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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 0 / 15 / 34 it is the complementary color CMYK 0 / 36 / 18 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 0 / 15 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 27 / 0 / 18 / 34, CMYK 25 / 0 / 16 / 27, CMYK 23 / 0 / 14 / 20, CMYK 22 / 0 / 12 / 13 and CMYK 20 / 0 / 11 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 0 / 15 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 30 / 0 / 15 / 34, CMYK 33 / 0 / 17 / 41, CMYK 36 / 0 / 20 / 48, CMYK 41 / 0 / 25 / 55 and CMYK 48 / 0 / 30 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 29 / 0 / 15 / 35, CMYK 29 / 0 / 23 / 35, CMYK 28 / 0 / 29 / 35, CMYK 20 / 0 / 29 / 35 and CMYK 13 / 0 / 29 / 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 29 / 0 / 15 / 35, CMYK 29 / 0 / 7 / 35, CMYK 29 / 1 / 0 / 35, CMYK 29 / 9 / 0 / 35 and CMYK 29 / 17 / 0 / 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 30 / 0 / 15 / 34 shade matches the following richer shades: CMYK 29 / 0 / 15 / 35, CMYK 46 / 0 / 23 / 27, CMYK 60 / 0 / 30 / 20, CMYK 71 / 0 / 36 / 13 and CMYK 81 / 0 / 41 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 29 / 0 / 15 / 35, CMYK 9 / 0 / 5 / 42, CMYK 0 / 15 / 8 / 40, CMYK 0 / 34 / 17 / 33 and CMYK 0 / 51 / 25 / 25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 29 / 0 / 29 / 35, CMYK 29 / 0 / 23 / 35, CMYK 29 / 0 / 15 / 35, CMYK 29 / 0 / 7 / 35 and CMYK 29 / 1 / 0 / 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 36 / 0 / 18 / 52, CMYK 36 / 0 / 18 / 42, CMYK 29 / 0 / 15 / 35, CMYK 22 / 0 / 11 / 28 and CMYK 16 / 0 / 8 / 22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 30 / 0 / 15 / 34, CMYK 29 / 21 / 0 / 35 and CMYK 0 / 26 / 29 / 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 30 / 0 / 15 / 34, CMYK 15 / 29 / 0 / 35 and CMYK 0 / 15 / 29 / 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 30 / 0 / 15 / 34, CMYK 29 / 21 / 0 / 35, CMYK 0 / 29 / 15 / 35 and CMYK 0 / 9 / 29 / 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 30 / 0 / 15 / 34 shade: CMYK 30 / 0 / 15 / 34, CMYK 29 / 29 / 0 / 35, CMYK 0 / 29 / 15 / 35 and CMYK 0 / 0 / 29 / 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 15 / 34

HEX #76A88F

RGB 118 168 143

HSL 150, 0.22%, 0.56%

LAB 64.84, -22.07, 7.62

 

Complementary color

CMYK 0 / 36 / 18 / 46

HEX #895770

RGB 137 87 112

HSL 330, 0.22%, 0.44%

LAB 43.22, 24.51, -5.63

 

CMYK 27 / 0 / 18 / 34

HEX #7BA88A

RGB 123 168 138

HSL 140, 0.21%, 0.57%

LAB 65, -21.45, 10.68

 

CMYK 25 / 0 / 16 / 27

HEX #8CBA9D

RGB 140 186 157

HSL 142.17, 0.25%, 0.64%

LAB 71.64, -21.24, 9.79

 

CMYK 23 / 0 / 14 / 20

HEX #9DCCB0

RGB 157 204 176

HSL 144.26, 0.32%, 0.71%

LAB 78.16, -21.04, 8.97

 

CMYK 22 / 0 / 12 / 13

HEX #AEDEC3

RGB 174 222 195

HSL 146.25, 0.42%, 0.78%

LAB 84.58, -20.88, 8.18

 

CMYK 20 / 0 / 11 / 6

HEX #BFF0D6

RGB 191 240 214

HSL 148.16, 0.62%, 0.85%

LAB 90.89, -20.73, 7.43

 

CMYK 30 / 0 / 15 / 34

HEX #76A88F

RGB 118 168 143

HSL 150, 0.22%, 0.56%

LAB 64.84, -22.07, 7.62

 

CMYK 33 / 0 / 17 / 41

HEX #65967C

RGB 101 150 124

HSL 148.16, 0.2%, 0.49%

LAB 58.07, -22.31, 8.52

 

CMYK 36 / 0 / 20 / 48

HEX #548469

RGB 84 132 105

HSL 146.25, 0.22%, 0.42%

LAB 51.16, -22.58, 9.49

 

