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Color name
CMYK 27 / 0 / 78 / 12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 0 / 78 / 12 it is the complementary color CMYK 56 / 85 / 0 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 0 / 78 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 25 / 0 / 80 / 12, CMYK 23 / 0 / 74 / 5, CMYK 20 / 0 / 68 / 0, CMYK 14 / 0 / 60 / 0 and CMYK 7 / 0 / 53 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 0 / 78 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 27 / 0 / 78 / 12, CMYK 29 / 0 / 85 / 19, CMYK 31 / 0 / 94 / 26, CMYK 34 / 0 / 100 / 33 and CMYK 37 / 0 / 100 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 27 / 0 / 78 / 12, CMYK 6 / 0 / 78 / 12, CMYK 0 / 15 / 78 / 12, CMYK 0 / 36 / 78 / 12 and CMYK 0 / 57 / 78 / 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 27 / 0 / 78 / 12, CMYK 47 / 0 / 78 / 12, CMYK 68 / 0 / 78 / 12, CMYK 78 / 0 / 66 / 12 and CMYK 78 / 0 / 45 / 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 27 / 0 / 78 / 12 shade matches the following richer shades: CMYK 27 / 0 / 78 / 12 and CMYK 30 / 0 / 87 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 27 / 0 / 78 / 12, CMYK 22 / 0 / 66 / 20, CMYK 18 / 0 / 53 / 27, CMYK 12 / 0 / 36 / 35 and CMYK 5 / 0 / 15 / 42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 0 / 16 / 78 / 12, CMYK 5 / 0 / 78 / 12, CMYK 26 / 0 / 78 / 12, CMYK 46 / 0 / 78 / 12 and CMYK 67 / 0 / 78 / 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 29 / 0 / 85 / 35, CMYK 29 / 0 / 85 / 20, CMYK 27 / 0 / 78 / 12, CMYK 21 / 0 / 62 / 10 and CMYK 17 / 0 / 48 / 8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 27 / 0 / 78 / 12, CMYK 78 / 0 / 36 / 12 and CMYK 5 / 78 / 0 / 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 27 / 0 / 78 / 12, CMYK 78 / 26 / 0 / 12 and CMYK 0 / 78 / 26 / 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 27 / 0 / 78 / 12, CMYK 78 / 0 / 36 / 12, CMYK 52 / 78 / 0 / 12 and CMYK 0 / 78 / 42 / 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 27 / 0 / 78 / 12 shade: CMYK 27 / 0 / 78 / 12, CMYK 78 / 0 / 13 / 12, CMYK 52 / 78 / 0 / 12 and CMYK 0 / 78 / 65 / 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 78 / 12

HEX #A4E031

RGB 164 224 49

HSL 80.57, 0.74%, 0.54%

LAB 82.61, -42.63, 72.75

 

Complementary color

CMYK 56 / 85 / 0 / 19

HEX #5B1FCE

RGB 91 31 206

HSL 260.57, 0.74%, 0.46%

LAB 33.27, 63.41, -78.14

 

CMYK 25 / 0 / 80 / 12

HEX #A9E02C

RGB 169 224 44

HSL 78.33, 0.74%, 0.53%

LAB 82.88, -40.95, 74.47

 

CMYK 23 / 0 / 74 / 5

HEX #BAF23F

RGB 186 242 63

HSL 78.77, 0.87%, 0.6%

LAB 89.07, -41.58, 75.05

 

CMYK 20 / 0 / 68 / 0

HEX #CBFF52

RGB 203 255 82

HSL 78.03, 1%, 0.66%

LAB 93.81, -39.88, 73.6

 

CMYK 14 / 0 / 60 / 0

HEX #DCFF65

RGB 220 255 101

HSL 73.64, 1%, 0.7%

LAB 95.02, -32.19, 67.87

 

CMYK 7 / 0 / 53 / 0

HEX #EDFF78

RGB 237 255 120

HSL 68, 1%, 0.74%

LAB 96.36, -24.18, 61.58

 

CMYK 27 / 0 / 78 / 12

HEX #A4E031

RGB 164 224 49

HSL 80.57, 0.74%, 0.54%

LAB 82.61, -42.63, 72.75

 

CMYK 29 / 0 / 85 / 19

HEX #93CE1E

RGB 147 206 30

HSL 80.11, 0.75%, 0.46%

LAB 76.34, -41.9, 71.59

 

