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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 39 / 0 / 33 it is the complementary color CMYK 9 / 0 / 44 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 39 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 26 / 37 / 0 / 35, CMYK 24 / 34 / 0 / 27, CMYK 23 / 31 / 0 / 20, CMYK 22 / 29 / 0 / 13 and CMYK 21 / 27 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 39 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 31 / 39 / 0 / 33, CMYK 34 / 43 / 0 / 40, CMYK 37 / 49 / 0 / 48, CMYK 41 / 56 / 0 / 55 and CMYK 47 / 66 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 32 / 40 / 0 / 33, CMYK 20 / 40 / 0 / 33, CMYK 10 / 40 / 0 / 33, CMYK 0 / 40 / 1 / 33 and CMYK 0 / 40 / 11 / 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 32 / 40 / 0 / 33 and CMYK 40 / 40 / 0 / 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 31 / 39 / 0 / 33 shade matches the following richer shades: CMYK 32 / 40 / 0 / 33, CMYK 44 / 56 / 0 / 25, CMYK 55 / 69 / 0 / 18, CMYK 63 / 80 / 0 / 11 and CMYK 70 / 89 / 0 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 32 / 40 / 0 / 33, CMYK 16 / 20 / 0 / 40, CMYK 1 / 0 / 6 / 45, CMYK 6 / 0 / 29 / 37 and CMYK 9 / 0 / 47 / 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 40 / 26 / 0 / 33, CMYK 40 / 37 / 0 / 33, CMYK 32 / 40 / 0 / 33, CMYK 21 / 40 / 0 / 33 and CMYK 11 / 40 / 0 / 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 35 / 45 / 0 / 51, CMYK 36 / 45 / 0 / 41, CMYK 32 / 40 / 0 / 33, CMYK 24 / 30 / 0 / 27 and CMYK 17 / 22 / 0 / 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 31 / 39 / 0 / 33, CMYK 0 / 40 / 16 / 33 and CMYK 32 / 0 / 40 / 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 31 / 39 / 0 / 33, CMYK 0 / 32 / 40 / 33 and CMYK 40 / 0 / 32 / 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 31 / 39 / 0 / 33, CMYK 0 / 40 / 16 / 33, CMYK 8 / 0 / 40 / 33 and CMYK 40 / 0 / 24 / 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 31 / 39 / 0 / 33 shade: CMYK 31 / 39 / 0 / 33, CMYK 0 / 40 / 27 / 33, CMYK 8 / 0 / 40 / 33 and CMYK 40 / 0 / 12 / 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 39 / 0 / 33

HEX #7668AB

RGB 118 104 171

HSL 252.54, 0.29%, 0.54%

LAB 47.87, 20.96, -33.96

 

Complementary color

CMYK 9 / 0 / 44 / 41

HEX #899754

RGB 137 151 84

HSL 72.54, 0.29%, 0.46%

LAB 59.97, -15.96, 33.53

 

CMYK 26 / 37 / 0 / 35

HEX #7B68A6

RGB 123 104 166

HSL 258.39, 0.26%, 0.53%

LAB 48.09, 21.16, -30.65

 

CMYK 24 / 34 / 0 / 27

HEX #8C7AB9

RGB 140 122 185

HSL 257.14, 0.31%, 0.6%

LAB 55.07, 20.44, -30.67

 

CMYK 23 / 31 / 0 / 20

HEX #9D8CCC

RGB 157 140 204

HSL 255.94, 0.39%, 0.67%

LAB 61.9, 19.8, -30.72

 

CMYK 22 / 29 / 0 / 13

HEX #AE9EDF

RGB 174 158 223

HSL 254.77, 0.5%, 0.75%

LAB 68.59, 19.22, -30.81

 

CMYK 21 / 27 / 0 / 5

HEX #BFB0F2

RGB 191 176 242

HSL 253.64, 0.72%, 0.82%

LAB 75.16, 18.7, -30.92

 

CMYK 31 / 39 / 0 / 33

HEX #7668AB

RGB 118 104 171

HSL 252.54, 0.29%, 0.54%

LAB 47.87, 20.96, -33.96

 

CMYK 34 / 43 / 0 / 40

HEX #655698

RGB 101 86 152

HSL 253.64, 0.28%, 0.47%

LAB 40.72, 21.84, -34.07

 

