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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 67 / 0 / 33 it is the complementary color CMYK 48 / 0 / 58 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 67 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 5 / 66 / 0 / 35, CMYK 6 / 60 / 0 / 27, CMYK 6 / 55 / 0 / 20, CMYK 7 / 51 / 0 / 13 and CMYK 7 / 47 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 67 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 11 / 67 / 0 / 33, CMYK 11 / 75 / 0 / 40, CMYK 11 / 85 / 0 / 48, CMYK 11 / 98 / 0 / 55 and CMYK 12 / 100 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 12 / 68 / 0 / 32, CMYK 0 / 68 / 7 / 32, CMYK 0 / 68 / 25 / 32, CMYK 0 / 68 / 44 / 32 and CMYK 0 / 68 / 62 / 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 12 / 68 / 0 / 32, CMYK 29 / 68 / 0 / 32, CMYK 48 / 68 / 0 / 32, CMYK 66 / 68 / 0 / 32 and CMYK 68 / 68 / 0 / 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 11 / 67 / 0 / 33 shade matches the following richer shades: CMYK 12 / 68 / 0 / 32, CMYK 13 / 81 / 0 / 25, CMYK 15 / 91 / 0 / 18 and CMYK 16 / 100 / 0 / 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 12 / 68 / 0 / 32, CMYK 8 / 52 / 0 / 40, CMYK 5 / 32 / 0 / 47, CMYK 1 / 5 / 0 / 54 and CMYK 20 / 0 / 24 / 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 47 / 68 / 0 / 32, CMYK 29 / 68 / 0 / 32, CMYK 12 / 68 / 0 / 32, CMYK 0 / 68 / 7 / 32 and CMYK 0 / 68 / 25 / 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 11 / 67 / 0 / 57, CMYK 11 / 68 / 0 / 44, CMYK 12 / 68 / 0 / 32, CMYK 10 / 62 / 0 / 23 and CMYK 8 / 49 / 0 / 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 11 / 67 / 0 / 33, CMYK 0 / 65 / 68 / 32 and CMYK 68 / 0 / 39 / 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 11 / 67 / 0 / 33, CMYK 0 / 12 / 68 / 32 and CMYK 68 / 0 / 12 / 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 11 / 67 / 0 / 33, CMYK 0 / 65 / 68 / 32, CMYK 57 / 0 / 68 / 32 and CMYK 68 / 2 / 0 / 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 11 / 67 / 0 / 33 shade: CMYK 11 / 67 / 0 / 33, CMYK 0 / 45 / 68 / 32, CMYK 57 / 0 / 68 / 32 and CMYK 68 / 23 / 0 / 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 67 / 0 / 33

HEX #9838AB

RGB 152 56 171

HSL 290.09, 0.51%, 0.45%

LAB 41.91, 56.03, -43.13

 

Complementary color

CMYK 48 / 0 / 58 / 22

HEX #67C754

RGB 103 199 84

HSL 110.09, 0.51%, 0.55%

LAB 72.48, -50.19, 48.12

 

CMYK 5 / 66 / 0 / 35

HEX #9D38A6

RGB 157 56 166

HSL 295.09, 0.5%, 0.44%

LAB 42.38, 56.28, -39.36

 

CMYK 6 / 60 / 0 / 27

HEX #AE4AB9

RGB 174 74 185

HSL 294.05, 0.44%, 0.51%

LAB 48.76, 56.16, -40.29

 

CMYK 6 / 55 / 0 / 20

HEX #BF5CCC

RGB 191 92 204

HSL 293.04, 0.52%, 0.58%

LAB 55.17, 55.73, -40.97

 

CMYK 7 / 51 / 0 / 13

HEX #D06EDF

RGB 208 110 223

HSL 292.04, 0.64%, 0.65%

LAB 61.56, 55.13, -41.49

 

CMYK 7 / 47 / 0 / 5

HEX #E180F2

RGB 225 128 242

HSL 291.05, 0.81%, 0.73%

LAB 67.91, 54.44, -41.91

 

CMYK 11 / 67 / 0 / 33

HEX #9838AB

RGB 152 56 171

HSL 290.09, 0.51%, 0.45%

LAB 41.91, 56.03, -43.13

 

CMYK 11 / 75 / 0 / 40

HEX #872698

RGB 135 38 152

HSL 291.05, 0.6%, 0.37%

LAB 35.6, 55.66, -41.95

 

CMYK 11 / 85 / 0 / 48

HEX #761485

RGB 118 20 133

HSL 292.04, 0.74%, 0.3%

LAB 29.53, 54.28, -40.14

 