CMYK 31 / 0 / 94 / 26

HEX #82BC0B

RGB 130 188 11

HSL 79.66, 0.89%, 0.39%

LAB 69.99, -40.96, 69.13

 

CMYK 34 / 0 / 100 / 33

HEX #71AA00

RGB 113 170 0

HSL 80.12, 1%, 0.33%

LAB 63.56, -39.76, 65.03

 

CMYK 37 / 0 / 100 / 40

HEX #609800

RGB 96 152 0

HSL 82.11, 1%, 0.3%

LAB 57.02, -38.37, 59.59

 

CMYK 27 / 0 / 78 / 12

HEX #A4E032

RGB 164 224 50

HSL 80.69, 0.74%, 0.54%

LAB 82.61, -42.58, 72.47

 

CMYK 6 / 0 / 78 / 12

HEX #D3E032

RGB 211 224 50

HSL 64.48, 0.74%, 0.54%

LAB 85.7, -24.01, 76.43

 

CMYK 0 / 15 / 78 / 12

HEX #E0BE32

RGB 224 190 50

HSL 48.28, 0.74%, 0.54%

LAB 77.82, -1.49, 69.73

 

CMYK 0 / 36 / 78 / 12

HEX #E08F32

RGB 224 143 50

HSL 32.07, 0.74%, 0.54%

LAB 66.31, 23.44, 59.04

 

CMYK 0 / 57 / 78 / 12

HEX #E06032

RGB 224 96 50

HSL 15.86, 0.74%, 0.54%

LAB 56.53, 47.45, 49.52

 

CMYK 27 / 0 / 78 / 12

HEX #A4E032

RGB 164 224 50

HSL 80.69, 0.74%, 0.54%

LAB 82.61, -42.58, 72.47

 

CMYK 47 / 0 / 78 / 12

HEX #76E032

RGB 118 224 50

HSL 96.55, 0.74%, 0.54%

LAB 80.4, -58.15, 69.61

 

CMYK 68 / 0 / 78 / 12

HEX #47E032

RGB 71 224 50

HSL 112.76, 0.74%, 0.54%

LAB 78.97, -69.58, 67.75

 

CMYK 78 / 0 / 66 / 12

HEX #32E04D

RGB 50 224 77

HSL 129.31, 0.74%, 0.54%

LAB 78.77, -70.67, 57.85

 

CMYK 78 / 0 / 45 / 12

HEX #32E07C

RGB 50 224 124

HSL 145.52, 0.74%, 0.54%

LAB 79.3, -64.35, 36.96

 

CMYK 27 / 0 / 78 / 12

HEX #A4E032

RGB 164 224 50

HSL 80.69, 0.74%, 0.54%

LAB 82.61, -42.58, 72.47

 

CMYK 30 / 0 / 87 / 5

HEX #AAF31F

RGB 170 243 31

HSL 80.66, 0.9%, 0.54%

LAB 88.33, -49.1, 82

 

CMYK 27 / 0 / 78 / 12

HEX #A4E032

RGB 164 224 50

HSL 80.69, 0.74%, 0.54%

LAB 82.61, -42.58, 72.47

 

CMYK 22 / 0 / 66 / 20

HEX #9FCD45

RGB 159 205 69

HSL 80.29, 0.58%, 0.54%

LAB 76.96, -34.93, 60.29

 

CMYK 18 / 0 / 53 / 27

HEX #99BA58

RGB 153 186 88

HSL 80.2, 0.42%, 0.54%

LAB 71.28, -26.72, 45.51

 

CMYK 12 / 0 / 36 / 35

HEX #93A76B

RGB 147 167 107

HSL 80, 0.25%, 0.54%

LAB 65.67, -17.35, 28.77

 

CMYK 5 / 0 / 15 / 42

HEX #8D947E

RGB 141 148 126

HSL 79.09, 0.09%, 0.54%

LAB 60.2, -6.65, 10.78

 

CMYK 0 / 16 / 78 / 12

HEX #E0BD32

RGB 224 189 50

HSL 47.93, 0.74%, 0.54%

LAB 77.56, -0.97, 69.49

 

CMYK 5 / 0 / 78 / 12

HEX #D4E032

RGB 212 224 50

HSL 64.14, 0.74%, 0.54%

LAB 85.78, -23.59, 76.52

 

CMYK 26 / 0 / 78 / 12

HEX #A6E032

RGB 166 224 50

HSL 80, 0.74%, 0.54%

LAB 82.73, -41.83, 72.62

 

