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Color name
CMYK 13 / 0 / 71 / 22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 13 / 0 / 71 / 22 it is the complementary color CMYK 58 / 72 / 0 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 13 / 0 / 71 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 11 / 0 / 73 / 22, CMYK 10 / 0 / 67 / 15, CMYK 10 / 0 / 61 / 8, CMYK 9 / 0 / 57 / 1 and CMYK 4 / 0 / 49 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 13 / 0 / 71 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 13 / 0 / 71 / 22, CMYK 14 / 0 / 78 / 29, CMYK 15 / 0 / 88 / 36, CMYK 16 / 0 / 99 / 43 and CMYK 17 / 0 / 100 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 13 / 0 / 72 / 22, CMYK 0 / 6 / 72 / 22, CMYK 0 / 25 / 72 / 22, CMYK 0 / 45 / 72 / 22 and CMYK 0 / 64 / 72 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 13 / 0 / 72 / 22, CMYK 32 / 0 / 72 / 22, CMYK 52 / 0 / 72 / 22, CMYK 71 / 0 / 72 / 22 and CMYK 72 / 0 / 53 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 13 / 0 / 71 / 22 shade matches the following richer shades: CMYK 13 / 0 / 72 / 22, CMYK 16 / 0 / 84 / 14 and CMYK 18 / 0 / 94 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 13 / 0 / 72 / 22, CMYK 11 / 0 / 57 / 30, CMYK 7 / 0 / 38 / 38, CMYK 3 / 0 / 15 / 46 and CMYK 13 / 16 / 0 / 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 0 / 25 / 72 / 22, CMYK 0 / 6 / 72 / 22, CMYK 13 / 0 / 72 / 22, CMYK 32 / 0 / 72 / 22 and CMYK 52 / 0 / 72 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 13 / 0 / 72 / 47, CMYK 13 / 0 / 72 / 35, CMYK 13 / 0 / 72 / 22, CMYK 11 / 0 / 57 / 19 and CMYK 8 / 0 / 45 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 13 / 0 / 71 / 22, CMYK 72 / 0 / 44 / 22 and CMYK 16 / 72 / 0 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 13 / 0 / 71 / 22, CMYK 72 / 13 / 0 / 22 and CMYK 0 / 72 / 13 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 13 / 0 / 71 / 22, CMYK 72 / 0 / 44 / 22, CMYK 59 / 72 / 0 / 22 and CMYK 0 / 72 / 27 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 13 / 0 / 71 / 22 shade: CMYK 13 / 0 / 71 / 22, CMYK 72 / 0 / 23 / 22, CMYK 59 / 72 / 0 / 22 and CMYK 0 / 72 / 49 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 71 / 22

HEX #ADC73A

RGB 173 199 58

HSL 71.06, 0.56%, 0.5%

LAB 76.09, -27.25, 63.87

 

Complementary color

CMYK 58 / 72 / 0 / 23

HEX #5238C5

RGB 82 56 197

HSL 251.06, 0.56%, 0.5%

LAB 35.31, 48.88, -69.56

 

CMYK 11 / 0 / 73 / 22

HEX #B2C735

RGB 178 199 53

HSL 68.63, 0.58%, 0.49%

LAB 76.42, -25.46, 66.05

 

CMYK 10 / 0 / 67 / 15

HEX #C3D948

RGB 195 217 72

HSL 69.1, 0.66%, 0.57%

LAB 82.75, -26.13, 65.87

 

CMYK 10 / 0 / 61 / 8

HEX #D4EB5B

RGB 212 235 91

HSL 69.58, 0.78%, 0.64%

LAB 89, -26.68, 65.27

 

CMYK 9 / 0 / 57 / 1

HEX #E5FD6E

RGB 229 253 110

HSL 70.07, 0.97%, 0.71%

LAB 95.18, -27.13, 64.44

 

CMYK 4 / 0 / 49 / 0

HEX #F6FF81

RGB 246 255 129

HSL 64.29, 1%, 0.75%

LAB 97.1, -19.95, 58.57

 

CMYK 13 / 0 / 71 / 22

HEX #ADC73A

RGB 173 199 58

HSL 71.06, 0.56%, 0.5%

LAB 76.09, -27.25, 63.87

 

CMYK 14 / 0 / 78 / 29

HEX #9CB527

RGB 156 181 39

HSL 70.56, 0.65%, 0.43%

LAB 69.66, -26.52, 63.64

 

