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Color name
CMYK 36 / 57 / 0 / 22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 57 / 0 / 22 it is the complementary color CMYK 24 / 0 / 67 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 57 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 32 / 56 / 0 / 24, CMYK 30 / 51 / 0 / 16, CMYK 28 / 47 / 0 / 9, CMYK 27 / 44 / 0 / 2 and CMYK 22 / 38 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 57 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 36 / 57 / 0 / 22, CMYK 39 / 62 / 0 / 29, CMYK 42 / 69 / 0 / 37, CMYK 46 / 77 / 0 / 44 and CMYK 52 / 89 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 36 / 57 / 0 / 22, CMYK 21 / 57 / 0 / 22, CMYK 6 / 57 / 0 / 22, CMYK 0 / 57 / 10 / 22 and CMYK 0 / 57 / 25 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 36 / 57 / 0 / 22, CMYK 51 / 57 / 0 / 22 and CMYK 57 / 57 / 0 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 36 / 57 / 0 / 22 shade matches the following richer shades: CMYK 36 / 57 / 0 / 22, CMYK 44 / 69 / 0 / 15, CMYK 50 / 79 / 0 / 8 and CMYK 56 / 87 / 0 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 36 / 57 / 0 / 22, CMYK 27 / 42 / 0 / 29, CMYK 15 / 24 / 0 / 36, CMYK 1 / 2 / 0 / 44 and CMYK 8 / 0 / 21 / 38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 57 / 46 / 0 / 22, CMYK 52 / 57 / 0 / 22, CMYK 37 / 57 / 0 / 22, CMYK 22 / 57 / 0 / 22 and CMYK 7 / 57 / 0 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 43 / 67 / 0 / 40, CMYK 43 / 67 / 0 / 28, CMYK 36 / 57 / 0 / 22, CMYK 28 / 44 / 0 / 18 and CMYK 21 / 32 / 0 / 14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 36 / 57 / 0 / 22, CMYK 0 / 57 / 31 / 22 and CMYK 54 / 0 / 57 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 36 / 57 / 0 / 22, CMYK 0 / 37 / 57 / 22 and CMYK 57 / 0 / 37 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 36 / 57 / 0 / 22, CMYK 0 / 57 / 31 / 22, CMYK 20 / 0 / 57 / 22 and CMYK 57 / 0 / 25 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 36 / 57 / 0 / 22 shade: CMYK 36 / 57 / 0 / 22, CMYK 0 / 57 / 48 / 22, CMYK 20 / 0 / 57 / 22 and CMYK 57 / 0 / 8 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 57 / 0 / 22

HEX #7F56C7

RGB 127 86 199

HSL 261.77, 0.5%, 0.56%

LAB 46.03, 41.42, -53.1

 

Complementary color

CMYK 24 / 0 / 67 / 34

HEX #80A938

RGB 128 169 56

HSL 81.77, 0.5%, 0.44%

LAB 64.36, -31.23, 51.74

 

CMYK 32 / 56 / 0 / 24

HEX #8456C2

RGB 132 86 194

HSL 265.56, 0.47%, 0.55%

LAB 46.25, 41.34, -49.83

 

CMYK 30 / 51 / 0 / 16

HEX #9568D5

RGB 149 104 213

HSL 264.77, 0.56%, 0.62%

LAB 53.05, 40.33, -49.76

 

CMYK 28 / 47 / 0 / 9

HEX #A67AE8

RGB 166 122 232

HSL 264, 0.71%, 0.69%

LAB 59.76, 39.38, -49.68

 

CMYK 27 / 44 / 0 / 2

HEX #B78CFB

RGB 183 140 251

HSL 263.24, 0.93%, 0.77%

LAB 66.36, 38.48, -49.6

 

CMYK 22 / 38 / 0 / 0

HEX #C89EFF

RGB 200 158 255

HSL 265.98, 1%, 0.81%

LAB 72.2, 34.2, -42.5

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C7

RGB 127 86 199

HSL 261.77, 0.5%, 0.56%

LAB 46.03, 41.42, -53.1

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B4

RGB 110 68 180

HSL 262.5, 0.45%, 0.49%

LAB 39.15, 42.54, -53.2

 

