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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 1 / 0 / 20 / 18 it is the complementary color CMYK 45 / 48 / 0 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 1 / 0 / 20 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 0 / 1 / 24 / 17, CMYK 0 / 1 / 21 / 10, CMYK 0 / 0 / 19 / 4, CMYK 0 / 0 / 14 / 0 and CMYK 0 / 0 / 7 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 1 / 0 / 20 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 1 / 0 / 20 / 18, CMYK 1 / 0 / 23 / 25, CMYK 0 / 0 / 25 / 32, CMYK 0 / 1 / 29 / 39 and CMYK 0 / 1 / 35 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 1 / 0 / 20 / 18, CMYK 0 / 4 / 20 / 18, CMYK 0 / 10 / 20 / 18, CMYK 0 / 15 / 20 / 18 and CMYK 0 / 20 / 20 / 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 1 / 0 / 20 / 18, CMYK 6 / 0 / 20 / 18, CMYK 11 / 0 / 20 / 18, CMYK 17 / 0 / 20 / 18 and CMYK 20 / 0 / 17 / 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 1 / 0 / 20 / 18 shade matches the following richer shades: CMYK 1 / 0 / 20 / 18, CMYK 1 / 0 / 28 / 14, CMYK 2 / 0 / 37 / 10, CMYK 2 / 0 / 44 / 5 and CMYK 2 / 0 / 50 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 1 / 0 / 20 / 18, CMYK 1 / 0 / 10 / 22, CMYK 1 / 1 / 0 / 26, CMYK 11 / 12 / 0 / 22 and CMYK 20 / 21 / 0 / 17

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 0 / 10 / 20 / 18, CMYK 0 / 5 / 20 / 18, CMYK 1 / 0 / 20 / 18, CMYK 6 / 0 / 20 / 18 and CMYK 11 / 0 / 20 / 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 2 / 0 / 37 / 29, CMYK 2 / 0 / 28 / 24, CMYK 1 / 0 / 20 / 18, CMYK 0 / 0 / 13 / 13 and CMYK 0 / 0 / 6 / 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 1 / 0 / 20 / 18, CMYK 20 / 0 / 15 / 18 and CMYK 7 / 20 / 0 / 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 1 / 0 / 20 / 18, CMYK 20 / 1 / 0 / 18 and CMYK 0 / 20 / 1 / 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 1 / 0 / 20 / 18, CMYK 20 / 0 / 15 / 18, CMYK 19 / 20 / 0 / 18 and CMYK 0 / 20 / 5 / 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 1 / 0 / 20 / 18 shade: CMYK 1 / 0 / 20 / 18, CMYK 20 / 0 / 9 / 18, CMYK 19 / 20 / 0 / 18 and CMYK 0 / 20 / 11 / 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 20 / 18

HEX #CFD1A7

RGB 207 209 167

HSL 62.86, 0.31%, 0.74%

LAB 82.73, -7.63, 20.66

 

Complementary color

CMYK 45 / 48 / 0 / 65

HEX #302E58

RGB 48 46 88

HSL 242.86, 0.31%, 0.26%

LAB 21.16, 13.13, -25.13

 

CMYK 0 / 1 / 24 / 17

HEX #D4D1A2

RGB 212 209 162

HSL 56.4, 0.37%, 0.73%

LAB 83.02, -6.48, 23.75

 

CMYK 0 / 1 / 21 / 10

HEX #E5E3B5

RGB 229 227 181

HSL 57.5, 0.48%, 0.8%

LAB 89.36, -6.68, 22.77

 

CMYK 0 / 0 / 19 / 4

HEX #F6F5C8

RGB 246 245 200

HSL 58.7, 0.72%, 0.87%

LAB 95.61, -6.86, 21.84

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A7

RGB 207 209 167

HSL 62.86, 0.31%, 0.74%

LAB 82.73, -7.63, 20.66

 

CMYK 1 / 0 / 23 / 25

HEX #BEBF94

RGB 190 191 148

HSL 61.4, 0.25%, 0.66%

LAB 76.28, -7.46, 21.64

 

CMYK 0 / 0 / 25 / 32

HEX #ADAD81

RGB 173 173 129

HSL 60, 0.21%, 0.59%

LAB 69.72, -7.26, 22.69

 

