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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 45 / 0 / 34 it is the complementary color CMYK 35 / 0 / 46 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 45 / 0 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 5 / 43 / 0 / 36, CMYK 5 / 39 / 0 / 29, CMYK 6 / 36 / 0 / 21, CMYK 6 / 33 / 0 / 14 and CMYK 7 / 31 / 0 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 45 / 0 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 11 / 45 / 0 / 34, CMYK 11 / 50 / 0 / 42, CMYK 11 / 56 / 0 / 49, CMYK 11 / 65 / 0 / 56 and CMYK 11 / 77 / 0 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 11 / 45 / 0 / 35, CMYK 0 / 45 / 1 / 35, CMYK 0 / 45 / 13 / 35, CMYK 0 / 45 / 26 / 35 and CMYK 0 / 45 / 38 / 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 11 / 45 / 0 / 35, CMYK 23 / 45 / 0 / 35, CMYK 35 / 45 / 0 / 35 and CMYK 45 / 45 / 0 / 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 11 / 45 / 0 / 34 shade matches the following richer shades: CMYK 11 / 45 / 0 / 35, CMYK 14 / 61 / 0 / 27, CMYK 18 / 75 / 0 / 19, CMYK 21 / 86 / 0 / 11 and CMYK 23 / 96 / 0 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 11 / 45 / 0 / 35, CMYK 5 / 24 / 0 / 42, CMYK 3 / 0 / 4 / 48, CMYK 23 / 0 / 31 / 40 and CMYK 38 / 0 / 50 / 32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 35 / 45 / 0 / 35, CMYK 23 / 45 / 0 / 35, CMYK 11 / 45 / 0 / 35, CMYK 0 / 45 / 1 / 35 and CMYK 0 / 45 / 13 / 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 11 / 46 / 0 / 55, CMYK 11 / 46 / 0 / 44, CMYK 11 / 45 / 0 / 35, CMYK 8 / 34 / 0 / 29 and CMYK 6 / 26 / 0 / 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 11 / 45 / 0 / 34, CMYK 0 / 45 / 43 / 35 and CMYK 45 / 0 / 29 / 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 11 / 45 / 0 / 34, CMYK 0 / 11 / 45 / 35 and CMYK 45 / 0 / 11 / 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 11 / 45 / 0 / 34, CMYK 0 / 45 / 43 / 35, CMYK 34 / 0 / 45 / 35 and CMYK 45 / 0 / 2 / 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 11 / 45 / 0 / 34 shade: CMYK 11 / 45 / 0 / 34, CMYK 0 / 34 / 45 / 35, CMYK 34 / 0 / 45 / 35 and CMYK 45 / 11 / 0 / 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 45 / 0 / 34

HEX #965DA8

RGB 150 93 168

HSL 285.6, 0.3%, 0.51%

LAB 48.44, 36.35, -31.08

 

Complementary color

CMYK 35 / 0 / 46 / 36

HEX #69A257

RGB 105 162 87

HSL 105.6, 0.3%, 0.49%

LAB 61.25, -33.28, 33.12

 

CMYK 5 / 43 / 0 / 36

HEX #9B5DA3

RGB 155 93 163

HSL 293.14, 0.28%, 0.5%

LAB 48.81, 36.86, -27.51

 

CMYK 5 / 39 / 0 / 29

HEX #AC6FB6

RGB 172 111 182

HSL 291.55, 0.33%, 0.57%

LAB 55.6, 36.07, -27.87

 

CMYK 6 / 36 / 0 / 21

HEX #BD81C9

RGB 189 129 201

HSL 290, 0.4%, 0.65%

LAB 62.28, 35.31, -28.19

 

CMYK 6 / 33 / 0 / 14

HEX #CE93DC

RGB 206 147 220

HSL 288.49, 0.51%, 0.72%

LAB 68.86, 34.59, -28.48

 

CMYK 7 / 31 / 0 / 6

HEX #DFA5EF

RGB 223 165 239

HSL 287.03, 0.7%, 0.79%

LAB 75.35, 33.91, -28.77

 

CMYK 11 / 45 / 0 / 34

HEX #965DA8

RGB 150 93 168

HSL 285.6, 0.3%, 0.51%

LAB 48.44, 36.35, -31.08

 

CMYK 11 / 50 / 0 / 42

HEX #854B95

RGB 133 75 149

HSL 287.03, 0.33%, 0.44%

LAB 41.51, 37.16, -30.77

 

CMYK 11 / 56 / 0 / 49

HEX #743982

RGB 116 57 130

HSL 288.49, 0.39%, 0.37%

LAB 34.5, 37.91, -30.37

 