CMYK 11 / 98 / 0 / 55

HEX #650272

RGB 101 2 114

HSL 293.04, 0.97%, 0.23%

LAB 23.75, 51.59, -37.55

 

CMYK 12 / 100 / 0 / 63

HEX #54005F

RGB 84 0 95

HSL 293.05, 1%, 0.19%

LAB 18.85, 45.76, -33.2

 

CMYK 12 / 68 / 0 / 32

HEX #9938AD

RGB 153 56 173

HSL 289.74, 0.51%, 0.45%

LAB 42.18, 56.65, -43.88

 

CMYK 0 / 68 / 7 / 32

HEX #AD38A1

RGB 173 56 161

HSL 306.15, 0.51%, 0.45%

LAB 44.64, 59.32, -32.65

 

CMYK 0 / 68 / 25 / 32

HEX #AD3881

RGB 173 56 129

HSL 322.56, 0.51%, 0.45%

LAB 43.21, 54.6, -15.53

 

CMYK 0 / 68 / 44 / 32

HEX #AD3861

RGB 173 56 97

HSL 338.97, 0.51%, 0.45%

LAB 42.12, 50.83, 2.64

 

CMYK 0 / 68 / 62 / 32

HEX #AD3842

RGB 173 56 66

HSL 354.87, 0.51%, 0.45%

LAB 41.38, 48.21, 20.95

 

CMYK 12 / 68 / 0 / 32

HEX #9938AD

RGB 153 56 173

HSL 289.74, 0.51%, 0.45%

LAB 42.18, 56.65, -43.88

 

CMYK 29 / 68 / 0 / 32

HEX #7A38AD

RGB 122 56 173

HSL 273.85, 0.51%, 0.45%

LAB 37.81, 49.67, -51.13

 

CMYK 48 / 68 / 0 / 32

HEX #5A38AD

RGB 90 56 173

HSL 257.44, 0.51%, 0.45%

LAB 34.02, 43.14, -57.46

 

CMYK 66 / 68 / 0 / 32

HEX #3B38AD

RGB 59 56 173

HSL 241.54, 0.51%, 0.45%

LAB 31.29, 38.05, -62.03

 

CMYK 68 / 68 / 0 / 32

HEX #3838AD

RGB 56 56 173

HSL 240, 0.51%, 0.45%

LAB 31.08, 37.64, -62.38

 

CMYK 12 / 68 / 0 / 32

HEX #9938AD

RGB 153 56 173

HSL 289.74, 0.51%, 0.45%

LAB 42.18, 56.65, -43.88

 

CMYK 13 / 81 / 0 / 25

HEX #A625BF

RGB 166 37 191

HSL 290.26, 0.68%, 0.45%

LAB 43.05, 69.18, -52.98

 

CMYK 15 / 91 / 0 / 18

HEX #B213D2

RGB 178 19 210

HSL 289.95, 0.83%, 0.45%

LAB 45.06, 78.1, -60.67

 

CMYK 16 / 100 / 0 / 11

HEX #BF00E4

RGB 191 0 228

HSL 290.26, 1%, 0.45%

LAB 47.85, 84.82, -66.34

 

CMYK 12 / 68 / 0 / 32

HEX #9938AD

RGB 153 56 173

HSL 289.74, 0.51%, 0.45%

LAB 42.18, 56.65, -43.88

 

CMYK 8 / 52 / 0 / 40

HEX #8D4A9A

RGB 141 74 154

HSL 290.25, 0.35%, 0.45%

LAB 42.6, 41.12, -32

 

CMYK 5 / 32 / 0 / 47

HEX #815D88

RGB 129 93 136

HSL 290.23, 0.19%, 0.45%

LAB 44.62, 22.66, -18.16

 

CMYK 1 / 5 / 0 / 54

HEX #746F75

RGB 116 111 117

HSL 290, 0.03%, 0.45%

LAB 47.45, 3.14, -2.64

 

CMYK 20 / 0 / 24 / 49

HEX #688263

RGB 104 130 99

HSL 110.32, 0.14%, 0.45%

LAB 51.62, -15.72, 13.78

 

CMYK 47 / 68 / 0 / 32

HEX #5B38AD

RGB 91 56 173

HSL 257.95, 0.51%, 0.45%

LAB 34.13, 43.33, -57.28

 

CMYK 29 / 68 / 0 / 32

HEX #7A38AD

RGB 122 56 173

HSL 273.85, 0.51%, 0.45%

LAB 37.81, 49.67, -51.13

 

