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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 0 / 76 / 41 it is the complementary color CMYK 41 / 52 / 0 / 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 0 / 76 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 13 / 0 / 79 / 41, CMYK 13 / 0 / 70 / 34, CMYK 12 / 0 / 63 / 27, CMYK 11 / 0 / 57 / 20 and CMYK 11 / 0 / 52 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 0 / 76 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 17 / 0 / 76 / 41, CMYK 18 / 0 / 87 / 48, CMYK 20 / 0 / 100 / 55, CMYK 23 / 0 / 100 / 62 and CMYK 27 / 0 / 100 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 16 / 0 / 76 / 42, CMYK 0 / 3 / 76 / 42, CMYK 0 / 24 / 76 / 42, CMYK 0 / 45 / 76 / 42 and CMYK 0 / 65 / 76 / 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 16 / 0 / 76 / 42, CMYK 37 / 0 / 76 / 42, CMYK 58 / 0 / 76 / 42, CMYK 76 / 0 / 74 / 42 and CMYK 76 / 0 / 53 / 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 17 / 0 / 76 / 41 shade matches the following richer shades: CMYK 16 / 0 / 76 / 42, CMYK 19 / 0 / 88 / 36 and CMYK 21 / 0 / 97 / 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 16 / 0 / 76 / 42, CMYK 14 / 0 / 62 / 48, CMYK 10 / 0 / 45 / 54, CMYK 5 / 0 / 22 / 60 and CMYK 6 / 7 / 0 / 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 0 / 24 / 76 / 42, CMYK 0 / 3 / 76 / 42, CMYK 16 / 0 / 76 / 42, CMYK 37 / 0 / 76 / 42 and CMYK 57 / 0 / 76 / 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 17 / 0 / 77 / 68, CMYK 17 / 0 / 76 / 55, CMYK 16 / 0 / 76 / 42, CMYK 17 / 0 / 76 / 29 and CMYK 16 / 0 / 72 / 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 17 / 0 / 76 / 41, CMYK 76 / 0 / 44 / 42 and CMYK 14 / 76 / 0 / 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 17 / 0 / 76 / 41, CMYK 76 / 16 / 0 / 42 and CMYK 0 / 76 / 16 / 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 17 / 0 / 76 / 41, CMYK 76 / 0 / 44 / 42, CMYK 59 / 76 / 0 / 42 and CMYK 0 / 76 / 31 / 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 17 / 0 / 76 / 41 shade: CMYK 17 / 0 / 76 / 41, CMYK 76 / 0 / 21 / 42, CMYK 59 / 76 / 0 / 42 and CMYK 0 / 76 / 54 / 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 76 / 41

HEX #7D9624

RGB 125 150 36

HSL 73.16, 0.61%, 0.36%

LAB 58.32, -24.54, 53.29

 

Complementary color

CMYK 41 / 52 / 0 / 14

HEX #8269DB

RGB 130 105 219

HSL 253.16, 0.61%, 0.64%

LAB 51.8, 36.64, -55.27

 

CMYK 13 / 0 / 79 / 41

HEX #82961F

RGB 130 150 31

HSL 70.08, 0.66%, 0.35%

LAB 58.66, -22.63, 55.38

 

CMYK 13 / 0 / 70 / 34

HEX #93A832

RGB 147 168 50

HSL 70.68, 0.54%, 0.43%

LAB 65.31, -23.37, 55.52

 

CMYK 12 / 0 / 63 / 27

HEX #A4BA45

RGB 164 186 69

HSL 71.28, 0.46%, 0.5%

LAB 71.85, -23.94, 54.98

 

CMYK 11 / 0 / 57 / 20

HEX #B5CC58

RGB 181 204 88

HSL 71.9, 0.53%, 0.57%

LAB 78.29, -24.37, 54.12

 

CMYK 11 / 0 / 52 / 13

HEX #C6DE6B

RGB 198 222 107

HSL 72.52, 0.64%, 0.65%

LAB 84.64, -24.7, 53.09

 

CMYK 17 / 0 / 76 / 41

HEX #7D9624

RGB 125 150 36

HSL 73.16, 0.61%, 0.36%

LAB 58.32, -24.54, 53.29

 

CMYK 18 / 0 / 87 / 48

HEX #6C8411

RGB 108 132 17

HSL 72.52, 0.77%, 0.29%

LAB 51.53, -23.69, 52.41

 

