK 4 / 59 / 0 / 45 and CMYK 3 / 40 / 0 / 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 59 / 95 / 0 / 26, CMYK 33 / 95 / 0 / 26, CMYK 7 / 95 / 0 / 26, CMYK 0 / 95 / 17 / 26 and CMYK 0 / 95 / 43 / 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 6 / 95 / 0 / 57, CMYK 7 / 95 / 0 / 42, CMYK 6 / 95 / 0 / 26, CMYK 7 / 95 / 0 / 11 and CMYK 6 / 85 / 0 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 7 / 95 / 0 / 25, CMYK 0 / 84 / 95 / 26 and CMYK 95 / 0 / 46 / 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 7 / 95 / 0 / 25, CMYK 0 / 7 / 95 / 26 and CMYK 95 / 0 / 7 / 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 7 / 95 / 0 / 25, CMYK 0 / 84 / 95 / 26, CMYK 87 / 0 / 95 / 26 and CMYK 95 / 11 / 0 / 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 7 / 95 / 0 / 25 shade: CMYK 7 / 95 / 0 / 25, CMYK 0 / 55 / 95 / 26, CMYK 87 / 0 / 95 / 26 and CMYK 95 / 39 / 0 / 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 95 / 0 / 25

HEX #B20ABF

RGB 178 10 191

HSL 295.69, 0.9%, 0.39%

LAB 43.42, 76.05, -52.27

 

Complementary color

CMYK 69 / 0 / 74 / 4

HEX #4DF540

RGB 77 245 64

HSL 115.69, 0.9%, 0.61%

LAB 85.63, -74.18, 69.91

 

CMYK 2 / 95 / 0 / 27

HEX #B70ABA

RGB 183 10 186

HSL 298.98, 0.9%, 0.38%

LAB 43.99, 76.09, -48.39

 

CMYK 2 / 86 / 0 / 20

HEX #C81CCD

RGB 200 28 205

HSL 298.31, 0.76%, 0.46%

LAB 48.91, 79.48, -51.4

 

CMYK 3 / 79 / 0 / 12

HEX #D92EE0

RGB 217 46 224

HSL 297.64, 0.74%, 0.53%

LAB 54.12, 81.74, -53.76

 

CMYK 4 / 74 / 0 / 5

HEX #EA40F3

RGB 234 64 243

HSL 296.98, 0.88%, 0.6%

LAB 59.55, 83.13, -55.6

 

CMYK 2 / 68 / 0 / 0

HEX #FB52FF

RGB 251 82 255

HSL 298.61, 1%, 0.66%

LAB 64.77, 82.77, -53.78

 

CMYK 7 / 95 / 0 / 25

HEX #B20ABF

RGB 178 10 191

HSL 295.69, 0.9%, 0.39%

LAB 43.42, 76.05, -52.27

 

CMYK 6 / 100 / 0 / 33

HEX #A100AC

RGB 161 0 172

HSL 296.16, 1%, 0.34%

LAB 38.82, 71.36, -48.6

 

CMYK 6 / 100 / 0 / 40

HEX #900099

RGB 144 0 153

HSL 296.47, 1%, 0.3%

LAB 34.46, 65.61, -44.32

 

CMYK 5 / 100 / 0 / 47

HEX #7F0086

RGB 127 0 134

HSL 296.87, 1%, 0.26%

LAB 29.99, 59.73, -39.93

 

CMYK 4 / 100 / 0 / 55

HEX #6E0073

RGB 110 0 115

HSL 297.39, 1%, 0.23%

LAB 25.42, 53.71, -35.42

 

CMYK 6 / 95 / 0 / 26

HEX #B009BC

RGB 176 9 188

HSL 295.98, 0.91%, 0.39%

LAB 42.85, 75.35, -51.46

 

CMYK 0 / 95 / 19 / 26

HEX #BC0999

RGB 188 9 153

HSL 311.73, 0.91%, 0.39%

LAB 43.04, 72.5, -30.17

 

