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Color name
CMYK 10 / 71 / 0 / 22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 71 / 0 / 22 it is the complementary color CMYK 61 / 0 / 72 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 71 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 5 / 70 / 0 / 24, CMYK 6 / 64 / 0 / 16, CMYK 6 / 59 / 0 / 9, CMYK 6 / 55 / 0 / 2 and CMYK 1 / 49 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 71 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 10 / 71 / 0 / 22, CMYK 10 / 78 / 0 / 29, CMYK 10 / 86 / 0 / 37, CMYK 10 / 97 / 0 / 44 and CMYK 10 / 100 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 10 / 72 / 0 / 22, CMYK 0 / 72 / 9 / 22, CMYK 0 / 72 / 28 / 22, CMYK 0 / 72 / 48 / 22 and CMYK 0 / 72 / 67 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 10 / 72 / 0 / 22, CMYK 29 / 72 / 0 / 22, CMYK 49 / 72 / 0 / 22, CMYK 68 / 72 / 0 / 22 and CMYK 72 / 72 / 0 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 10 / 71 / 0 / 22 shade matches the following richer shades: CMYK 10 / 72 / 0 / 22, CMYK 12 / 84 / 0 / 14 and CMYK 13 / 94 / 0 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 10 / 72 / 0 / 22, CMYK 8 / 57 / 0 / 30, CMYK 5 / 38 / 0 / 38, CMYK 2 / 15 / 0 / 46 and CMYK 14 / 0 / 16 / 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 49 / 72 / 0 / 22, CMYK 30 / 72 / 0 / 22, CMYK 11 / 72 / 0 / 22, CMYK 0 / 72 / 8 / 22 and CMYK 0 / 72 / 27 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 10 / 72 / 0 / 47, CMYK 10 / 72 / 0 / 35, CMYK 10 / 72 / 0 / 22, CMYK 8 / 57 / 0 / 19 and CMYK 6 / 45 / 0 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 10 / 71 / 0 / 22, CMYK 0 / 68 / 72 / 22 and CMYK 72 / 0 / 39 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 10 / 71 / 0 / 22, CMYK 0 / 11 / 72 / 22 and CMYK 72 / 0 / 11 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 10 / 71 / 0 / 22, CMYK 0 / 68 / 72 / 22, CMYK 61 / 0 / 72 / 22 and CMYK 72 / 4 / 0 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 10 / 71 / 0 / 22 shade: CMYK 10 / 71 / 0 / 22, CMYK 0 / 46 / 72 / 22, CMYK 61 / 0 / 72 / 22 and CMYK 72 / 25 / 0 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 71 / 0 / 22

HEX #B33AC7

RGB 179 58 199

HSL 291.49, 0.56%, 0.5%

LAB 47.92, 66.46, -49.7

 

Complementary color

CMYK 61 / 0 / 72 / 23

HEX #4CC538

RGB 76 197 56

HSL 111.49, 0.56%, 0.5%

LAB 70.7, -59.18, 57.61

 

CMYK 5 / 70 / 0 / 24

HEX #B83AC2

RGB 184 58 194

HSL 295.59, 0.54%, 0.49%

LAB 48.4, 66.65, -46

 

CMYK 6 / 64 / 0 / 16

HEX #C94CD5

RGB 201 76 213

HSL 294.74, 0.62%, 0.57%

LAB 54.44, 66.92, -47.16

 

CMYK 6 / 59 / 0 / 9

HEX #DA5EE8

RGB 218 94 232

HSL 293.91, 0.75%, 0.64%

LAB 60.55, 66.78, -48.03

 

CMYK 6 / 55 / 0 / 2

HEX #EB70FB

RGB 235 112 251

HSL 293.09, 0.95%, 0.71%

LAB 66.68, 66.4, -48.7

 

CMYK 1 / 49 / 0 / 0

HEX #FC82FF

RGB 252 130 255

HSL 298.56, 1%, 0.75%

LAB 72.15, 63.21, -42.16

 

CMYK 10 / 71 / 0 / 22

HEX #B33AC7

RGB 179 58 199

HSL 291.49, 0.56%, 0.5%

LAB 47.92, 66.46, -49.7

 

CMYK 10 / 78 / 0 / 29

HEX #A228B4

RGB 162 40 180

HSL 292.29, 0.64%, 0.43%

LAB 41.99, 65.62, -48.25

 

CMYK 10 / 86 / 0 / 37

HEX #9116A1

RGB 145 22 161

HSL 293.09, 0.76%, 0.36%

LAB 36.3, 63.78, -46.19

 