CMYK 12 / 68 / 0 / 32

HEX #9938AD

RGB 153 56 173

HSL 289.74, 0.51%, 0.45%

LAB 42.18, 56.65, -43.88

 

CMYK 0 / 68 / 7 / 32

HEX #AD38A1

RGB 173 56 161

HSL 306.15, 0.51%, 0.45%

LAB 44.64, 59.32, -32.65

 

CMYK 0 / 68 / 25 / 32

HEX #AD3882

RGB 173 56 130

HSL 322.05, 0.51%, 0.45%

LAB 43.25, 54.73, -16.08

 

CMYK 11 / 67 / 0 / 57

HEX #62246E

RGB 98 36 110

HSL 290.27, 0.51%, 0.29%

LAB 26.69, 39.43, -30.3

 

CMYK 11 / 68 / 0 / 44

HEX #7E2E8E

RGB 126 46 142

HSL 290, 0.51%, 0.37%

LAB 34.69, 48.47, -37.38

 

CMYK 12 / 68 / 0 / 32

HEX #9938AD

RGB 153 56 173

HSL 289.74, 0.51%, 0.45%

LAB 42.18, 56.65, -43.88

 

CMYK 10 / 62 / 0 / 23

HEX #B04AC4

RGB 176 74 196

HSL 290.16, 0.51%, 0.53%

LAB 49.63, 58.73, -45.27

 

CMYK 8 / 49 / 0 / 19

HEX #BD69CE

RGB 189 105 206

HSL 289.9, 0.51%, 0.61%

LAB 57.44, 49.11, -38.55

 

CMYK 11 / 67 / 0 / 33

HEX #9838AB

RGB 152 56 171

HSL 290.09, 0.51%, 0.45%

LAB 41.91, 56.03, -43.13

 

CMYK 0 / 65 / 68 / 32

HEX #AD3C38

RGB 173 60 56

HSL 2.05, 0.51%, 0.45%

LAB 41.85, 45.87, 27.62

 

CMYK 68 / 0 / 39 / 32

HEX #38AD6A

RGB 56 173 106

HSL 145.64, 0.51%, 0.45%

LAB 63.15, -47.92, 25.18

 

CMYK 11 / 67 / 0 / 33

HEX #9838AB

RGB 152 56 171

HSL 290.09, 0.51%, 0.45%

LAB 41.91, 56.03, -43.13

 

CMYK 0 / 12 / 68 / 32

HEX #AD9938

RGB 173 153 56

HSL 49.74, 0.51%, 0.45%

LAB 63.3, -3.91, 51.72

 

CMYK 68 / 0 / 12 / 32

HEX #38AD99

RGB 56 173 153

HSL 169.74, 0.51%, 0.45%

LAB 64.18, -37.12, 0.81

 

CMYK 11 / 67 / 0 / 33

HEX #9838AB

RGB 152 56 171

HSL 290.09, 0.51%, 0.45%

LAB 41.91, 56.03, -43.13

 

CMYK 0 / 65 / 68 / 32

HEX #AD3C38

RGB 173 60 56

HSL 2.05, 0.51%, 0.45%

LAB 41.85, 45.87, 27.62

 

CMYK 57 / 0 / 68 / 32

HEX #4BAD38

RGB 75 173 56

HSL 110.26, 0.51%, 0.45%

LAB 63.07, -50.74, 49.61

 

CMYK 68 / 2 / 0 / 32

HEX #38A9AD

RGB 56 169 173

HSL 182.05, 0.51%, 0.45%

LAB 63.54, -29.62, -11.32

 

CMYK 11 / 67 / 0 / 33

HEX #9838AB

RGB 152 56 171

HSL 290.09, 0.51%, 0.45%

LAB 41.91, 56.03, -43.13

 

CMYK 0 / 45 / 68 / 32

HEX #AD5F38

RGB 173 95 56

HSL 20, 0.51%, 0.45%

LAB 48.7, 28.29, 35.75

 

CMYK 57 / 0 / 68 / 32

HEX #4BAD38

RGB 75 173 56

HSL 110.26, 0.51%, 0.45%

LAB 63.07, -50.74, 49.61

 

CMYK 68 / 23 / 0 / 32

HEX #3886AD

RGB 56 134 173

HSL 200, 0.51%, 0.45%

LAB 52.85, -11.24, -27.62

 

Description

Color code: CMYK 11 / 67 / 0 / 33 | qconv.com Color code: CMYK 11 / 67 / 0 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 56 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 56 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 67 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 67% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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