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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 0 / 33 / 36 it is the complementary color CMYK 7 / 37 / 0 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 0 / 33 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 24 / 0 / 36 / 36, CMYK 22 / 0 / 32 / 29, CMYK 21 / 0 / 29 / 22, CMYK 19 / 0 / 26 / 15 and CMYK 18 / 0 / 23 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 0 / 33 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 27 / 0 / 33 / 36, CMYK 30 / 0 / 38 / 43, CMYK 33 / 0 / 44 / 50, CMYK 38 / 0 / 52 / 57 and CMYK 44 / 0 / 64 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 28 / 0 / 34 / 36, CMYK 19 / 0 / 34 / 36, CMYK 9 / 0 / 34 / 36, CMYK 0 / 0 / 34 / 36 and CMYK 0 / 9 / 34 / 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 28 / 0 / 34 / 36, CMYK 34 / 0 / 31 / 36, CMYK 34 / 0 / 22 / 36, CMYK 34 / 0 / 13 / 36 and CMYK 34 / 0 / 4 / 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 27 / 0 / 33 / 36 shade matches the following richer shades: CMYK 28 / 0 / 34 / 36, CMYK 42 / 0 / 52 / 29, CMYK 54 / 0 / 66 / 21, CMYK 63 / 0 / 78 / 14 and CMYK 72 / 0 / 88 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 28 / 0 / 34 / 36, CMYK 9 / 0 / 12 / 44, CMYK 3 / 16 / 0 / 43, CMYK 7 / 37 / 0 / 35 and CMYK 10 / 54 / 0 / 27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 9 / 0 / 34 / 36, CMYK 18 / 0 / 34 / 36, CMYK 27 / 0 / 34 / 36, CMYK 34 / 0 / 31 / 36 and CMYK 34 / 0 / 23 / 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 30 / 0 / 37 / 55, CMYK 31 / 0 / 37 / 45, CMYK 28 / 0 / 34 / 36, CMYK 21 / 0 / 26 / 30 and CMYK 15 / 0 / 19 / 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 27 / 0 / 33 / 36, CMYK 34 / 0 / 0 / 36 and CMYK 0 / 34 / 14 / 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 27 / 0 / 33 / 36, CMYK 34 / 27 / 0 / 36 and CMYK 0 / 34 / 27 / 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 27 / 0 / 33 / 36, CMYK 34 / 0 / 0 / 36, CMYK 7 / 34 / 0 / 36 and CMYK 0 / 34 / 34 / 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 27 / 0 / 33 / 36 shade: CMYK 27 / 0 / 33 / 36, CMYK 34 / 10 / 0 / 36, CMYK 7 / 34 / 0 / 36 and CMYK 0 / 23 / 34 / 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 33 / 36

HEX #77A36D

RGB 119 163 109

HSL 108.89, 0.23%, 0.53%

LAB 62.69, -25.53, 23.41

 

Complementary color

CMYK 7 / 37 / 0 / 43

HEX #885C92

RGB 136 92 146

HSL 288.89, 0.23%, 0.47%

LAB 45.58, 27.77, -22.61

 

CMYK 24 / 0 / 36 / 36

HEX #7CA368

RGB 124 163 104

HSL 99.66, 0.24%, 0.52%

LAB 62.91, -24.5, 26.46

 

CMYK 22 / 0 / 32 / 29

HEX #8DB57B

RGB 141 181 123

HSL 101.38, 0.28%, 0.6%

LAB 69.57, -24.35, 25.31

 

CMYK 21 / 0 / 29 / 22

HEX #9EC78E

RGB 158 199 142

HSL 103.16, 0.34%, 0.67%

LAB 76.11, -24.2, 24.23

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A1

RGB 175 217 161

HSL 105, 0.42%, 0.74%

LAB 82.55, -24.06, 23.2

 

CMYK 18 / 0 / 23 / 8

HEX #C0EBB4

RGB 192 235 180

HSL 106.91, 0.58%, 0.81%

LAB 88.88, -23.92, 22.23

 

CMYK 27 / 0 / 33 / 36

HEX #77A36D

RGB 119 163 109

HSL 108.89, 0.23%, 0.53%

LAB 62.69, -25.53, 23.41

 

CMYK 30 / 0 / 38 / 43

HEX #66915A

RGB 102 145 90

HSL 106.91, 0.23%, 0.46%

LAB 55.9, -25.74, 24.61

 

CMYK 33 / 0 / 44 / 50

HEX #557F47

RGB 85 127 71

HSL 105, 0.28%, 0.39%

LAB 48.96, -25.93, 25.88

 