CMYK 0 / 95 / 44 / 26

HEX #BC0969

RGB 188 9 105

HSL 327.82, 0.91%, 0.39%

LAB 41.07, 67.33, -3.58

 

CMYK 0 / 95 / 70 / 26

HEX #BC0938

RGB 188 9 56

HSL 344.25, 0.91%, 0.39%

LAB 39.87, 64.07, 25.86

 

CMYK 0 / 95 / 95 / 26

HEX #BC0909

RGB 188 9 9

HSL 0, 0.91%, 0.39%

LAB 39.42, 62.83, 50.29

 

CMYK 6 / 95 / 0 / 26

HEX #B009BC

RGB 176 9 188

HSL 295.98, 0.91%, 0.39%

LAB 42.85, 75.35, -51.46

 

CMYK 32 / 95 / 0 / 26

HEX #7F09BC

RGB 127 9 188

HSL 279.55, 0.91%, 0.39%

LAB 34.68, 68.31, -65.09

 

CMYK 58 / 95 / 0 / 26

HEX #4F09BC

RGB 79 9 188

HSL 263.46, 0.91%, 0.39%

LAB 28.08, 63.57, -76.19

 

CMYK 84 / 95 / 0 / 26

HEX #1F09BC

RGB 31 9 188

HSL 247.37, 0.91%, 0.39%

LAB 24.06, 61.32, -83

 

CMYK 95 / 95 / 0 / 26

HEX #0909BC

RGB 9 9 188

HSL 240, 0.91%, 0.39%

LAB 23.29, 60.96, -84.31

 

CMYK 6 / 95 / 0 / 26

HEX #B009BC

RGB 176 9 188

HSL 295.98, 0.91%, 0.39%

LAB 42.85, 75.35, -51.46

 

CMYK 6 / 95 / 0 / 26

HEX #B009BC

RGB 176 9 188

HSL 295.98, 0.91%, 0.39%

LAB 42.85, 75.35, -51.46

 

CMYK 6 / 85 / 0 / 33

HEX #A21AAC

RGB 162 26 172

HSL 295.89, 0.74%, 0.39%

LAB 40.24, 67.86, -46.31

 

CMYK 5 / 73 / 0 / 39

HEX #942A9C

RGB 148 42 156

HSL 295.79, 0.58%, 0.39%

LAB 38.47, 57.79, -39.68

 

CMYK 4 / 59 / 0 / 45

HEX #863A8C

RGB 134 58 140

HSL 295.61, 0.41%, 0.39%

LAB 37.82, 44.54, -31.11

 

CMYK 3 / 40 / 0 / 51

HEX #784A7C

RGB 120 74 124

HSL 295.2, 0.25%, 0.39%

LAB 38.46, 28.28, -20.43

 

CMYK 59 / 95 / 0 / 26

HEX #4E09BC

RGB 78 9 188

HSL 263.13, 0.91%, 0.39%

LAB 27.97, 63.5, -76.38

 

CMYK 33 / 95 / 0 / 26

HEX #7E09BC

RGB 126 9 188

HSL 279.22, 0.91%, 0.39%

LAB 34.52, 68.18, -65.35

 

CMYK 7 / 95 / 0 / 26

HEX #AE09BC

RGB 174 9 188

HSL 295.31, 0.91%, 0.39%

LAB 42.5, 75.03, -52.04

 

CMYK 0 / 95 / 17 / 26

HEX #BC099C

RGB 188 9 156

HSL 310.73, 0.91%, 0.39%

LAB 43.19, 72.88, -31.75

 

CMYK 0 / 95 / 43 / 26

HEX #BC096C

RGB 188 9 108

HSL 326.82, 0.91%, 0.39%

LAB 41.17, 67.6, -5.32

 