CMYK 42 / 69 / 0 / 37

HEX #5D32A1

RGB 93 50 161

HSL 263.24, 0.53%, 0.41%

LAB 32.22, 43.61, -53.17

 

CMYK 46 / 77 / 0 / 44

HEX #4C208E

RGB 76 32 142

HSL 264, 0.63%, 0.34%

LAB 25.33, 44.39, -52.86

 

CMYK 52 / 89 / 0 / 52

HEX #3B0E7B

RGB 59 14 123

HSL 264.77, 0.8%, 0.27%

LAB 18.69, 44.3, -51.88

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C6

RGB 127 86 198

HSL 261.96, 0.5%, 0.56%

LAB 45.97, 41.16, -52.63

 

CMYK 21 / 57 / 0 / 22

HEX #9D56C6

RGB 157 86 198

HSL 278.04, 0.5%, 0.56%

LAB 49.38, 48.61, -46.98

 

CMYK 6 / 57 / 0 / 22

HEX #BB56C6

RGB 187 86 198

HSL 294.11, 0.5%, 0.56%

LAB 53.27, 56.39, -40.56

 

CMYK 0 / 57 / 10 / 22

HEX #C656B3

RGB 198 86 179

HSL 310.18, 0.5%, 0.56%

LAB 53.94, 56.08, -28.44

 

CMYK 0 / 57 / 25 / 22

HEX #C65695

RGB 198 86 149

HSL 326.25, 0.5%, 0.56%

LAB 52.76, 51.59, -12.68

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C6

RGB 127 86 198

HSL 261.96, 0.5%, 0.56%

LAB 45.97, 41.16, -52.63

 

CMYK 51 / 57 / 0 / 22

HEX #6156C6

RGB 97 86 198

HSL 245.89, 0.5%, 0.56%

LAB 43.17, 34.45, -57.27

 

CMYK 57 / 57 / 0 / 22

HEX #5656C6

RGB 86 86 198

HSL 240, 0.5%, 0.56%

LAB 42.32, 32.28, -58.69

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C6

RGB 127 86 198

HSL 261.96, 0.5%, 0.56%

LAB 45.97, 41.16, -52.63

 

CMYK 44 / 69 / 0 / 15

HEX #7A44D9

RGB 122 68 217

HSL 261.74, 0.66%, 0.56%

LAB 43.18, 54.74, -68.08

 

CMYK 50 / 79 / 0 / 8

HEX #7532EB

RGB 117 50 235

HSL 261.73, 0.82%, 0.56%

LAB 41.31, 66.66, -81.42

 

CMYK 56 / 87 / 0 / 1

HEX #7020FD

RGB 112 32 253

HSL 261.72, 0.98%, 0.56%

LAB 40.52, 76.42, -92.88

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C6

RGB 127 86 198

HSL 261.96, 0.5%, 0.56%

LAB 45.97, 41.16, -52.63

 

CMYK 27 / 42 / 0 / 29

HEX #8468B4

RGB 132 104 180

HSL 262.11, 0.34%, 0.56%

LAB 49.62, 27.4, -36.36

 

CMYK 15 / 24 / 0 / 36

HEX #897BA2

RGB 137 123 162

HSL 261.54, 0.17%, 0.56%

LAB 54.13, 13.42, -18.89

 

CMYK 1 / 2 / 0 / 44

HEX #8E8D90

RGB 142 141 144

HSL 260, 0.01%, 0.56%

LAB 58.8, 0.96, -1.47

 

CMYK 8 / 0 / 21 / 38

HEX #939F7E

RGB 147 159 126

HSL 81.82, 0.15%, 0.56%

LAB 63.76, -10.32, 15.82

 

CMYK 57 / 46 / 0 / 22

HEX #566BC6

RGB 86 107 198

HSL 228.75, 0.5%, 0.56%

LAB 47.71, 19.19, -50.01

 

CMYK 52 / 57 / 0 / 22

HEX #6056C6

RGB 96 86 198

HSL 245.36, 0.5%, 0.56%

LAB 43.09, 34.25, -57.41

 