CMYK 15 / 0 / 88 / 36

HEX #8BA314

RGB 139 163 20

HSL 70.07, 0.78%, 0.36%

LAB 63.12, -25.58, 62.36

 

CMYK 16 / 0 / 99 / 43

HEX #7A9101

RGB 122 145 1

HSL 69.58, 0.99%, 0.29%

LAB 56.48, -24.44, 59.72

 

CMYK 17 / 0 / 100 / 50

HEX #697F00

RGB 105 127 0

HSL 70.39, 1%, 0.25%

LAB 49.72, -22.93, 54.25

 

CMYK 13 / 0 / 72 / 22

HEX #ACC638

RGB 172 198 56

HSL 70.99, 0.56%, 0.5%

LAB 75.73, -27.29, 64.2

 

CMYK 0 / 6 / 72 / 22

HEX #C6BA38

RGB 198 186 56

HSL 54.93, 0.56%, 0.5%

LAB 74.45, -10.37, 63.65

 

CMYK 0 / 25 / 72 / 22

HEX #C69438

RGB 198 148 56

HSL 38.87, 0.56%, 0.5%

LAB 64.54, 9.83, 53.79

 

CMYK 0 / 45 / 72 / 22

HEX #C66D38

RGB 198 109 56

HSL 22.39, 0.56%, 0.5%

LAB 55.31, 31.06, 44.1

 

CMYK 0 / 64 / 72 / 22

HEX #C64738

RGB 198 71 56

HSL 6.34, 0.56%, 0.5%

LAB 48, 49.76, 35.98

 

CMYK 13 / 0 / 72 / 22

HEX #ACC638

RGB 172 198 56

HSL 70.99, 0.56%, 0.5%

LAB 75.73, -27.29, 64.2

 

CMYK 32 / 0 / 72 / 22

HEX #86C638

RGB 134 198 56

HSL 87.04, 0.56%, 0.5%

LAB 73.38, -42.04, 61.09

 

CMYK 52 / 0 / 72 / 22

HEX #5FC638

RGB 95 198 56

HSL 103.52, 0.56%, 0.5%

LAB 71.63, -54.69, 58.76

 

CMYK 71 / 0 / 72 / 22

HEX #39C638

RGB 57 198 56

HSL 119.58, 0.56%, 0.5%

LAB 70.56, -63.34, 57.32

 

CMYK 72 / 0 / 53 / 22

HEX #38C65D

RGB 56 198 93

HSL 135.63, 0.56%, 0.5%

LAB 70.88, -59.35, 41.66

 

CMYK 13 / 0 / 72 / 22

HEX #ACC638

RGB 172 198 56

HSL 70.99, 0.56%, 0.5%

LAB 75.73, -27.29, 64.2

 

CMYK 16 / 0 / 84 / 14

HEX #B9DB23

RGB 185 219 35

HSL 71.09, 0.72%, 0.5%

LAB 82.43, -32.73, 76.62

 

CMYK 18 / 0 / 94 / 6

HEX #C6F00E

RGB 198 240 14

HSL 71.15, 0.89%, 0.5%

LAB 89.09, -37.52, 85.59

 

CMYK 13 / 0 / 72 / 22

HEX #ACC638

RGB 172 198 56

HSL 70.99, 0.56%, 0.5%

LAB 75.73, -27.29, 64.2

 

CMYK 11 / 0 / 57 / 30

HEX #9FB24C

RGB 159 178 76

HSL 71.18, 0.4%, 0.5%

LAB 69.28, -21.48, 48.94

 

CMYK 7 / 0 / 38 / 38

HEX #929D61

RGB 146 157 97

HSL 71, 0.24%, 0.5%

LAB 62.58, -13.85, 30.09

 

CMYK 3 / 0 / 15 / 46

HEX #858975

RGB 133 137 117

HSL 72, 0.08%, 0.5%

LAB 56.25, -5.22, 10.23

 

CMYK 13 / 16 / 0 / 46

HEX #78748A

RGB 120 116 138

HSL 250.91, 0.09%, 0.5%

LAB 49.88, 6.21, -11.44

 

CMYK 0 / 25 / 72 / 22

HEX #C69438

RGB 198 148 56

HSL 38.87, 0.56%, 0.5%

LAB 64.54, 9.83, 53.79

 

CMYK 0 / 6 / 72 / 22

HEX #C6BB38

RGB 198 187 56

HSL 55.35, 0.56%, 0.5%

LAB 74.72, -10.88, 63.91

 