CMYK 20 / 0 / 100 / 55

HEX #5B7200

RGB 91 114 0

HSL 72.11, 1%, 0.22%

LAB 44.6, -22.59, 49.95

 

CMYK 23 / 0 / 100 / 62

HEX #4A6000

RGB 74 96 0

HSL 73.75, 1%, 0.19%

LAB 37.52, -21.04, 44.05

 

CMYK 27 / 0 / 100 / 69

HEX #394E00

RGB 57 78 0

HSL 76.15, 1%, 0.15%

LAB 30.2, -19.46, 37.96

 

CMYK 16 / 0 / 76 / 42

HEX #7B9323

RGB 123 147 35

HSL 72.86, 0.62%, 0.36%

LAB 57.27, -23.95, 52.58

 

CMYK 0 / 3 / 76 / 42

HEX #938E23

RGB 147 142 35

HSL 57.32, 0.62%, 0.36%

LAB 57.72, -10.73, 53.7

 

CMYK 0 / 24 / 76 / 42

HEX #936F23

RGB 147 111 35

HSL 40.71, 0.62%, 0.36%

LAB 49.12, 6.54, 45.49

 

CMYK 0 / 45 / 76 / 42

HEX #935123

RGB 147 81 35

HSL 24.64, 0.62%, 0.36%

LAB 41.55, 23.82, 37.88

 

CMYK 0 / 65 / 76 / 42

HEX #933323

RGB 147 51 35

HSL 8.57, 0.62%, 0.36%

LAB 35.38, 39.52, 31.33

 

CMYK 16 / 0 / 76 / 42

HEX #7B9323

RGB 123 147 35

HSL 72.86, 0.62%, 0.36%

LAB 57.27, -23.95, 52.58

 

CMYK 37 / 0 / 76 / 42

HEX #5D9323

RGB 93 147 35

HSL 88.93, 0.62%, 0.36%

LAB 55.4, -36.04, 50.13

 

CMYK 58 / 0 / 76 / 42

HEX #3E9323

RGB 62 147 35

HSL 105.54, 0.62%, 0.36%

LAB 54.04, -46.12, 48.34

 

CMYK 76 / 0 / 74 / 42

HEX #239326

RGB 35 147 38

HSL 121.61, 0.62%, 0.36%

LAB 53.35, -51.77, 46.3

 

CMYK 76 / 0 / 53 / 42

HEX #239345

RGB 35 147 69

HSL 138.21, 0.62%, 0.36%

LAB 53.66, -48.03, 32.44

 

CMYK 16 / 0 / 76 / 42

HEX #7B9323

RGB 123 147 35

HSL 72.86, 0.62%, 0.36%

LAB 57.27, -23.95, 52.58

 

CMYK 19 / 0 / 88 / 36

HEX #83A214

RGB 131 162 20

HSL 73.1, 0.78%, 0.36%

LAB 62.27, -28.48, 61.42

 

CMYK 21 / 0 / 97 / 31

HEX #8BB106

RGB 139 177 6

HSL 73.33, 0.93%, 0.36%

LAB 67.24, -32.54, 67.78

 

CMYK 16 / 0 / 76 / 42

HEX #7B9323

RGB 123 147 35

HSL 72.86, 0.62%, 0.36%

LAB 57.27, -23.95, 52.58

 

CMYK 14 / 0 / 62 / 48

HEX #728432

RGB 114 132 50

HSL 73.17, 0.45%, 0.36%

LAB 52.19, -19.18, 41.01

 

CMYK 10 / 0 / 45 / 54

HEX #6A7641

RGB 106 118 65

HSL 73.58, 0.29%, 0.36%

LAB 47.5, -13.62, 27.63

 

CMYK 5 / 0 / 22 / 60

HEX #626750

RGB 98 103 80

HSL 73.04, 0.13%, 0.36%

LAB 42.58, -6.37, 12.36

 

CMYK 6 / 7 / 0 / 63

HEX #59585F

RGB 89 88 95

HSL 248.57, 0.04%, 0.36%

LAB 37.72, 1.93, -3.89

 

CMYK 0 / 24 / 76 / 42

HEX #937023

RGB 147 112 35

HSL 41.25, 0.62%, 0.36%

LAB 49.39, 5.97, 45.75

 

CMYK 0 / 3 / 76 / 42

HEX #938E23

RGB 147 142 35

HSL 57.32, 0.62%, 0.36%

LAB 57.72, -10.73, 53.7

 

