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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 86 / 0 / 7 it is the complementary color CMYK 66 / 0 / 92 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 86 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 20 / 86 / 0 / 9, CMYK 20 / 80 / 0 / 2, CMYK 14 / 73 / 0 / 0, CMYK 7 / 66 / 0 / 0 and CMYK 1 / 59 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 86 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 24 / 86 / 0 / 7, CMYK 25 / 93 / 0 / 15, CMYK 27 / 100 / 0 / 22, CMYK 28 / 100 / 0 / 29 and CMYK 30 / 100 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 24 / 86 / 0 / 7, CMYK 1 / 86 / 0 / 7, CMYK 0 / 86 / 22 / 7, CMYK 0 / 86 / 46 / 7 and CMYK 0 / 86 / 69 / 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 24 / 86 / 0 / 7, CMYK 47 / 86 / 0 / 7, CMYK 70 / 86 / 0 / 7 and CMYK 86 / 86 / 0 / 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 24 / 86 / 0 / 7 shade matches the following richer shades: CMYK 24 / 86 / 0 / 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 24 / 86 / 0 / 7, CMYK 21 / 76 / 0 / 15, CMYK 18 / 64 / 0 / 22, CMYK 13 / 49 / 0 / 30 and CMYK 9 / 31 / 0 / 38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 70 / 86 / 0 / 7, CMYK 48 / 86 / 0 / 7, CMYK 24 / 86 / 0 / 7, CMYK 2 / 86 / 0 / 7 and CMYK 0 / 86 / 22 / 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 25 / 92 / 0 / 32, CMYK 26 / 92 / 0 / 17, CMYK 24 / 86 / 0 / 7, CMYK 20 / 70 / 0 / 6 and CMYK 16 / 55 / 0 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 24 / 86 / 0 / 7, CMYK 0 / 86 / 79 / 7 and CMYK 86 / 0 / 59 / 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 24 / 86 / 0 / 7, CMYK 0 / 24 / 86 / 7 and CMYK 86 / 0 / 24 / 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 24 / 86 / 0 / 7, CMYK 0 / 86 / 79 / 7, CMYK 62 / 0 / 86 / 7 and CMYK 86 / 0 / 7 / 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 24 / 86 / 0 / 7 shade: CMYK 24 / 86 / 0 / 7, CMYK 0 / 68 / 86 / 7, CMYK 62 / 0 / 86 / 7 and CMYK 86 / 19 / 0 / 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

Complementary color

CMYK 66 / 0 / 92 / 13

HEX #4BDE12

RGB 75 222 18

HSL 103.24, 0.85%, 0.47%

LAB 78.33, -69.5, 74.2

 

CMYK 20 / 86 / 0 / 9

HEX #B921E8

RGB 185 33 232

HSL 285.83, 0.81%, 0.52%

LAB 48.55, 80.56, -67.53

 

CMYK 20 / 80 / 0 / 2

HEX #CA33FB

RGB 202 51 251

HSL 285.3, 0.96%, 0.59%

LAB 53.91, 82.37, -69.38

 

CMYK 14 / 73 / 0 / 0

HEX #DB45FF

RGB 219 69 255

HSL 288.39, 1%, 0.64%

LAB 58.54, 80.68, -64

 

CMYK 7 / 66 / 0 / 0

HEX #EC57FF

RGB 236 87 255

HSL 293.21, 1%, 0.67%

LAB 63.23, 77.76, -56.36

 

CMYK 1 / 59 / 0 / 0

HEX #FD69FF

RGB 253 105 255

HSL 299.2, 1%, 0.71%

LAB 68.17, 74.54, -48.39

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 25 / 93 / 0 / 15

HEX #A30FDA

RGB 163 15 218

HSL 283.74, 0.87%, 0.46%

LAB 43.05, 77.9, -68.65

 

CMYK 27 / 100 / 0 / 22

HEX #9200C7

RGB 146 0 199

HSL 284.02, 1%, 0.39%

LAB 38.26, 73.87, -65.57

 

CMYK 28 / 100 / 0 / 29

HEX #8100B4

RGB 129 0 180

HSL 283, 1%, 0.35%

LAB 33.9, 68.21, -61.6

 

CMYK 30 / 100 / 0 / 37

HEX #7000A1

RGB 112 0 161

HSL 281.74, 1%, 0.32%

LAB 29.46, 62.44, -57.56

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 1 / 86 / 0 / 7

HEX #EB21ED

RGB 235 33 237

HSL 299.41, 0.85%, 0.53%

LAB 56.94, 89.46, -56.41

 

CMYK 0 / 86 / 22 / 7

HEX #ED21B8

RGB 237 33 184

HSL 315.59, 0.85%, 0.53%

LAB 54.61, 82.79, -29.81

 

CMYK 0 / 86 / 46 / 7

HEX #ED2181

RGB 237 33 129

HSL 331.76, 0.85%, 0.53%

LAB 52.59, 77.24, -0.29

 

CMYK 0 / 86 / 69 / 7

HEX #ED214A

RGB 237 33 74

HSL 347.94, 0.85%, 0.53%

LAB 51.37, 73.74, 31.26

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 47 / 86 / 0 / 7

HEX #7D21ED

RGB 125 33 237

HSL 267.06, 0.85%, 0.53%

LAB 40.51, 73.7, -83.84

 

