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Color name
CMYK 0 / 39 / 72 / 22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 39 / 72 / 22 it is the complementary color CMYK 72 / 33 / 0 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 39 / 72 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 41 / 75 / 20, CMYK 0 / 37 / 68 / 13, CMYK 0 / 34 / 63 / 7, CMYK 0 / 31 / 58 / 0 and CMYK 0 / 24 / 50 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 39 / 72 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 39 / 72 / 22, CMYK 0 / 43 / 80 / 29, CMYK 0 / 48 / 89 / 35, CMYK 0 / 55 / 100 / 42 and CMYK 0 / 63 / 100 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 39 / 72 / 22, CMYK 0 / 59 / 72 / 22 and CMYK 0 / 72 / 72 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 39 / 72 / 22, CMYK 0 / 20 / 72 / 22, CMYK 0 / 0 / 72 / 22, CMYK 19 / 0 / 72 / 22 and CMYK 38 / 0 / 72 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 39 / 72 / 22 shade matches the following richer shades: CMYK 0 / 39 / 72 / 22, CMYK 0 / 46 / 84 / 14 and CMYK 0 / 51 / 94 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 39 / 72 / 22, CMYK 0 / 31 / 57 / 30, CMYK 0 / 21 / 38 / 38, CMYK 0 / 8 / 15 / 46 and CMYK 16 / 7 / 0 / 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 72 / 66 / 22, CMYK 0 / 59 / 72 / 22, CMYK 0 / 39 / 72 / 22, CMYK 0 / 20 / 72 / 22 and CMYK 0 / 1 / 72 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 40 / 72 / 47, CMYK 0 / 39 / 72 / 35, CMYK 0 / 39 / 72 / 22, CMYK 0 / 31 / 57 / 19 and CMYK 0 / 24 / 45 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 39 / 72 / 22, CMYK 46 / 0 / 72 / 22 and CMYK 68 / 72 / 0 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 39 / 72 / 22, CMYK 72 / 0 / 39 / 22 and CMYK 39 / 72 / 0 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 39 / 72 / 22, CMYK 46 / 0 / 72 / 22, CMYK 72 / 32 / 0 / 22 and CMYK 25 / 72 / 0 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 39 / 72 / 22 shade: CMYK 0 / 39 / 72 / 22, CMYK 68 / 0 / 72 / 22, CMYK 72 / 32 / 0 / 22 and CMYK 4 / 72 / 0 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 72 / 22

HEX #C77938

RGB 199 121 56

HSL 27.27, 0.56%, 0.5%

LAB 58.13, 25.02, 47.17

 

Complementary color

CMYK 72 / 33 / 0 / 22

HEX #3886C7

RGB 56 134 199

HSL 207.27, 0.56%, 0.5%

LAB 54.04, -2.23, -40.62

 

CMYK 0 / 41 / 75 / 20

HEX #CC7933

RGB 204 121 51

HSL 27.45, 0.6%, 0.5%

LAB 58.74, 26.88, 50.34

 

CMYK 0 / 37 / 68 / 13

HEX #DD8B46

RGB 221 139 70

HSL 27.42, 0.69%, 0.57%

LAB 65.18, 25.25, 48.86

 

CMYK 0 / 34 / 63 / 7

HEX #EE9D59

RGB 238 157 89

HSL 27.38, 0.81%, 0.64%

LAB 71.56, 23.82, 47.3

 

CMYK 0 / 31 / 58 / 0

HEX #FFAF6C

RGB 255 175 108

HSL 27.35, 1%, 0.71%

LAB 77.88, 22.55, 45.77

 

CMYK 0 / 24 / 50 / 0

HEX #FFC17F

RGB 255 193 127

HSL 30.94, 1%, 0.75%

LAB 82.34, 14.68, 41.68

 

CMYK 0 / 39 / 72 / 22

HEX #C77938

RGB 199 121 56

HSL 27.27, 0.56%, 0.5%

LAB 58.13, 25.02, 47.17

 

CMYK 0 / 43 / 80 / 29

HEX #B66725

RGB 182 103 37

HSL 27.31, 0.66%, 0.43%

LAB 51.59, 26.78, 48.54

 