CMYK 16 / 0 / 76 / 42

HEX #7B9323

RGB 123 147 35

HSL 72.86, 0.62%, 0.36%

LAB 57.27, -23.95, 52.58

 

CMYK 37 / 0 / 76 / 42

HEX #5D9323

RGB 93 147 35

HSL 88.93, 0.62%, 0.36%

LAB 55.4, -36.04, 50.13

 

CMYK 57 / 0 / 76 / 42

HEX #3F9323

RGB 63 147 35

HSL 105, 0.62%, 0.36%

LAB 54.08, -45.85, 48.39

 

CMYK 17 / 0 / 77 / 68

HEX #435113

RGB 67 81 19

HSL 73.55, 0.62%, 0.2%

LAB 32.09, -15.37, 32.85

 

CMYK 17 / 0 / 76 / 55

HEX #5F721B

RGB 95 114 27

HSL 73.1, 0.62%, 0.28%

LAB 45.01, -19.78, 43.03

 

CMYK 16 / 0 / 76 / 42

HEX #7B9323

RGB 123 147 35

HSL 72.86, 0.62%, 0.36%

LAB 57.27, -23.95, 52.58

 

CMYK 17 / 0 / 76 / 29

HEX #96B52B

RGB 150 181 43

HSL 73.48, 0.62%, 0.44%

LAB 69.26, -28.82, 61.88

 

CMYK 16 / 0 / 72 / 19

HEX #AECF3A

RGB 174 207 58

HSL 73.29, 0.61%, 0.52%

LAB 78.42, -30.64, 66.17

 

CMYK 17 / 0 / 76 / 41

HEX #7D9624

RGB 125 150 36

HSL 73.16, 0.61%, 0.36%

LAB 58.32, -24.54, 53.29

 

CMYK 76 / 0 / 44 / 42

HEX #239352

RGB 35 147 82

HSL 145.18, 0.62%, 0.36%

LAB 53.85, -45.8, 25.81

 

CMYK 14 / 76 / 0 / 42

HEX #7F2393

RGB 127 35 147

HSL 289.29, 0.62%, 0.36%

LAB 33.61, 54.08, -42.17

 

CMYK 17 / 0 / 76 / 41

HEX #7D9624

RGB 125 150 36

HSL 73.16, 0.61%, 0.36%

LAB 58.32, -24.54, 53.29

 

CMYK 76 / 16 / 0 / 42

HEX #237B93

RGB 35 123 147

HSL 192.86, 0.62%, 0.36%

LAB 47.79, -17.06, -20.34

 

CMYK 0 / 76 / 16 / 42

HEX #93237B

RGB 147 35 123

HSL 312.86, 0.62%, 0.36%

LAB 35.66, 54.58, -23.83

 

CMYK 17 / 0 / 76 / 41

HEX #7D9624

RGB 125 150 36

HSL 73.16, 0.61%, 0.36%

LAB 58.32, -24.54, 53.29

 

CMYK 76 / 0 / 44 / 42

HEX #239352

RGB 35 147 82

HSL 145.18, 0.62%, 0.36%

LAB 53.85, -45.8, 25.81

 

CMYK 59 / 76 / 0 / 42

HEX #3C2393

RGB 60 35 147

HSL 253.39, 0.62%, 0.36%

LAB 24.54, 41.89, -57.31

 

CMYK 0 / 76 / 31 / 42

HEX #932365

RGB 147 35 101

HSL 324.64, 0.62%, 0.36%

LAB 34.69, 51.6, -11.42

 

CMYK 17 / 0 / 76 / 41

HEX #7D9624

RGB 125 150 36

HSL 73.16, 0.61%, 0.36%

LAB 58.32, -24.54, 53.29

 

CMYK 76 / 0 / 21 / 42

HEX #239374

RGB 35 147 116

HSL 163.39, 0.62%, 0.36%

LAB 54.54, -38.24, 7.72

 

CMYK 59 / 76 / 0 / 42

HEX #3C2393

RGB 60 35 147

HSL 253.39, 0.62%, 0.36%

LAB 24.54, 41.89, -57.31

 

CMYK 0 / 76 / 54 / 42

HEX #932343

RGB 147 35 67

HSL 342.86, 0.62%, 0.36%

LAB 33.58, 48.09, 8.97

 

Description

Color code: CMYK 17 / 0 / 76 / 41 | qconv.com Color code: CMYK 17 / 0 / 76 / 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 150 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 150 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 76 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 76% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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