CMYK 38 / 0 / 52 / 57

HEX #446D34

RGB 68 109 52

HSL 103.16, 0.35%, 0.32%

LAB 41.87, -26.07, 27.22

 

CMYK 44 / 0 / 64 / 64

HEX #335B21

RGB 51 91 33

HSL 101.38, 0.47%, 0.24%

LAB 34.59, -26.08, 28.5

 

CMYK 28 / 0 / 34 / 36

HEX #75A26B

RGB 117 162 107

HSL 109.09, 0.23%, 0.53%

LAB 62.24, -26.07, 23.87

 

CMYK 19 / 0 / 34 / 36

HEX #84A26B

RGB 132 162 107

HSL 92.73, 0.23%, 0.53%

LAB 63.18, -20.57, 25.3

 

CMYK 9 / 0 / 34 / 36

HEX #93A26B

RGB 147 162 107

HSL 76.36, 0.23%, 0.53%

LAB 64.25, -14.76, 26.9

 

CMYK 0 / 0 / 34 / 36

HEX #A2A26B

RGB 162 162 107

HSL 60, 0.23%, 0.53%

LAB 65.42, -8.74, 28.66

 

CMYK 0 / 9 / 34 / 36

HEX #A2946B

RGB 162 148 107

HSL 44.73, 0.23%, 0.53%

LAB 61.59, -1.17, 23.6

 

CMYK 28 / 0 / 34 / 36

HEX #75A26B

RGB 117 162 107

HSL 109.09, 0.23%, 0.53%

LAB 62.24, -26.07, 23.87

 

CMYK 34 / 0 / 31 / 36

HEX #6BA270

RGB 107 162 112

HSL 125.45, 0.23%, 0.53%

LAB 61.77, -28.65, 20.42

 

CMYK 34 / 0 / 22 / 36

HEX #6BA27F

RGB 107 162 127

HSL 141.82, 0.23%, 0.53%

LAB 62.08, -25.82, 12.54

 

CMYK 34 / 0 / 13 / 36

HEX #6BA28D

RGB 107 162 141

HSL 157.09, 0.23%, 0.53%

LAB 62.41, -22.88, 5.19

 

CMYK 34 / 0 / 4 / 36

HEX #6BA29C

RGB 107 162 156

HSL 173.45, 0.23%, 0.53%

LAB 62.82, -19.43, -2.65

 

CMYK 28 / 0 / 34 / 36

HEX #75A26B

RGB 117 162 107

HSL 109.09, 0.23%, 0.53%

LAB 62.24, -26.07, 23.87

 

CMYK 42 / 0 / 52 / 29

HEX #69B658

RGB 105 182 88

HSL 109.15, 0.39%, 0.53%

LAB 67.4, -42.07, 40.21

 

CMYK 54 / 0 / 66 / 21

HEX #5DC944

RGB 93 201 68

HSL 108.72, 0.55%, 0.53%

LAB 72.57, -55.37, 55.08

 

CMYK 63 / 0 / 78 / 14

HEX #51DC31

RGB 81 220 49

HSL 108.77, 0.71%, 0.53%

LAB 77.97, -66.35, 67.18

 

CMYK 72 / 0 / 88 / 6

HEX #44F01E

RGB 68 240 30

HSL 109.14, 0.88%, 0.53%

LAB 83.78, -75.92, 76.86

 

CMYK 28 / 0 / 34 / 36

HEX #75A26B

RGB 117 162 107

HSL 109.09, 0.23%, 0.53%

LAB 62.24, -26.07, 23.87

 

CMYK 9 / 0 / 12 / 44

HEX #828F7E

RGB 130 143 126

HSL 105.88, 0.07%, 0.53%

LAB 57.94, -8.06, 7.45

 

CMYK 3 / 16 / 0 / 43

HEX #8E7B92

RGB 142 123 146

HSL 289.57, 0.1%, 0.53%

LAB 54.02, 11.69, -9.72

 

CMYK 7 / 37 / 0 / 35

HEX #9A68A5

RGB 154 104 165

HSL 289.18, 0.25%, 0.53%

LAB 51.25, 30.77, -24.91

 

CMYK 10 / 54 / 0 / 27

HEX #A655B9

RGB 166 85 185

HSL 288.6, 0.42%, 0.53%

LAB 49.63, 48.76, -39

 

CMYK 9 / 0 / 34 / 36

HEX #94A26B

RGB 148 162 107

HSL 75.27, 0.23%, 0.53%

LAB 64.32, -14.36, 27.01

 

