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Color name
CMYK 21 / 72 / 0 / 41

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 72 / 0 / 41 it is the complementary color CMYK 36 / 0 / 51 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 72 / 0 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 14 / 71 / 0 / 43, CMYK 14 / 63 / 0 / 36, CMYK 14 / 57 / 0 / 28, CMYK 13 / 52 / 0 / 21 and CMYK 13 / 48 / 0 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 72 / 0 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 21 / 72 / 0 / 41, CMYK 22 / 82 / 0 / 49, CMYK 24 / 95 / 0 / 56, CMYK 27 / 100 / 0 / 64 and CMYK 31 / 100 / 0 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 21 / 72 / 0 / 41, CMYK 1 / 72 / 0 / 41, CMYK 0 / 72 / 19 / 41, CMYK 0 / 72 / 38 / 41 and CMYK 0 / 72 / 57 / 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 21 / 72 / 0 / 41, CMYK 40 / 72 / 0 / 41, CMYK 60 / 72 / 0 / 41 and CMYK 72 / 72 / 0 / 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 21 / 72 / 0 / 41 shade matches the following richer shades: CMYK 21 / 72 / 0 / 41, CMYK 24 / 84 / 0 / 35 and CMYK 27 / 94 / 0 / 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 21 / 72 / 0 / 41, CMYK 16 / 57 / 0 / 47, CMYK 11 / 39 / 0 / 53, CMYK 5 / 14 / 0 / 59 and CMYK 11 / 0 / 16 / 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 60 / 72 / 0 / 41, CMYK 41 / 72 / 0 / 41, CMYK 22 / 72 / 0 / 41, CMYK 3 / 72 / 0 / 41 and CMYK 0 / 72 / 17 / 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 21 / 72 / 0 / 66, CMYK 20 / 72 / 0 / 54, CMYK 21 / 72 / 0 / 41, CMYK 21 / 72 / 0 / 28 and CMYK 18 / 65 / 0 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 21 / 72 / 0 / 41, CMYK 0 / 72 / 65 / 41 and CMYK 72 / 0 / 50 / 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 21 / 72 / 0 / 41, CMYK 0 / 22 / 72 / 41 and CMYK 72 / 0 / 22 / 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 21 / 72 / 0 / 41, CMYK 0 / 72 / 65 / 41, CMYK 50 / 0 / 72 / 41 and CMYK 72 / 0 / 7 / 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 21 / 72 / 0 / 41 shade: CMYK 21 / 72 / 0 / 41, CMYK 0 / 58 / 72 / 41, CMYK 50 / 0 / 72 / 41 and CMYK 72 / 15 / 0 / 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 72 / 0 / 41

HEX #772A96

RGB 119 42 150

HSL 282.78, 0.56%, 0.38%

LAB 33.52, 50.24, -44.21

 

Complementary color

CMYK 36 / 0 / 51 / 16

HEX #88D569

RGB 136 213 105

HSL 102.78, 0.56%, 0.62%

LAB 78.37, -43.34, 45.64

 

CMYK 14 / 71 / 0 / 43

HEX #7C2A91

RGB 124 42 145

HSL 287.77, 0.55%, 0.37%

LAB 33.95, 50.32, -40.42

 

CMYK 14 / 63 / 0 / 36

HEX #8D3CA4

RGB 141 60 164

HSL 286.73, 0.46%, 0.44%

LAB 40.53, 50.22, -41.26

 

CMYK 14 / 57 / 0 / 28

HEX #9E4EB7

RGB 158 78 183

HSL 285.71, 0.42%, 0.51%

LAB 47.15, 49.73, -41.81

 

CMYK 13 / 52 / 0 / 21

HEX #AF60CA

RGB 175 96 202

HSL 284.72, 0.5%, 0.58%

LAB 53.75, 49.05, -42.19

 

CMYK 13 / 48 / 0 / 13

HEX #C072DD

RGB 192 114 221

HSL 283.74, 0.61%, 0.66%

LAB 60.3, 48.3, -42.48

 

CMYK 21 / 72 / 0 / 41

HEX #772A96

RGB 119 42 150

HSL 282.78, 0.56%, 0.38%

LAB 33.52, 50.24, -44.21

 

CMYK 22 / 82 / 0 / 49

HEX #661883

RGB 102 24 131

HSL 283.74, 0.69%, 0.3%

LAB 27.06, 49.65, -43

 