CMYK 41 / 0 / 25 / 55

HEX #437256

RGB 67 114 86

HSL 144.26, 0.26%, 0.35%

LAB 44.09, -22.87, 10.57

 

CMYK 48 / 0 / 30 / 62

HEX #326043

RGB 50 96 67

HSL 142.17, 0.32%, 0.29%

LAB 36.83, -23.15, 11.78

 

CMYK 29 / 0 / 15 / 35

HEX #76A78E

RGB 118 167 142

HSL 149.39, 0.22%, 0.56%

LAB 64.52, -21.77, 7.72

 

CMYK 29 / 0 / 23 / 35

HEX #76A781

RGB 118 167 129

HSL 133.47, 0.22%, 0.56%

LAB 64.22, -24.35, 14.52

 

CMYK 28 / 0 / 29 / 35

HEX #78A776

RGB 120 167 118

HSL 117.55, 0.22%, 0.56%

LAB 64.11, -25.66, 20.43

 

CMYK 20 / 0 / 29 / 35

HEX #85A776

RGB 133 167 118

HSL 101.63, 0.22%, 0.56%

LAB 64.91, -21.03, 21.64

 

CMYK 13 / 0 / 29 / 35

HEX #92A776

RGB 146 167 118

HSL 85.71, 0.22%, 0.56%

LAB 65.79, -16.17, 22.99

 

CMYK 29 / 0 / 15 / 35

HEX #76A78E

RGB 118 167 142

HSL 149.39, 0.22%, 0.56%

LAB 64.52, -21.77, 7.72

 

CMYK 29 / 0 / 7 / 35

HEX #76A79C

RGB 118 167 156

HSL 166.53, 0.22%, 0.56%

LAB 64.87, -18.74, 0.44

 

CMYK 29 / 1 / 0 / 35

HEX #76A5A7

RGB 118 165 167

HSL 182.45, 0.22%, 0.56%

LAB 64.61, -15.13, -6.11

 

CMYK 29 / 9 / 0 / 35

HEX #7698A7

RGB 118 152 167

HSL 198.37, 0.22%, 0.56%

LAB 60.87, -8.11, -11.68

 

CMYK 29 / 17 / 0 / 35

HEX #768AA7

RGB 118 138 167

HSL 215.51, 0.22%, 0.56%

LAB 56.9, -0.24, -17.68

 

CMYK 29 / 0 / 15 / 35

HEX #76A78E

RGB 118 167 142

HSL 149.39, 0.22%, 0.56%

LAB 64.52, -21.77, 7.72

 

CMYK 46 / 0 / 23 / 27

HEX #63B98E

RGB 99 185 142

HSL 150, 0.38%, 0.56%

LAB 68.97, -36.05, 13.9

 

CMYK 60 / 0 / 30 / 20

HEX #51CB8E

RGB 81 203 142

HSL 150, 0.54%, 0.56%

LAB 73.81, -48.09, 20.52

 

CMYK 71 / 0 / 36 / 13

HEX #3FDD8E

RGB 63 221 142

HSL 150, 0.7%, 0.56%

LAB 78.88, -58.3, 27.34

 

CMYK 81 / 0 / 41 / 6

HEX #2DF08E

RGB 45 240 142

HSL 149.85, 0.87%, 0.56%

LAB 84.4, -67.25, 34.61

 

CMYK 29 / 0 / 15 / 35

HEX #76A78E

RGB 118 167 142

HSL 149.39, 0.22%, 0.56%

LAB 64.52, -21.77, 7.72

 

CMYK 9 / 0 / 5 / 42

HEX #88958E

RGB 136 149 142

HSL 147.69, 0.06%, 0.56%

LAB 60.5, -6.07, 2.09

 

CMYK 0 / 15 / 8 / 40

HEX #9A838E

RGB 154 131 142

HSL 331.3, 0.1%, 0.56%

LAB 57.13, 10.71, -2.65

 

CMYK 0 / 34 / 17 / 33

HEX #AC718E

RGB 172 113 142

HSL 330.51, 0.26%, 0.56%

LAB 54.59, 27.64, -6.19

 

CMYK 0 / 51 / 25 / 25

HEX #BE5E8E

RGB 190 94 142

HSL 330, 0.42%, 0.56%

LAB 52.85, 44.14, -8.54

 

CMYK 29 / 0 / 29 / 35

HEX #77A776

RGB 119 167 118

HSL 118.78, 0.22%, 0.56%

LAB 64.05, -26, 20.34

 