CMYK 18 / 0 / 34 / 36

HEX #85A26B

RGB 133 162 107

HSL 91.64, 0.23%, 0.53%

LAB 63.25, -20.19, 25.4

 

CMYK 27 / 0 / 34 / 36

HEX #76A26B

RGB 118 162 107

HSL 108, 0.23%, 0.53%

LAB 62.3, -25.71, 23.96

 

CMYK 34 / 0 / 31 / 36

HEX #6BA26F

RGB 107 162 111

HSL 124.36, 0.23%, 0.53%

LAB 61.75, -28.83, 20.94

 

CMYK 34 / 0 / 23 / 36

HEX #6BA27D

RGB 107 162 125

HSL 139.64, 0.23%, 0.53%

LAB 62.04, -26.22, 13.6

 

CMYK 30 / 0 / 37 / 55

HEX #507348

RGB 80 115 72

HSL 108.84, 0.23%, 0.37%

LAB 44.85, -21.55, 19.92

 

CMYK 31 / 0 / 37 / 45

HEX #618C58

RGB 97 140 88

HSL 109.62, 0.23%, 0.45%

LAB 54.03, -25.38, 23.2

 

CMYK 28 / 0 / 34 / 36

HEX #75A26B

RGB 117 162 107

HSL 109.09, 0.23%, 0.53%

LAB 62.24, -26.07, 23.87

 

CMYK 21 / 0 / 26 / 30

HEX #8DB284

RGB 141 178 132

HSL 108.26, 0.23%, 0.61%

LAB 68.87, -21.4, 19.53

 

CMYK 15 / 0 / 19 / 24

HEX #A5C29E

RGB 165 194 158

HSL 108.33, 0.23%, 0.69%

LAB 75.48, -16.59, 14.9

 

CMYK 27 / 0 / 33 / 36

HEX #77A36D

RGB 119 163 109

HSL 108.89, 0.23%, 0.53%

LAB 62.69, -25.53, 23.41

 

CMYK 34 / 0 / 0 / 36

HEX #6BA2A2

RGB 107 162 162

HSL 180, 0.23%, 0.53%

LAB 62.99, -17.97, -5.76

 

CMYK 0 / 34 / 14 / 36

HEX #A26B8C

RGB 162 107 140

HSL 324, 0.23%, 0.53%

LAB 51.94, 27.05, -9.1

 

CMYK 27 / 0 / 33 / 36

HEX #77A36D

RGB 119 163 109

HSL 108.89, 0.23%, 0.53%

LAB 62.69, -25.53, 23.41

 

CMYK 34 / 27 / 0 / 36

HEX #6B76A2

RGB 107 118 162

HSL 228, 0.23%, 0.53%

LAB 50.32, 6.8, -24.94

 

CMYK 0 / 34 / 27 / 36

HEX #A26B76

RGB 162 107 118

HSL 348, 0.23%, 0.53%

LAB 51.27, 23.53, 2.93

 

CMYK 27 / 0 / 33 / 36

HEX #77A36D

RGB 119 163 109

HSL 108.89, 0.23%, 0.53%

LAB 62.69, -25.53, 23.41

 

CMYK 34 / 0 / 0 / 36

HEX #6BA2A2

RGB 107 162 162

HSL 180, 0.23%, 0.53%

LAB 62.99, -17.97, -5.76

 

CMYK 7 / 34 / 0 / 36

HEX #976BA2

RGB 151 107 162

HSL 288, 0.23%, 0.53%

LAB 51.5, 27.44, -22.8

 

CMYK 0 / 34 / 34 / 36

HEX #A26B6B

RGB 162 107 107

HSL 0, 0.23%, 0.53%

LAB 50.99, 21.98, 9.03

 

CMYK 27 / 0 / 33 / 36

HEX #77A36D

RGB 119 163 109

HSL 108.89, 0.23%, 0.53%

LAB 62.69, -25.53, 23.41

 

CMYK 34 / 10 / 0 / 36

HEX #6B92A2

RGB 107 146 162

HSL 197.45, 0.23%, 0.53%

LAB 58.31, -9.35, -12.75

 

CMYK 7 / 34 / 0 / 36

HEX #976BA2

RGB 151 107 162

HSL 288, 0.23%, 0.53%

LAB 51.5, 27.44, -22.8

 

CMYK 0 / 23 / 34 / 36

HEX #A27C6B

RGB 162 124 107

HSL 18.55, 0.23%, 0.53%

LAB 55.23, 12.29, 14.97

 

Description

Color code: CMYK 27 / 0 / 33 / 36 | qconv.com Color code: CMYK 27 / 0 / 33 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 163 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 163 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 33 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 33% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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