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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 0 / 57 / 43 it is the complementary color CMYK 14 / 43 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 0 / 57 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 35 / 0 / 60 / 43, CMYK 32 / 0 / 53 / 36, CMYK 29 / 0 / 47 / 29, CMYK 27 / 0 / 42 / 22 and CMYK 25 / 0 / 38 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 0 / 57 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 39 / 0 / 57 / 43, CMYK 43 / 0 / 65 / 50, CMYK 50 / 0 / 77 / 57, CMYK 58 / 0 / 93 / 64 and CMYK 71 / 0 / 100 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 39 / 0 / 57 / 43, CMYK 23 / 0 / 57 / 43, CMYK 8 / 0 / 57 / 43, CMYK 0 / 7 / 57 / 43 and CMYK 0 / 22 / 57 / 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 39 / 0 / 57 / 43, CMYK 54 / 0 / 57 / 43, CMYK 57 / 0 / 44 / 43, CMYK 57 / 0 / 29 / 43 and CMYK 57 / 0 / 14 / 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 39 / 0 / 57 / 43 shade matches the following richer shades: CMYK 39 / 0 / 57 / 43, CMYK 49 / 0 / 72 / 36, CMYK 57 / 0 / 84 / 30 and CMYK 64 / 0 / 93 / 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 39 / 0 / 57 / 43, CMYK 26 / 0 / 38 / 50, CMYK 8 / 0 / 13 / 56, CMYK 5 / 18 / 0 / 55 and CMYK 13 / 41 / 0 / 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 8 / 0 / 57 / 43, CMYK 23 / 0 / 57 / 43, CMYK 38 / 0 / 57 / 43, CMYK 52 / 0 / 57 / 43 and CMYK 57 / 0 / 45 / 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 38 / 0 / 56 / 66, CMYK 39 / 0 / 56 / 55, CMYK 39 / 0 / 57 / 43, CMYK 38 / 0 / 56 / 32 and CMYK 31 / 0 / 45 / 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 39 / 0 / 57 / 43, CMYK 57 / 0 / 8 / 43 and CMYK 0 / 57 / 15 / 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 39 / 0 / 57 / 43, CMYK 57 / 38 / 0 / 43 and CMYK 0 / 57 / 38 / 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 39 / 0 / 57 / 43, CMYK 57 / 0 / 8 / 43, CMYK 19 / 57 / 0 / 43 and CMYK 0 / 57 / 49 / 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 39 / 0 / 57 / 43 shade: CMYK 39 / 0 / 57 / 43, CMYK 57 / 10 / 0 / 43, CMYK 19 / 57 / 0 / 43 and CMYK 0 / 47 / 57 / 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

Complementary color

CMYK 14 / 43 / 0 / 25

HEX #A66EC0

RGB 166 110 192

HSL 280.98, 0.39%, 0.59%

LAB 55.14, 36.86, -34.37

 

CMYK 35 / 0 / 60 / 43

HEX #5E913A

RGB 94 145 58

HSL 95.17, 0.43%, 0.4%

LAB 55.01, -32.86, 40.03

 

CMYK 32 / 0 / 53 / 36

HEX #6FA34D

RGB 111 163 77

HSL 96.28, 0.36%, 0.47%

LAB 61.75, -32.89, 38.89

 

CMYK 29 / 0 / 47 / 29

HEX #80B560

RGB 128 181 96

HSL 97.41, 0.36%, 0.54%

LAB 68.37, -32.83, 37.69

 

CMYK 27 / 0 / 42 / 22

HEX #91C773

RGB 145 199 115

HSL 98.57, 0.43%, 0.62%

LAB 74.89, -32.72, 36.49

 

CMYK 25 / 0 / 38 / 15

HEX #A2D986

RGB 162 217 134

HSL 99.76, 0.52%, 0.69%

LAB 81.31, -32.59, 35.32

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 43 / 0 / 65 / 50

HEX #487F2C

RGB 72 127 44

HSL 99.76, 0.49%, 0.34%

LAB 47.93, -34, 38.37

 

CMYK 50 / 0 / 77 / 57

HEX #376D19

RGB 55 109 25

HSL 98.57, 0.63%, 0.26%

LAB 40.93, -33.63, 38.97

 

CMYK 58 / 0 / 93 / 64

HEX #265B06

RGB 38 91 6

HSL 97.41, 0.88%, 0.19%

LAB 33.79, -32.75, 38.36

 

CMYK 71 / 0 / 100 / 71

HEX #154900

RGB 21 73 0

HSL 102.74, 1%, 0.14%

LAB 26.52, -30.86, 34.16

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 23 / 0 / 57 / 43

HEX #6F913F

RGB 111 145 63

HSL 84.88, 0.39%, 0.41%

LAB 56.08, -25.81, 39.11

 

CMYK 8 / 0 / 57 / 43

HEX #85913F

RGB 133 145 63

HSL 68.78, 0.39%, 0.41%

LAB 57.65, -16.66, 41.33

 

CMYK 0 / 7 / 57 / 43

HEX #91873F

RGB 145 135 63

HSL 52.68, 0.39%, 0.41%

LAB 55.79, -6.04, 39.46

 

CMYK 0 / 22 / 57 / 43

HEX #91713F

RGB 145 113 63

HSL 36.59, 0.39%, 0.41%

LAB 49.72, 6.36, 32.29

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 54 / 0 / 57 / 43

HEX #43913F

RGB 67 145 63

HSL 117.07, 0.39%, 0.41%

LAB 53.82, -41.11, 35.89

 

CMYK 57 / 0 / 44 / 43

HEX #3F9151

RGB 63 145 81

HSL 133.17, 0.39%, 0.41%

LAB 53.92, -39.48, 26.59

 