CMYK 37 / 49 / 0 / 48

HEX #544485

RGB 84 68 133

HSL 254.77, 0.32%, 0.39%

LAB 33.38, 22.87, -34.24

 

CMYK 41 / 56 / 0 / 55

HEX #433272

RGB 67 50 114

HSL 255.94, 0.39%, 0.32%

LAB 25.83, 24.09, -34.47

 

CMYK 47 / 66 / 0 / 63

HEX #32205F

RGB 50 32 95

HSL 257.14, 0.5%, 0.25%

LAB 18.09, 25.49, -34.69

 

CMYK 32 / 40 / 0 / 33

HEX #7567AB

RGB 117 103 171

HSL 252.35, 0.29%, 0.54%

LAB 47.52, 21.27, -34.51

 

CMYK 20 / 40 / 0 / 33

HEX #8867AB

RGB 136 103 171

HSL 269.12, 0.29%, 0.54%

LAB 49.34, 26.98, -31.53

 

CMYK 10 / 40 / 0 / 33

HEX #9A67AB

RGB 154 103 171

HSL 285, 0.29%, 0.54%

LAB 51.28, 32.6, -28.36

 

CMYK 0 / 40 / 1 / 33

HEX #AB67AA

RGB 171 103 170

HSL 300.88, 0.29%, 0.54%

LAB 53.23, 37.8, -24.6

 

CMYK 0 / 40 / 11 / 33

HEX #AB6798

RGB 171 103 152

HSL 316.76, 0.29%, 0.54%

LAB 52.54, 34.53, -15.15

 

CMYK 32 / 40 / 0 / 33

HEX #7567AB

RGB 117 103 171

HSL 252.35, 0.29%, 0.54%

LAB 47.52, 21.27, -34.51

 

CMYK 40 / 40 / 0 / 33

HEX #6767AB

RGB 103 103 171

HSL 240, 0.29%, 0.54%

LAB 46.34, 17.31, -36.45

 

CMYK 32 / 40 / 0 / 33

HEX #7567AB

RGB 117 103 171

HSL 252.35, 0.29%, 0.54%

LAB 47.52, 21.27, -34.51

 

CMYK 44 / 56 / 0 / 25

HEX #6A54BE

RGB 106 84 190

HSL 252.45, 0.45%, 0.54%

LAB 42.95, 35.2, -52.95

 

CMYK 55 / 69 / 0 / 18

HEX #5F41D1

RGB 95 65 209

HSL 252.5, 0.61%, 0.54%

LAB 39.27, 49.52, -69.99

 

CMYK 63 / 80 / 0 / 11

HEX #542EE4

RGB 84 46 228

HSL 252.53, 0.77%, 0.54%

LAB 36.82, 62.81, -84.96

 

CMYK 70 / 89 / 0 / 3

HEX #491BF7

RGB 73 27 247

HSL 252.55, 0.93%, 0.54%

LAB 35.82, 73.67, -97.42

 

CMYK 32 / 40 / 0 / 33

HEX #7567AB

RGB 117 103 171

HSL 252.35, 0.29%, 0.54%

LAB 47.52, 21.27, -34.51

 

CMYK 16 / 20 / 0 / 40

HEX #807A98

RGB 128 122 152

HSL 252, 0.13%, 0.54%

LAB 52.7, 8.66, -15.32

 

CMYK 1 / 0 / 6 / 45

HEX #8B8D85

RGB 139 141 133

HSL 75, 0.03%, 0.54%

LAB 58.26, -2.27, 4

 

CMYK 6 / 0 / 29 / 37

HEX #97A072

RGB 151 160 114

HSL 71.74, 0.19%, 0.54%

LAB 64.11, -11.14, 22.97

 

CMYK 9 / 0 / 47 / 30

HEX #A2B35F

RGB 162 179 95

HSL 72.14, 0.36%, 0.54%

LAB 70, -18.96, 40.69

 

CMYK 40 / 26 / 0 / 33

HEX #677EAB

RGB 103 126 171

HSL 219.71, 0.29%, 0.54%

LAB 52.67, 3.4, -26.56

 

CMYK 40 / 37 / 0 / 33

HEX #676CAB

RGB 103 108 171

HSL 235.59, 0.29%, 0.54%

LAB 47.69, 14.24, -34.33

 

CMYK 32 / 40 / 0 / 33

HEX #7567AB

RGB 117 103 171

HSL 252.35, 0.29%, 0.54%

LAB 47.52, 21.27, -34.51

 