CMYK 46 / 0 / 78 / 12

HEX #78E032

RGB 120 224 50

HSL 95.86, 0.74%, 0.54%

LAB 80.48, -57.56, 69.72

 

CMYK 67 / 0 / 78 / 12

HEX #4AE032

RGB 74 224 50

HSL 111.72, 0.74%, 0.54%

LAB 79.04, -69.01, 67.84

 

CMYK 29 / 0 / 85 / 35

HEX #76A719

RGB 118 167 25

HSL 80.7, 0.74%, 0.38%

LAB 62.98, -35.93, 60.57

 

CMYK 29 / 0 / 85 / 20

HEX #90CB1E

RGB 144 203 30

HSL 80.46, 0.74%, 0.46%

LAB 75.29, -41.73, 70.62

 

CMYK 27 / 0 / 78 / 12

HEX #A4E032

RGB 164 224 50

HSL 80.69, 0.74%, 0.54%

LAB 82.61, -42.58, 72.47

 

CMYK 21 / 0 / 62 / 10

HEX #B4E556

RGB 180 229 86

HSL 80.56, 0.73%, 0.62%

LAB 85.21, -36.63, 62.6

 

CMYK 17 / 0 / 48 / 8

HEX #C4EB7A

RGB 196 235 122

HSL 80.71, 0.74%, 0.7%

LAB 88.24, -30.16, 50.35

 

CMYK 27 / 0 / 78 / 12

HEX #A4E031

RGB 164 224 49

HSL 80.57, 0.74%, 0.54%

LAB 82.61, -42.63, 72.75

 

CMYK 78 / 0 / 36 / 12

HEX #32E08F

RGB 50 224 143

HSL 152.07, 0.74%, 0.54%

LAB 79.6, -60.89, 27.75

 

CMYK 5 / 78 / 0 / 12

HEX #D432E0

RGB 212 50 224

HSL 295.86, 0.74%, 0.54%

LAB 53.66, 79.79, -54.54

 

CMYK 27 / 0 / 78 / 12

HEX #A4E031

RGB 164 224 49

HSL 80.57, 0.74%, 0.54%

LAB 82.61, -42.63, 72.75

 

CMYK 78 / 26 / 0 / 12

HEX #32A6E0

RGB 50 166 224

HSL 200, 0.74%, 0.54%

LAB 64.43, -12.38, -38.32

 

CMYK 0 / 78 / 26 / 12

HEX #E032A6

RGB 224 50 166

HSL 320, 0.74%, 0.54%

LAB 52.82, 74.16, -22.24

 

CMYK 27 / 0 / 78 / 12

HEX #A4E031

RGB 164 224 49

HSL 80.57, 0.74%, 0.54%

LAB 82.61, -42.63, 72.75

 

CMYK 78 / 0 / 36 / 12

HEX #32E08F

RGB 50 224 143

HSL 152.07, 0.74%, 0.54%

LAB 79.6, -60.89, 27.75

 

CMYK 52 / 78 / 0 / 12

HEX #6C32E0

RGB 108 50 224

HSL 260, 0.74%, 0.54%

LAB 39.33, 62.72, -78.46

 

CMYK 0 / 78 / 42 / 12

HEX #E03283

RGB 224 50 131

HSL 332.07, 0.74%, 0.54%

LAB 51.57, 70.43, -3.28

 

CMYK 27 / 0 / 78 / 12

HEX #A4E031

RGB 164 224 49

HSL 80.57, 0.74%, 0.54%

LAB 82.61, -42.63, 72.75

 

CMYK 78 / 0 / 13 / 12

HEX #32E0C3

RGB 50 224 195

HSL 170, 0.74%, 0.54%

LAB 80.7, -49.04, 2.01

 

CMYK 52 / 78 / 0 / 12

HEX #6C32E0

RGB 108 50 224

HSL 260, 0.74%, 0.54%

LAB 39.33, 62.72, -78.46

 

CMYK 0 / 78 / 65 / 12

HEX #E0324F

RGB 224 50 79

HSL 350, 0.74%, 0.54%

LAB 50.33, 66.57, 26.43

 

Description

Color code: CMYK 27 / 0 / 78 / 12 | qconv.com Color code: CMYK 27 / 0 / 78 / 12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 224 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 224 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 78 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 78% 12% C M Y K

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Provide designers and agencies with accurate color values.

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