CMYK 24 / 95 / 0 / 56

HEX #550670

RGB 85 6 112

HSL 284.72, 0.9%, 0.23%

LAB 20.95, 47.66, -40.95

 

CMYK 27 / 100 / 0 / 64

HEX #44005D

RGB 68 0 93

HSL 283.87, 1%, 0.18%

LAB 15.59, 42.83, -37.3

 

CMYK 31 / 100 / 0 / 71

HEX #33004A

RGB 51 0 74

HSL 281.35, 1%, 0.15%

LAB 10.54, 36.26, -32.69

 

CMYK 21 / 72 / 0 / 41

HEX #782A97

RGB 120 42 151

HSL 282.94, 0.56%, 0.38%

LAB 33.74, 50.67, -44.46

 

CMYK 1 / 72 / 0 / 41

HEX #952A97

RGB 149 42 151

HSL 298.9, 0.56%, 0.38%

LAB 38.34, 57.14, -36.84

 

CMYK 0 / 72 / 19 / 41

HEX #972A7B

RGB 151 42 123

HSL 315.41, 0.56%, 0.38%

LAB 37.23, 53.16, -21.33

 

CMYK 0 / 72 / 38 / 41

HEX #972A5E

RGB 151 42 94

HSL 331.38, 0.56%, 0.38%

LAB 36.07, 49.39, -4.8

 

CMYK 0 / 72 / 57 / 41

HEX #972A41

RGB 151 42 65

HSL 347.34, 0.56%, 0.38%

LAB 35.24, 46.59, 12.67

 

CMYK 21 / 72 / 0 / 41

HEX #782A97

RGB 120 42 151

HSL 282.94, 0.56%, 0.38%

LAB 33.74, 50.67, -44.46

 

CMYK 40 / 72 / 0 / 41

HEX #5A2A97

RGB 90 42 151

HSL 266.42, 0.56%, 0.38%

LAB 29.57, 44.47, -51.41

 

CMYK 60 / 72 / 0 / 41

HEX #3D2A97

RGB 61 42 151

HSL 250.46, 0.56%, 0.38%

LAB 26.4, 39.42, -56.73

 

CMYK 72 / 72 / 0 / 41

HEX #2A2A97

RGB 42 42 151

HSL 240, 0.56%, 0.38%

LAB 24.9, 36.92, -59.25

 

CMYK 21 / 72 / 0 / 41

HEX #782A97

RGB 120 42 151

HSL 282.94, 0.56%, 0.38%

LAB 33.74, 50.67, -44.46

 

CMYK 24 / 84 / 0 / 35

HEX #7E1AA6

RGB 126 26 166

HSL 282.86, 0.73%, 0.38%

LAB 33.83, 60.46, -53.36

 

CMYK 27 / 94 / 0 / 29

HEX #850BB6

RGB 133 11 182

HSL 282.81, 0.89%, 0.38%

LAB 35.21, 67.65, -60.63

 

CMYK 21 / 72 / 0 / 41

HEX #782A97

RGB 120 42 151

HSL 282.94, 0.56%, 0.38%

LAB 33.74, 50.67, -44.46

 

CMYK 16 / 57 / 0 / 47

HEX #713A87

RGB 113 58 135

HSL 282.86, 0.4%, 0.38%

LAB 34.57, 37.61, -33.37

 

CMYK 11 / 39 / 0 / 53

HEX #6A4977

RGB 106 73 119

HSL 283.04, 0.24%, 0.38%

LAB 36.29, 23.01, -20.83

 

CMYK 5 / 14 / 0 / 59

HEX #635968

RGB 99 89 104

HSL 280, 0.08%, 0.38%

LAB 39.24, 7.16, -7.11

 

CMYK 11 / 0 / 16 / 59

HEX #5D6958

RGB 93 105 88

HSL 102.35, 0.09%, 0.38%

LAB 42.97, -8.11, 8.04

 

CMYK 60 / 72 / 0 / 41

HEX #3C2A97

RGB 60 42 151

HSL 249.91, 0.56%, 0.38%

LAB 26.31, 39.27, -56.88

 

CMYK 41 / 72 / 0 / 41

HEX #592A97

RGB 89 42 151

HSL 265.87, 0.56%, 0.38%

LAB 29.45, 44.27, -51.61

 