CMYK 29 / 0 / 23 / 35

HEX #76A781

RGB 118 167 129

HSL 133.47, 0.22%, 0.56%

LAB 64.22, -24.35, 14.52

 

CMYK 29 / 0 / 15 / 35

HEX #76A78E

RGB 118 167 142

HSL 149.39, 0.22%, 0.56%

LAB 64.52, -21.77, 7.72

 

CMYK 29 / 0 / 7 / 35

HEX #76A79B

RGB 118 167 155

HSL 165.31, 0.22%, 0.56%

LAB 64.85, -18.96, 0.95

 

CMYK 29 / 1 / 0 / 35

HEX #76A5A7

RGB 118 165 167

HSL 182.45, 0.22%, 0.56%

LAB 64.61, -15.13, -6.11

 

CMYK 36 / 0 / 18 / 52

HEX #4F7B65

RGB 79 123 101

HSL 150, 0.22%, 0.4%

LAB 47.97, -20.39, 7.27

 

CMYK 36 / 0 / 18 / 42

HEX #5F957A

RGB 95 149 122

HSL 150, 0.22%, 0.48%

LAB 57.4, -24.12, 8.66

 

CMYK 29 / 0 / 15 / 35

HEX #76A78E

RGB 118 167 142

HSL 149.39, 0.22%, 0.56%

LAB 64.52, -21.77, 7.72

 

CMYK 22 / 0 / 11 / 28

HEX #8FB7A3

RGB 143 183 163

HSL 150, 0.22%, 0.64%

LAB 71.11, -17.54, 5.79

 

CMYK 16 / 0 / 8 / 22

HEX #A8C7B8

RGB 168 199 184

HSL 150.97, 0.22%, 0.72%

LAB 77.66, -13.35, 4.03

 

CMYK 30 / 0 / 15 / 34

HEX #76A88F

RGB 118 168 143

HSL 150, 0.22%, 0.56%

LAB 64.84, -22.07, 7.62

 

CMYK 29 / 21 / 0 / 35

HEX #7684A7

RGB 118 132 167

HSL 222.86, 0.22%, 0.56%

LAB 55.22, 3.22, -20.24

 

CMYK 0 / 26 / 29 / 35

HEX #A77B76

RGB 167 123 118

HSL 6.12, 0.22%, 0.56%

LAB 55.78, 16.4, 9.45

 

CMYK 30 / 0 / 15 / 34

HEX #76A88F

RGB 118 168 143

HSL 150, 0.22%, 0.56%

LAB 64.84, -22.07, 7.62

 

CMYK 15 / 29 / 0 / 35

HEX #8E76A7

RGB 142 118 167

HSL 269.39, 0.22%, 0.56%

LAB 53.49, 19.15, -22.72

 

CMYK 0 / 15 / 29 / 35

HEX #A78E76

RGB 167 142 118

HSL 29.39, 0.22%, 0.56%

LAB 60.67, 5.68, 16.28

 

CMYK 30 / 0 / 15 / 34

HEX #76A88F

RGB 118 168 143

HSL 150, 0.22%, 0.56%

LAB 64.84, -22.07, 7.62

 

CMYK 29 / 21 / 0 / 35

HEX #7684A7

RGB 118 132 167

HSL 222.86, 0.22%, 0.56%

LAB 55.22, 3.22, -20.24

 

CMYK 0 / 29 / 15 / 35

HEX #A7768E

RGB 167 118 142

HSL 330.61, 0.22%, 0.56%

LAB 55.2, 22.98, -5.35

 

CMYK 0 / 9 / 29 / 35

HEX #A79876

RGB 167 152 118

HSL 41.63, 0.22%, 0.56%

LAB 63.33, 0.14, 19.93

 

CMYK 30 / 0 / 15 / 34

HEX #76A88F

RGB 118 168 143

HSL 150, 0.22%, 0.56%

LAB 64.84, -22.07, 7.62

 

CMYK 29 / 29 / 0 / 35

HEX #7676A7

RGB 118 118 167

HSL 240, 0.22%, 0.56%

LAB 51.38, 11.48, -26.15

 

CMYK 0 / 29 / 15 / 35

HEX #A7768E

RGB 167 118 142

HSL 330.61, 0.22%, 0.56%

LAB 55.2, 22.98, -5.35

 

CMYK 0 / 0 / 29 / 35

HEX #A7A776

RGB 167 167 118

HSL 60, 0.22%, 0.56%

LAB 67.4, -7.96, 25.42

 

Description

Color code: CMYK 30 / 0 / 15 / 34 | qconv.com Color code: CMYK 30 / 0 / 15 / 34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 168 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 168 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 15 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 15% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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