CMYK 13 / 0 / 72 / 22

HEX #ACC638

RGB 172 198 56

HSL 70.99, 0.56%, 0.5%

LAB 75.73, -27.29, 64.2

 

CMYK 32 / 0 / 72 / 22

HEX #86C638

RGB 134 198 56

HSL 87.04, 0.56%, 0.5%

LAB 73.38, -42.04, 61.09

 

CMYK 52 / 0 / 72 / 22

HEX #60C638

RGB 96 198 56

HSL 103.1, 0.56%, 0.5%

LAB 71.66, -54.41, 58.8

 

CMYK 13 / 0 / 72 / 47

HEX #748625

RGB 116 134 37

HSL 71.13, 0.57%, 0.34%

LAB 52.84, -20.28, 47.36

 

CMYK 13 / 0 / 72 / 35

HEX #90A62F

RGB 144 166 47

HSL 71.09, 0.56%, 0.42%

LAB 64.49, -23.82, 55.76

 

CMYK 13 / 0 / 72 / 22

HEX #ACC638

RGB 172 198 56

HSL 70.99, 0.56%, 0.5%

LAB 75.73, -27.29, 64.2

 

CMYK 11 / 0 / 57 / 19

HEX #B9CF58

RGB 185 207 88

HSL 71.09, 0.55%, 0.58%

LAB 79.41, -24.23, 55.45

 

CMYK 8 / 0 / 45 / 15

HEX #C7D978

RGB 199 217 120

HSL 71.13, 0.56%, 0.66%

LAB 83.51, -20.61, 45.57

 

CMYK 13 / 0 / 71 / 22

HEX #ADC73A

RGB 173 199 58

HSL 71.06, 0.56%, 0.5%

LAB 76.09, -27.25, 63.87

 

CMYK 72 / 0 / 44 / 22

HEX #38C66E

RGB 56 198 110

HSL 142.82, 0.56%, 0.5%

LAB 71.11, -56.68, 33.5

 

CMYK 16 / 72 / 0 / 22

HEX #A738C6

RGB 167 56 198

HSL 286.9, 0.56%, 0.5%

LAB 45.8, 64.5, -52.63

 

CMYK 13 / 0 / 71 / 22

HEX #ADC73A

RGB 173 199 58

HSL 71.06, 0.56%, 0.5%

LAB 76.09, -27.25, 63.87

 

CMYK 72 / 13 / 0 / 22

HEX #38ACC6

RGB 56 172 198

HSL 190.99, 0.56%, 0.5%

LAB 65.3, -23.46, -22.58

 

CMYK 0 / 72 / 13 / 22

HEX #C638AC

RGB 198 56 172

HSL 310.99, 0.56%, 0.5%

LAB 49.27, 67.05, -31.63

 

CMYK 13 / 0 / 71 / 22

HEX #ADC73A

RGB 173 199 58

HSL 71.06, 0.56%, 0.5%

LAB 76.09, -27.25, 63.87

 

CMYK 72 / 0 / 44 / 22

HEX #38C66E

RGB 56 198 110

HSL 142.82, 0.56%, 0.5%

LAB 71.11, -56.68, 33.5

 

CMYK 59 / 72 / 0 / 22

HEX #5238C6

RGB 82 56 198

HSL 250.99, 0.56%, 0.5%

LAB 35.4, 49.17, -69.99

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 13 / 0 / 71 / 22

HEX #ADC73A

RGB 173 199 58

HSL 71.06, 0.56%, 0.5%

LAB 76.09, -27.25, 63.87

 

CMYK 72 / 0 / 23 / 22

HEX #38C699

RGB 56 198 153

HSL 160.99, 0.56%, 0.5%

LAB 71.91, -47.93, 11.9

 

CMYK 59 / 72 / 0 / 22

HEX #5238C6

RGB 82 56 198

HSL 250.99, 0.56%, 0.5%

LAB 35.4, 49.17, -69.99

 

CMYK 0 / 72 / 49 / 22

HEX #C63865

RGB 198 56 101

HSL 340.99, 0.56%, 0.5%

LAB 46.68, 58.74, 7.28

 

Description

Color code: CMYK 13 / 0 / 71 / 22 | qconv.com Color code: CMYK 13 / 0 / 71 / 22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 199 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 199 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 71 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 71% 22% C M Y K

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Provide designers and agencies with accurate color values.

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