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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 0 / 73 / 45 it is the complementary color CMYK 40 / 47 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 0 / 73 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 7 / 0 / 76 / 45, CMYK 7 / 0 / 67 / 38, CMYK 7 / 0 / 60 / 31, CMYK 7 / 0 / 54 / 24 and CMYK 7 / 0 / 49 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 0 / 73 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 11 / 0 / 73 / 45, CMYK 11 / 0 / 84 / 52, CMYK 13 / 0 / 100 / 59, CMYK 14 / 0 / 100 / 66 and CMYK 16 / 0 / 100 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 11 / 0 / 73 / 45, CMYK 0 / 9 / 73 / 45, CMYK 0 / 29 / 73 / 45, CMYK 0 / 49 / 73 / 45 and CMYK 0 / 68 / 73 / 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 11 / 0 / 73 / 45, CMYK 31 / 0 / 73 / 45, CMYK 50 / 0 / 73 / 45, CMYK 70 / 0 / 73 / 45 and CMYK 73 / 0 / 56 / 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 11 / 0 / 73 / 45 shade matches the following richer shades: CMYK 11 / 0 / 73 / 45, CMYK 12 / 0 / 85 / 40 and CMYK 14 / 0 / 95 / 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 11 / 0 / 73 / 45, CMYK 9 / 0 / 58 / 51, CMYK 6 / 0 / 40 / 56, CMYK 2 / 0 / 16 / 62 and CMYK 13 / 15 / 0 / 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 0 / 29 / 73 / 45, CMYK 0 / 10 / 73 / 45, CMYK 10 / 0 / 73 / 45, CMYK 29 / 0 / 73 / 45 and CMYK 49 / 0 / 73 / 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 11 / 0 / 73 / 71, CMYK 10 / 0 / 73 / 58, CMYK 11 / 0 / 73 / 45, CMYK 10 / 0 / 73 / 33 and CMYK 10 / 0 / 71 / 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 11 / 0 / 73 / 45, CMYK 73 / 0 / 49 / 45 and CMYK 20 / 73 / 0 / 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 11 / 0 / 73 / 45, CMYK 73 / 10 / 0 / 45 and CMYK 0 / 73 / 10 / 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 11 / 0 / 73 / 45, CMYK 73 / 0 / 49 / 45, CMYK 64 / 73 / 0 / 45 and CMYK 0 / 73 / 24 / 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 11 / 0 / 73 / 45 shade: CMYK 11 / 0 / 73 / 45, CMYK 73 / 0 / 27 / 45, CMYK 64 / 73 / 0 / 45 and CMYK 0 / 73 / 46 / 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

Complementary color

CMYK 40 / 47 / 0 / 15

HEX #8273D9

RGB 130 115 217

HSL 248.82, 0.57%, 0.65%

LAB 54.05, 30.22, -50.54

 

CMYK 7 / 0 / 76 / 45

HEX #828C21

RGB 130 140 33

HSL 65.61, 0.62%, 0.34%

LAB 55.7, -17.41, 51.98

 

CMYK 7 / 0 / 67 / 38

HEX #939E34

RGB 147 158 52

HSL 66.23, 0.5%, 0.41%

LAB 62.43, -18.2, 51.79

 

CMYK 7 / 0 / 60 / 31

HEX #A4B047

RGB 164 176 71

HSL 66.86, 0.43%, 0.48%

LAB 69.04, -18.81, 51.05

 

CMYK 7 / 0 / 54 / 24

HEX #B5C25A

RGB 181 194 90

HSL 67.5, 0.46%, 0.56%

LAB 75.54, -19.28, 50.05

 

CMYK 7 / 0 / 49 / 17

HEX #C6D46D

RGB 198 212 109

HSL 68.16, 0.54%, 0.63%

LAB 81.95, -19.65, 48.95

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 11 / 0 / 84 / 52

HEX #6C7A13

RGB 108 122 19

HSL 68.16, 0.73%, 0.28%

LAB 48.45, -18.49, 49.23

 

CMYK 13 / 0 / 100 / 59

HEX #5B6800

RGB 91 104 0

HSL 67.5, 1%, 0.2%

LAB 41.41, -17.36, 47.55

 

CMYK 14 / 0 / 100 / 66

HEX #4A5600

RGB 74 86 0

HSL 68.37, 1%, 0.17%

LAB 34.21, -15.69, 41.56

 

CMYK 16 / 0 / 100 / 73

HEX #394400

RGB 57 68 0

HSL 69.71, 1%, 0.13%

LAB 26.75, -13.97, 35.13

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 0 / 9 / 73 / 45

HEX #8C7F26

RGB 140 127 38

HSL 52.35, 0.57%, 0.35%

LAB 52.83, -5.61, 47.64

 

CMYK 0 / 29 / 73 / 45

HEX #8C6426

RGB 140 100 38

HSL 36.47, 0.57%, 0.35%

LAB 45.4, 9.81, 40.12

 

CMYK 0 / 49 / 73 / 45

HEX #8C4826

RGB 140 72 38

HSL 20, 0.57%, 0.35%

LAB 38.46, 26.01, 32.7

 

CMYK 0 / 68 / 73 / 45

HEX #8C2D26

RGB 140 45 38

HSL 4.12, 0.57%, 0.35%

LAB 33.12, 39.83, 26.65

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 31 / 0 / 73 / 45

HEX #618C26

RGB 97 140 38

HSL 85.29, 0.57%, 0.35%

LAB 53.43, -31.12, 47.14

 

CMYK 50 / 0 / 73 / 45

HEX #468C26

RGB 70 140 38

HSL 101.18, 0.57%, 0.35%

LAB 52.06, -40.78, 45.32

 