CMYK 0 / 48 / 89 / 35

HEX #A55512

RGB 165 85 18

HSL 27.35, 0.8%, 0.36%

LAB 45, 28.79, 49.22

 

CMYK 0 / 55 / 100 / 42

HEX #944300

RGB 148 67 0

HSL 27.16, 1%, 0.29%

LAB 38.39, 30.98, 48.78

 

CMYK 0 / 63 / 100 / 49

HEX #833100

RGB 131 49 0

HSL 22.44, 1%, 0.26%

LAB 31.86, 33.32, 43.42

 

CMYK 0 / 39 / 72 / 22

HEX #C67938

RGB 198 121 56

HSL 27.46, 0.56%, 0.5%

LAB 58, 24.59, 46.99

 

CMYK 0 / 59 / 72 / 22

HEX #C65238

RGB 198 82 56

HSL 10.99, 0.56%, 0.5%

LAB 49.89, 44.76, 38.11

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 39 / 72 / 22

HEX #C67938

RGB 198 121 56

HSL 27.46, 0.56%, 0.5%

LAB 58, 24.59, 46.99

 

CMYK 0 / 20 / 72 / 22

HEX #C69F38

RGB 198 159 56

HSL 43.52, 0.56%, 0.5%

LAB 67.34, 3.86, 56.63

 

CMYK 0 / 0 / 72 / 22

HEX #C6C638

RGB 198 198 56

HSL 60, 0.56%, 0.5%

LAB 77.69, -16.45, 66.77

 

CMYK 19 / 0 / 72 / 22

HEX #A1C638

RGB 161 198 56

HSL 75.63, 0.56%, 0.5%

LAB 74.98, -31.73, 63.22

 

CMYK 38 / 0 / 72 / 22

HEX #7AC638

RGB 122 198 56

HSL 92.11, 0.56%, 0.5%

LAB 72.77, -46.27, 60.28

 

CMYK 0 / 39 / 72 / 22

HEX #C67938

RGB 198 121 56

HSL 27.46, 0.56%, 0.5%

LAB 58, 24.59, 46.99

 

CMYK 0 / 46 / 84 / 14

HEX #DB7723

RGB 219 119 35

HSL 27.39, 0.72%, 0.5%

LAB 60.23, 33.58, 59.03

 

CMYK 0 / 51 / 94 / 6

HEX #F0750E

RGB 240 117 14

HSL 27.35, 0.89%, 0.5%

LAB 62.74, 42.56, 68.08

 

CMYK 0 / 39 / 72 / 22

HEX #C67938

RGB 198 121 56

HSL 27.46, 0.56%, 0.5%

LAB 58, 24.59, 46.99

 

CMYK 0 / 31 / 57 / 30

HEX #B27A4C

RGB 178 122 76

HSL 27.06, 0.4%, 0.5%

LAB 55.99, 16.84, 33.75

 

CMYK 0 / 21 / 38 / 38

HEX #9D7C61

RGB 157 124 97

HSL 27, 0.24%, 0.5%

LAB 54.5, 8.92, 19.61

 

CMYK 0 / 8 / 15 / 46

HEX #897E75

RGB 137 126 117

HSL 27, 0.08%, 0.5%

LAB 53.52, 2.57, 6.4

 

CMYK 16 / 7 / 0 / 46

HEX #74808A

RGB 116 128 138

HSL 207.27, 0.09%, 0.5%

LAB 52.93, -2.19, -6.9

 

CMYK 0 / 72 / 66 / 22

HEX #C63843

RGB 198 56 67

HSL 355.35, 0.56%, 0.5%

LAB 45.96, 56.32, 27.11

 

CMYK 0 / 59 / 72 / 22

HEX #C65238

RGB 198 82 56

HSL 10.99, 0.56%, 0.5%

LAB 49.89, 44.76, 38.11

 

CMYK 0 / 39 / 72 / 22

HEX #C67838

RGB 198 120 56

HSL 27.04, 0.56%, 0.5%

LAB 57.77, 25.14, 46.74

 

CMYK 0 / 20 / 72 / 22

HEX #C69E38

RGB 198 158 56

HSL 43.1, 0.56%, 0.5%

LAB 67.09, 4.4, 56.37

 