CMYK 22 / 72 / 0 / 41

HEX #762A97

RGB 118 42 151

HSL 281.83, 0.56%, 0.38%

LAB 33.44, 50.23, -44.96

 

CMYK 3 / 72 / 0 / 41

HEX #932A97

RGB 147 42 151

HSL 297.8, 0.56%, 0.38%

LAB 38.01, 56.69, -37.39

 

CMYK 0 / 72 / 17 / 41

HEX #972A7D

RGB 151 42 125

HSL 314.31, 0.56%, 0.38%

LAB 37.33, 53.46, -22.43

 

CMYK 21 / 72 / 0 / 66

HEX #441856

RGB 68 24 86

HSL 282.58, 0.56%, 0.22%

LAB 18.16, 32.15, -28.43

 

CMYK 20 / 72 / 0 / 54

HEX #5E2176

RGB 94 33 118

HSL 283.06, 0.56%, 0.3%

LAB 26.09, 41.58, -36.42

 

CMYK 21 / 72 / 0 / 41

HEX #782A97

RGB 120 42 151

HSL 282.94, 0.56%, 0.38%

LAB 33.74, 50.67, -44.46

 

CMYK 21 / 72 / 0 / 28

HEX #9133B7

RGB 145 51 183

HSL 282.73, 0.56%, 0.46%

LAB 40.91, 58.93, -51.9

 

CMYK 18 / 65 / 0 / 20

HEX #A648CB

RGB 166 72 203

HSL 283.05, 0.56%, 0.54%

LAB 48.33, 58.65, -51.47

 

CMYK 21 / 72 / 0 / 41

HEX #772A96

RGB 119 42 150

HSL 282.78, 0.56%, 0.38%

LAB 33.52, 50.24, -44.21

 

CMYK 0 / 72 / 65 / 41

HEX #972A35

RGB 151 42 53

HSL 353.94, 0.56%, 0.38%

LAB 34.99, 45.74, 20.03

 

CMYK 72 / 0 / 50 / 41

HEX #2A974B

RGB 42 151 75

HSL 138.17, 0.56%, 0.38%

LAB 55.21, -47.41, 31.29

 

CMYK 21 / 72 / 0 / 41

HEX #772A96

RGB 119 42 150

HSL 282.78, 0.56%, 0.38%

LAB 33.52, 50.24, -44.21

 

CMYK 0 / 22 / 72 / 41

HEX #97762A

RGB 151 118 42

HSL 41.83, 0.56%, 0.38%

LAB 51.5, 4.75, 44.96

 

CMYK 72 / 0 / 22 / 41

HEX #2A9776

RGB 42 151 118

HSL 161.83, 0.56%, 0.38%

LAB 56.02, -38.5, 8.71

 

CMYK 21 / 72 / 0 / 41

HEX #772A96

RGB 119 42 150

HSL 282.78, 0.56%, 0.38%

LAB 33.52, 50.24, -44.21

 

CMYK 0 / 72 / 65 / 41

HEX #972A35

RGB 151 42 53

HSL 353.94, 0.56%, 0.38%

LAB 34.99, 45.74, 20.03

 

CMYK 50 / 0 / 72 / 41

HEX #4B972A

RGB 75 151 42

HSL 101.83, 0.56%, 0.38%

LAB 55.88, -43.38, 47.72

 

CMYK 72 / 0 / 7 / 41

HEX #2A978C

RGB 42 151 140

HSL 173.94, 0.56%, 0.38%

LAB 56.6, -32.59, -3

 

CMYK 21 / 72 / 0 / 41

HEX #772A96

RGB 119 42 150

HSL 282.78, 0.56%, 0.38%

LAB 33.52, 50.24, -44.21

 

CMYK 0 / 58 / 72 / 41

HEX #97402A

RGB 151 64 42

HSL 12.11, 0.56%, 0.38%

LAB 38.57, 35.05, 31.06

 

CMYK 50 / 0 / 72 / 41

HEX #4B972A

RGB 75 151 42

HSL 101.83, 0.56%, 0.38%

LAB 55.88, -43.38, 47.72

 

CMYK 72 / 15 / 0 / 41

HEX #2A8197

RGB 42 129 151

HSL 192.11, 0.56%, 0.38%

LAB 50.01, -18.03, -19.27

 

Description

Color code: CMYK 21 / 72 / 0 / 41 | qconv.com Color code: CMYK 21 / 72 / 0 / 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 42 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 42 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 72 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 72% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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