CMYK 0 / 1 / 29 / 39

HEX #9C9B6E

RGB 156 155 110

HSL 58.7, 0.19%, 0.52%

LAB 63.04, -7.03, 23.8

 

CMYK 0 / 1 / 35 / 45

HEX #8B895B

RGB 139 137 91

HSL 57.5, 0.21%, 0.45%

LAB 56.22, -6.74, 24.98

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A8

RGB 207 209 168

HSL 62.93, 0.31%, 0.74%

LAB 82.75, -7.48, 20.16

 

CMYK 0 / 4 / 20 / 18

HEX #D1C8A8

RGB 209 200 168

HSL 46.83, 0.31%, 0.74%

LAB 80.57, -2.08, 17.15

 

CMYK 0 / 10 / 20 / 18

HEX #D1BDA8

RGB 209 189 168

HSL 30.73, 0.31%, 0.74%

LAB 77.74, 3.72, 13.19

 

CMYK 0 / 15 / 20 / 18

HEX #D1B1A8

RGB 209 177 168

HSL 13.17, 0.31%, 0.74%

LAB 74.72, 10.13, 8.89

 

CMYK 0 / 20 / 20 / 18

HEX #D1A8A8

RGB 209 168 168

HSL 0, 0.31%, 0.74%

LAB 72.49, 15, 5.7

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A8

RGB 207 209 168

HSL 62.93, 0.31%, 0.74%

LAB 82.75, -7.48, 20.16

 

CMYK 6 / 0 / 20 / 18

HEX #C4D1A8

RGB 196 209 168

HSL 79.02, 0.31%, 0.74%

LAB 81.93, -11.51, 18.89

 

CMYK 11 / 0 / 20 / 18

HEX #B9D1A8

RGB 185 209 168

HSL 95.12, 0.31%, 0.74%

LAB 81.15, -15.46, 17.7

 

CMYK 17 / 0 / 20 / 18

HEX #AED1A8

RGB 174 209 168

HSL 111.22, 0.31%, 0.74%

LAB 80.42, -19.31, 16.57

 

CMYK 20 / 0 / 17 / 18

HEX #A8D1AD

RGB 168 209 173

HSL 127.32, 0.31%, 0.74%

LAB 80.15, -20.47, 13.48

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A8

RGB 207 209 168

HSL 62.93, 0.31%, 0.74%

LAB 82.75, -7.48, 20.16

 

CMYK 1 / 0 / 28 / 14

HEX #D8DB9D

RGB 216 219 157

HSL 62.9, 0.46%, 0.74%

LAB 85.85, -10.74, 30.23

 

CMYK 2 / 0 / 37 / 10

HEX #E2E692

RGB 226 230 146

HSL 62.86, 0.63%, 0.74%

LAB 89.32, -13.78, 40.5

 

CMYK 2 / 0 / 44 / 5

HEX #ECF187

RGB 236 241 135

HSL 62.83, 0.79%, 0.74%

LAB 92.79, -16.49, 50.4

 

CMYK 2 / 0 / 50 / 1

HEX #F6FC7D

RGB 246 252 125

HSL 62.83, 0.95%, 0.74%

LAB 96.28, -18.85, 59.42

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A8

RGB 207 209 168

HSL 62.93, 0.31%, 0.74%

LAB 82.75, -7.48, 20.16

 

CMYK 1 / 0 / 10 / 22

HEX #C5C6B2

RGB 197 198 178

HSL 63, 0.15%, 0.74%

LAB 79.31, -3.85, 9.9

 

CMYK 1 / 1 / 0 / 26

HEX #BBBBBD

RGB 187 187 189

HSL 240, 0.01%, 0.74%

LAB 75.93, 0.38, -1.02

 

CMYK 11 / 12 / 0 / 22

HEX #B2B1C8

RGB 178 177 200

HSL 242.61, 0.17%, 0.74%

LAB 72.94, 4.89, -11.52

 

CMYK 20 / 21 / 0 / 17

HEX #A8A6D3

RGB 168 166 211

HSL 242.67, 0.34%, 0.74%

LAB 69.68, 10.13, -22.57

 

CMYK 0 / 10 / 20 / 18

HEX #D1BCA8

RGB 209 188 168

HSL 29.27, 0.31%, 0.74%

LAB 77.49, 4.25, 12.83

 