CMYK 70 / 0 / 73 / 45

HEX #2A8C26

RGB 42 140 38

HSL 117.65, 0.57%, 0.35%

LAB 51.14, -48.09, 44.07

 

CMYK 73 / 0 / 56 / 45

HEX #268C3D

RGB 38 140 61

HSL 133.53, 0.57%, 0.35%

LAB 51.27, -46.16, 33.64

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 12 / 0 / 85 / 40

HEX #879A17

RGB 135 154 23

HSL 68.7, 0.74%, 0.35%

LAB 60.18, -22.76, 59.09

 

CMYK 14 / 0 / 95 / 34

HEX #91A909

RGB 145 169 9

HSL 69, 0.9%, 0.35%

LAB 65.29, -26.17, 66.07

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 9 / 0 / 58 / 51

HEX #727D34

RGB 114 125 52

HSL 69.04, 0.41%, 0.35%

LAB 50.09, -15.31, 37.7

 

CMYK 6 / 0 / 40 / 56

HEX #686F43

RGB 104 111 67

HSL 69.55, 0.25%, 0.35%

LAB 45.24, -10.35, 23.62

 

CMYK 2 / 0 / 16 / 62

HEX #5E6051

RGB 94 96 81

HSL 68, 0.08%, 0.35%

LAB 40.15, -3.75, 8.31

 

CMYK 13 / 15 / 0 / 62

HEX #545260

RGB 84 82 96

HSL 248.57, 0.08%, 0.35%

LAB 35.53, 3.97, -7.83

 

CMYK 0 / 29 / 73 / 45

HEX #8C6326

RGB 140 99 38

HSL 35.88, 0.57%, 0.35%

LAB 45.14, 10.4, 39.84

 

CMYK 0 / 10 / 73 / 45

HEX #8C7E26

RGB 140 126 38

HSL 51.76, 0.57%, 0.35%

LAB 52.55, -5.05, 47.36

 

CMYK 10 / 0 / 73 / 45

HEX #7E8C26

RGB 126 140 38

HSL 68.24, 0.57%, 0.35%

LAB 55.41, -18.93, 49.78

 

CMYK 29 / 0 / 73 / 45

HEX #638C26

RGB 99 140 38

HSL 84.12, 0.57%, 0.35%

LAB 53.54, -30.32, 47.3

 

CMYK 49 / 0 / 73 / 45

HEX #488C26

RGB 72 140 38

HSL 100, 0.57%, 0.35%

LAB 52.15, -40.14, 45.43

 

CMYK 11 / 0 / 73 / 71

HEX #434B14

RGB 67 75 20

HSL 68.73, 0.58%, 0.19%

LAB 30.1, -11.89, 30.37

 

CMYK 10 / 0 / 73 / 58

HEX #606B1D

RGB 96 107 29

HSL 68.46, 0.57%, 0.27%

LAB 42.9, -15.47, 40.18

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 10 / 0 / 73 / 33

HEX #9AAC2F

RGB 154 172 47

HSL 68.64, 0.57%, 0.43%

LAB 66.96, -22.57, 58.43

 

CMYK 10 / 0 / 71 / 21

HEX #B4C93B

RGB 180 201 59

HSL 68.87, 0.57%, 0.51%

LAB 77.16, -25.29, 64.73

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 73 / 0 / 49 / 45

HEX #268C48

RGB 38 140 72

HSL 140, 0.57%, 0.35%

LAB 51.42, -44.42, 28.1

 

CMYK 20 / 73 / 0 / 45

HEX #70268C

RGB 112 38 140

HSL 283.53, 0.57%, 0.35%

LAB 31.17, 48.26, -41.9

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 73 / 10 / 0 / 45

HEX #267E8C

RGB 38 126 140

HSL 188.24, 0.57%, 0.35%

LAB 48.55, -20.64, -15.06

 

CMYK 0 / 73 / 10 / 45

HEX #8C267E

RGB 140 38 126

HSL 308.24, 0.57%, 0.35%

LAB 34.94, 52.27, -26.93

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 73 / 0 / 49 / 45

HEX #268C48

RGB 38 140 72

HSL 140, 0.57%, 0.35%

LAB 51.42, -44.42, 28.1

 

CMYK 64 / 73 / 0 / 45

HEX #33268C

RGB 51 38 140

HSL 247.65, 0.57%, 0.35%

LAB 23.62, 36.72, -54.52

 

CMYK 0 / 73 / 24 / 45

HEX #8C266A

RGB 140 38 106

HSL 320, 0.57%, 0.35%

LAB 33.99, 49.28, -15.8

 

CMYK 11 / 0 / 73 / 45

HEX #7D8C26

RGB 125 140 38

HSL 68.82, 0.57%, 0.35%

LAB 55.34, -19.36, 49.67

 

CMYK 73 / 0 / 27 / 45

HEX #268C66

RGB 38 140 102

HSL 157.65, 0.57%, 0.35%

LAB 51.98, -38.24, 12.13

 

CMYK 64 / 73 / 0 / 45

HEX #33268C

RGB 51 38 140

HSL 247.65, 0.57%, 0.35%

LAB 23.62, 36.72, -54.52

 

CMYK 0 / 73 / 46 / 45

HEX #8C264B

RGB 140 38 75

HSL 338.24, 0.57%, 0.35%

LAB 32.85, 45.57, 2.52

 

Description

Color code: CMYK 11 / 0 / 73 / 45 | qconv.com Color code: CMYK 11 / 0 / 73 / 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 140 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 140 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 73 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 73% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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