CMYK 10 / 97 / 0 / 44

HEX #80048E

RGB 128 4 142

HSL 293.91, 0.95%, 0.29%

LAB 30.95, 60.61, -43.36

 

CMYK 10 / 100 / 0 / 52

HEX #6F007B

RGB 111 0 123

HSL 294.15, 1%, 0.24%

LAB 26.19, 55.23, -39.29

 

CMYK 10 / 72 / 0 / 22

HEX #B238C6

RGB 178 56 198

HSL 291.55, 0.56%, 0.5%

LAB 47.46, 66.79, -49.88

 

CMYK 0 / 72 / 9 / 22

HEX #C638B4

RGB 198 56 180

HSL 307.61, 0.56%, 0.5%

LAB 49.65, 68.23, -35.72

 

CMYK 0 / 72 / 28 / 22

HEX #C6388E

RGB 198 56 142

HSL 323.66, 0.56%, 0.5%

LAB 47.99, 63.03, -15.74

 

CMYK 0 / 72 / 48 / 22

HEX #C63867

RGB 198 56 103

HSL 340.14, 0.56%, 0.5%

LAB 46.73, 58.91, 6.13

 

CMYK 0 / 72 / 67 / 22

HEX #C63841

RGB 198 56 65

HSL 356.2, 0.56%, 0.5%

LAB 45.93, 56.21, 28.27

 

CMYK 10 / 72 / 0 / 22

HEX #B238C6

RGB 178 56 198

HSL 291.55, 0.56%, 0.5%

LAB 47.46, 66.79, -49.88

 

CMYK 29 / 72 / 0 / 22

HEX #8C38C6

RGB 140 56 198

HSL 275.49, 0.56%, 0.5%

LAB 41.97, 59.07, -59

 

CMYK 49 / 72 / 0 / 22

HEX #6538C6

RGB 101 56 198

HSL 259.01, 0.56%, 0.5%

LAB 37.25, 52.05, -66.89

 

CMYK 68 / 72 / 0 / 22

HEX #3F38C6

RGB 63 56 198

HSL 242.96, 0.56%, 0.5%

LAB 33.9, 46.78, -72.51

 

CMYK 72 / 72 / 0 / 22

HEX #3838C6

RGB 56 56 198

HSL 240, 0.56%, 0.5%

LAB 33.45, 46.04, -73.27

 

CMYK 10 / 72 / 0 / 22

HEX #B238C6

RGB 178 56 198

HSL 291.55, 0.56%, 0.5%

LAB 47.46, 66.79, -49.88

 

CMYK 12 / 84 / 0 / 14

HEX #C123DB

RGB 193 35 219

HSL 291.52, 0.72%, 0.5%

LAB 49.07, 79.18, -59.23

 

CMYK 13 / 94 / 0 / 6

HEX #D00EF0

RGB 208 14 240

HSL 291.5, 0.89%, 0.5%

LAB 51.85, 88.05, -66.51

 

CMYK 10 / 72 / 0 / 22

HEX #B238C6

RGB 178 56 198

HSL 291.55, 0.56%, 0.5%

LAB 47.46, 66.79, -49.88

 

CMYK 8 / 57 / 0 / 30

HEX #A34CB2

RGB 163 76 178

HSL 291.18, 0.4%, 0.5%

LAB 47.2, 51.03, -38.77

 

CMYK 5 / 38 / 0 / 38

HEX #95619D

RGB 149 97 157

HSL 292, 0.24%, 0.5%

LAB 48.73, 31.47, -24.16

 

CMYK 2 / 15 / 0 / 46

HEX #867589

RGB 134 117 137

HSL 291, 0.08%, 0.5%

LAB 51.38, 10.44, -8.48

 

CMYK 14 / 0 / 16 / 46

HEX #778A74

RGB 119 138 116

HSL 111.82, 0.09%, 0.5%

LAB 55.44, -11.29, 9.51

 

CMYK 49 / 72 / 0 / 22

HEX #6538C6

RGB 101 56 198

HSL 259.01, 0.56%, 0.5%

LAB 37.25, 52.05, -66.89

 

CMYK 30 / 72 / 0 / 22

HEX #8B38C6

RGB 139 56 198

HSL 275.07, 0.56%, 0.5%

LAB 41.84, 58.88, -59.22

 

CMYK 11 / 72 / 0 / 22

HEX #B138C6

RGB 177 56 198

HSL 291.13, 0.56%, 0.5%

LAB 47.3, 66.58, -50.13

 

