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Color name
CMYK 32 / 0 / 14 / 68

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 32 / 0 / 14 / 68 it is the complementary color CMYK 0 / 14 / 8 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 32 / 0 / 14 / 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 27 / 0 / 21 / 68, CMYK 23 / 0 / 16 / 61, CMYK 20 / 0 / 13 / 54, CMYK 18 / 0 / 10 / 47 and CMYK 17 / 0 / 8 / 40

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 32 / 0 / 14 / 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 15 / 68, CMYK 41 / 0 / 20 / 75, CMYK 54 / 0 / 30 / 82, CMYK 86 / 0 / 54 / 89 and CMYK 100 / 0 / 100 / 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 15 / 68, CMYK 33 / 0 / 24 / 68, CMYK 33 / 0 / 33 / 68, CMYK 24 / 0 / 33 / 68 and CMYK 16 / 0 / 33 / 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 15 / 68, CMYK 33 / 0 / 6 / 68, CMYK 33 / 2 / 0 / 68, CMYK 33 / 12 / 0 / 68 and CMYK 33 / 21 / 0 / 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 32 / 0 / 14 / 68 shade matches the following richer shades: CMYK 33 / 0 / 15 / 68, CMYK 54 / 0 / 24 / 64, CMYK 69 / 0 / 31 / 59, CMYK 82 / 0 / 36 / 55 and CMYK 92 / 0 / 41 / 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 15 / 68, CMYK 7 / 0 / 3 / 72, CMYK 0 / 22 / 13 / 70, CMYK 0 / 44 / 25 / 65 and CMYK 0 / 62 / 34 / 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 33 / 68, CMYK 33 / 0 / 24 / 68, CMYK 33 / 0 / 15 / 68, CMYK 33 / 0 / 6 / 68 and CMYK 33 / 2 / 0 / 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 15 / 87, CMYK 33 / 0 / 14 / 78, CMYK 33 / 0 / 15 / 68, CMYK 34 / 0 / 15 / 58 and CMYK 33 / 0 / 15 / 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 15 / 68, CMYK 33 / 26 / 0 / 68 and CMYK 0 / 28 / 33 / 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 15 / 68, CMYK 15 / 33 / 0 / 68 and CMYK 0 / 15 / 33 / 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 15 / 68, CMYK 33 / 26 / 0 / 68, CMYK 0 / 33 / 18 / 68 and CMYK 0 / 9 / 33 / 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 32 / 0 / 14 / 68 shade: CMYK 33 / 0 / 15 / 68, CMYK 32 / 33 / 0 / 68, CMYK 0 / 33 / 18 / 68 and CMYK 1 / 0 / 33 / 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 14 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

Complementary color

CMYK 0 / 14 / 8 / 22

HEX #C8ADB9

RGB 200 173 185

HSL 333.33, 0.2%, 0.73%

LAB 73.33, 11.8, -2.52

 

CMYK 27 / 0 / 21 / 68

HEX #3C5241

RGB 60 82 65

HSL 133.64, 0.15%, 0.28%

LAB 32.65, -12.46, 7.28

 

CMYK 23 / 0 / 16 / 61

HEX #4D6454

RGB 77 100 84

HSL 138.26, 0.13%, 0.35%

LAB 40.13, -12.24, 6.28

 

CMYK 20 / 0 / 13 / 54

HEX #5E7667

RGB 94 118 103

HSL 142.5, 0.11%, 0.42%

LAB 47.39, -12.06, 5.38

 

CMYK 18 / 0 / 10 / 47

HEX #6F887A

RGB 111 136 122

HSL 146.4, 0.1%, 0.48%

LAB 54.44, -11.93, 4.56

 

CMYK 17 / 0 / 8 / 40

HEX #809A8D

RGB 128 154 141

HSL 150, 0.11%, 0.55%

LAB 61.33, -11.82, 3.78

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 41 / 0 / 20 / 75

HEX #264033

RGB 38 64 51

HSL 150, 0.25%, 0.2%

LAB 24.7, -13.45, 4.83

 

CMYK 54 / 0 / 30 / 82

HEX #152E20

RGB 21 46 32

HSL 146.4, 0.37%, 0.13%

LAB 16.59, -13.76, 6.08

 

CMYK 86 / 0 / 54 / 89

HEX #041C0D

RGB 4 28 13

HSL 142.5, 0.75%, 0.06%

LAB 8, -12.43, 6.3

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 33 / 0 / 24 / 68

HEX #37523E

RGB 55 82 62

HSL 135.56, 0.2%, 0.27%

LAB 32.25, -15, 8.55

 

CMYK 33 / 0 / 33 / 68

HEX #375237

RGB 55 82 55

HSL 120, 0.2%, 0.27%

LAB 32.08, -16.45, 12.69

 

CMYK 24 / 0 / 33 / 68

HEX #3E5237

RGB 62 82 55

HSL 104.44, 0.2%, 0.27%

LAB 32.56, -13.66, 13.41

 

CMYK 16 / 0 / 33 / 68

HEX #455237

RGB 69 82 55

HSL 88.89, 0.2%, 0.27%

LAB 33.08, -10.71, 14.21

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 33 / 0 / 6 / 68

HEX #37524D

RGB 55 82 77

HSL 168.89, 0.2%, 0.27%

LAB 32.66, -11.42, -0.33

 

CMYK 33 / 2 / 0 / 68

HEX #375052

RGB 55 80 82

HSL 184.44, 0.2%, 0.27%

LAB 32.17, -8.89, -4.24

 

