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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 12 / 0 / 71 it is the complementary color CMYK 0 / 5 / 10 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 12 / 0 / 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 13 / 6 / 0 / 73, CMYK 13 / 6 / 0 / 65, CMYK 12 / 6 / 0 / 58, CMYK 12 / 6 / 0 / 51 and CMYK 12 / 6 / 0 / 43

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 12 / 0 / 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 26 / 12 / 0 / 71, CMYK 31 / 15 / 0 / 78, CMYK 42 / 19 / 0 / 86 and CMYK 76 / 35 / 0 / 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 26 / 12 / 0 / 71, CMYK 26 / 19 / 0 / 71, CMYK 26 / 26 / 0 / 71, CMYK 19 / 26 / 0 / 71 and CMYK 12 / 26 / 0 / 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 26 / 12 / 0 / 71, CMYK 26 / 19 / 0 / 71 and CMYK 26 / 26 / 0 / 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 25 / 12 / 0 / 71 shade matches the following richer shades: CMYK 26 / 12 / 0 / 71, CMYK 48 / 23 / 0 / 67, CMYK 65 / 30 / 0 / 64, CMYK 78 / 38 / 0 / 59 and CMYK 89 / 42 / 0 / 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 26 / 12 / 0 / 71, CMYK 0 / 2 / 3 / 75, CMYK 0 / 15 / 30 / 71, CMYK 0 / 27 / 51 / 67 and CMYK 0 / 35 / 66 / 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 26 / 0 / 1 / 71, CMYK 26 / 5 / 0 / 71, CMYK 26 / 12 / 0 / 71, CMYK 26 / 19 / 0 / 71 and CMYK 26 / 26 / 0 / 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 24 / 12 / 0 / 90, CMYK 27 / 12 / 0 / 81, CMYK 26 / 12 / 0 / 71, CMYK 27 / 12 / 0 / 62 and CMYK 26 / 13 / 0 / 53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 26 / 12 / 0 / 71, CMYK 10 / 26 / 0 / 71 and CMYK 1 / 0 / 26 / 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 26 / 12 / 0 / 71, CMYK 0 / 26 / 12 / 71 and CMYK 12 / 0 / 26 / 71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 26 / 12 / 0 / 71, CMYK 10 / 26 / 0 / 71, CMYK 0 / 14 / 26 / 71 and CMYK 18 / 0 / 26 / 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 25 / 12 / 0 / 71 shade: CMYK 26 / 12 / 0 / 71, CMYK 1 / 26 / 0 / 71, CMYK 0 / 14 / 26 / 71 and CMYK 26 / 0 / 26 / 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 12 / 0 / 71

HEX #37414A

RGB 55 65 74

HSL 208.42, 0.15%, 0.25%

LAB 26.98, -1.72, -6.82

 

Complementary color

CMYK 0 / 5 / 10 / 22

HEX #C8BEB5

RGB 200 190 181

HSL 28.42, 0.15%, 0.75%

LAB 77.54, 1.95, 5.79

 

CMYK 13 / 6 / 0 / 73

HEX #3C4145

RGB 60 65 69

HSL 206.67, 0.07%, 0.25%

LAB 27.22, -1.1, -3.15

 

CMYK 13 / 6 / 0 / 65

HEX #4D5358

RGB 77 83 88

HSL 207.27, 0.07%, 0.32%

LAB 34.94, -1.23, -3.74

 

CMYK 12 / 6 / 0 / 58

HEX #5E656B

RGB 94 101 107

HSL 207.69, 0.06%, 0.39%

LAB 42.38, -1.35, -4.31

 

CMYK 12 / 6 / 0 / 51

HEX #6F777E

RGB 111 119 126

HSL 208, 0.06%, 0.46%

LAB 49.59, -1.47, -4.86

 

CMYK 12 / 6 / 0 / 43

HEX #808991

RGB 128 137 145

HSL 208.24, 0.07%, 0.54%

LAB 56.61, -1.58, -5.4

 

CMYK 26 / 12 / 0 / 71

HEX #37414A

RGB 55 65 74

HSL 208.42, 0.15%, 0.25%

LAB 26.98, -1.72, -6.82

 

CMYK 31 / 15 / 0 / 78

HEX #262F37

RGB 38 47 55

HSL 208.24, 0.18%, 0.18%

LAB 18.89, -1.58, -6.37

 