CMYK 0 / 72 / 8 / 22

HEX #C638B6

RGB 198 56 182

HSL 306.76, 0.56%, 0.5%

LAB 49.75, 68.53, -36.73

 

CMYK 0 / 72 / 27 / 22

HEX #C63890

RGB 198 56 144

HSL 322.82, 0.56%, 0.5%

LAB 48.07, 63.28, -16.83

 

CMYK 10 / 72 / 0 / 47

HEX #782586

RGB 120 37 134

HSL 291.34, 0.57%, 0.34%

LAB 31.89, 49.26, -36.96

 

CMYK 10 / 72 / 0 / 35

HEX #952FA6

RGB 149 47 166

HSL 291.43, 0.56%, 0.42%

LAB 39.87, 58, -43.43

 

CMYK 10 / 72 / 0 / 22

HEX #B238C6

RGB 178 56 198

HSL 291.55, 0.56%, 0.5%

LAB 47.46, 66.79, -49.88

 

CMYK 8 / 57 / 0 / 19

HEX #BF58CF

RGB 191 88 207

HSL 291.93, 0.55%, 0.58%

LAB 54.62, 58.18, -43.55

 

CMYK 6 / 45 / 0 / 15

HEX #CB78D9

RGB 203 120 217

HSL 291.34, 0.56%, 0.66%

LAB 62.62, 47.51, -36.51

 

CMYK 10 / 71 / 0 / 22

HEX #B33AC7

RGB 179 58 199

HSL 291.49, 0.56%, 0.5%

LAB 47.92, 66.46, -49.7

 

CMYK 0 / 68 / 72 / 22

HEX #C63F38

RGB 198 63 56

HSL 2.96, 0.56%, 0.5%

LAB 46.77, 53.09, 34.56

 

CMYK 72 / 0 / 39 / 22

HEX #38C678

RGB 56 198 120

HSL 147.04, 0.56%, 0.5%

LAB 71.27, -54.9, 28.56

 

CMYK 10 / 71 / 0 / 22

HEX #B33AC7

RGB 179 58 199

HSL 291.49, 0.56%, 0.5%

LAB 47.92, 66.46, -49.7

 

CMYK 0 / 11 / 72 / 22

HEX #C6B138

RGB 198 177 56

HSL 51.13, 0.56%, 0.5%

LAB 72.05, -5.7, 61.31

 

CMYK 72 / 0 / 11 / 22

HEX #38C6B1

RGB 56 198 177

HSL 171.13, 0.56%, 0.5%

LAB 72.5, -41.93, -0.26

 

CMYK 10 / 71 / 0 / 22

HEX #B33AC7

RGB 179 58 199

HSL 291.49, 0.56%, 0.5%

LAB 47.92, 66.46, -49.7

 

CMYK 0 / 68 / 72 / 22

HEX #C63F38

RGB 198 63 56

HSL 2.96, 0.56%, 0.5%

LAB 46.77, 53.09, 34.56

 

CMYK 61 / 0 / 72 / 22

HEX #4DC638

RGB 77 198 56

HSL 111.13, 0.56%, 0.5%

LAB 71.04, -59.3, 57.97

 

CMYK 72 / 4 / 0 / 22

HEX #38BFC6

RGB 56 191 198

HSL 182.96, 0.56%, 0.5%

LAB 70.99, -32.83, -13.94

 

CMYK 10 / 71 / 0 / 22

HEX #B33AC7

RGB 179 58 199

HSL 291.49, 0.56%, 0.5%

LAB 47.92, 66.46, -49.7

 

CMYK 0 / 46 / 72 / 22

HEX #C66A38

RGB 198 106 56

HSL 21.13, 0.56%, 0.5%

LAB 54.66, 32.65, 43.39

 

CMYK 61 / 0 / 72 / 22

HEX #4DC638

RGB 77 198 56

HSL 111.13, 0.56%, 0.5%

LAB 71.04, -59.3, 57.97

 

CMYK 72 / 25 / 0 / 22

HEX #3894C6

RGB 56 148 198

HSL 201.13, 0.56%, 0.5%

LAB 58.13, -10.62, -33.64

 

Description

Color code: CMYK 10 / 71 / 0 / 22 | qconv.com Color code: CMYK 10 / 71 / 0 / 22 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 58 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 58 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 71 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 71% 0% 22% C M Y K

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Provide designers and agencies with accurate color values.

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