CMYK 57 / 0 / 29 / 43

HEX #3F9167

RGB 63 145 103

HSL 149.27, 0.39%, 0.41%

LAB 54.33, -35.23, 14.93

 

CMYK 57 / 0 / 14 / 43

HEX #3F917D

RGB 63 145 125

HSL 165.37, 0.39%, 0.41%

LAB 54.85, -30.04, 3.11

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 49 / 0 / 72 / 36

HEX #53A22E

RGB 83 162 46

HSL 100.86, 0.56%, 0.41%

LAB 59.78, -45.02, 50.26

 

CMYK 57 / 0 / 84 / 30

HEX #4DB31D

RGB 77 179 29

HSL 100.8, 0.72%, 0.41%

LAB 64.89, -54.25, 60.57

 

CMYK 64 / 0 / 93 / 23

HEX #47C40D

RGB 71 196 13

HSL 100.98, 0.88%, 0.41%

LAB 70.07, -62.09, 67.96

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 26 / 0 / 38 / 50

HEX #5F8050

RGB 95 128 80

HSL 101.25, 0.23%, 0.41%

LAB 50.04, -21.3, 22.38

 

CMYK 8 / 0 / 13 / 56

HEX #666F61

RGB 102 111 97

HSL 98.57, 0.07%, 0.41%

LAB 45.71, -6.28, 6.64

 

CMYK 5 / 18 / 0 / 55

HEX #6C5E72

RGB 108 94 114

HSL 282, 0.1%, 0.41%

LAB 41.86, 9.7, -9.23

 

CMYK 13 / 41 / 0 / 49

HEX #724D83

RGB 114 77 131

HSL 281.11, 0.26%, 0.41%

LAB 38.77, 26.03, -24.31

 

CMYK 8 / 0 / 57 / 43

HEX #86913F

RGB 134 145 63

HSL 68.05, 0.39%, 0.41%

LAB 57.73, -16.23, 41.44

 

CMYK 23 / 0 / 57 / 43

HEX #70913F

RGB 112 145 63

HSL 84.15, 0.39%, 0.41%

LAB 56.14, -25.4, 39.2

 

CMYK 38 / 0 / 57 / 43

HEX #5A913F

RGB 90 145 63

HSL 100.24, 0.39%, 0.41%

LAB 54.85, -33.75, 37.36

 

CMYK 52 / 0 / 57 / 43

HEX #45913F

RGB 69 145 63

HSL 115.61, 0.39%, 0.41%

LAB 53.89, -40.54, 36

 

CMYK 57 / 0 / 45 / 43

HEX #3F9150

RGB 63 145 80

HSL 132.44, 0.39%, 0.41%

LAB 53.91, -39.65, 27.11

 

CMYK 38 / 0 / 56 / 66

HEX #365726

RGB 54 87 38

HSL 100.41, 0.39%, 0.25%

LAB 33.44, -22.32, 24.5

 

CMYK 39 / 0 / 56 / 55

HEX #477433

RGB 71 116 51

HSL 101.54, 0.39%, 0.33%

LAB 44.33, -28.49, 30.77

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 38 / 0 / 56 / 32

HEX #6BAD4C

RGB 107 173 76

HSL 100.82, 0.39%, 0.49%

LAB 64.59, -38.94, 42.71

 

CMYK 31 / 0 / 45 / 26

HEX #82BC67

RGB 130 188 103

HSL 100.94, 0.39%, 0.57%

LAB 70.66, -34.47, 37.03

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 57 / 0 / 8 / 43

HEX #3F9186

RGB 63 145 134

HSL 171.95, 0.39%, 0.41%

LAB 55.1, -27.67, -1.7

 

CMYK 0 / 57 / 15 / 43

HEX #913F7B

RGB 145 63 123

HSL 316.1, 0.39%, 0.41%

LAB 39.59, 42.27, -17.78

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 57 / 38 / 0 / 43

HEX #3F5A91

RGB 63 90 145

HSL 220.24, 0.39%, 0.41%

LAB 38.57, 7.07, -33.43

 

CMYK 0 / 57 / 38 / 43

HEX #913F5A

RGB 145 63 90

HSL 340.24, 0.39%, 0.41%

LAB 38.4, 37.52, 1.05

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 57 / 0 / 8 / 43

HEX #3F9186

RGB 63 145 134

HSL 171.95, 0.39%, 0.41%

LAB 55.1, -27.67, -1.7

 

CMYK 19 / 57 / 0 / 43

HEX #763F91

RGB 118 63 145

HSL 280.24, 0.39%, 0.41%

LAB 36.84, 38.55, -35.86

 

CMYK 0 / 57 / 49 / 43

HEX #913F4A

RGB 145 63 74

HSL 351.95, 0.39%, 0.41%

LAB 37.97, 35.72, 10.53

 

CMYK 39 / 0 / 57 / 43

HEX #59913F

RGB 89 145 63

HSL 100.98, 0.39%, 0.41%

LAB 54.8, -34.1, 37.29

 

CMYK 57 / 10 / 0 / 43

HEX #3F8391

RGB 63 131 145

HSL 190.24, 0.39%, 0.41%

LAB 51.08, -17.26, -14.08

 

CMYK 19 / 57 / 0 / 43

HEX #763F91

RGB 118 63 145

HSL 280.24, 0.39%, 0.41%

LAB 36.84, 38.55, -35.86

 

CMYK 0 / 47 / 57 / 43

HEX #914D3F

RGB 145 77 63

HSL 10.24, 0.39%, 0.41%

LAB 40.71, 27.11, 21.02

 

Description

Color code: CMYK 39 / 0 / 57 / 43 | qconv.com Color code: CMYK 39 / 0 / 57 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 145 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 145 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 57 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 57% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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