CMYK 37 / 57 / 0 / 22

HEX #7D56C6

RGB 125 86 198

HSL 260.89, 0.5%, 0.56%

LAB 45.76, 40.68, -52.97

 

CMYK 22 / 57 / 0 / 22

HEX #9B56C6

RGB 155 86 198

HSL 276.96, 0.5%, 0.56%

LAB 49.13, 48.1, -47.39

 

CMYK 7 / 57 / 0 / 22

HEX #B956C6

RGB 185 86 198

HSL 293.04, 0.5%, 0.56%

LAB 53, 55.87, -41.01

 

CMYK 43 / 67 / 0 / 40

HEX #573298

RGB 87 50 152

HSL 261.76, 0.5%, 0.4%

LAB 30.82, 39.92, -50.01

 

CMYK 43 / 67 / 0 / 28

HEX #693DB7

RGB 105 61 183

HSL 261.64, 0.5%, 0.48%

LAB 37.41, 46.11, -57.81

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C6

RGB 127 86 198

HSL 261.96, 0.5%, 0.56%

LAB 45.97, 41.16, -52.63

 

CMYK 28 / 44 / 0 / 18

HEX #9675D1

RGB 150 117 209

HSL 261.52, 0.5%, 0.64%

LAB 55.9, 32.22, -42.97

 

CMYK 21 / 32 / 0 / 14

HEX #AE94DB

RGB 174 148 219

HSL 261.97, 0.5%, 0.72%

LAB 65.98, 23.93, -32.64

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C7

RGB 127 86 199

HSL 261.77, 0.5%, 0.56%

LAB 46.03, 41.42, -53.1

 

CMYK 0 / 57 / 31 / 22

HEX #C65689

RGB 198 86 137

HSL 332.68, 0.5%, 0.56%

LAB 52.36, 50, -6.18

 

CMYK 54 / 0 / 57 / 22

HEX #5CC656

RGB 92 198 86

HSL 116.79, 0.5%, 0.56%

LAB 71.78, -52.6, 46.29

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C7

RGB 127 86 199

HSL 261.77, 0.5%, 0.56%

LAB 46.03, 41.42, -53.1

 

CMYK 0 / 37 / 57 / 22

HEX #C67D56

RGB 198 125 86

HSL 20.89, 0.5%, 0.56%

LAB 59.29, 24.39, 32.92

 

CMYK 57 / 0 / 37 / 22

HEX #56C67D

RGB 86 198 125

HSL 140.89, 0.5%, 0.56%

LAB 72.13, -48.22, 27.22

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C7

RGB 127 86 199

HSL 261.77, 0.5%, 0.56%

LAB 46.03, 41.42, -53.1

 

CMYK 0 / 57 / 31 / 22

HEX #C65689

RGB 198 86 137

HSL 332.68, 0.5%, 0.56%

LAB 52.36, 50, -6.18

 

CMYK 20 / 0 / 57 / 22

HEX #9FC656

RGB 159 198 86

HSL 80.89, 0.5%, 0.56%

LAB 75.1, -30.32, 50.98

 

CMYK 57 / 0 / 25 / 22

HEX #56C694

RGB 86 198 148

HSL 153.21, 0.5%, 0.56%

LAB 72.56, -43.68, 15.62

 

CMYK 36 / 57 / 0 / 22

HEX #7F56C7

RGB 127 86 199

HSL 261.77, 0.5%, 0.56%

LAB 46.03, 41.42, -53.1

 

CMYK 0 / 57 / 48 / 22

HEX #C65667

RGB 198 86 103

HSL 350.89, 0.5%, 0.56%

LAB 51.43, 46.22, 12.75

 

CMYK 20 / 0 / 57 / 22

HEX #9FC656

RGB 159 198 86

HSL 80.89, 0.5%, 0.56%

LAB 75.1, -30.32, 50.98

 

CMYK 57 / 0 / 8 / 22

HEX #56C6B6

RGB 86 198 182

HSL 171.43, 0.5%, 0.56%

LAB 73.38, -35.71, -1.6

 

Description

Color code: CMYK 36 / 57 / 0 / 22 | qconv.com Color code: CMYK 36 / 57 / 0 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 86 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 86 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 57 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 57% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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