CMYK 21 / 40 / 0 / 33

HEX #8767AB

RGB 135 103 171

HSL 268.24, 0.29%, 0.54%

LAB 49.24, 26.67, -31.69

 

CMYK 11 / 40 / 0 / 33

HEX #9967AB

RGB 153 103 171

HSL 284.12, 0.29%, 0.54%

LAB 51.17, 32.28, -28.55

 

CMYK 35 / 45 / 0 / 51

HEX #50447C

RGB 80 68 124

HSL 252.86, 0.29%, 0.38%

LAB 32.47, 19.09, -30.13

 

CMYK 36 / 45 / 0 / 41

HEX #615397

RGB 97 83 151

HSL 252.35, 0.29%, 0.46%

LAB 39.52, 22.28, -35.39

 

CMYK 32 / 40 / 0 / 33

HEX #7567AB

RGB 117 103 171

HSL 252.35, 0.29%, 0.54%

LAB 47.52, 21.27, -34.51

 

CMYK 24 / 30 / 0 / 27

HEX #8E82BA

RGB 142 130 186

HSL 252.86, 0.29%, 0.62%

LAB 57.33, 16.62, -27.72

 

CMYK 17 / 22 / 0 / 21

HEX #A69CC9

RGB 166 156 201

HSL 253.33, 0.29%, 0.7%

LAB 66.6, 12.83, -21.76

 

CMYK 31 / 39 / 0 / 33

HEX #7668AB

RGB 118 104 171

HSL 252.54, 0.29%, 0.54%

LAB 47.87, 20.96, -33.96

 

CMYK 0 / 40 / 16 / 33

HEX #AB6790

RGB 171 103 144

HSL 323.82, 0.29%, 0.54%

LAB 52.26, 33.17, -10.87

 

CMYK 32 / 0 / 40 / 33

HEX #75AB67

RGB 117 171 103

HSL 107.65, 0.29%, 0.54%

LAB 64.87, -31.04, 29.49

 

CMYK 31 / 39 / 0 / 33

HEX #7668AB

RGB 118 104 171

HSL 252.54, 0.29%, 0.54%

LAB 47.87, 20.96, -33.96

 

CMYK 0 / 32 / 40 / 33

HEX #AB7567

RGB 171 117 103

HSL 12.35, 0.29%, 0.54%

LAB 54.41, 19.44, 16.3

 

CMYK 40 / 0 / 32 / 33

HEX #67AB75

RGB 103 171 117

HSL 132.35, 0.29%, 0.54%

LAB 64.4, -33.32, 21.21

 

CMYK 31 / 39 / 0 / 33

HEX #7668AB

RGB 118 104 171

HSL 252.54, 0.29%, 0.54%

LAB 47.87, 20.96, -33.96

 

CMYK 0 / 40 / 16 / 33

HEX #AB6790

RGB 171 103 144

HSL 323.82, 0.29%, 0.54%

LAB 52.26, 33.17, -10.87

 

CMYK 8 / 0 / 40 / 33

HEX #9EAB67

RGB 158 171 103

HSL 71.47, 0.29%, 0.54%

LAB 67.56, -15.57, 33.48

 

CMYK 40 / 0 / 24 / 33

HEX #67AB82

RGB 103 171 130

HSL 143.82, 0.29%, 0.54%

LAB 64.66, -30.83, 14.46

 

CMYK 31 / 39 / 0 / 33

HEX #7668AB

RGB 118 104 171

HSL 252.54, 0.29%, 0.54%

LAB 47.87, 20.96, -33.96

 

CMYK 0 / 40 / 27 / 33

HEX #AB677C

RGB 171 103 124

HSL 341.47, 0.29%, 0.54%

LAB 51.63, 30.07, 0.02

 

CMYK 8 / 0 / 40 / 33

HEX #9EAB67

RGB 158 171 103

HSL 71.47, 0.29%, 0.54%

LAB 67.56, -15.57, 33.48

 

CMYK 40 / 0 / 12 / 33

HEX #67AB97

RGB 103 171 151

HSL 162.35, 0.29%, 0.54%

LAB 65.16, -26.31, 3.53

 

Description

Color code: CMYK 31 / 39 / 0 / 33 | qconv.com Color code: CMYK 31 / 39 / 0 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 104 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 104 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 39 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 39% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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