CMYK 11 / 65 / 0 / 56

HEX #63276F

RGB 99 39 111

HSL 290, 0.48%, 0.29%

LAB 27.44, 38.45, -29.74

 

CMYK 11 / 77 / 0 / 64

HEX #52155C

RGB 82 21 92

HSL 291.55, 0.63%, 0.22%

LAB 20.45, 38.36, -28.65

 

CMYK 11 / 45 / 0 / 35

HEX #955CA7

RGB 149 92 167

HSL 285.6, 0.3%, 0.51%

LAB 48.05, 36.39, -31.1

 

CMYK 0 / 45 / 1 / 35

HEX #A75CA5

RGB 167 92 165

HSL 301.6, 0.3%, 0.51%

LAB 50.2, 41.52, -26.41

 

CMYK 0 / 45 / 13 / 35

HEX #A75C91

RGB 167 92 145

HSL 317.6, 0.3%, 0.51%

LAB 49.39, 37.96, -15.84

 

CMYK 0 / 45 / 26 / 35

HEX #A75C7C

RGB 167 92 124

HSL 334.4, 0.3%, 0.51%

LAB 48.67, 34.64, -4.39

 

CMYK 0 / 45 / 38 / 35

HEX #A75C68

RGB 167 92 104

HSL 350.4, 0.3%, 0.51%

LAB 48.09, 31.94, 6.8

 

CMYK 11 / 45 / 0 / 35

HEX #955CA7

RGB 149 92 167

HSL 285.6, 0.3%, 0.51%

LAB 48.05, 36.39, -31.1

 

CMYK 23 / 45 / 0 / 35

HEX #815CA7

RGB 129 92 167

HSL 269.6, 0.3%, 0.51%

LAB 45.79, 30.36, -34.81

 

CMYK 35 / 45 / 0 / 35

HEX #6D5CA7

RGB 109 92 167

HSL 253.6, 0.3%, 0.51%

LAB 43.79, 24.58, -38.09

 

CMYK 45 / 45 / 0 / 35

HEX #5C5CA7

RGB 92 92 167

HSL 240, 0.3%, 0.51%

LAB 42.34, 20.04, -40.49

 

CMYK 11 / 45 / 0 / 35

HEX #955CA7

RGB 149 92 167

HSL 285.6, 0.3%, 0.51%

LAB 48.05, 36.39, -31.1

 

CMYK 14 / 61 / 0 / 27

HEX #A048BB

RGB 160 72 187

HSL 285.91, 0.46%, 0.51%

LAB 46.57, 53.96, -45.05

 

CMYK 18 / 75 / 0 / 19

HEX #AA34CF

RGB 170 52 207

HSL 285.68, 0.62%, 0.51%

LAB 46.32, 68.25, -56.97

 

CMYK 21 / 86 / 0 / 11

HEX #B51FE4

RGB 181 31 228

HSL 285.69, 0.78%, 0.51%

LAB 47.5, 79.65, -66.98

 

CMYK 23 / 96 / 0 / 3

HEX #BF0BF8

RGB 191 11 248

HSL 285.57, 0.94%, 0.51%

LAB 49.61, 87.31, -74.76

 

CMYK 11 / 45 / 0 / 35

HEX #955CA7

RGB 149 92 167

HSL 285.6, 0.3%, 0.51%

LAB 48.05, 36.39, -31.1

 

CMYK 5 / 24 / 0 / 42

HEX #8B7093

RGB 139 112 147

HSL 286.29, 0.14%, 0.51%

LAB 50.9, 17.26, -15.03

 

CMYK 3 / 0 / 4 / 48

HEX #80847F

RGB 128 132 127

HSL 108, 0.02%, 0.51%

LAB 54.68, -2.47, 2.17

 

CMYK 23 / 0 / 31 / 40

HEX #76996A

RGB 118 153 106

HSL 104.68, 0.19%, 0.51%

LAB 59.59, -21.35, 20.88

 

CMYK 38 / 0 / 50 / 32

HEX #6BAD56

RGB 107 173 86

HSL 105.52, 0.35%, 0.51%

LAB 64.71, -37.74, 37.95

 

CMYK 35 / 45 / 0 / 35

HEX #6C5CA7

RGB 108 92 167

HSL 252.8, 0.3%, 0.51%

LAB 43.7, 24.31, -38.24

 

CMYK 23 / 45 / 0 / 35

HEX #805CA7

RGB 128 92 167

HSL 268.8, 0.3%, 0.51%

LAB 45.68, 30.06, -34.99

 