CMYK 42 / 19 / 0 / 86

HEX #151D24

RGB 21 29 36

HSL 208, 0.26%, 0.11%

LAB 10.3, -1.41, -5.96

 

CMYK 76 / 35 / 0 / 93

HEX #040B11

RGB 4 11 17

HSL 207.69, 0.62%, 0.04%

LAB 2.76, -0.8, -3.47

 

CMYK 26 / 12 / 0 / 71

HEX #364049

RGB 54 64 73

HSL 208.42, 0.15%, 0.25%

LAB 26.54, -1.72, -6.83

 

CMYK 26 / 19 / 0 / 71

HEX #363B49

RGB 54 59 73

HSL 224.21, 0.15%, 0.25%

LAB 24.93, 1.57, -9.26

 

CMYK 26 / 26 / 0 / 71

HEX #363649

RGB 54 54 73

HSL 240, 0.15%, 0.25%

LAB 23.35, 4.93, -11.67

 

CMYK 19 / 26 / 0 / 71

HEX #3B3649

RGB 59 54 73

HSL 255.79, 0.15%, 0.25%

LAB 23.83, 6.82, -10.89

 

CMYK 12 / 26 / 0 / 71

HEX #403649

RGB 64 54 73

HSL 271.58, 0.15%, 0.25%

LAB 24.35, 8.76, -10.05

 

CMYK 26 / 12 / 0 / 71

HEX #364049

RGB 54 64 73

HSL 208.42, 0.15%, 0.25%

LAB 26.54, -1.72, -6.83

 

CMYK 26 / 19 / 0 / 71

HEX #363B49

RGB 54 59 73

HSL 224.21, 0.15%, 0.25%

LAB 24.93, 1.57, -9.26

 

CMYK 26 / 26 / 0 / 71

HEX #363649

RGB 54 54 73

HSL 240, 0.15%, 0.25%

LAB 23.35, 4.93, -11.67

 

CMYK 26 / 12 / 0 / 71

HEX #364049

RGB 54 64 73

HSL 208.42, 0.15%, 0.25%

LAB 26.54, -1.72, -6.83

 

CMYK 48 / 23 / 0 / 67

HEX #2B4053

RGB 43 64 83

HSL 208.5, 0.32%, 0.25%

LAB 26.17, -2.36, -14.02

 

CMYK 65 / 30 / 0 / 64

HEX #21415D

RGB 33 65 93

HSL 208, 0.48%, 0.25%

LAB 26.43, -2.1, -20.17

 

CMYK 78 / 38 / 0 / 59

HEX #174168

RGB 23 65 104

HSL 208.89, 0.64%, 0.25%

LAB 26.63, 0.34, -26.98

 

CMYK 89 / 42 / 0 / 55

HEX #0C4272

RGB 12 66 114

HSL 208.24, 0.81%, 0.25%

LAB 27.27, 2.54, -32.35

 

CMYK 26 / 12 / 0 / 71

HEX #364049

RGB 54 64 73

HSL 208.42, 0.15%, 0.25%

LAB 26.54, -1.72, -6.83

 

CMYK 0 / 2 / 3 / 75

HEX #403F3E

RGB 64 63 62

HSL 30, 0.02%, 0.25%

LAB 26.71, 0.2, 0.76

 

CMYK 0 / 15 / 30 / 71

HEX #4A3F34

RGB 74 63 52

HSL 30, 0.17%, 0.25%

LAB 27.46, 2.75, 8.51

 

CMYK 0 / 27 / 51 / 67

HEX #553E2A

RGB 85 62 42

HSL 27.91, 0.34%, 0.25%

LAB 28.23, 7.18, 16.19

 

CMYK 0 / 35 / 66 / 63

HEX #5F3E20

RGB 95 62 32

HSL 28.57, 0.5%, 0.25%

LAB 29.37, 11.02, 24.01

 

CMYK 26 / 0 / 1 / 71

HEX #364948

RGB 54 73 72

HSL 176.84, 0.15%, 0.25%

LAB 29.46, -7.67, -1.84

 

CMYK 26 / 5 / 0 / 71

HEX #364549

RGB 54 69 73

HSL 192.63, 0.15%, 0.25%

LAB 28.17, -4.91, -4.39

 

CMYK 26 / 12 / 0 / 71

HEX #364049

RGB 54 64 73

HSL 208.42, 0.15%, 0.25%

LAB 26.54, -1.72, -6.83

 