CMYK 33 / 12 / 0 / 68

HEX #374852

RGB 55 72 82

HSL 202.22, 0.2%, 0.27%

LAB 29.55, -3.95, -8.15

 

CMYK 33 / 21 / 0 / 68

HEX #374152

RGB 55 65 82

HSL 217.78, 0.2%, 0.27%

LAB 27.3, 0.56, -11.56

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 54 / 0 / 24 / 64

HEX #2B5D47

RGB 43 93 71

HSL 153.6, 0.37%, 0.27%

LAB 35.59, -22.76, 7.55

 

CMYK 69 / 0 / 31 / 59

HEX #206848

RGB 32 104 72

HSL 153.33, 0.53%, 0.27%

LAB 39.03, -30.49, 11.68

 

CMYK 82 / 0 / 36 / 55

HEX #15744A

RGB 21 116 74

HSL 153.47, 0.69%, 0.27%

LAB 42.98, -37.03, 15.86

 

CMYK 92 / 0 / 41 / 50

HEX #0A7F4B

RGB 10 127 75

HSL 153.33, 0.85%, 0.27%

LAB 46.65, -42.26, 20.17

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 7 / 0 / 3 / 72

HEX #424745

RGB 66 71 69

HSL 156, 0.04%, 0.27%

LAB 29.65, -2.5, 0.49

 

CMYK 0 / 22 / 13 / 70

HEX #4D3C43

RGB 77 60 67

HSL 335.29, 0.12%, 0.27%

LAB 27.34, 8.79, -1.46

 

CMYK 0 / 44 / 25 / 65

HEX #583142

RGB 88 49 66

HSL 333.85, 0.28%, 0.27%

LAB 25.76, 20.27, -2.97

 

CMYK 0 / 62 / 34 / 61

HEX #632641

RGB 99 38 65

HSL 333.44, 0.45%, 0.27%

LAB 25.02, 30.7, -3.2

 

CMYK 33 / 0 / 33 / 68

HEX #375237

RGB 55 82 55

HSL 120, 0.2%, 0.27%

LAB 32.08, -16.45, 12.69

 

CMYK 33 / 0 / 24 / 68

HEX #37523E

RGB 55 82 62

HSL 135.56, 0.2%, 0.27%

LAB 32.25, -15, 8.55

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 33 / 0 / 6 / 68

HEX #37524D

RGB 55 82 77

HSL 168.89, 0.2%, 0.27%

LAB 32.66, -11.42, -0.33

 

CMYK 33 / 2 / 0 / 68

HEX #375052

RGB 55 80 82

HSL 184.44, 0.2%, 0.27%

LAB 32.17, -8.89, -4.24

 

CMYK 33 / 0 / 15 / 87

HEX #16211C

RGB 22 33 28

HSL 152.73, 0.2%, 0.11%

LAB 11.57, -6.26, 1.81

 

CMYK 33 / 0 / 14 / 78

HEX #263931

RGB 38 57 49

HSL 154.74, 0.2%, 0.19%

LAB 22.16, -9.75, 2.54

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 34 / 0 / 15 / 58

HEX #476B5B

RGB 71 107 91

HSL 153.33, 0.2%, 0.35%

LAB 42.17, -16.72, 4.89

 

CMYK 33 / 0 / 15 / 48

HEX #588470

RGB 88 132 112

HSL 152.73, 0.2%, 0.43%

LAB 51.55, -19.76, 6.01

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 33 / 26 / 0 / 68

HEX #373D52

RGB 55 61 82

HSL 226.67, 0.2%, 0.27%

LAB 26.04, 3.2, -13.5

 

CMYK 0 / 28 / 33 / 68

HEX #523B37

RGB 82 59 55

HSL 8.89, 0.2%, 0.27%

LAB 27.29, 9.49, 6.45

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 15 / 33 / 0 / 68

HEX #463752

RGB 70 55 82

HSL 273.33, 0.2%, 0.27%

LAB 25.69, 12.68, -13.9

 

CMYK 0 / 15 / 33 / 68

HEX #524637

RGB 82 70 55

HSL 33.33, 0.2%, 0.27%

LAB 30.52, 2.47, 10.94

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 33 / 26 / 0 / 68

HEX #373D52

RGB 55 61 82

HSL 226.67, 0.2%, 0.27%

LAB 26.04, 3.2, -13.5

 

CMYK 0 / 33 / 18 / 68

HEX #523743

RGB 82 55 67

HSL 333.33, 0.2%, 0.27%

LAB 26.54, 14.16, -2.57

 

CMYK 0 / 9 / 33 / 68

HEX #524B37

RGB 82 75 55

HSL 44.44, 0.2%, 0.27%

LAB 32.04, -0.66, 13

 

CMYK 33 / 0 / 15 / 68

HEX #375246

RGB 55 82 70

HSL 153.33, 0.2%, 0.27%

LAB 32.46, -13.17, 3.8

 

CMYK 32 / 33 / 0 / 68

HEX #383752

RGB 56 55 82

HSL 242.22, 0.2%, 0.27%

LAB 24.27, 7.59, -16.23

 

CMYK 0 / 33 / 18 / 68

HEX #523743

RGB 82 55 67

HSL 333.33, 0.2%, 0.27%

LAB 26.54, 14.16, -2.57

 

CMYK 1 / 0 / 33 / 68

HEX #515237

RGB 81 82 55

HSL 62.22, 0.2%, 0.27%

LAB 34.11, -5.4, 15.76

 

Description

Color code: CMYK 32 / 0 / 14 / 68 | qconv.com Color code: CMYK 32 / 0 / 14 / 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 82 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 82 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 14 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 14% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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