CMYK 0 / 1 / 72 / 22

HEX #C6C438

RGB 198 196 56

HSL 59.15, 0.56%, 0.5%

LAB 77.14, -15.45, 66.25

 

CMYK 0 / 40 / 72 / 47

HEX #865125

RGB 134 81 37

HSL 27.22, 0.57%, 0.34%

LAB 39.73, 18.13, 34.36

 

CMYK 0 / 39 / 72 / 35

HEX #A6652F

RGB 166 101 47

HSL 27.23, 0.56%, 0.42%

LAB 49.03, 21.45, 40.56

 

CMYK 0 / 39 / 72 / 22

HEX #C67938

RGB 198 121 56

HSL 27.46, 0.56%, 0.5%

LAB 58, 24.59, 46.99

 

CMYK 0 / 31 / 57 / 19

HEX #CF8E58

RGB 207 142 88

HSL 27.23, 0.55%, 0.58%

LAB 64.42, 19.01, 38.42

 

CMYK 0 / 24 / 45 / 15

HEX #D9A478

RGB 217 164 120

HSL 27.22, 0.56%, 0.66%

LAB 71.32, 14.12, 30.39

 

CMYK 0 / 39 / 72 / 22

HEX #C77938

RGB 199 121 56

HSL 27.27, 0.56%, 0.5%

LAB 58.13, 25.02, 47.17

 

CMYK 46 / 0 / 72 / 22

HEX #6AC638

RGB 106 198 56

HSL 98.87, 0.56%, 0.5%

LAB 72.05, -51.46, 59.33

 

CMYK 68 / 72 / 0 / 22

HEX #3F38C6

RGB 63 56 198

HSL 242.96, 0.56%, 0.5%

LAB 33.9, 46.78, -72.51

 

CMYK 0 / 39 / 72 / 22

HEX #C77938

RGB 199 121 56

HSL 27.27, 0.56%, 0.5%

LAB 58.13, 25.02, 47.17

 

CMYK 72 / 0 / 39 / 22

HEX #38C678

RGB 56 198 120

HSL 147.04, 0.56%, 0.5%

LAB 71.27, -54.9, 28.56

 

CMYK 39 / 72 / 0 / 22

HEX #7838C6

RGB 120 56 198

HSL 267.04, 0.56%, 0.5%

LAB 39.41, 55.32, -63.27

 

CMYK 0 / 39 / 72 / 22

HEX #C77938

RGB 199 121 56

HSL 27.27, 0.56%, 0.5%

LAB 58.13, 25.02, 47.17

 

CMYK 46 / 0 / 72 / 22

HEX #6AC638

RGB 106 198 56

HSL 98.87, 0.56%, 0.5%

LAB 72.05, -51.46, 59.33

 

CMYK 72 / 32 / 0 / 22

HEX #3886C6

RGB 56 134 198

HSL 207.04, 0.56%, 0.5%

LAB 53.99, -2.58, -40.13

 

CMYK 25 / 72 / 0 / 22

HEX #9438C6

RGB 148 56 198

HSL 278.87, 0.56%, 0.5%

LAB 43.07, 60.65, -57.17

 

CMYK 0 / 39 / 72 / 22

HEX #C77938

RGB 199 121 56

HSL 27.27, 0.56%, 0.5%

LAB 58.13, 25.02, 47.17

 

CMYK 68 / 0 / 72 / 22

HEX #3FC638

RGB 63 198 56

HSL 117.04, 0.56%, 0.5%

LAB 70.68, -62.25, 57.49

 

CMYK 72 / 32 / 0 / 22

HEX #3886C6

RGB 56 134 198

HSL 207.04, 0.56%, 0.5%

LAB 53.99, -2.58, -40.13

 

CMYK 4 / 72 / 0 / 22

HEX #BF38C6

RGB 191 56 198

HSL 297.04, 0.56%, 0.5%

LAB 49.47, 69.54, -46.54

 

Description

Color code: CMYK 0 / 39 / 72 / 22 | qconv.com Color code: CMYK 0 / 39 / 72 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 121 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 121 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 72 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 72% 22% C M Y K

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Provide designers and agencies with accurate color values.

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