CMYK 70 / 86 / 0 / 7

HEX #4621ED

RGB 70 33 237

HSL 250.88, 0.85%, 0.53%

LAB 35.01, 69.13, -93.12

 

CMYK 86 / 86 / 0 / 7

HEX #2121ED

RGB 33 33 237

HSL 240, 0.85%, 0.53%

LAB 32.97, 67.59, -96.56

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 21 / 76 / 0 / 15

HEX #AB34D9

RGB 171 52 217

HSL 283.27, 0.68%, 0.53%

LAB 47.14, 70.35, -61.38

 

CMYK 18 / 64 / 0 / 22

HEX #A248C6

RGB 162 72 198

HSL 282.86, 0.53%, 0.53%

LAB 47.49, 56.69, -49.96

 

CMYK 13 / 49 / 0 / 30

HEX #9A5BB2

RGB 154 91 178

HSL 283.45, 0.36%, 0.53%

LAB 48.97, 40.77, -36.06

 

CMYK 9 / 31 / 0 / 38

HEX #916E9F

RGB 145 110 159

HSL 282.86, 0.2%, 0.53%

LAB 51.47, 23.06, -21.15

 

CMYK 70 / 86 / 0 / 7

HEX #4621ED

RGB 70 33 237

HSL 250.88, 0.85%, 0.53%

LAB 35.01, 69.13, -93.12

 

CMYK 48 / 86 / 0 / 7

HEX #7C21ED

RGB 124 33 237

HSL 266.76, 0.85%, 0.53%

LAB 40.39, 73.59, -84.05

 

CMYK 24 / 86 / 0 / 7

HEX #B321ED

RGB 179 33 237

HSL 282.94, 0.85%, 0.53%

LAB 47.99, 80.58, -71.3

 

CMYK 2 / 86 / 0 / 7

HEX #E921ED

RGB 233 33 237

HSL 298.82, 0.85%, 0.53%

LAB 56.61, 89.12, -56.96

 

CMYK 0 / 86 / 22 / 7

HEX #ED21BA

RGB 237 33 186

HSL 315, 0.85%, 0.53%

LAB 54.7, 83.03, -30.84

 

CMYK 25 / 92 / 0 / 32

HEX #810EAD

RGB 129 14 173

HSL 283.4, 0.85%, 0.37%

LAB 33.98, 64.91, -57.3

 

CMYK 26 / 92 / 0 / 17

HEX #9D11D3

RGB 157 17 211

HSL 283.3, 0.85%, 0.45%

LAB 41.65, 75.53, -66.94

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 20 / 70 / 0 / 6

HEX #C147F0

RGB 193 71 240

HSL 283.31, 0.85%, 0.61%

LAB 54.17, 72.15, -62.89

 

CMYK 16 / 55 / 0 / 5

HEX #CD6DF3

RGB 205 109 243

HSL 282.99, 0.85%, 0.69%

LAB 61.99, 58.74, -51.97

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 0 / 86 / 79 / 7

HEX #ED2132

RGB 237 33 50

HSL 355, 0.85%, 0.53%

LAB 51.06, 72.85, 44.74

 

CMYK 86 / 0 / 59 / 7

HEX #21ED61

RGB 33 237 97

HSL 138.82, 0.85%, 0.53%

LAB 82.78, -74.12, 53.88

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 0 / 24 / 86 / 7

HEX #EDB321

RGB 237 179 33

HSL 42.94, 0.85%, 0.53%

LAB 76.29, 9.36, 73.79

 

CMYK 86 / 0 / 24 / 7

HEX #21EDB3

RGB 33 237 179

HSL 162.94, 0.85%, 0.53%

LAB 84.04, -59.52, 15.19

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 0 / 86 / 79 / 7

HEX #ED2132

RGB 237 33 50

HSL 355, 0.85%, 0.53%

LAB 51.06, 72.85, 44.74

 

CMYK 62 / 0 / 86 / 7

HEX #5BED21

RGB 91 237 33

HSL 102.94, 0.85%, 0.53%

LAB 83.39, -70.46, 76.17

 

CMYK 86 / 0 / 7 / 7

HEX #21EDDC

RGB 33 237 220

HSL 175, 0.85%, 0.53%

LAB 85.03, -49.17, -4.89

 

CMYK 24 / 86 / 0 / 7

HEX #B421ED

RGB 180 33 237

HSL 283.24, 0.85%, 0.53%

LAB 48.14, 80.72, -71.05

 

CMYK 0 / 68 / 86 / 7

HEX #ED4D21

RGB 237 77 33

HSL 12.94, 0.85%, 0.53%

LAB 55.5, 59.66, 56.99

 

CMYK 62 / 0 / 86 / 7

HEX #5BED21

RGB 91 237 33

HSL 102.94, 0.85%, 0.53%

LAB 83.39, -70.46, 76.17

 

CMYK 86 / 19 / 0 / 7

HEX #21C0ED

RGB 33 192 237

HSL 193.24, 0.85%, 0.53%

LAB 72.32, -23.12, -33.18

 

Description

Color code: CMYK 24 / 86 / 0 / 7 | qconv.com Color code: CMYK 24 / 86 / 0 / 7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 33 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 33 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 86 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 86% 0% 7% C M Y K

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Provide designers and agencies with accurate color values.

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