CMYK 26 / 19 / 0 / 71

HEX #363B49

RGB 54 59 73

HSL 224.21, 0.15%, 0.25%

LAB 24.93, 1.57, -9.26

 

CMYK 26 / 26 / 0 / 71

HEX #363649

RGB 54 54 73

HSL 240, 0.15%, 0.25%

LAB 23.35, 4.93, -11.67

 

CMYK 24 / 12 / 0 / 90

HEX #131619

RGB 19 22 25

HSL 210, 0.14%, 0.09%

LAB 7.07, -0.52, -2.56

 

CMYK 27 / 12 / 0 / 81

HEX #242B31

RGB 36 43 49

HSL 207.69, 0.15%, 0.17%

LAB 17.11, -1.38, -4.91

 

CMYK 26 / 12 / 0 / 71

HEX #364049

RGB 54 64 73

HSL 208.42, 0.15%, 0.25%

LAB 26.54, -1.72, -6.83

 

CMYK 27 / 12 / 0 / 62

HEX #475561

RGB 71 85 97

HSL 207.69, 0.15%, 0.33%

LAB 35.4, -2.38, -8.76

 

CMYK 26 / 13 / 0 / 53

HEX #596978

RGB 89 105 120

HSL 209.03, 0.15%, 0.41%

LAB 43.63, -2.34, -10.37

 

CMYK 26 / 12 / 0 / 71

HEX #37414A

RGB 55 65 74

HSL 208.42, 0.15%, 0.25%

LAB 26.98, -1.72, -6.82

 

CMYK 10 / 26 / 0 / 71

HEX #423649

RGB 66 54 73

HSL 277.89, 0.15%, 0.25%

LAB 24.57, 9.54, -9.7

 

CMYK 1 / 0 / 26 / 71

HEX #484936

RGB 72 73 54

HSL 63.16, 0.15%, 0.25%

LAB 30.42, -4.15, 11.27

 

CMYK 26 / 12 / 0 / 71

HEX #37414A

RGB 55 65 74

HSL 208.42, 0.15%, 0.25%

LAB 26.98, -1.72, -6.82

 

CMYK 0 / 26 / 12 / 71

HEX #493640

RGB 73 54 64

HSL 328.42, 0.15%, 0.25%

LAB 25.03, 10.4, -2.93

 

CMYK 12 / 0 / 26 / 71

HEX #404936

RGB 64 73 54

HSL 88.42, 0.15%, 0.25%

LAB 29.72, -7.7, 10.19

 

CMYK 26 / 12 / 0 / 71

HEX #37414A

RGB 55 65 74

HSL 208.42, 0.15%, 0.25%

LAB 26.98, -1.72, -6.82

 

CMYK 10 / 26 / 0 / 71

HEX #423649

RGB 66 54 73

HSL 277.89, 0.15%, 0.25%

LAB 24.57, 9.54, -9.7

 

CMYK 0 / 14 / 26 / 71

HEX #493F36

RGB 73 63 54

HSL 28.42, 0.15%, 0.25%

LAB 27.4, 2.63, 7.11

 

CMYK 18 / 0 / 26 / 71

HEX #3C4936

RGB 60 73 54

HSL 101.05, 0.15%, 0.25%

LAB 29.39, -9.42, 9.69

 

CMYK 26 / 12 / 0 / 71

HEX #37414A

RGB 55 65 74

HSL 208.42, 0.15%, 0.25%

LAB 26.98, -1.72, -6.82

 

CMYK 1 / 26 / 0 / 71

HEX #483649

RGB 72 54 73

HSL 296.84, 0.15%, 0.25%

LAB 25.25, 11.94, -8.61

 

CMYK 0 / 14 / 26 / 71

HEX #493F36

RGB 73 63 54

HSL 28.42, 0.15%, 0.25%

LAB 27.4, 2.63, 7.11

 

CMYK 26 / 0 / 26 / 71

HEX #364936

RGB 54 73 54

HSL 120, 0.15%, 0.25%

LAB 28.94, -11.91, 9

 

Description

Color code: CMYK 25 / 12 / 0 / 71 | qconv.com Color code: CMYK 25 / 12 / 0 / 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 65 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 65 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 12 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 12% 0% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Gamersfire - It's al...
Link: http://gamersfire.com

27% - Glemsomhed
Link: http://arbejdssoegende.dk

31% - LikeBright | We Met ...
Link: http://www.likebright.com

39% - Côté Sushi : livrais...
Link: http://cotesushi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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