CMYK 0 / 5 / 20 / 18

HEX #D1C7A8

RGB 209 199 168

HSL 45.37, 0.31%, 0.74%

LAB 80.31, -1.55, 16.79

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A8

RGB 207 209 168

HSL 62.93, 0.31%, 0.74%

LAB 82.75, -7.48, 20.16

 

CMYK 6 / 0 / 20 / 18

HEX #C4D1A8

RGB 196 209 168

HSL 79.02, 0.31%, 0.74%

LAB 81.93, -11.51, 18.89

 

CMYK 11 / 0 / 20 / 18

HEX #B9D1A8

RGB 185 209 168

HSL 95.12, 0.31%, 0.74%

LAB 81.15, -15.46, 17.7

 

CMYK 2 / 0 / 37 / 29

HEX #B1B472

RGB 177 180 114

HSL 62.73, 0.31%, 0.58%

LAB 71.69, -11.3, 33.34

 

CMYK 2 / 0 / 28 / 24

HEX #C0C38D

RGB 192 195 141

HSL 63.33, 0.31%, 0.66%

LAB 77.38, -9.75, 26.87

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A8

RGB 207 209 168

HSL 62.93, 0.31%, 0.74%

LAB 82.75, -7.48, 20.16

 

CMYK 0 / 0 / 13 / 13

HEX #DEDFC3

RGB 222 223 195

HSL 62.14, 0.3%, 0.82%

LAB 88.09, -5.08, 13.62

 

CMYK 0 / 0 / 6 / 7

HEX #ECEDDE

RGB 236 237 222

HSL 64, 0.29%, 0.9%

LAB 93.31, -2.92, 7.14

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A7

RGB 207 209 167

HSL 62.86, 0.31%, 0.74%

LAB 82.73, -7.63, 20.66

 

CMYK 20 / 0 / 15 / 18

HEX #A8D1B1

RGB 168 209 177

HSL 133.17, 0.31%, 0.74%

LAB 80.24, -19.75, 11.47

 

CMYK 7 / 20 / 0 / 18

HEX #C2A8D1

RGB 194 168 209

HSL 278.05, 0.31%, 0.74%

LAB 72.28, 16.99, -17.32

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A7

RGB 207 209 167

HSL 62.86, 0.31%, 0.74%

LAB 82.73, -7.63, 20.66

 

CMYK 20 / 1 / 0 / 18

HEX #A8CFD1

RGB 168 207 209

HSL 182.93, 0.31%, 0.74%

LAB 80.49, -12.36, -5.26

 

CMYK 0 / 20 / 1 / 18

HEX #D1A8CF

RGB 209 168 207

HSL 302.93, 0.31%, 0.74%

LAB 73.59, 21.63, -14.12

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A7

RGB 207 209 167

HSL 62.86, 0.31%, 0.74%

LAB 82.73, -7.63, 20.66

 

CMYK 20 / 0 / 15 / 18

HEX #A8D1B1

RGB 168 209 177

HSL 133.17, 0.31%, 0.74%

LAB 80.24, -19.75, 11.47

 

CMYK 19 / 20 / 0 / 18

HEX #A9A8D1

RGB 169 168 209

HSL 241.46, 0.31%, 0.74%

LAB 70.21, 8.88, -20.66

 

CMYK 0 / 20 / 5 / 18

HEX #D1A8C7

RGB 209 168 199

HSL 314.63, 0.31%, 0.74%

LAB 73.34, 20.16, -10.1

 

CMYK 1 / 0 / 20 / 18

HEX #CFD1A7

RGB 207 209 167

HSL 62.86, 0.31%, 0.74%

LAB 82.73, -7.63, 20.66

 

CMYK 20 / 0 / 9 / 18

HEX #A8D1BE

RGB 168 209 190

HSL 152.2, 0.31%, 0.74%

LAB 80.54, -17.28, 4.98

 

CMYK 19 / 20 / 0 / 18

HEX #A9A8D1

RGB 169 168 209

HSL 241.46, 0.31%, 0.74%

LAB 70.21, 8.88, -20.66

 

CMYK 0 / 20 / 11 / 18

HEX #D1A8BB

RGB 209 168 187

HSL 332.2, 0.31%, 0.74%

LAB 72.99, 18.07, -4.03

 

Description

Color code: CMYK 1 / 0 / 20 / 18 | qconv.com Color code: CMYK 1 / 0 / 20 / 18 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 209 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 209 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 20 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 20% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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