CMYK 6 / 95 / 0 / 57

HEX #67056E

RGB 103 5 110

HSL 296, 0.91%, 0.23%

LAB 24.06, 50.6, -34.46

 

CMYK 7 / 95 / 0 / 42

HEX #8B0795

RGB 139 7 149

HSL 295.77, 0.91%, 0.31%

LAB 33.59, 63.2, -43.32

 

CMYK 6 / 95 / 0 / 26

HEX #B009BC

RGB 176 9 188

HSL 295.98, 0.91%, 0.39%

LAB 42.85, 75.35, -51.46

 

CMYK 7 / 95 / 0 / 11

HEX #D40CE4

RGB 212 12 228

HSL 295.56, 0.9%, 0.47%

LAB 51.68, 86.94, -59.98

 

CMYK 6 / 85 / 0 / 5

HEX #E425F3

RGB 228 37 243

HSL 295.63, 0.9%, 0.55%

LAB 56.38, 88.5, -60.74

 

CMYK 7 / 95 / 0 / 25

HEX #B20ABF

RGB 178 10 191

HSL 295.69, 0.9%, 0.39%

LAB 43.42, 76.05, -52.27

 

CMYK 0 / 84 / 95 / 26

HEX #BC1E09

RGB 188 30 9

HSL 7.04, 0.91%, 0.39%

LAB 40.64, 59.35, 50.96

 

CMYK 95 / 0 / 46 / 26

HEX #09BC66

RGB 9 188 102

HSL 151.17, 0.91%, 0.39%

LAB 67.26, -59.08, 32.53

 

CMYK 7 / 95 / 0 / 25

HEX #B20ABF

RGB 178 10 191

HSL 295.69, 0.9%, 0.39%

LAB 43.42, 76.05, -52.27

 

CMYK 0 / 7 / 95 / 26

HEX #BCAE09

RGB 188 174 9

HSL 55.31, 0.91%, 0.39%

LAB 70.16, -9.89, 71.3

 

CMYK 95 / 0 / 7 / 26

HEX #09BCAE

RGB 9 188 174

HSL 175.31, 0.91%, 0.39%

LAB 68.81, -42.09, -4.1

 

CMYK 7 / 95 / 0 / 25

HEX #B20ABF

RGB 178 10 191

HSL 295.69, 0.9%, 0.39%

LAB 43.42, 76.05, -52.27

 

CMYK 0 / 84 / 95 / 26

HEX #BC1E09

RGB 188 30 9

HSL 7.04, 0.91%, 0.39%

LAB 40.64, 59.35, 50.96

 

CMYK 87 / 0 / 95 / 26

HEX #18BC09

RGB 24 188 9

HSL 114.97, 0.91%, 0.39%

LAB 66.66, -66.99, 65.27

 

CMYK 95 / 11 / 0 / 26

HEX #09A8BC

RGB 9 168 188

HSL 186.7, 0.91%, 0.39%

LAB 63.09, -28.46, -20.44

 

CMYK 7 / 95 / 0 / 25

HEX #B20ABF

RGB 178 10 191

HSL 295.69, 0.9%, 0.39%

LAB 43.42, 76.05, -52.27

 

CMYK 0 / 55 / 95 / 26

HEX #BC5409

RGB 188 84 9

HSL 25.14, 0.91%, 0.39%

LAB 48.33, 38.58, 55.72

 

CMYK 87 / 0 / 95 / 26

HEX #18BC09

RGB 24 188 9

HSL 114.97, 0.91%, 0.39%

LAB 66.66, -66.99, 65.27

 

CMYK 95 / 39 / 0 / 26

HEX #0972BC

RGB 9 114 188

HSL 204.8, 0.91%, 0.39%

LAB 46.61, 1.57, -46.16

 

Description

Color code: CMYK 7 / 95 / 0 / 25 | qconv.com Color code: CMYK 7 / 95 / 0 / 25 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 10 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 10 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 95 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 95% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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