CMYK 11 / 45 / 0 / 35

HEX #945CA7

RGB 148 92 167

HSL 284.8, 0.3%, 0.51%

LAB 47.93, 36.08, -31.3

 

CMYK 0 / 45 / 1 / 35

HEX #A75CA6

RGB 167 92 166

HSL 300.8, 0.3%, 0.51%

LAB 50.24, 41.71, -26.93

 

CMYK 0 / 45 / 13 / 35

HEX #A75C92

RGB 167 92 146

HSL 316.8, 0.3%, 0.51%

LAB 49.43, 38.13, -16.38

 

CMYK 11 / 46 / 0 / 55

HEX #663E73

RGB 102 62 115

HSL 285.28, 0.3%, 0.35%

LAB 32.94, 27.42, -23.59

 

CMYK 11 / 46 / 0 / 44

HEX #7E4C8E

RGB 126 76 142

HSL 285.45, 0.3%, 0.43%

LAB 40.5, 32.93, -28.19

 

CMYK 11 / 45 / 0 / 35

HEX #955CA7

RGB 149 92 167

HSL 285.6, 0.3%, 0.51%

LAB 48.05, 36.39, -31.1

 

CMYK 8 / 34 / 0 / 29

HEX #A677B5

RGB 166 119 181

HSL 285.48, 0.3%, 0.59%

LAB 56.72, 29.48, -25.62

 

CMYK 6 / 26 / 0 / 23

HEX #B892C4

RGB 184 146 196

HSL 285.6, 0.3%, 0.67%

LAB 65.54, 23.26, -20.43

 

CMYK 11 / 45 / 0 / 34

HEX #965DA8

RGB 150 93 168

HSL 285.6, 0.3%, 0.51%

LAB 48.44, 36.35, -31.08

 

CMYK 0 / 45 / 43 / 35

HEX #A75C60

RGB 167 92 96

HSL 356.8, 0.3%, 0.51%

LAB 47.9, 30.99, 11.34

 

CMYK 45 / 0 / 29 / 35

HEX #5CA776

RGB 92 167 118

HSL 140.8, 0.3%, 0.51%

LAB 62.69, -34.53, 18.26

 

CMYK 11 / 45 / 0 / 34

HEX #965DA8

RGB 150 93 168

HSL 285.6, 0.3%, 0.51%

LAB 48.44, 36.35, -31.08

 

CMYK 0 / 11 / 45 / 35

HEX #A7945C

RGB 167 148 92

HSL 44.8, 0.3%, 0.51%

LAB 61.8, -0.84, 32.12

 

CMYK 45 / 0 / 11 / 35

HEX #5CA794

RGB 92 167 148

HSL 164.8, 0.3%, 0.51%

LAB 63.38, -28.01, 2.58

 

CMYK 11 / 45 / 0 / 34

HEX #965DA8

RGB 150 93 168

HSL 285.6, 0.3%, 0.51%

LAB 48.44, 36.35, -31.08

 

CMYK 0 / 45 / 43 / 35

HEX #A75C60

RGB 167 92 96

HSL 356.8, 0.3%, 0.51%

LAB 47.9, 30.99, 11.34

 

CMYK 34 / 0 / 45 / 35

HEX #6FA75C

RGB 111 167 92

HSL 104.8, 0.3%, 0.51%

LAB 63.17, -32.83, 33.01

 

CMYK 45 / 0 / 2 / 35

HEX #5CA7A3

RGB 92 167 163

HSL 176.8, 0.3%, 0.51%

LAB 63.8, -24.28, -5.2

 

CMYK 11 / 45 / 0 / 34

HEX #965DA8

RGB 150 93 168

HSL 285.6, 0.3%, 0.51%

LAB 48.44, 36.35, -31.08

 

CMYK 0 / 34 / 45 / 35

HEX #A76F5C

RGB 167 111 92

HSL 15.2, 0.3%, 0.51%

LAB 52.24, 19.92, 19.64

 

CMYK 34 / 0 / 45 / 35

HEX #6FA75C

RGB 111 167 92

HSL 104.8, 0.3%, 0.51%

LAB 63.17, -32.83, 33.01

 

CMYK 45 / 11 / 0 / 35

HEX #5C94A7

RGB 92 148 167

HSL 195.2, 0.3%, 0.51%

LAB 58.27, -13.23, -15.74

 

Description

Color code: CMYK 11 / 45 / 0 / 34 | qconv.com Color code: CMYK 11 / 45 / 0 / 34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 93 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 93 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 45 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 45% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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